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Early Bourbon government in the viceroyalty of Peru, 1700-1759Pearce, Adrian John January 1998 (has links)
No description available.
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Fathers and daughters in novels from Eliza Haywood to Mary BruntonGonda, Caroline Jane January 1991 (has links)
No description available.
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The windmill and the giant : Don Quijote and the eighteenth-century English novel; being a study of three Quixotic novels and their Cervantine contextCraddock, Michael Charles January 1989 (has links)
No description available.
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Mary Wollstonecraft and Jane Austen - opponents or allies?Ross, Elizabeth Ann January 1991 (has links)
No description available.
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The feminisms of Mary Wollstonecraft and William ThompsonWanklyn, Wendy January 1988 (has links)
No description available.
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The form, meaning and context of sensibility in eigteenth-century Britain : with particular reference to the literature of the period 1740-94Wheatley, Philip January 1987 (has links)
No description available.
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Eighteenth century letters : Aspects of the genre, with reference to the epistolary novel and the familiar letter of personal correspondenceBrant, C. January 1987 (has links)
No description available.
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Relationships between egoism and altruism in selected eighteenth-century comic fiction, with special reference to philosophical writings, 1700-1768Selman, Ahlam Youssef January 1990 (has links)
No description available.
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Rational dissent in the late eighteenth century with particular reference to the growth of tolerationFitzpatrick, M. H. January 1982 (has links)
No description available.
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Laurence Sterne and an ethics of pleasureKim, Chunghee January 1997 (has links)
This thesis proposes that an ethics of pleasure informs the destabilising elements of Sterne's texts, delineated through the peculiar energies and vitality in his jesting narrative voice. I demonstrate the Sternean synthesis of two problematic principles, ethics and pleasure, incompatible for the modem mind but complementary for Eighteenth century moralists. Sterne's configuration of ethical pleasure can be differentiated from those of major moral discourses of the seventeenth and eighteenth century: 1) by his distinctive ethical position which enfranchises laughter, gaiety, and mirth which his contemporaries underplay; 2) through a Rabelaisian humour which Bakhtin sees as exemplifying signs of Renaissance folk and peasant culture, so creating a distance from the progressivistic zeal of the Enlightenment; 3) in his conjunction of Fideistic scepticism with Rabelaisian grotesque, which absorbs and transfigures a sense of the plenitude and the inexplicability of nature. The first chapter examines Sterne's incorporation of a "heteroclite" perspective into orthodox latitudinarian theism in his sermons, in the specific forms of his selectiveness in adaptations or borrowings from various divine homilies. The second chapter compares his ethics of pleasure with major contemporaneous moral discourses, focusing on the production of different moral frameworks through differing perceptions of man's place in nature. The third chapter locates Sterne's formulation of text and narrative in a material presence of communion and fellow-feeling among disparate sUbjectivities. The fourth chapter investigates the ethical significance of Sterne's particular use of laughter, in which he tries to re-enact the laughing spirit of Rabelaisian grotesque with partial success, thus suggesting his comic spirit be identified as Romantic grotesque. A fmal chapter concludes with Sterne's attempt to test his ethics through interlocution and engagement with strangers in A Sentimental Journey, charting the pragmatic obstacles to a praxis of love for the concretised being.
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