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l'influence allemande dans les contes de Charles NodierSchoenfeld, Marie-Luise January 1970 (has links)
Charles Nodier, who was born at Besançon in 1780 and who died in Paris in 1844, was a profuse writer in many fields (e.g. bibliography,
linguistics, entomology, criticism, romance). He stood at the crossroads of classicism and romanticism and tried to find a synthesis of the valuable aspects of both movements in their literary and their philosophical significance. He was unjustly forgotten because it was difficult to classify him: although his language and style conformed to the ideals of classic beauty, his ideas were in advance of his time. Thanks to a particularly remarkable ability in languages, Nodier drew upon the store of ideas of European literature as a whole, with particular emphasis on the fantastic literature of Germany. He praised lavishly the freedom of imagination of German thought. German influence has, therefore, been taken for granted by nearly all biographers
and never been explored in detail.
In chapters I and II of this work, we get to know Nodier from the testimony of his contemporaries and that of the scholarly biographers of the 20th century who rediscovered his "contes", as well as from an analysis of these "contes" and their symbolic significance. We arrived at the conclusion that Nodier did not merely try to escape from reality through writing fairy-tales, but that he relayed a distinct message: illuminism. The hidden didacticism accounts for a certain monotony in theme and dénouement. To explain this fact, we drew on general influences
of German thought, demonstrated by comparison with Herder, Tieck,
and others, whose attitudes are reflected in Nodier's criticism and style (chapter III). The full extent of German influence, examined in detail in chapter IV, reveals that the influence of Goethe is ultimately to be considered negative, i.e. Nodier's imitations of Goethe's Werther and Faust are deliberately distorted to convey his criticism. Positive influences are at work between Hoffmann and Nodier, and there are numerous
examples to prove this fact, the most important one being the comparison
of the autobiographical novel Lebens-Ansichten des Katers Murr intertwined with the Fragmentarische Biographie des Kapellmeisters Johannes Kreisler by E.T.A. Hoffmann, with the largely neglected Histoire du roi de Bohême et de ses sept châteaux by Nodier. The latter work, an intentional conglomeration of pastiches presenting numerous ultra-modern features of style, incorporates two conventional, but likewise fragmented "contes", and thus undoubtedly borrowed its structure
and autobiographical form from Hoffmann.
The examination of German influence in detail shows that Nodier allowed his thoughts to be moulded only by writers with whom he had an affinity of beliefs and character, as in the case of Hoffmann. Otherwise he remained independent and critical. He did not identify with the then foremost German types Werther and Faust, and the overwhelming
praise of Germany seems, therefore, to be addressed to a Utopian country, an image created first by Mme de Staël, and used by her as by Nodier to reinforce their criticism of French literary conservatism.
German influence, while considerable in his "contes", is only incidentally German; Nodier, the bibliophile, was able to draw on the literature of all times and all peoples to feed his metaphysical, social and literary theories. His choice of models seems to prove
Sainte-Beuve's theory of the cohesion of "families of the spirit" untouched by time and space, rather than the notion of generalized national traits in literature. / Arts, Faculty of / French, Hispanic, and Italian Studies, Department of / Graduate
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Os retábulos da cidade de Lamego e o seu contributo para a formação de uma escola regional : 1680-1780Queirós, Carla Sofia Ferreira January 2001 (has links)
Estudo dos retábulos existentes na cidade de Lamego que abrangem as épocas Maneirista, Nacional, Joanina e Rococó. Comparação ao nível da estrutura e morfologia e importância da escola regional de talha lamecense na cidade e a sua possível influência na região.
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Experiência da natureza e sensibilidade pré-romântica em Portugal : temas de pintura e seu consumo : 1780-1825Araújo, Agostinho January 1991 (has links)
No description available.
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La philosophie du langage chez Condillac.Fontaine, Jean Marc. January 1970 (has links)
No description available.
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Les idées d'origine, de genèse et de progres des connaissances chez Condillac.Keel, Othmar January 1969 (has links)
No description available.
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Die scenarischen Bemerkungen im Zeitalter Gottseheds und LessingsZickel, Martin, January 1900 (has links)
Thesis.
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Les idées d'origine, de genèse et de progres des connaissances chez Condillac.Keel, Othmar January 1969 (has links)
No description available.
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La philosophie du langage chez Condillac.Fontaine, Jean Marc. January 1970 (has links)
No description available.
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Ludovico di Breme nella storia della criticaRudolf, Margaret, 1953- January 1978 (has links)
No description available.
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Architecture and polite culture in eighteenth-century England : Blackstone’s architectural manuscripts.Matthews, Carol January 2007 (has links)
Title page, contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library. / This thesis seeks to establish architecture’s role in Blackstone’s life and intellectual development. It also endeavours to determine the extent to which the use of architectural metaphor in his great legal text might offer a new perspective on his reputation as a conservative and upon the very genesis of the ’Commentaries’. --p. ii. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1284121 / Thesis (Ph.D.) -- University of Adelaide, School of History and Politics, 2007
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