Este artículo trata de los peregrinos de la ciudad de Cusco que participan en el juego de miniaturas en el santuario de Qoyllurit’i. Partiendo de una descripción del contexto socioeconómico urbano y de la ontología andina, este trabajo se propone explorar cómo podemos entender el juego, el significado de las miniaturas, y la importancia del peregrinaje en el contexto urbano contemporáneo. Una fuerte motivación para ir a Qoyllurit’i consiste en dar poder a los deseos en la vida y asegurar prosperidad económica para el futuro a través de relaciones recíprocas con lugares y objetos. En estas relaciones, valores como el respeto y la fe son importantes. Utilizando los conceptos analíticos de virtualidad y mímesis, analizo el juego como una forma de comunicación fundamentada en una ontología en la cual no se distingue entre naturaleza-cultura, materia-espíritu, significante-significado. Además, se muestra que las prácticas religiosas indígenas son procesos culturales y materiales que son recreados constantemente en relaciones continuas y recíprocas entre lo rural y lo urbano. El artículo se basa en dos años y dos meses de trabajo de campo etnográfico (2001-2002, 200-2007, 2008) en un pueblo joven de la ciudad de Cusco y en tres peregrinajes a Qoyllurit’i (2002, 2007, 2008). / This article is about the pilgrims from Cusco city who participate in the miniature game in the sanctuary of Qoyllurit’i. Starting with a description of the urban socioeconomic context and the Andean ontology, this text intends to explore how we may understand the game, the meaning of the miniatures, and the importance of the pilgrimage in the contemporary urban context. A strong motivation for going to Qoyllurit’i is to empower the desires of life and ensure economic prosperity for the future through reciprocal relations with places and objects. In these relations, values like respect and faith are important. Using the analytical concepts «virtuality» and «mimesis», the article analyzes the game as a form of communication based in an ontology in which there are no distinctions between nature-culture, signifier-signified, and matter-spirit. Furthermore, it shows that indigenous religious practices are cultural and material processes which are constantly recreated in continuous and reciprocal relations between the rural and the urban. The article is based on two years and two months of ethnographic fieldwork (2001-2002, 200-2007, 2008) in a neighborhood in Cusco city and in three pilgrimages to Qoyllurit’i (2002, 2007, 2008).

Orientador: Suzi Frankl Sperber / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-20T06:31:31Z (GMT). No. of bitstreams: 1 Hirson_RaquelScotti_D.pdf: 2988136 bytes, checksum: c54c0496f18c6048e8787d5dfd42915a (MD5) Previous issue date: 2012 / Resumo: "Alphonsus de Guimaraens: Reconstruções da Memória e Recriações no Corpo" é uma pesquisa que engloba memória e atuação como alimentos para uma escrita que possa adentrar em um campo de sensações que, embora não possa traduzir, pelo menos toque em pontos semelhantes ao da efemeridade da experiência cênica. O texto, portanto, é o resultado da maneira que encontrei de exprimir as recriações - experimentadas no corpo - das memórias pessoais que me conectam ao meu bisavô, o poeta simbolista mineiro Alphonsus de Guimaraens (1870-1921). A tese escrita é um exercício de criação tanto quanto o é a prática em sala de trabalho. Através da poesia cheguei ao homem e, então, à curiosidade de saber quem foi esse homem capaz de poetar, em meio à monotonia de seus longos dias provincianos. No decorrer da pesquisa, percebi que a fantasia seria elemento fundamental para a recriação dessa memória e para a criação de uma dança cheia de imagens, em um devir outro, próprio do trabalho do ator. A apreensão do sentido de singularidade cultivado na trajetória de vinte e seis anos do Lume, dos quais eu tenho acompanhado dezoito de dentro (como membro integrante e em atividades de criação e pesquisa), foi tomada ao "pé da letra" neste trabalho - foi o que o impulsionou e o tem mantido em intensidade. Houve necessidade de um mergulho solitário, porém conectado com a prática de dezoito anos de descobertas coletivas. O que é novo é a constelação de fatores que compõem a especificidade desta pesquisa, mas a experiência vem de anos. A repetição potencializa a diferença e é capaz de gerar novas nuances, sustentadas, construídas e compostas de vários elementos. Desta forma, revisito a metodologia da mímesis corpórea e adentro em uma questão diferencial, a mímesis da palavra como possibilidade de preenchimento de espaços. A palavra em ação pode conter todas as dimensões das conexões de imagens que detona e, ainda, as dimensões do corpo, jogando Alphonsus de Guimaraens: Reconstruções da Memória e Recriações no Corpo com espaço e tempo. A junção dos elementos escolhidos para a pesquisa torna possível a estruturação de metodologias e caminhos de codificação e criação / Abstract: "Alphonsus de Guimaraens: Reconstructions of Memory and Recreations within the Body" is a survey that includes memory and performance as sources for a text able to enter in a field of sensations, which it may not be able to translate, but may at least touch some points similar to the ephemeral scenic experience. The text is therefore the result of the way I found to express recreations - experienced in the body - of personal memories that connect me to my great-grandfather, the symbolist poet Alphonsus de Guimaraens (1870-1921). The written thesis is an exercise in creation, as much as the praxis in the staging room. Through poetry I arrived at the man, thus, at the curiosity to know who this man was, able to write poetry amid the monotony of his long provincial days. During the research, I realized that fantasy would be fundamental to recreate that memory and to create a dance full of images, in a different becoming, inherent to the actor's work. The seizure of a sense of uniqueness, cultivated along the trajectory of twenty-six years by Lume, eighteen of which I myself have followed from within (as an active member, creating and researching), was taken at "face value" in this task - which maintained Lume and promoted its intensity. A kind of individual submersion was needed, but connected with the practice of eighteen years of collective discoveries. New is the constellation of factors that make up this specific research, but my experience was built up along many years. Repetition enhances the difference and is able to generate new nuances, sustained, constructed and composed of various elements. Thus, I revisit the methodology of corporeal mimesis and penetrate into a different issue, mimesis of the word as the possibility of filling empty spaces. An active word can contain all the dimensions of the connections of the images it generates, as well as the dimensions of the body, playing with space and time. The Alphonsus de Guimaraens: Reconstruções da Memória e Recriações no Corpo combination of elements chosen for the survey makes it possible to structure methodologies and ways of coding and creation / Doutorado / Artes Cenicas / Doutor em Artes

The object of study is the book O ano da morte de Ricardo Reis, written by José Saramago, in which he articulates the imprecise limits between historical discourse and literary criation, looking for a sense in the reality representation, that strenghtens in an inter-discoursing and inter-textual based upon the truth of history and the truth of fiction . Mimesis, consequently, constructs itself as a representational activity that does not reflect the real world, but (un)realizes it from fictional theme. When involving man s artistic manifestation, it designates the creative exercise, corresponding to a way to represent the world. It was intended to investigate and interpret mimesis in the book, studying the relationship between the fictional world and the Portugal social-historical reality, specifically Lisbon in 1936. It was possible noticing that the character Ricardo Reis in (dis)sacralized from his poetic aura that surrounded the Fernando Pessoa heteronimous, when directly confronted with hostility of a world terrified by authoritarian regimes that ruled before the Second World War. In the text plan, the process of pre-configuration, configuration and reconfiguration of space and time, indicates that the past reality is present in the narrative, involving the character Ricardo Reis experiencing the labyrinths suggested from the Lisbon city, taken from the book The god of the labyrinth, and from news reported in the press. On this perspective, the book O ano da morte de Ricardo Reis has an interlocutor attitude towards historical reality , not restricted to a simple representation of past events in Portugal. / O objeto deste estudo é o livro O ano da morte de Ricardo Reis, de autoria do escritor português José Saramago, cuja obra articula os imprecisos limites que há entre o discurso histórico e a criação literária, procurando um sentido para a representação da realidade, que se fortalece em um diálogo interdiscursivo e intertextual pautado sobre a verdade da história e a verdade da ficção . A mimese, consecutivamente, constrói-se como uma atividade representativa que não reflete o universo, mas o irrealiza a partir da tematização ficcional. Ao envolver as manifestações artísticas do homem, designa o exercício criador, correspondendo a uma maneira de representação do mundo. Procurou-se investigar e interpretar o funcionamento da mimese na obra em questão, observando as relações entre o universo fictício e a realidade histórica e social portuguesa, mais especificamente de Lisboa, no ano de 1936. Foi possível perceber que o personagem Ricardo Reis é dessacralizado da aura poética que pairava sobre o heterônimo pessoano, ao confrontar-se diretamente com as intempéries de um mundo hostilizado pelos regimes autoritários que antecederam a Segunda Guerra Mundial. No plano diegético, os processos de pré-configuração, configuração e refiguração espaçotemporal, indicam que a realidade do passado se presentifica na narrativa, envolvendo o personagem Ricardo Reis pelos labirintos sugeridos a partir da figura de Lisboa, do livro The god of the labyrinth e das notícias veiculadas pela imprensa. Nessa perspectiva, a ficção de O ano da morte de Ricardo Reis vislumbra-se numa atitude de interlocução com a realidade histórica , não se limitando a uma mera representação de fatos do passado português.

This research seeks to establish a postfoundational practical theology and the corresponding narrative approach to the contextual experience narratives of Jeju women. Its approach helps the readers to understand the co-researchers’ interpreted experience and to open their future narratives. This research attempts to discover the privileged values, themes, and social-constructed meaning of the co-researchers’ narratives. The postfoundational epistemology, which is proposed by Van Huyssteen and the “Seven movements” proposed by J.C Müller, has been used as a guideline. The research begins with the co-researchers’ storied experiences as a basic source of context. The co-researchers' context of Jeju Island has a very unique tradition, culture, religion and history. In order to investigate how they interpret their experiences situated in their own contexts, the researcher not only considers Paul Ricoeur’s hermeneutic theory of three mimesis, composed of pre-figuration, configuration, and re-figuration, alongside social constructionism, but also employs Michael White’s narrative therapy theory of deconstruction and re-authoring conversation for delineating thickened and alternative stories. The examination of the research context of Jeju Island, its history of Sasamsageon, as well as its tradition and culture in chapter four are conducted for the purpose of understanding and discovering the necessary meaning of the co-researchers’ narratives and values. In order to listen to the Jeju women’s experience narratives in their contexts, I have chosen four people who have lived in Jeju Island for a long generation. According to the perspective of the narrative approach, an attempt is made to focus on the personal meaning-making that the co-researchers assign to specific events in their lives and on how the co-researchers tell the story of these meaning-making and interpret their experiences. These co-researchers’ stories are to say about their relationship with their families and communities. The stories also include some background of their lives, particularly concentrating on the recent struggles they experienced and their understanding of their own relationships with God. Based on the co-researchers’ narratives and the process of the research, in regard to the goal of this postfoundational narrative research, i.e., looking for the meaning of the co-researchers’ narratives and creating new meaning through discourse, in chapter six, I present not only the interpretation of what they say, but also the meaning and understanding of the co-researchers’ own stories that are developed by means of discoursing with the given context. This research is presented for how to cultivate the alternative interpretations, which allowed the co-researchers to explore preferred views of their futures through discourse and conversation. And then I explicate the three interventions and interactions used for empowering and opening to the better future. / Thesis (PhD)--University of Pretoria, 2014. / gm2014 / Practical Theology / unrestricted

No description available.

Mimesis - Imitatio in the Authentic Letters of the Apostle Paul The first part of the thesis provides the reader with a concise overview of different semantic levels of the term mimesis as found in the ancient literature written in the Greek language. Furthermore, the author focuses her attention on the use of the concept of mimesis in the Old Testament, and the New Testament writings other than Paul's authentic letters. Such a survey prepares the ground for a detailed study of the concept of mimesis in the authentic letters written by the Apostle Paul. The idea of mimesis is present in Paul's authentic letters in five explicit passages (1 Tess 1:6-7; 1 Tess 2:14; 1 Cor 4:16; 1 Cor 11:1 a Phil 3:17). Each of the passages is studied within the whole context of the respective letter, written for a group living its own particular situation. The thesis compares different exegetical solutions from several researchers. Some of the researchers understand Paul's appeal to imitation as a call to be obedient to his teaching. Other experts are more inclined to understand this imitation as an authentic representation of the Cross in the life of Jesus' followers. The thesis tries to prove that the mystery of Christ's kenosis, expressed in a very significant way in the Christological hymn contained in the Letter to the...

No description available.

No description available.

A lo largo de las páginas que componen el primer capítulo se ha pretendido elaborar un trabajo acerca de lo que asumimos como la raíz constitutiva del acto de animar: el dibujo. No ha sido, sin embargo, nuestra intención tomar el dibujo como entidad estable a partir de la cual otro lenguaje se formaría: el propio dibujo ha sido objetivo crítico de las problematizaciones que componen todo el capítulo. En verdad, la problematización del estatuto del dibujo nos ha llevado hasta otros puntos aparentemente lejanos, sin embargo creemos haber añadido un importante aporte en la construcción de la morfología del trazo y en la constitución del cuerpo de la página que , defendemos, son la base que estructura lo que vendría a ser referido como el acto de animar. Tal actitud crítica o cuestionadora nos ha llevado, en primer lugar, a un cierto enfrentamiento entre dos formas opuestas de entender el dibujo en el paso del siglo XIX al siglo XX: por un lado, la posición que representaba, a la época, la visión dominante de la función y rasgos del dibujo -la que pautaba gran parte de la enseñanza y que priilegiaba una estabilidad-, ya sea en la forma de entender y concebir el dibujo, o también en la propia manera de ponerlo en práctica; por otro lado, el surgimiento de un conjunto de actitudes de ruptura, cuyos efectos conducirían a una lenta, pero significativa emancipación ante el estatuto auxiliar y secundario que, en términos generales, definía el dibujo hasta entonces: por un lado, la posición de la académia; por otro, aquella que vendría a ser la actitud impresionista y modernista ante el dibujo. A lo largo de este análisis comparativo entre una tradición académica y el lenguaje impresionista, comprendemos que el dibujo académico, en el siglo XIX, se pautaba por un sello clasicista e intemporal; era esencialmente representativo, y el modelo de representaciones era fundamentalmente ideal; contenía una exigencia de conformidad ante el dibujo, profundizando la importancia de la ana / Tinoco Cavalheiro, JP. (2012). Os Recursos de Animação em Desenho: Tendências e Práticas do Filme Autoral / Los Recursos de la Animación en Dibujo: Tendencias y Prácticas del Filme de Autor [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/17742

Borges ist einer der herausragenden Persönlichkeiten des 20. Jahrhunderts nicht nur als Schriftsteller, sondern als der Gründer und Wegbereiter von zentralen Theorien im Bereich der Literatur-, Kultur-, Übersetzungswissenschaften (kultureller Translation/translatio), und der Geschichtswissenschaften, und der Philosophie. Bahnbrechende und höchst innovative Denkfiguren und Verfahren wie jene der Postmodernität und der Postkolonialitat, der Dekonstruktion, des Rhizoms, der trace und der différance. Borges kündigt die Mimesis und ersetzt dies durch die Simulation und damit verbunden, die Fantastik (und ersetzt diese durch eine Anti-Fantastik oder durch digitale Welten) sowie die Intertextualität (und ersetzt diese durch eine Anti-Intertextualität oder Transtexualität). Vor dem Leser ent¬wickelt sich eine ¬‚Aben¬teuer¬rei¬se‘ durch ver¬schie¬de¬ne Zeichensysteme, die aufgrund ihrer jahrhundertelan¬gen Wieder¬ho¬¬lung ihre deno¬ta¬tive Kraft verloren haben, die nur noch die Möglichkeit einer Suche und keine an¬de-ren Sinn¬stift¬ungs¬¬möglichkeiten zulassen, sondern ledig¬lich Sinn streuen: Bei dieser Suche wer¬den die Sig¬ni¬fikanten - häufig mit einer ‘Lockmittel’-Funktion an Signifikate gekop¬pelt - dann als se¬man¬tisch leer bloßgelegt. / Borges is one of the outstanding personalities of the 20th century not only as a writer, but as the founder and pioneer of central theories in the field of literary, cultural, translation (cultural translation/translatio), and historical sciences, and philosophy. Groundbreaking and highly innovative figures of thought and procedures such as those of Postmodernity and Postcoloniality, deconstruction, rhizome, trace, and différance. Borges cancels mimesis and replaces it with simulation and, related to it, replaces Fantastic by Anti-Fantastic (or with digital worlds) and replaces with intertextuality by anti-intertextuality (or transtexuality). The reader is confronted with an ‘adventure journey’ through different sign systems, which have lost their denotive power due to their centuries of repetition, which only allow the possibility of a search and no other possibilities of creating meaning, but only scatter meaning: In this search, the signifiers - often coupled to signifieds with a 'lure' function - are then exposed as being semantically empty. / Borges es una de las personalidades más destacadas del siglo XX no sólo como escritor, sino como fundador y pionero de teorías centrales en el campo de las ciencias literarias, culturales, de la traducción (translación cultural/translatio), e históricas, y de la filosofía. Figuras de pensamiento y procedimientos revolucionarios y altamente innovadores como los de la postmodernidad y la postcolonialidad, la deconstrucción, el rizoma, la huella y la différance. Borges anula la mimesis y la sustituye por el simulacro y, relacionado con éste, sustituye lo Fantástico por lo anti-fantástico (o por los mundos digitales) y sustituye la intertextualidad por la anti-intertextualidad (o la transtexualidad). El lector se enfrenta a un “viaje de aventura” a través de diferentes sistemas de signos, que han perdido su poder denotativo debido a sus siglos de repetición, que sólo permiten la posibilidad de una búsqueda y ninguna otra posibilidad de crear significado, sino que sólo dispersan el significado: En esta búsqueda, los significantes -a menudo acoplados a los significados con una función de “anzuelo”- quedan entonces expuestos como semánticamente vacíos.