The study investigated adolescent boys who experienced behavioural problems at school and the possible causes for these phenomena. It was evident that the adolescent boys who experienced behavioural problems were found to lack emotional connections with others due to their fathers’ absence and lack of positive attachment. A total of 403 adolescent boys from various schools in the Tshwane districts were used in the sample group. This quantitative study employed the use of a quantitative questionnaire as a means of data collection that included qualitative open-ended question as a method to enrich the quantitative data and obtain insight into the life world functioning and experience of the participants. The primary aim of the research study was to determine the emotional relationship between fathers and sons within the sample group. Secondly, the study sought to investigate how this emotional relationship affects the adolescent boy’s self-concept, resilience and motivational aspects in his daily functioning. The approach to quantitative data analysis was by means of descriptive statistical analysis. The findings revealed that emotionally absent fathers indeed impact negatively on the adolescent boys’ resilience and motivational aspects of their functioning and that a father’s absence has a significant influence on the behaviours of adolescent boys in relation to motivation and resilience. However, the research results also revealed that an emotionally absent father does not significantly affect the self–concept of an adolescent boy. Finally, an intervention programme was developed to assist and guide fathers and adolescent boys to improve their relationship with one another. / Psychology of Education / D. Ed. (Psychology of Education)

O presente trabalho tem como propósito problematizar, com base na literatura psicanalítica de matriz lacaniana, a ausência do olhar do Outro como um dos fatores que dificultam a construção de uma imagem corporal unificada nos autistas. O olhar tem uma dimensão relacional, constituindo-se como um importante objeto para a concepção da totalidade corporal. Com efeito, na etapa inicial do desenvolvimento, o recém-nascido percebe o corpo como fragmentado. Não há sequer, da parte dele, o sentimento de integração orgânica e a percepção da distinção entre o interior e o exterior. Embora dependa também da maturação fisiológica, é a partir da relação com o adulto, o qual faz a maternagem, que pode se dar, para o pequeno ser, a aquisição do sentimento de unidade corporal. No entanto, no caso de crianças autistas, é comum a existência de uma intricada comunicação entre o cuidador e o bebê, a qual aparece representada, sobretudo, no desencontro dos olhares. Para o entendimento desse fenômeno, a metodologia adotada foi uma revisão bibliográfica na literatura psicanalítica. Nela, tomamos a teoria lacaniana do Estádio do Espelho e seus desdobramentos como base fundamental, articulando-os com os seguintes construtos metapsicológicos contemporâneos: as concepções psicanalíticas de olhar, da relação da mãe com o bebê, do autismo e do corpo. Para isso, serão utilizadas as produções textuais dos autores, que possuem como matriz a psicanálise de inspiração lacaniana, especialmente as da psicanalista Marie-Christine Laznik (1991, 2004).

Cette thèse interroge, par la méthode et la conception design, les modalités permettant de construire des récits liés à l'imaginaire urbain. Ces derniers constituent des potentialités qui racontent au travers de la dimension sonore des faits mémoriels, histoires et vécus de groupes. Le « designer des sons de l'urbain » construit alors sa propre scénophonie urbaine, procédé permettant de raconter l'espace sonore, entre espaces du temps et temps de l'espace. Cette posture permet de rendre compte de la prégnance socio-culturelle du fait sonore dans la manière de raconter le monde. Il s'agit de déceler puis d'interroger les enjeux d'une société en pleine mutation à partir de l'utilisation d'enregistrements de terrain et de créations sonores de territoire, c'est-à-dire des narrations composées à partir de ces premières captures. Ce travail s'articule autour d'une étude théorique d'un corpus artistique (Tome 1) et d'une recherche-action menée dans le cadre d'un contrat Cifre au sein de la Direction de la Culture de la Ville de Strasbourg, pour le Shadok, fabrique du numérique, régie directe de l'Eurométropole en collaboration avec une association trandisciplinaire, Horizome et l'équipe d'accueil ACCRA de l'Université de Strasbourg (Tome 2). / This dissertation questions through a design approach the ways and means allowing the construction of stories related to the urban imaginary. The latter constitute possibilities of telling something through the sound dimensions of historical events, and both individual and collective experiences. The “designer of urban sounds” then builds their own urban scenophony, a method allowing the telling of the sound space — between the spaces of time and the times of space. Such a position allows to account for the socio-cultural weight of sound in the waythe world is told. This research is about detecting and then questioning what is at stakes in a changing society, using field recordings and “territory sound creations,” i.e. narratives built from the raw material of those field recordings. Two dimensions are involved in this work: a theoretical study of an artistic corpus (Tome I) and an action research born outof a city of Strasburg Cifre contract for the state-sponsored and controled Shadok,fabrique du numérique, in collaboration with a transdisciplinary association, Horizome,and the ACCRA team of the University of Strasburg (Tome II).

Made available in DSpace on 2017-06-01T18:09:00Z (GMT). No. of bitstreams: 1 natalia_laporte_correia.pdf: 1046342 bytes, checksum: 78ae55b3625fdff2c4603c28d75067c4 (MD5) Previous issue date: 2016-02-25 / This paper aims to discuss, based on Lacanian psychoanalytic literature matrix, the absence of the gaze of the Other as one of the factors that hinder the construction of a unified body image in autistic. The look has a relational dimension, becoming an important object to the design of the entire body. Indeed, in the initial development stage, the infant perceives the body as fragmented. There is not, from him, the sense of organic integration and the perception of the distinction between the inside and the outside. Although it also depends on physiological maturity, it is from the relationship with the adult who does the mothering that can happen to the little being, acquiring the sense of bodily unity. However, in the case of autistic children, it is common to find an intricate communication between the caregiver and the baby, which appears represented, above all, the mismatch looks. To understand this phenomenon, the methodology adopted was a literature review in the psychoanalytic literature. In it, we take the Lacanian theory of the mirror Stadium and its development as a fundamental basis, linking them with the following contemporary metapsychological constructs: the psychoanalytic concepts of looking, the mother's relationship with the baby, autism and body. For this, textual productions of the authors will be used, which have as a matrix of Lacanian psychoanalysis inspiration, especially the psychoanalyst Marie-Christine Laznik (1991, 2004). / O presente trabalho tem como propósito problematizar, com base na literatura psicanalítica de matriz lacaniana, a ausência do olhar do Outro como um dos fatores que dificultam a construção de uma imagem corporal unificada nos autistas. O olhar tem uma dimensão relacional, constituindo-se como um importante objeto para a concepção da totalidade corporal. Com efeito, na etapa inicial do desenvolvimento, o recém-nascido percebe o corpo como fragmentado. Não há sequer, da parte dele, o sentimento de integração orgânica e a percepção da distinção entre o interior e o exterior. Embora dependa também da maturação fisiológica, é a partir da relação com o adulto, o qual faz a maternagem, que pode se dar, para o pequeno ser, a aquisição do sentimento de unidade corporal. No entanto, no caso de crianças autistas, é comum a existência de uma intricada comunicação entre o cuidador e o bebê, a qual aparece representada, sobretudo, no desencontro dos olhares. Para o entendimento desse fenômeno, a metodologia adotada foi uma revisão bibliográfica na literatura psicanalítica. Nela, tomamos a teoria lacaniana do Estádio do Espelho e seus desdobramentos como base fundamental, articulando-os com os seguintes construtos metapsicológicos contemporâneos: as concepções psicanalíticas de olhar, da relação da mãe com o bebê, do autismo e do corpo. Para isso, serão utilizadas as produções textuais dos autores, que possuem como matriz a psicanálise de inspiração lacaniana, especialmente as da psicanalista Marie-Christine Laznik (1991, 2004).

This thesis focuses on the possibilities of precarity as a perspective in the field of literary studies in order to analyse how insecurity is portrayed in literature. Sweden has a great tradition of proletarian literature, but researchers in the neoliberal era find it problematic to understand the emancipating aspects of the new proletarian literature that does not focus on collective movement and articulated emancipation. This thesis explores the possibilities of precarity as a perspective for analysing how literature narrated through an individual and passive perspective can work as a social critique. The analysis focuses on the novels Kärlekens Antarktis [The Antarctica of Love] by Sara Stridsberg and De afghanska sönerna [The Afghan Sons] by Elin Persson and tries to answer questions about how these novels portray precarity and how the perspective of precarity enables an understanding of how the novels work as social criticism. The thesis mostly uses theories by Judith Butler and Isabell Lorey, and the analysis uses a comparative method in combination with a reading that focuses on the thematics of precarity. This is disposed in connection to Lorey’s three dimensions of precarity – precariousness, precarity, and governmental precarization. The analysis results in an understanding of how these kinds of novels can capture the biopolitical perspective, where politics and life emerge. The reading’s focus on the aspect of the body, followed by the hierarchical and societal aspects, shows how the novels’ individual perspectives can have collective tendencies in connection to the reader’s ability to feel solidarity with the characters.

Les océans sont remplis de sons naturels et sont aujourd’hui de plus en plus envahis par des bruits d'origine humaine (bruits anthropiques). Ce mémoire étaye l’état actuel des connaissances sur les différentes sources de bruits sous-marins et leurs effets négatifs pour les espèces marines, les écosytèmes et les populations côtieres. Bien que le bruit soit un facteur de stress environnemental similaire à d'autres formes de pollution, la gestion du bruit anthropique a été négligée par les États et par le droit international. Cette étude met en lumière les difficultés pour le droit international et les États d’adopter des instruments spécialisés pour contrer le bruit anthropique alors que planent plusieurs incertitudes scientifiques. Le mémoire identifie et analyse les instruments contraignants et de soft law actuellement en vigueur, à l’international et au Canada, pour découvrir s’ils peuvent être mobilisés dans la lutte contre la pollution sonore dans les eaux arctiques canadiennes. L’adoption d’instruments juridiques ciblant spécifiquement les bruits anthropiques sous-marins est prônée mais avec la mise en garde que ce processus nécessitera une coopération inter et intra sectorielle concertée aux niveaux national, régional et international entre les milieux législatifs, scientifiques et décisionnels. / The world oceans are filled with natural sounds, which are being increasingly encroached upon by human sourced noises (anthropogenic noise). This thesis provides an overview of the current state of knowledge on the different sources of underwater noise and their negative effects on marine species, ecosystems and coastal populations. While anthropogenic noise is an environmental stressor similar to other forms of pollution, the management of anthropogenic noise has been neglected by States and by international law. This study highlights how scientific uncertainties and gaps complicate the process of crafting specialized international and domestic instruments to mitigate the impacts of underwater anthropogenic noise. The thesis identifies and analyzes binding and soft law instruments currently in force, internationally and in Canada, to discover whether they can be used to reduce noise pollution in Canadian Arctic waters. The adoption of legal instruments specifically applicable to anthropogenic underwater noise is advocated but with the caveat that it will require concerted inter and intra sectoral cooperation at the national, regional and international levels between legislative, scientific and decision-making circles.

Thèse de doctorat présenté en vue de l'obtention du doctorat en psychologie - recherche intervention, option neuropsychologie clinique (Ph.D) / Les traumatismes craniocérébraux (TCC) peuvent entraîner de lourdes conséquences physiques, cognitives, émotionnelles et comportementales. Parmi celles-ci, l’agitation est très fréquente et se caractérise par une hyperactivité motrice, une désorientation, des problèmes d'attention, une labilité émotionnelle, une désinhibition et de l’agressivité. Elle interfère avec le rétablissement et les processus de réadaptation, mais il n'existe pas à ce jour de consensus sur son traitement, outre la contention physique ou la prise de médicaments, qui peuvent respectivement causer des blessures ou entraver la récupération. De récentes données suggèrent que les interventions musicales peuvent réduire l’agitation chez les patients TCC mais la capacité des patients TCC à percevoir et traiter la musique pendant la phase aiguë post-blessure n'a pas été établie. Le premier article de cette thèse visait à évaluer la perception musicale chez les patients TCC hospitalisés en phase aiguë. Dans la présente étude, 42 patients ayant subi un TCC ont été comparés à un groupe témoin. Tous les participants ont complété les tests de Scale et Rhythm de la Montreal Battery of Evaluation of Amusia pour mesurer la perception musicale, et le test d’empan numérique pour mesurer la mémoire verbale à court terme. Comparativement au groupe témoin, les patients TCC ont obtenu des performances significativement inférieures; 43% d'entre eux présentaient des déficits de traitement de la hauteur et 40% des déficits de traitement du rythme. Les patients présentant des lésions à l'hémisphère droit ont obtenu des résultats plus faibles que ceux présentant des lésions à l'hémisphère gauche. Les déficits de traitement de la hauteur et du rythme coexistaient dans 31% des cas, ce qui suggère l'existence de réseaux neuronaux partiellement dissociables. Le deuxième article est une revue non systématique dont l’objectif était de caractériser l'agitation et son traitement. Plusieurs types d’interventions comportementales, dont les interventions musicales, ont été explorées dans cette revue. Les limites méthodologiques ont été discutées et des recommandations ont été faites pour une approche plus systématique de la recherche utilisant des études de cas et de séries de cas chez les patients agités. Le troisième article est une étude pilote de phase II dans laquelle sont inclus des patients ayant subi un TCC modéré à sévère (n = 3) ou un accident vasculaire cérébral de l'artère cérébrale moyenne (n = 1). Ils ont été exposés à leurs musiques préférées, de la musique classique relaxante et un extrait sonore non musical (cascade) pendant la phase aiguë de récupération. Les comportements d’agitation ont été évalués à l'aide de l'Échelle d’Agitation (Agitated Behaviour Scale), de mesures actigraphiques et d’une observation qualitative. Les résultats indiquent que l’agitation a diminué lors de l’écoute de la musique classique relaxante et la cascade. L’agitation est restée stable lors de la musique préférée, mais certains patients ont exprimé des émotions positives ou présenté un comportement plus organisé, comme taper du pied ou chanter. Compte tenu des importantes limites méthodologiques dans ce champ d’études, la présente étude a permis d’explorer la faisabilité et l’effet d’une intervention musicale, ce qui permettra de guider les études futures. / Traumatic brain injury (TBI) has serious physical, cognitive, emotional, and behavioural consequences. Agitation is highly prevalent among patients with TBI, and is characterized by motor hyperactivity, disorientation, attention problems, emotional lability, disinhibition, and aggression. It often results in decreased engagement in rehabilitative treatment, and poorer functional outcomes. There is no consensus on the treatment for agitation. Most often, it is managed with medication and physical restraints, which may cause injury or impede cognitive recovery. Few studies examine novel non-pharmacological interventions for agitation in TBI patients. However, recent evidence suggests that music interventions may decrease agitated behavior in TBI patients. The ability of TBI patients to perceive and process music during the acute phase has not been established, though it may influence the efficacy of preferred music interventions. The first article of this thesis evaluated music perception in acutely hospitalized TBI patients. Music perception deficits have been identified in populations with acquired brain injury due to epilepsy, stroke, and after aneurysmal clipping. However, few studies have evaluated deficits following TBI, resulting in an underdiagnosis in this population. Forty-two patients completed the Scale and Rhythm tests of the Montreal Battery for the Evaluation of Amusia to measure music perception, and Digit Span Forward to measure verbal short-term memory. TBI patients were more often impaired than controls, with 43% demonstrating pitch processing deficits, and 40% demonstrating rhythm processing deficits. Patients with right hemisphere damage performed more poorly than those with left hemisphere damage. Pitch and rhythm deficits co-occurred 31% of the time, suggesting partly dissociable neural networks. Results are discussed in the context of current research and clinical implications. The second article was a non-systematic review in which we characterized agitation and its treatment. We explored behavioural interventions, including music interventions, occupational therapy, the Intervention Contingencies Awareness Relationship behavioural model, operant contingency management, and general therapeutic activities. The methodological limitations were discussed and recommendations made for a more systematic approach to research using case and case series studies in agitated patients. The third article was a phase-II development-of-concept pilot study in which four patients with moderate to severe TBI (n = 3), and middle cerebral artery stroke: (n = 1) were exposed to preferred music, relaxing classical music, and a nonmusical control (waterfall) during the acute phase of recovery. Agitated behaviours were assessed using the Agitated Behavior Scale, actigraphy, and qualitative observation. Agitated behaviour decreased during relaxing classical music, and waterfall. It remained stable in the preferred music condition. However, certain patients expressed positive emotions and organized behaviour such as tapping or singing along. Given important methodological limitations in current studies, a phase-II study allowed for the evaluation of outcomes and the practicality of delivering music listening interventions, which may guide future studies.

L’objectif de cette thèse est d’étudier d’une part le problème de sonification d’image et de le solutionner à travers de nouveaux modèles de correspondance entre domaines visuel et sonore. D’autre part d’étudier le problème de la classification de son et de le résoudre avec des méthodes ayant fait leurs preuves dans le domaine de la reconnaissance d’image. La sonification d’image est la traduction de données d’image (forme, couleur, texture, objet) en sons. Il est utilisé dans les domaines de l’assistance visuelle et de l’accessibilité des images pour les personnes malvoyantes. En raison de sa complexité, un système de sonification d’image qui traduit correctement les données d’image en son de manière intuitive n’est pas facile à concevoir. Notre première contribution est de proposer un nouveau système de sonification d’image de bas-niveau qui utilise une approche hiérarchique basée sur les caractéristiques visuelles. Il traduit, à l’aide de notes musicales, la plupart des propriétés d’une image (couleur, gradient, contour, texture, région) vers le domaine audio, de manière très prévisible et donc est facilement ensuite décodable par l’être humain. Notre deuxième contribution est une application Android de sonification de haut niveau qui est complémentaire à notre première contribution car elle implémente la traduction des objets et du contenu sémantique de l’image. Il propose également une base de données pour la sonification d’image. Finalement dans le domaine de l’audio, notre dernière contribution généralise le motif binaire local (LBP) à 1D et le combine avec des descripteurs audio pour faire de la classification de sons environnementaux. La méthode proposée surpasse les résultats des méthodes qui utilisent des algorithmes d’apprentissage automatique classiques et est plus rapide que toutes les méthodes de réseau neuronal convolutif. Il représente un meilleur choix lorsqu’il y a une rareté des données ou une puissance de calcul minimale. / The objective of this thesis is to study on the one hand the problem of image sonification and to solve it through new models of mapping between visual and sound domains. On the other hand, to study the problem of sound classification and to solve it with methods which have proven track record in the field of image recognition. Image sonification is the translation of image data (shape, color, texture, objects) into sounds. It is used in vision assistance and image accessibility domains for visual impaired people. Due to its complexity, an image sonification system that properly conveys the image data to sound in an intuitive way is not easy to design. Our first contribution is to propose a new low-level image sonification system which uses an hierarchical visual feature-based approach to translate, usingmusical notes, most of the properties of an image (color, gradient, edge, texture, region) to the audio domain, in a very predictable way in which is then easily decodable by the human being. Our second contribution is a high-level sonification Android application which is complementary to our first contribution because it implements the translation to the audio domain of the objects and the semantic content of an image. It also proposes a dataset for an image sonification. Finally, in the audio domain, our third contribution generalizes the Local Binary Pattern (LBP) to 1D and combines it with audio features for an environmental sound classification task. The proposed method outperforms the results of methods that uses handcrafted features with classical machine learning algorithms and is faster than any convolutional neural network methods. It represents a better choice when there is data scarcity or minimal computing power.

This study aimed to relate the emotions of two fathers regarding their incestuous behaviour. The epistemological framework is social constructionism. The `case-study approach' was chosen as the most suitable method to gain access to the information. Qualitative in-depth interviews with the fathers were conducted to collect data about their emotional experiences regarding their incestuous behaviour and Hermeneutics was used as method of data analysis. The emotional experiences of the participants regarding their incestuous behaviour were reconstructed in the form of prominent themes. Themes that seemed to re-occur in both participants' stories were identified and discussed as common themes. These themes included; ambivalence, powerlessness and guilt. This study provides a rich understanding of the emotional experiences of incestuous fathers. These experiences seem to be unstated or insufficiently emphasised in the traditional empirical, cause and effect, linear modernist literature. / Psychology / M.A. (Clinical Psychology)

This dissertation examines the political origins of Loyalism in New York City between 1768 and 1778. Anchored by an analysis of political mobilization, this dissertation is structured into two parts. Part I has two chapters. Using a variety of private and public sources, the first chapter analyses how 9,338 mostly white male Loyalists in New York City and the counties of Kings, Queens, Suffolk and Westchester were mobilized. Chapter 1 argues that elites and British forces played a fundamental role in the broad-based mobilization of Loyalists in the province of New York. It also recognises that colonists signed Loyalist documents for many different reasons. The second chapter of Part I is a large-scale prosopographical analysis of the 9,338 identified Loyalists. This analysis was based on a diverse range of sources. This analysis shows that a majority of the province’s Loyalist population were artisans aged between 22 and 56 years of age. Part II of this dissertation examines political mobilization in New York City between 1768 and 1775. In three chapters, Part II illustrates how elite and non-elite white male New Yorkers coalesced into two distinct groups. Chapter 3 concentrates on the emergence of the DeLanceys as a political force in New York, Chapter 4 on their mobilization and coalescence into ‘the Friends to Liberty and Trade’, or ‘the Club’, and Chapter 5 examines the political origins of what became Loyalism by studying the social networks of three members of ‘the Club’. By incorporating an interdisciplinary methodology, Part II illustrates that members of ‘the Club’ developed ties with one another that transcended their political origins. It argues that the partisanship of New York City led members of ‘the Club’ to adopt inward-looking characteristics that affected who they interacted with on an everyday basis. A large proportion of ‘the Club’’s members became Loyalists in the American Revolution. This dissertation argues that it was the partisanship that they developed during the late 1760s and early 1770s that defined their allegiance.