This thesis involves a class-based literary criticism of working-class women s writing. I particularly focus on a selection of novels by three working-class women writers - Livi Michael, Caeia March and Joan Riley. Their work emerged in the 1980s, the era of Thatcherism, which is a definitive period in British history that spawned a renaissance of working-class literature. In my readings of the novels I look at three specific aspects of identity: gender, sexuality and race with the intersection of social class, to examine how issues of economic positioning impinge further on the experience of respectively being a woman, a lesbian and a black woman in contemporary British society. I also appropriate various feminist theories to argue for the continued relevance of social class in structuring women s lives in late capitalism. Working-class writing in general, and working-class women s writing in particular, has historically been under-represented in academic study, so that by highlighting the work of these three lesser known writers, and by indicating that they are worthy of study, this thesis is also complicit in an act of feminist historiography.

I began my inquiry into women's lawbreaking from a disquiet between what I "knew" from academic feminist accounts and what I "saw" as a worker. My understanding of women's lawbreaking came from a distorted representation of women lawbreakers as victims produced by academic feminist scholarship. This distorted representation came from a feminist practice of emphasizing women's victimhood as an explanatory framework. As a result, women have been rendered 'victims' - a representation that relies on women's object, rather than subject, status. Further, this distorted 'victim' representation fails to examine the way women can, and do, negotiate 'structures' to shape their own lives. As a result of my disquiet, I began to ask what is it about victimization that contributes to women's lawbreaking? I adapted Dorothy Smith's method of inquiry to develop a method which includes women's agency and yet retains feminist insights into economic and cultural gender inequities. This method allows one to understand agency in the context of victimization and its entanglement with lawbreaking by understanding the dialectic nature of social interaction. This dialectic understanding of action is important because we can examine not only what things come into view as structural or institutional processes, but also see more clearly the undercurrent of resistance and survival so relevant to feminism. Further, this method looks at women's lawbreaking differently - it captures women's agency as a counter-discourse to existing feminist discourses of victimization. A small research study was conducted for this thesis. Nine women were interviewed about their lives growing up and their experiences with lawbreaking. From this data, three areas were explored: "invalidation", "addiction" and "negotiation". The analysis of these themes explores, and then maps out, courses of women's lawbreaking action and how those courses are coordinated by the ruling relations. This project aims to contribute to feminist scholarship on women's courses of lawbreaking action by offering Smith's method of inquiry as a way to capture both women's agency and how that is coordinated by the organizational and social relations of ruling.

Violence against women, especially wife abuse, is a social problem that exists in almost every country in the world. China is no exception. Statistics show that wife abuse in present-day China is prevalent and serious. However, this social problem was largely invisible until the early 1990s. At present, it is still not recognized at the official level and there has been no systematic in-depth research on it to date. North American feminists have long realized the seriousness of this issue and have since done a great deal of research with respect to the causes, prevalence and control of wife abuse. Their perspectives reflect the social reality in North American countries, but are they useful for other countries? This thesis tries to explore a feminist approach to the analysis of violence against women in the home in China's context, especially the lack of political will, which inevitably results in the failure of the criminal justice system to enforce the laws against wife abuse. The thesis tries to prove that violence against women in the home is a serious social problem in China that must be recognized and dealt with effectively. In order to control it, a sincere political commitment to deal with the problem is of paramount importance. The joint efforts of all social sectors, the criminal justice system in particular, are vital to guarantee gender equality in the private sphere. The thesis considers western feminist theories with respect to violence against women in the home as a gendered issue and the impact of feminist perspectives on controlling wife battery in western countries; investigates the dimensions and causes of wife abuse in China, demonstrating that this abuse is an unrecognized but serious social problem in China; explores the existing legislative protection of crime victims in China; analyzes the existing problems with the criminal justice system with respect to providing assistance to battered wives; discusses various reasons why the criminal justice system fails battered women in China, including the factors of state policy, women's federations, patriarchal ideology, mass media and social indifference, and gives suggestions on how to prevent and control spousal assault.

I am baffled each time someone asks me, “Who is Jessie Fauset?” As I delved into critical work written on Fauset, I found her critics dismissed her work because they read them as bad fairytales that showcase the lives of middle-class Blacks. I respectfully disagree. It is true that her novels concentrate on the Black middle-class; they also focus on the realities of Black women, at a time when they were branching out of their homes and starting careers, not out of financial necessity but arising from their desire for working. They establish the start of what Patricia Hill Collins later coined “Black feminism” through strong female characters that refuse to be defined by society. This thesis seeks to add Jessie Fauset to the canon of Black feminists by using Collins’ theories on Black feminism to analyze Fauset’s first two novels, There Is Confusion and Plum Bun.

This thesis advances a feminist critique of Canadian legal responses to disputes over frozen in vitro embryos and embryo donor anonymity. It argues that current laws that provide spouses or partners with joint control over the use and disposition of embryos created from their genetic materials, that mandate the creation of agreements setting out these parties intentions in the event of a disagreement or divorce and that protect donor anonymity without providing mechanisms to allow donors, recipients and donor offspring to voluntarily exchange information do not adequately account for the lived experiences of women who undergo in vitro fertilization treatment or who serve as embryo donors. This thesis provides recommendations for how Canadian laws and policies might better support the express objectives and intentions of Canadian federal and provincial statutes to protect the rights, interests and health of women who seek to build their families through assisted reproductive technologies.

No abstract available. / Thesis (M.Th.)-University of Natal, Pietermaritzburg, 1998.

This dissertation explores postcolonial fiction that reflects the structural situation of a genocidal number of third-world women who are being trafficked for sexual purposes from postcolonial countries into the global north—invariably, gender, class and race play a crucial role in their exploitation. Above all, these women share a systemic disposability and invisibility, as the business relies on the victim’s illegality and criminality to generate maximum revenues. My research suggests that the presence of these abject women is not only recognized by ideological and repressive state apparatuses on every side of the trafficking scheme (in the form of governments, military establishments, juridical systems, transnational corporations, etc.) but is also understood as necessary for the current neoliberal model to thrive undisturbed by ethical imperatives. Beginning with the turn of the twentieth century, then, I analyze sexual slavery transnationally by looking at James Joyce’s “Eveline,” Therese Park’s A Gift of the Emperor, Mahasweta Devi’s “Douloti the Bountiful,” Amma Darko’s Beyond the Horizon, Chris Abani’s Becoming Abigail, and Roberto Bolaño’s 2666, concentrating on the political, economic, and social discourses in which the narratives are immersed through the lens of Marxist, feminist, and postcolonial theory. By interrogating these postcolonial narratives, my project reexamines the sex slave-trafficker-consumer triad in order to determine the effect of each party’s presence or absence from the text and the implications in terms of the discourses their representations may tacitly legitimize. At the same time, this work investigates the type of postcolonial stories the West privileges and the reasons, and the subjective role postcolonial theory plays in overcoming subaltern women’s exploitation within the current neocolonial context. Overall, I interrogate the role postcolonial literature plays as a means of achieving (or not) social change, analyze the purpose of artists in representing exploitative situations, identify the type of engagement readers have with these characters, and seek to understand audiences’ response to such literature. I look at authors who have attempted to discover fruitful avenues of expression for third-world women, who, despite increasingly constituting the bulk of the work force worldwide, continue to be exploited and, in the case of sex trafficking, brutally violated.

The development of pre-conception and post-conception reproductive technologies has substantial implications and consequences for women. To better establish the impact of the eugenic and sexist traditions which support the elimination of disability/defect and the propagation of "designer babies," a survey of literature outlining the scientific, feminist, legal, cultural, and social perspectives regarding new reproductive technologies was undertaken. Three conclusions of this review are that while new reproductive technologies are not responsible for the environment which fosters bias and intolerance towards oppressed members of society, they have created eugenic demands by supporting genetic perfection; they have informally displaced women's rights to bodily autonomy in favour of the fetus' or potential future person's rights by supporting fetal personhood; and they have perpetuated sexism within the Indian community in Canada by supporting patriarchal institutions.

Based on the assumption that the work of contemporary Swedish poet Helena Eriksson, in various ways elaborates the inseparable relation between body and language, this study aims to investigate how this view of language comes to expression in her poetry. Stepping from a theoretical background of feminist perspectives on the body, as well as recent theories on poetic materiality, the analysis points out how the concepts of aesthetic and/or linguistic materiality, social and technological materiality, and what can be described as the ethical dimension of materiality, all as termed by Jesper Olsson and Fredrik Hertzberg, take on feminist implications in Eriksson’s poetry. Through the theory of feminist anthropologist Vicki Kirby and her account of Derrida’s general view of writing, the study makes use of a deconstructive approach to the later work of Eriksson. It is shown in the analysis how this poetry can be effectively mirrored against Kirby’s concept of corporeography, in order to make visible the elision of the breach between meaning and materiality. In this respect, Kirby’s theoretical device ”The body as the scene of writing” in particular, is vastly adapted. Arriving at its conclusion, the study suggests that by engaging the body in the writing of poetry, allowing it to re-inscribe the scripture already made upon it by culture, the poet as woman can preserve her subjectivity and her sense of corporeality.

This paper examines whether Justice Ruth Bader Ginsburg demonstrates any evidence of a "feminine voice" in her opinions. There has been much jurisprudential literature written recently regrading the possible existence of a "feminine voice." This paper surveyes the literature and defines what is meant by a "feminine voice." The paper proceeds to analyze some of Justice Ginsburg's opinions to determine if a "feminine voice" is present. This study focuses on four areas of law the literature suggests evidence of a "feminine voice" might be found: cases involving gender, race, the Establishment Clause, and physician-assisted suicide. With the exception of cases concerning race, no evidence of a "feminine voice" was found. In race cases, there is evidence to suggest that Justice Ginsburg arrives at her decision in a way that is different from her male colleagues. The lack of evidence of a "feminine voice" in the other areas does not mean that no such voice exists; rather, it is just not present in all of the decisions written by Justice Ginsburg. The paper concludes that, at least in cases involving race, Justice Ginsburg does reason in a "feminine voice." While this is a narrow finding, the fact that there is evidence of a "feminine voice," at least in some cases, suggests that gender does play a role in judicial decision-making at the United States Supreme Court level. / Department of Political Science