This work deals with the concept of theatricality in media and with the usage of media content in theatre. The task is to find out the possibilities of journalism by means of theatre work and at the same time to describe the representation of theatricality in media. The methodology was made on the basis of the combination of semiotic and content analysis. The work also introduces the knowledge of theatre studies in the environment of media studies. The theatre is used as an example when during the reproduction of the communication all the participants know the fact that it is an interpretation. Similar approach is used for media contents. Also the terms actor's character and dramatic character helped to distinguish the real persons represented in media from their media image. The audience often does not realize this difference and accept the offered interpretation from the media and media image of the public life persons as a part of their understanding of public affairs. Dramatic situations are made up in the news service and the goal is to attract attention of viewers and readers. The composition of such situations produced by media is similar to the ones in dramatic art.

The thesis studies the consumption of tobacco as a specific cultural phenomenon owing to the fact that since a tobacco plant has been brought to Europe; its use has spread over other continents and has rooted in many developed civilizations. From the theoretical standpoint, the thesis argues that as cultures are not constant entities, the same applies for public opinions regarding tobacco, from the firm belief that tobacco has positive effects on our health to the stigmatization of tobacco. The paper has four parts. First three parts discuss smoking in marketing communication and further identifies key topics; the final part presents the semiotic analysis of tobacco advertising from the selected periodicals printed (from newspapers and magazines) in the former Czechoslovakia from twenties to fifties of the twentieth century. The main objective is to specify both verbal and visual motives that ad makers used to use in order to create ideological implications of their ads (decoding symbols and interpretation of their meanings). Further, the thesis describes the former advertising style for tobacco products ( brands, targeting, products). The methodology of the work is partly based on the work of Jan Stern (2005, Latent meaning of advertisement text), further some of his terms are being applied in...

The diploma thesis "Media Construction of the Past: Image of the Period of Normalization in the Czech Non-fiction Television Shows after the Year 2006" looks into media construction during normalization period in television shows, which mark themselves as journalistic. The two following methods are used to analyze chosen thematic units broadcasted between the years 2007-2012: quantitative content analysis and semiotic analysis. Content analysis besides other things provides information about the frequency of occurrence of specialists in the field of social sciences, both movies and period footage as well as Slovak speaking people in non- fiction television shows such as Retro, Historie.cs, Víkend and Střepiny. Semiotic analysis notices denotative meaning of two examined units as well as opening jingle of Retro and Historie.cs shows and subsequently interprets used components. Based on this interpretation myths associated with construction of both normalization and the past are deciphered. Chapters dedicated to research are complemented by methodological part, which familiarizes with the technique of researches and explains differences between quantitative and qualitative methods, as well as the theoretical part, which brings insight into media representation, media construction, and relationship...

The significations found in content aren't only explicitly present in the surface structures, but they're also built deep inside human mind as the basic semes - the minimum units with a signification. In the diploma thesis "Internet Marketing Influence on Internet Media Content and their Users at Czech Media Environment" we use a qualitative analysis method composed of the semiotic and the narrative analysis to describe and interpret the chosen samples of internet marketing content. The semiotic analysis helps us to interpret both the basic surface and deep significations present in the visual and text code of the interpreted samples. The narrative analysis unravels a narration the act is constructed from followed by interpretation. The application of both the methods allows us to identify myths in the narratives. The aim of application of both methods is to describe specific and repetitive deep significations and narrations individual communicates are built from and thus characterize internet marketing media discourse. The narratives form a basis of the interpersonal communication; they allow us to preserve and communicate significations through them. All the narratives of the interpreted samples of content were constructed with a basic conflict (or contradiction) and presented to the public...

The diploma thesis "EYOWF 2011 and mythologization of the commercial strategies in a market campaign" deals with a semiotic analysis and mythologization of the promotional video for 10th European Youth Olympic Winter Festival 2011. This study is drawn up as semiotic analysis comprised of the theories of symbolic interactionism and mythologization as a secondary narrative. The thesis is based on theories of the meaning construction and the terminology of the linguist Ferdinand de Saussure, a French semiotican Ronald Barthes and a triadical concept of the sign by Charles Sanders Peirce. The study works on the construction of a commercial message, market communication and use of the specific sign as a primary structural element. An analyzed sample is an audiovisual commercial - 2 minutes and 52 seconds which contents the elements of the entire communicative campaign. The used method is a semiotic analysis which offers insights via description and interpretation of the particular encoded signs. The main focus is concentrating on the camera take and cuts, graphics, colour, characters and the entire mythologization process.

The diploma thesis called Visual Style of the National Geographic Magazine (1914, 1964, 2014) is focused on the visual part of this American monthly magazine, that is renowned for its long-standing photography tradition. In the theoretical part the historic development of the National Geographic monthly magazine is summarized, characteristic features of its photographs are defined and compared to the different photographic genres. With relation to the magazine, issues of visual gatekeeping are discussed. The theoretical part is accompanied by examples of published photo manipulations and a chapter about the image-text relation is provided. The analytical part aims at the development of photographic techniques and photographic content in the selected years 1914, 1964 and 2014. Using the method of content analysis this work deals with over 1000 photographs and allocates them in different coding categories. It is explored which category or characteristic features were typical for each period, for example in connection with gender, locations or the way of capturing the image. The results of content analysis are put into context by semiotic study which is based on the methods of philosopher Roland Barthes. In addition to that, the analytical part is supplemented with the analysis of selected visual...

The main aim of the diploma thesis is to describe the way that magazines for parents communicate with their readers and to identify the role of the representation of children. A selection of articles representing both commercial and noncommercial communication is analyzed using the method of semiotic analysis. The introductory part of the thesis, briefly presenting the history of media research, is followed by a section describing the way that motherhood and the status of a child has been perceived throughout history, with special attention to the influence of Christianity. Following chapters focus on the changes of the social role of women that enabled the rise of women's periodicals, both in the USA, Europe and also in the Czech lands. The part dedicated to legislation introduces the most significant legal definitions of children and childhood in relation to media. The analytical part of the thesis is preceded by a brief characterization of the selected magazines and an explanation of the method of semiotic analysis. The analysis results in the description of meaning bearing elements of the individual pieces of information which are placed in a wider social context. The summary offers a review of the most significant findings relating to the communication of periodicals with their readers, the...

This thesis analyzes news photographs related to the Old Town Square and its task is to explore the role of a place in a city and how it determines the myths in visual messages. The theoretical part focuses on the context of semiotics and news photographs and describes the possibilities in interpreting meanings of visual communication. In relation to photographic messages, it also reflects the analytical background at the level of myth, based on the work of Roland Barthes. Theoretical part also takes in account the symbolic and historical values of the Old Town Square. The analysis itself is based on a sample of 20 randomly selected photographs present in MF Dnes and Blesk, which cover events taking place in the Old Town Square between 1993 and 2013. Using comparative semiotic analysis it focuses on the visual content of news photographs in these journals, while observing how the Old Town Square takes part in the connotative chains and resulting myths.

Syftet med denna studie är att ta reda på vilka skillnader det finns mellan Dagens Nyheter och Aftonbladets nyhetsrapportering av de Jugoslaviska krigen. De metoder som används i studien är en retorisk och semiotisk analys på lingvistisk och bilder. Teorier som används är framing och representation. Tre händelser i tre krig mellan åren 1991 och 1995 analyseras: Tiodagarskriget i Slovenien, belägringen av Dubrovnik och Srebrenicamassakern. Resultatet på frågeställningen; alltsaå vilka skillnader som finns mellan DN:s och Aftonbladets rapportering, är att mängden rapportering, textinnehåll och tidningarnas fokus var de största markanta skillnaderna. DN har rapporterat mer än Aftonbladet och har ett större fokus på att skriva och dokumentera det som politiskt eller krigiskt, samt intervjuar ledare och människor med makt. Aftonbladets rapportering innehåller mer vittnesskildringar och strävar efter att beröra folk samtidigt som de informerar. / The purpose of this study is to find out what kind of differences there are between Dagens Nyheter and Aftonbladets news reporting of the Yugoslavian wars. Methods that are used are a rhetorical- and semiotic analysis of both photos and text and the theories that are used are framing and representation. Three events of three wars between the years 1991 and 1995 are being analysed: The ten day war in Slovenia, the besiege of Dubrovnik and the massacre in Srebrenica. The results show that the amount of reporting, the content of the articles and their focus are the biggest differences between DN and Aftonbladet. DN reported more than Aftonbladet and aimed their focus on documenting politically or warlike and interviewed people with authority. Aftonbladets content is more about the point of view of the witnesses and aimed to affect readers as well as inform them.

In the last couple of years, the amount of commercial messages in our society has increased steadily which in turn has made us humans very critical against all kinds of advertising. Brand researcher Douglas B. Holt even claims that this directly threatens brand's trustworthiness. As a backlash and result of this situation, a couple of companies has begun to change the way they communicate to the big audience through the TV or computer screen - so-called native advertising or narrativity. A Swedish company that has been specially noticed for its commercials is Telenor with its campaign “Telenorfamiljen” where we get to follow an ordinary family through life where different kinds of technical products are used to ease life.  The purpose of this essay is to take a closer look at how Telenor strategically have chosen to build up their commercial campaign by narrative perspectives with the help of semiotic tools. The material, consisting of three chosen commercials from the campaign, was analyzed with a combined narrative and semiotic method with a primary focus on the narrative.  The result did not only show an appliance of the narrative, but also how Telenor has taken advantage of the tools that the narrative offers. This has been done to credibly give the recipients a story that they can relate to. Furthermore, the narrative elements seem to have been selected with great care since each part is individually significant and influences the story as a whole if it was being replaced. Neither Telenors logotype, products and services were given much visual attention which in turn proves how Telenor wants to be seen as a brand that focuses on the individual and its everyday life rather than its own gain.