Thesis (M. Ed.)--Acadia University, 1998. / Includes bibliographical references. Also available on the Internet via the World Wide Web.

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"A thesis submitted to the Miami University Honors Program in partial fulfillment of the requirements for University Honors." / Title from PDF t.p. (viewed on May 7, 2006). Includes bibliographical references.

Thesis (MA)--Stellenbosch University, 2000. / ENGLISH ABSTRACT: This thesis presents a discussion of a photographic representation of lesbian identity in Southern Africa. Two photographic series, Does your lifestyle depress your mother? and the Dyke Career Series (collectively referred to/exhibited as Lavender Menace) produced during the period 1997 to 1999 form the practical component of this MA submission. Lavender Menace is considered in relation to lesbian identity, lesbian social visibility, stereotypes and the relationship between photography and 'reality'. The various readings that the works can be said to have, are discussed and an explanation of the purpose in photographing the 'ordinariness' of the lesbians who were imaged, is included. A historical overview of the concepts 'lesbian', and 'visibility'specifically in South Africa during the last 50 years, and how homophobia has affected lesbian life is presented in Chapter One. In Chapter Two, the notion of stereotypes is examined, particularly those of the 'butch' lesbian and the 'lipstick' or 'chic' lesbian. Neither of these stereotypes is entirely accurate and the role of stereotypes in potentially disseminating mis-information and prejudice, and how this influences potential ways of identity construction, is discussed. It can be seen that this influence of stereotypes on lesbians and lesbian visual representation cannot be ignored as the dominant stereotypes in society are too pervasive. The notion of readability is explored in Chapter Three. The constructed nature of photography, specifically with regard to Lavender Menace, is discussed in relation to truth, theatricality, the use of text and possible readings of the work. An explanation of my particular purpose in choosing to photograph in the way I did is included, concluding that although meaning is not fixed, the intention of the artist can be visually presented in a 'legible' manner (if desired) to assist possible interpretations. This thesis/research has been utilised to inform my own artistic production, by exploring the questions and issues raised while producing Lavender Menace, namely lesbian visibility, the use of stereotypes and how images are interpreted. This thesis and Lavender Menace should contribute to the general research area by promoting social visibility of lesbians in South Africa. / AFRIKAANSE OPSOMMING: Hierdie tesis bied 'n bespreking van 'n fotografiese voorstelling van lesbiese identiteit in Suid-Afrika. Die praktiese komponent van die voorlegging vir die Meestersgraad bestaan uit twee reekse fotos, Does your lifestyle depress your mother? en Dyke Career Series, wat in die periode vanaf 1997 tot 1999 geproduseer is (en gesamentlik as Lavender Menace uitgestal/beskou word). Lavender Menace word in verhouding tot lesbiese identitieit, lesbiese sosiale sigbaarheid, stereotipes en die verhouding tussen fotografie en 'werklikheid' beskou. Die verskillende lesings/beduidenisse wat die werk sou kon hê, word bespreek en 'n verduideliking van die doelstelling met die fotografering van die 'gewoonheid' van die lesbiese wat verbeeld is, word ingesluit. 'n Historiese oorsig van die konsepte 'lesbies' en 'sigbaarheid', veral in Suid-Afrika gedurende die afgelope 50 jaar, en hoe homofobie die lesbiese lewenswyse geaffekteer het, word in Hoofstuk Een aangebied. In Hoofstuk Twee word die idee van stereotipes ondersoek, veral die van die 'butch' en die 'lipstiffie-', of'sjiek' lesbiese vrou. Geeneen van hierdie stereotipes is geheel-en-al korrek nie en die rol van stereotipes in die potensiële verspreiding van verkeerde inligting en vooroordeel en hoe dit die potensiële wyses vir die konstruksie van identiteit affekteer, word bespreek. Daar word getoon dat die invloed van stereotipering op die lesbiese vrou en die lesbiese visuele voorstelling nie geïgnoreer kan word nie, aangesien die oorheersende stereotipes in die samelewing te deurdringend is. Die idee van leesbaarheid word in Hoofstuk Drie ondersoek. Die gekonstrueerde aard van fotografie, veral met betrekking tot Lavender Menace, word met betrekking tot die waarheid, die teatrale, die gebruik van teks en moontlike lesings/interpretasies van die werk bespreek. 'n Verduideliking van my besondere doelstelling met die keuse van hoé om te fotografeer word ingesluit, met die konklusie dat, alhoewel betekenis nie finaal vasgelê is nie, die bedoeling van die kunstenaar visueel op 'n 'leesbare' manier voorgestel kan word (indien dit verlang word) om moontlike interpretasies te ondersteun. Die tesis/navorsing is aangewend om my eie artistieke produksie in te lig deur die vrae en kwessies wat gedurende die produksie van Lavender Menace na vore gekom het, namens lesbiese sigbaarheid, die gebruik van stereotipes en hoe beelde geïnterpreteer word, te ondersoek. Hierdie tesis, tesame met Lavender Menace, behoort Inbydrae te lewer tot die navorsingveld in die algemeen deur die bevordering van die sosiale sigbaarheid van die lesbiese in Suid-Afrika.

Thesis (Ph. D.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references. Available also from UMI/Dissertation Abstracts International.

This thesis examines the relationship between activism, identity and well-being among a small group of lesbian activists in Vancouver, B.C. It explores the idea of the margin as a site of resistance, highlighting the connection between (stigmatized) identities and resilience. The relationship between activism and mental and physical wellbeing is explored, political consciousness and social justice work being named as key determinants of health. Individual interviews with 7 lesbians (the author included) who have been active in social justice work were conducted, as well as a focus group. A self-reflective exercise was also undertaken to capture the researcher's thoughts and feelings throughout the process. This project highlights the power of identity, however shifting and unstable it may be, in the lives of lesbian activists. Their narratives disrupt Utopian visions of lesbian communities as ideologically homogeneous, stable and nurturing; Depicted is a more complex image of activist networks where differential power relations exist and certain subjectivities are privileged. Activism, despite having a negative impact on physical health, was seen to be beneficial for mental well-being, increasing the participants' sense of purpose, connection, and power.

This thesis examines the relationship between activism, identity and well-being among a small group of lesbian activists in Vancouver, B.C. It explores the idea of the margin as a site of resistance, highlighting the connection between (stigmatized) identities and resilience. The relationship between activism and mental and physical wellbeing is explored, political consciousness and social justice work being named as key determinants of health. Individual interviews with 7 lesbians (the author included) who have been active in social justice work were conducted, as well as a focus group. A self-reflective exercise was also undertaken to capture the researcher's thoughts and feelings throughout the process. This project highlights the power of identity, however shifting and unstable it may be, in the lives of lesbian activists. Their narratives disrupt Utopian visions of lesbian communities as ideologically homogeneous, stable and nurturing; Depicted is a more complex image of activist networks where differential power relations exist and certain subjectivities are privileged. Activism, despite having a negative impact on physical health, was seen to be beneficial for mental well-being, increasing the participants' sense of purpose, connection, and power. / Education, Faculty of / Educational Studies (EDST), Department of / Graduate

Erin is returning to her childhood home on a Native reservation in New Mexico. She hopes to see her father one more time before he dies, but she has other motives as well. Her relationships with her family, and with her lover Maddie come under pressure through this change in her life. Between the looming dream of reuniting with her father, and coming to terms with the new stage in her life Erin is learning how to accept herself and others.

Thesis (Ph. D.)--University of Victoria, 2001. / Includes bibliographical references (leaves 427-452).

Prior research focused upon the intersection of race, ethnicity, citizenship and identity produced as a result of the Census Schedule. In this dissertation, I focus on the Census, as an instrument of the state, to capture the process of inclusion and exclusion as it relates specifically to the intersection of sexualities and family formation. Using Sewell’s (1992) concept of dual structures, that is, cultural schemas and resources, I argue that sexuality is structural. Using mixed-methodology and three different data sources, I produce five different indices to determine settlement patterns of same-sex households in various geographic areas. Secondly, drawing on variables operationalized as cultural schema and resources, I identify characteristics of metropolitan areas that have arguably been related to levels of gay and lesbian concentration. In the multivariate context, the variables that are most influential in predicting levels of gay and lesbian concentration are physical temperature index, poverty rate, and heterosexual cohabitation rate. Variables focusing on characteristics of the metropolitan areas of relevance mainly to gays and lesbians such as those dealing with sodomy laws and anti-discrimination laws pertaining to sexual orientation, as well as the presence of political and religious conservatism are either not statistically important predictors or exhibited minimal influences. Through the Internet survey and thirty interviews, I examine how gay and lesbian couples answered the Census Schedule. The highest percentage of individuals marked single on the Census Schedule, suggesting that partnered homosexuals are being underenumerated by the Census Bureau. Furthermore, in regards to the Census and the state, two underlying ideas influence individuals’ enactments of agency: legal consciousness and statistical consciousness. Legal consciousness refers to people’s lay understandings of the law, while statistical consciousness refers to everyday knowledge of statistics. In both cases the production of legal interpretation and statistics by authoritative sources is then variously understood, consumed, and employed by ordinary citizens for their distinct purposes. This understanding takes on forms of generally unquestioned folk knowledge, despite being socially constructed in specific historical-cultural contexts. The production and consumption of statistics serve as a pivotal point of contestation of power and resistance, especially for these interviewees.