Dentiste entrant dans la vie publique pour faire triompher, sans compromis, une cause qu'il croit juste et nécessaire, Philippe Hamel entreprendra une campagne personnelle puis donnera successivement son adhésion a l'Action libérale nationale et à l'Union nationale. Croyant que Maurice Duplessis concrétiserait des reformes en hydroélectricité, Hamel sera précipite, après la victoire de l'Union nationale, dans une phase de marginalisation politique. Tenant toujours à sa vision personnelle qui abhorre tout compromis sur les principes, le dentiste entretiendra des relations difficiles avec les forces en présence. Finissant par abandonner la politique active, il n'en conservera pas moins cette volonté de faire triompher sa cause. Plus que jamais convaincu de l'influence néfaste de la "dictature économique" sur la société, il sera ramené, contexte aidant, sur la scène politique et adhèrera au Bloc populaire. Mais, une conviction toujours inébranlable verra les déboires politiques se répéter pour aboutir à un retrait progressif et définitif de la vie publique. / Québec Université Laval, Bibliothèque 2013

Text in Afrikaans / Hierdie studie is 'n herskepping van die wereld van die Afrikaanse roman van 1934-1939. Al die romans is bekom en gelees. Die beskikbaarheid van hierdie romans word aangedui. 'n Sketsmatige beeld van elke roman word gegee, waarin die aard daarvan aangetoon word ten opsigte van die volgende aspekte: milieu, tema en konflik (moreel, religieus, maatskaplik, polities). Die lotgevalle van hierdie romans is nagegaan aan die hand van tydgenootlike resepsiegeskiedenis, sowel as die van die literatuurgeskiedskrywing tot op hede. Hieruit het dit geblyk dat sekere romans aanvanklik hoog aangeslaan is, maar nie in die kanon opgeneem is nie. Moontlike redes hiervoor word ondersoek. Na my oordeel verdien Die loutering van Petrus deur Ella Fischer en Die jare daarna deur Aletta Steyn 'n herbesoek. Albei romans is boeiend en interessant, die karakters "lewe" en dit wat hul beleef en ervaar, spreek steeds tot die leser van die negentigerjare / This study is a recreation of the world of the Afrikaans novel of 1934-1939. All the novels were obtained and read. The availability of these novels is indicated. A schematic account of each novel is given, in which the nature of each is explicated in respect of the following aspects: milieu, theme and conflict (moral, religious, social and political). The fate of these novels was researched in the context of their contemporary reception history and that of literary historiography to date. From the study it appears that certain novels were initially highly acclaimed, but were not included in the canon. Possible reasons for this are investigated. It is my opinion that Die loutering van Petrus by Ella Fischer and Die }are daarna by Aletta Steyn need to be re-evaluated. Both novels are absorbing and interesting, the characters are lifelike and their life experiences are still relevant to the reader of the nineties / Afrikaans & Theory of Literature / M.A. (Afrikaans)

Thesis (PhD)--University of Stellenbosch, 2001. / ENGLISH ABSTRACT: This dissertation is an interdisciplinary study of various historical novels which dealt to a greater or lesser degree with the Great Trek and were written between the 1840s and the 1930s in Dutch, Afrikaans and English but with particular emphasis on H.P. Lamont's War, Wine and Women and Stuart Cloete's Turning Wheels (1937). The analysis of all these fictional reconstructions focuses on the portrayal of the Voortrekkers found in them. Much attention is also paid to the historical contexts in which the two principal works in question were written and the great controversies which they occasioned because both of their authors had had the temerity to challenge the long-established myth of the heroic Voortrekkers, one of the holiest of the iconic cows in the barns of their Afrikaner descendants. Chapter I, "Introduction", is a statement of the purpose of the study, its place in the context of analyses of the history of Afrikaner nationalism, its structure and the sources on which it is based. Chapter II, "The Unfolding of the Myth of the Heroic Voortrekkers", traces its evolution from the 1830s to the 1930s and explores how both English-speaking South Africans and Afrikaners, especially Gustav PrelIer, purposefully contributed to it. Also highlighted in this chapter is the significance of the Great Trek Centenary and the events leading up to it in the middle and late 1930s in intensifying Afrikaner nationalism. Chapter III, "The Heroic Myth in Early Dutch and Afrikaans Novels about the Great Trek", considers especially how these works were used as vehicles for placing before Afrikaners the historic virtues of their ancestors both to provide models for emulation and to stimulate their ethnic pride. Chapter IV, "Sympathetic English Reconstructions of the Great Trek", deals with two novels, Eugenie de Kalb's Far Enough and Francis Brett Young's They Seek a Country, both of which reproduced the heroic myth to some extent. Chapter V, "Rendezvous with Disaster? The South Africa in Which Lamont Wrote War, Wine and Women" establishes the context of intensifying Afrikaner nationalism which this immigrant from the United Kingdom encountered in the late 1920s when he accepted a lectureship at the University of Pretoria and why this context was hostile to a novel which was critical of Afrikanerdom. Chapter VI, "Wa1~ Wine and Women: Its General Context and Commentary on South Africa" explores how this work, conceived as a "war book" dealing with the 1914-1918 conflict in Europe, depicted both Englishmen and Afrikaners negatively. Chapter VII, "Academic Freedom vs. Afrikaner Nationalism: The Consequential Strife over War, Wine and Women" deals with the hostile reception of Lamont's pseudonymously published novel, the physical assault on him and his dismissal from his lectureship at the University of Pretoria. Chapter VIII, "The Rhetoric of Revenge in Lamont's Halcyon Days in Africa", explores how the author, after relurning lo England, used his pen as a weapon for striking back al his Afrikaans foes in South Africa. Chapter IX, "Stuart Cloete's Portrayal of the Voortrekkers in Turning U'heels", focuses on the portrayal of various ethnic types in his gallery of characters. Chapter X, "The Con troversy over Turning U'heels", handles the hostile and apparently orchestrated reaction to Cloete's book and how it was eventually banned. Chapter XI, "Conclusion: Quod Eral Demonstrandum", summarises several thematic findings which a detailed examination of the novels in their historical context yields. / AFRIKAANSE OPSOMMING: Hierdie verhandeling is 'n interdissiplinêre studie van verskeie historiese romans waarin daar in 'n mindere ofmeerdere mate op die Groot Trek gefokus word en wat geskryfis tussen die 1840's en die 1930's in Nederlands, Afrikaans en Engels, maar met die klem op H. P. Lamont se War, Wine and Wamen en Stuart Cloete se Turning Wheels (1937) in die besonder. Die analise van al hierdie fiktiewe rekonstruksies fokus op die uitbeelding van die Voortrekkers daarin. Daar word ook in die besonder aandag gegee aan die historiese kontekste waarbinne hierdie twee hoofwerke geskryfis en die groot polemiek daarrondom, omdat beide outeurs die vermetelheid gehad het om die lank reeds gevestigde mite van die heldhaftige Voortrekkers, een van die heiligste ikoniese koeie in die skure van die Afrikanernageslagte, uit te daag. Hoofstuk I, "Introduction", stel die doel van die studie, waar dit staan in die konteks van analises van die geskiedenis van Afrikanernasionalisme, die skruktuur en die bronne waarop dit gebaseer is. Hoofstuk II, "The Unfolding of the Myth of the Herioc Voortrekkers", volg die evolusie van Afrikanernasionalisme van die 1830's tot die 1930's en ondersoek op beide Engelssprekende Suid-Afrikaners en Afrikaners, veral Gustav Preller, doelgerig hiertoe bygedra het. In hierdie hoofstuk word daar ook beklemtoon hoe betekenisvol die honderdjarige herdenking van die Groot Trek en die gebeure wat daartoe aanleiding gegee het gedurende die middel- en laat 1930's, bygedra het tot die versterking van Afrikanernasionalisme. Hoofstuk III, "The Heroic Myth in Early Dutch and Afrikaans Novels about the Great Trek", bespreek veral hoe hierdie werke gebruik is om aan Afrikaners die historiese deugsaamheid van hulle voorvaders voor te hou en wat as voorbeelde moet dien wat nagestreef moet word en om hulle etniese trots te stimuleer. Hoofstuk IV, "Sympathetic English Reconstructions of the Great Trek", bespreek twee romans, Far Enough van Eugenie de Kalb en TheySeek a Country van Francis Brett Young, wat altwee die heroïse mite in 'n sekere mate herproduseer. Hoofstuk V, "Rendezvous with Disaster? The South Africa in Which Lamont Wrote War, Wine and Women" vestig die konteks van groeiende Afrikanernasionalisme wat hierdie immigrant van die Verenigde Koninkryk in die laat 1920's teëgekom het toe hy 'n lektoraat aan die Universiteit van Pretoria aanvaar het, en hoekom hierdie konteks vyandiggesind was teenoor 'n roman wat krities was teenoor die Afrikanerdom. Hoofstuk VI, "Wa1~ Wine and Women: Its General Context and Commentary on South Africa" ondersoek hoe hierdie werk, beskou as 'n "oorlogsboek" wat handeloor die 1914-1918 konflik in Europa, beide die Engelse en die Afrikaners in 'n negatiewe lig gestel het. Hoofstuk VII, "Academic Freedom vs. Afrikaner Nationalism: The Consequential Strife over War, Wine and Women" skenk aandag aan die vyandige ontvangs van Lamont se roman (gepubliseer onder 'n skuilnaam), die fisieke aanval op hom en sy ontslag as lektor van die Universiteit van Pretoria. Hoofstuk VIII, "The Rhetoric of Revenge in Lamont's Halcyon Days inAfrica", ondersoekhoe die outeur, na hy na Engeland teruggekeer het, sy pen as wapen gebruik het in 'n teenaanval op sy Afrikaanse vyande in Suid-Afrika. Hoofstuk IX, "Stuart Cloete's Portrayal of the Voortrekkers in Turning Wheels", fokus op die uitbeelding van verskeie etniese tipes in sy gallery karakters. Hoofstuk X, "The Controversy over Tumng Wheels", bespreek die vyandige en klaarblyklike georkestreerde reaksie op Cloete se boek, en hoe dit uiteindelik verban is. Hoofstuk XI, "Conclusion: Quod Era! Demonstrandum", bied 'n opsomming van verskei tematiese bevindinge aan, wat deur 'n gedetaileerde ondersoek van die romans opgelewer is.

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Made available in DSpace on 2016-04-29T14:17:09Z (GMT). No. of bitstreams: 1 Bruno Simoes Goncalves.pdf: 1489853 bytes, checksum: e3349f2df55540a9fe6d05dfb91010f1 (MD5) Previous issue date: 2007-10-24 / The purpose of this essay is to investigate the existing tension between the tradition and the modernity within the caipira way of life, by using two basic and complementary methods: the bibliographic research and the field research. The theoretical basis is built on an approximation between the reflection on Brazilian modernity, by the sociologist José de Souza Martins, and the phenomenology of the imagination, by Gaston Bachelard. The field research took place in São Luís do Paraitinga and resulted in the conduction, transcription and analysis of four interviews, all included in this work. The choice of the research subjects, the issues of the interviews and the eventual use of those accounts have been based in the fundamentals of Oral History. The modern Brazilian consciousness is like a path in between two boundaries. Our double consciousness, divided between the modern and the traditional, results on the conjugation of the different life styles which got together to form our own identity. The modern Brazilian consciousness takes place in a game of power in which are summed up customs and values, that are rationalized and urbanocentrics , with the tribality and the rural magic universe. Logic and Poetic Imagination are seen here as symbols of these two distinct ways of being together with reality. This essay is an effort to reach the understanding of the fundamental dynamics existing within our culture, revealed through the subjectivity and the daily caipira style of living, as well as, to perceive how these dimensions are related basing on the so called great lines of History . Built in a direct interaction with some of the residents of São Luís do Paraitinga, these reflections are a way to not only built a brief critical analysis of reality but also to register words and gestures of the ones who, historically, had their voices silenced the women and men from the countryside / A presente dissertação tem como objetivo principal investigar a tensão existente entre tradição e modernidade no interior do modo de vida caipira, a partir de dois pilares básicos e complementares: a pesquisa bibliográfica e a pesquisa de campo. O aporte teórico teve como principal fundamento uma aproximação entre a reflexão sobre a modernidade brasileira feita pelo sociólogo José de Souza Martins e a fenomenologia da imaginação de Gaston Bachelard. Já a pesquisa de campo se desenvolveu no município vale-paraibano de São Luís do Paraitinga e resultou na realização, transcrição e análise de quatro entrevistas, todas incluídas nesta dissertação. A escolha dos sujeitos, as temáticas abordadas nesses encontros e o posterior manuseio das narrativas tiveram como base metodológica os fundamentos da História Oral. A consciência moderna brasileira é uma travessia entre duas margens. Dividida entre o moderno e o tradicional, nossa dupla consciência é uma reunião dos diferentes modos de vida que se mesclaram na formação de nossa identidade. Sobrepondo costumes e valores urbanocêntricos e racionalizados à tribalidade e ao universo rural e mágico que também a constituem, a consciência moderna brasileira se realiza nesse jogo de forças. Razão e imaginação poética aparecem então como símbolos desses dois modos distintos de estar junto à realidade. Esta pesquisa expressa a busca de um início de compreensão sobre como essa dinâmica fundamental de nossa cultura se revela na subjetividade e na vida cotidiana do caipira e como estas dimensões se relacionam na discussão das chamadas grandes linhas da História . Produzida em meio a um convívio direto com o município de São Luís do Paraitinga e parte de seus moradores, o conjunto de reflexões que compõem esta dissertação buscou não só tecer uma breve análise crítica da realidade pesquisada como também deixar registradas palavras e gestos daqueles que, historicamente, têm sua voz silenciada as mulheres e os homens do campo

Made available in DSpace on 2014-06-11T19:23:36Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-10-06Bitstream added on 2014-06-13T20:50:39Z : No. of bitstreams: 1 rodrigues_aa_me_mar.pdf: 825366 bytes, checksum: 8fbe3073df7bdd23f080db418a3dd458 (MD5) / A Revista Cultura Política foi um dos canais de difusão da ideologia de governo que se articulou no Estado Novo. Ela circulou de março de 1941 a outubro de 1945. Era uma revista de estudos brasileiros destinada a explicar as transformações socioeconômicas pelas quais passava o país. Além de relatar minuciosamente as realizações governamentais, ela funcionava como uma central de informações sobre Getúlio Vargas e o Estado Novo. Durante a sua existência, atingiu a marca de 50 publicações com ampla divulgação e vendidas mensalmente nas bancas do Rio de Janeiro e São Paulo. Teve a participação de grandes expoentes da intelectualidade brasileira abrigando as mais diversas correntes de pensamento, tais como: Almir de Andrade, Azevedo Amaral, Cassiano Ricardo, Francisco Campos, Lourival Fontes, Graciliano Ramos, Gilberto Freyre, Nelson Werneck Sodré, entre outros presentes na elaboração dos artigos da Revista, os mais variados temas discutidos por eles e a alta tiragem de seus exemplares, nos chamaram a atenção e serviram de base para o nosso estudo. A partir dos artigos da Revista Cultura Política, propomos um estudo dos projetos para o Brasil dos intelectuais autoritários que, em certa medida, eram influentes no pensamento estadonovista. Nossa proposta entende que é possível estabelecer uma análise dos discursos contidos nos artigos destes intelectuais com o propósito de entender como eles viam a Nação e qual era o seu projeto de desenvolvimento para ela, especialmente no tocante aos rumos da economia brasileira e sua inserção no mundo. Estudaremos o pensamento e os artigos dos autores: Almir de Andrade, Azevedo Amaral, Cassiano Ricardo, Francisco Campos e Lourival Fontes, pois estes autores são considerados os principais autores autoritários e ideólogos do Estado Novo / Political Culture Magazine was one of the diffusion channels of government ideology formed during the “Estado Novo “(the political regime instituted by Getúlio Vargas in Brazil from 1937 to 1945). The magazine was published from March, 1941 through October, 1945. It dealt with Brazilian studies and aimed at explaining the social economical changes in course in Brazil at that time. Besides of reporting the governmental accomplishments in details Political Culture Magazine also played the role of a bibliographical information center announcing and reviewing publications about Getúlio Vargas and the “Estado Novo”. During its existence it achieved 50 publications with large diffusion as it was monthly sold at newsstands in Rio de Janeiro and São Paulo. There was a participation of many outstanding intellectuals embracing the most diverse trends of thought such as Almir de Andrade, Azevedo Amaral, Cassiano Ricardo, Francisco Campos, Lourival Fontes, Graciliano Ramos, Gilberto Freyre, Nelson Werneck Sodré, among other articles’ writers. The most varied subjects were discussed there and the high circulation figures called our attention thus constituting the basis of our work. Starting from the Political Culture articles our proposal aims at studying the economical debate among the magazine members - the so called authoritarian intellectuals - who conceived projects for Brazil, i.e. the intellectuals who to a certain extent influenced the estadonovista thought and therefore its economical thought. We believe it is possible to comparatively analyze the content of their speeches in order to better understand how they viewed the nation and what was their development project for the country specially concerning the guidelines of the Brazilian economy and its insertion in the world. Among those authors a special attention will be given to Almir de Andrade, Azevedo Amaral, Cassiano Ricardo, Francisco Campos e Lourival Fontes

Text in Afrikaans / Hierdie studie is 'n herskepping van die wereld van die Afrikaanse roman van 1934-1939. Al die romans is bekom en gelees. Die beskikbaarheid van hierdie romans word aangedui. 'n Sketsmatige beeld van elke roman word gegee, waarin die aard daarvan aangetoon word ten opsigte van die volgende aspekte: milieu, tema en konflik (moreel, religieus, maatskaplik, polities). Die lotgevalle van hierdie romans is nagegaan aan die hand van tydgenootlike resepsiegeskiedenis, sowel as die van die literatuurgeskiedskrywing tot op hede. Hieruit het dit geblyk dat sekere romans aanvanklik hoog aangeslaan is, maar nie in die kanon opgeneem is nie. Moontlike redes hiervoor word ondersoek. Na my oordeel verdien Die loutering van Petrus deur Ella Fischer en Die jare daarna deur Aletta Steyn 'n herbesoek. Albei romans is boeiend en interessant, die karakters "lewe" en dit wat hul beleef en ervaar, spreek steeds tot die leser van die negentigerjare / This study is a recreation of the world of the Afrikaans novel of 1934-1939. All the novels were obtained and read. The availability of these novels is indicated. A schematic account of each novel is given, in which the nature of each is explicated in respect of the following aspects: milieu, theme and conflict (moral, religious, social and political). The fate of these novels was researched in the context of their contemporary reception history and that of literary historiography to date. From the study it appears that certain novels were initially highly acclaimed, but were not included in the canon. Possible reasons for this are investigated. It is my opinion that Die loutering van Petrus by Ella Fischer and Die }are daarna by Aletta Steyn need to be re-evaluated. Both novels are absorbing and interesting, the characters are lifelike and their life experiences are still relevant to the reader of the nineties / Afrikaans and Theory of Literature / M.A. (Afrikaans)

nÃo hà / O presente trabalho busca analisar os conflitos presentes na construÃÃo de uma memÃria organizadora para as cidades da zona norte do CearÃ. Interessa-nos desta memÃria sua Ãnfase na aÃÃo dos intelectuais e o desejo de atribuir Ãs cidades em questÃo o estatuto de âcidade intelectualâ. Obviamente, tal memÃria nÃo conseguiu impor o silÃncio Ãs memÃrias divergentes, que lhe desafiaram a hegemonia. A principal cisÃo interna dessa memÃria surgiu junto com uma nova categoria no interior do campo intelectual: os jornalistas. Tal processo pode ser percebido a partir da anÃlise das trajetÃrias profissionais e sociais de Vicente Loyola e Deolindo Barreto Lima, dois jornalistas cujas memÃrias constituÃram um desafio Ãquela memÃria intelectual organizadora em Sobral. O recorte espacial contempla a porÃÃo noroeste do CearÃ, tendo como epicentro a cidade de Sobral, onde essa memÃria voltada para os intelectuais se fez sentir de maneira mais intensa, podendo ser percebida nos jornais, na literatura e, mais recentemente, no processo de patrimonializaÃÃo. Para tanto, analisamos dois processos anteriores: a difusÃo do livro e da leitura, ancorada a um projeto de difusÃo da instruÃÃo representado pelos gabinetes de leitura, quando nos reportamos aos anos de 1870 a 1900; a consolidaÃÃo da imprensa enquanto espaÃo de profissionalizaÃÃo do trabalho intelectual e os conflitos surgidos nesse processo, que abarcou discursos e trajetÃrias diversas, compreendendo o intervalo entre os anos 1907 e 1932; e, por fim, o perÃodo de 1984 a 2015, quando se deu o processo de patrimonalizaÃÃo, iniciado com a comemoraÃÃo do centenÃrio de nascimento do jornalista Deolindo Barreto Lima, passando pelos tombamentos dos sÃtios histÃricos de Sobral e ViÃosa do Cearà e chegando aos dias atuais, quando as ditas cidades â bem como outras da zona norte deste estado â buscam sua consolidaÃÃo como pontos importantes no processo de interiorizaÃÃo do turismo e da iniciativas de natureza governamental no Ãmbito da promoÃÃo cultural. Este trabalho faz parte de um conjunto de estudos desenvolvidos pelo Grupo de Estudos e Pesquisas em PatrimÃnio e MemÃria â GEPPM/UFC/CNPq. . / O presente trabalho busca analisar os conflitos presentes na construÃÃo de uma memÃria organizadora para as cidades da zona norte do CearÃ. Interessa-nos desta memÃria sua Ãnfase na aÃÃo dos intelectuais e o desejo de atribuir Ãs cidades em questÃo o estatuto de âcidade intelectualâ. Obviamente, tal memÃria nÃo conseguiu impor o silÃncio Ãs memÃrias divergentes, que lhe desafiaram a hegemonia. A principal cisÃo interna dessa memÃria surgiu junto com uma nova categoria no interior do campo intelectual: os jornalistas. Tal processo pode ser percebido a partir da anÃlise das trajetÃrias profissionais e sociais de Vicente Loyola e Deolindo Barreto Lima, dois jornalistas cujas memÃrias constituÃram um desafio Ãquela memÃria intelectual organizadora em Sobral. O recorte espacial contempla a porÃÃo noroeste do CearÃ, tendo como epicentro a cidade de Sobral, onde essa memÃria voltada para os intelectuais se fez sentir de maneira mais intensa, podendo ser percebida nos jornais, na literatura e, mais recentemente, no processo de patrimonializaÃÃo. Para tanto, analisamos dois processos anteriores: a difusÃo do livro e da leitura, ancorada a um projeto de difusÃo da instruÃÃo representado pelos gabinetes de leitura, quando nos reportamos aos anos de 1870 a 1900; a consolidaÃÃo da imprensa enquanto espaÃo de profissionalizaÃÃo do trabalho intelectual e os conflitos surgidos nesse processo, que abarcou discursos e trajetÃrias diversas, compreendendo o intervalo entre os anos 1907 e 1932; e, por fim, o perÃodo de 1984 a 2015, quando se deu o processo de patrimonalizaÃÃo, iniciado com a comemoraÃÃo do centenÃrio de nascimento do jornalista Deolindo Barreto Lima, passando pelos tombamentos dos sÃtios histÃricos de Sobral e ViÃosa do Cearà e chegando aos dias atuais, quando as ditas cidades â bem como outras da zona norte deste estado â buscam sua consolidaÃÃo como pontos importantes no processo de interiorizaÃÃo do turismo e da iniciativas de natureza governamental no Ãmbito da promoÃÃo cultural. Este trabalho faz parte de um conjunto de estudos desenvolvidos pelo Grupo de Estudos e Pesquisas em PatrimÃnio e MemÃria â GEPPM/UFC/CNPq. . / The present work seeks to analyze the present conflicts in the construction of an organizing memory for the cities of the northern area of CearÃ. We are interested in this memory of its emphasis on the action of intellectuals and the desire to attribute the status of "intellectual city" to the cities in question. Obviously, such a memory failed to impose silence on the divergent memories that challenged itâs hegemony. The main internal split of this memory emerged along with a new category within the intellectual field: the journalists. This process can be perceived from the analysis of the professional and social trajectories of Vicente Loyola and Deolindo Barreto Lima, two journalists whose memories constituted a challenge to that intellectual memory in Sobral. The spatial clipping contemplates the northwestern portion of CearÃ, with the epicenter of the city of Sobral, where this memory focused on the intellectuals was felt more intensely, and can be seen in the newspapers, literature and, more recently, in the patrimonialisation process. To do so, we analyze two previous processes: the diffusion of the book and the reading, anchored to a project of diffusion of the instruction represented by the offices of reading, when we report the years of 1870 to 1900; the consolidation of the press as a space for the professionalization of intellectual work and the conflicts that emerged in this process that included diverse discourses and trajectories, including the interval between 1907 and 1932; and, finally, the period from 1984 to 2015, when the process of patrimonalization began, commemorating the centenary of the birth of the journalist Deolindo Barreto Lima, passing through the historic sites of Sobral and ViÃosa do Cearà and arriving at the days where these cities as well as others in the northern part of this state seek to consolidate them as important points in the process of internalization of tourism and initiatives of a governmental nature in the scope of cultural promotion. This work is part of a set of studies developed by the Group of Studies and Research in Patrimony and Memory - GEPPM/UFC/CNPq. / The present work seeks to analyze the present conflicts in the construction of an organizing memory for the cities of the northern area of CearÃ. We are interested in this memory of its emphasis on the action of intellectuals and the desire to attribute the status of "intellectual city" to the cities in question. Obviously, such a memory failed to impose silence on the divergent memories that challenged itâs hegemony. The main internal split of this memory emerged along with a new category within the intellectual field: the journalists. This process can be perceived from the analysis of the professional and social trajectories of Vicente Loyola and Deolindo Barreto Lima, two journalists whose memories constituted a challenge to that intellectual memory in Sobral. The spatial clipping contemplates the northwestern portion of CearÃ, with the epicenter of the city of Sobral, where this memory focused on the intellectuals was felt more intensely, and can be seen in the newspapers, literature and, more recently, in the patrimonialisation process. To do so, we analyze two previous processes: the diffusion of the book and the reading, anchored to a project of diffusion of the instruction represented by the offices of reading, when we report the years of 1870 to 1900; the consolidation of the press as a space for the professionalization of intellectual work and the conflicts that emerged in this process that included diverse discourses and trajectories, including the interval between 1907 and 1932; and, finally, the period from 1984 to 2015, when the process of patrimonalization began, commemorating the centenary of the birth of the journalist Deolindo Barreto Lima, passing through the historic sites of Sobral and ViÃosa do Cearà and arriving at the days where these cities as well as others in the northern part of this state seek to consolidate them as important points in the process of internalization of tourism and initiatives of a governmental nature in the scope of cultural promotion. This work is part of a set of studies developed by the Group of Studies and Research in Patrimony and Memory - GEPPM/UFC/CNPq.

Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished

This work examines the actions of the Joint Chiefs of Staff during the first year of the Korean War. Officially created in 1947, the Joint Chiefs saw their first true test as an institution during the conflict. At various times, the members of the JCS failed to issue direct orders to their subordinate, resulting in a divide between the wishes of President Truman and General MacArthur over the conduct of the war. By analyzing the interaction between the Joint Chiefs and General Douglas MacArthur, the flaws of both the individual Chiefs as well as the organization as a whole become apparent. The tactical and strategic decisions faced by the JCS are framed within the three main stages of the Korean War.