Proefschrift--Leiden--Universiteit, 2005. / Contient en appendice le texte de Catenaccio da Anagni. Bibliogr. p. 87-112. Résumés en anglais et néerlandais.

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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Texte remanié de : Th. Ph. D. : University of Hull : 1985. / Le titre initial de la thèse était : "Form and meaning in two thirteenth-century verse romances : "La Manekine" and "Jehan et Blonde" by Philippe de Rémi.

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The Mamluk Sultanate that dominated Egypt and Syria over slightly more than two centuries and a half (647-922/1250-1517), witnessed the development of a prodigious historiographical production. While the historiography of the Turkish Mamluk period (647-792/1250-1382) has been the object of thorough analyses to determine the patterns of interrelations amongst its authors and the respective value of its most important sources, that of the Early Circassian Mamluk period (roughly, the last quarter of the fourteenth/eighth and the first years of the fifteenth/ninth centuries) has not as of yet received proper attention. In this dissertation, this historiographical production has been surveyed and subjected to an analysis, the methodology of which was pioneered by Donald P. Little, one that consists of close word-by-word comparison of individual accounts in the works of Syrian and Egyptian authors who wrote about this period. The focus here was on specifically non-biographical historical material contained in mostly annalistic works. Amongst the results obtained during this research was the ultimate reliance, at different degrees and depths, of all historians on the works of five authors, namely Ibn Duqmaq (d. 809/1407), Ibn al-Furat (d. 807/1405), Ibn Hijji (d. 816/1413), al-Maqrizi (d. 845/1441) and al-'Ayni (d. 855/1451), but especially the first three.

by John L. Wyatt, Jr., William M. Siebert, Han-Ngee Tan. / "October, 1982." / Bibliography: p. 16-17. / National Science Foundation Grant No. ECS 800 6878

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Liu Ch'i, a belletrist of the Chin dynasty (1115-1234), recorded an eyewitness account of the fall of the Chin in his memoir, the Kuei-ch'ien-chih (The Record of One Returned to Obscurity). He was motivated by an inner logic which thematically argues that: The disintegration of effective Chin administration was a direct result of the deterioration of Chin literary standards, symptomatic of a more basic degeneration of the traditional Confucian high culture. The collapse of the Chin climaxed approximately three hundred years of rise and fall (c. 900-1234). As Jurchen tribal organization became inadequate, they imitated the Ch'i-tan model of a dualistic tribal-agrarian society and tended to adopt Chinese institutions. Dynamic decline seemed in direct proportion to the decline in Jurchen institutions. However, Liu Ch'i observed this decline and its climax in the fall of the Chin capital, K'aifeng, and thought that the Chin failed for not fully adopting Chinese ones. His memoir, Kuei-ch'ien-chih, was transmitted from its writing in 1235 to the present edition, the Chung-hua shu-chu Yuan-Ming shi-k'o pi-cho ts'ung-k'an, collated by Ts'ui Wen-yin (second edition 1983). Liu Ch'i illustrates his themes with Chin pesonalities portraying the union of ability-aspiration-achievement to mean the highest combination of traditional Confucian values. He quickly attentuates this theme in the succeeding chuan to show possible variations of failure in a descending taxonomy. In his seventh chuan, Liu Ch'i argues that since the Chin dynasty limited their literary focus of the civil service examinations solely upon the lyric, the prose-poem, and the commentary on the classics, the source of potential leadership, the chin-shih, became intellectually effete leasing to a degeneration in political dynamics. Liu Ch'i's personal rationalization was one of confident expectation despite an involvement in drafting a testimonial to Ts'ui Li, who had betrayed K'aifeng to the Mongols. He felt that time and circumstance were cyclical in nature and that he had fulfilled his destiny and his duty. Liu Ch'i's memoir warrants a closer examination in its entirety to appreciate its inner, thematic logic and a translation of the preface and first three chapters is presented as a preliminary to the full translation.

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