All praise is to God who has made everything possible. This thesis has been a truly exciting and intellectually rewarding project. However, it would not have been possible without the help of a number of important people: I would firstly like to express, sincerely and earnestly, my gratitude to Professor Lawrence Hamilton, who has been an incredible supervisor. Not only has he been the victim of my ongoing dilemmas but he has also patiently, supportively, encouragingly and positively contributed to my personal intellectual growth. He has never turned away from my want to initiate a supervision session, no matter how random a place or time, and has always reacted in the same measured and well-thought out way, providing the stimulating feedback every graduate student can only hope for. Secondly I would like to thank my family for their unyielding support, love and concern, at times when I needed it most. They know what they have done individually and collectively and I cannot thank them enough. Thirdly, I would like to especially note the help and guidance ofDr Magnus Ryan, from Peterhouse College, University of Cambridge who, by sharing his expertise and knowledge of Medieval Political thought, illuminated my understanding of the subject. Fourthly, I would like to thank Dr David James for his help and comments on one of my final drafts. / Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2008.

This thesis examines the heroines in Middle English romances and argues that, like the noblewomen who lived in England during the Plantagenet period, they are not helpless princesses simply waiting to be rescued by the brave, strong hero. In fact, these heroines show an enormous amount of intelligence, ingenuity, perseverance, and strength of character. Many play a pivotal role in the hero's success in his quest by giving him a token, providing knowledge, or teaching him a lesson. Also, it is the heroines who provide the heroes with rewards after the quests are completed. The present thesis offers a contribution to the study of Medieval English Romances in providing a revision of standard feminist analyses. In many of these studies there seems to be a lack of appreciation for the role of female characters and their relation to the outcome of the hero's quest. Even studies written from a feminist perspective tend to overlook the strength of the heroine's character, the attainment of her goals, and the fact that she is often a powerful figure who is of much higher status than her suitor. In these romances the female characters wield a substantial amount of both private and public power, an aspect of the genre which has often been ignored.

This study explores the problem of female defense in relation to the constitution of women as disempowered speaking subjects within the dominant rhetorical structures of early Stuart literature. The discourse of male rhetoricians defines a subordinate place for women in the order of language. The English formal controversy arguments over the nature of women in the sixteenth and early seventeenth centuries similarly deploy tropes of male precedence and female subordination to restrain women in the symbolic order and to inhibit any form of female discourse. In order to construct an effective defense a female apologist must reconstitute herself by working within and subverting these constraints. Early Stuart drama provides numerous instances in which women confront and contest the pre-established limits for female speech in their efforts to defend themselves and/or their sex. However, in the dramas selected for this scrutiny, despite the forceful defense strategies that female characters use in their attempts to negotiate their negative positions in language, they are ultimately marginalized. My final chapter therefore examines the rhetorical strategies whereby in her life and writing one woman author, Elizabeth Cary, successfully appropriated and transformed the gendered tropes into compelling female defenses.

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The thesis attempts a portrait of The Cloud in the context of its position in the history of Christian mysticism. That the anonymous work owed much to spiritual writers of the preceding twelve hundred years is not debatable; what it owed maybe slightly less obvious. The Cloud is essentially a work of Dionysian mysticism, and various writers within that tradition who may have influenced or affected the teaching of The Cloud are examined. At the same time, however, the anonymous writer owes much to the western tradition of Augustinian theology, and the role of this, complementary to the Dionysian mysticism, is also considered. In Chapter II we look at the theological doctrine underlying the mystical doctrine of the Cloud corpus. Chapter III has two major parts, both concerned with the influence of The Cloud on the subsequent development of spiritual writing in England. The first considers the relationship with Walter Hilton. The second examines aspects of Puritan thought which may indicate that the influence of The Cloud, after the Reformation, was not restricted to Catholic thought.