Vrije Univ., Diss.--Amsterdam, 1999. / Literaturverz. S. [205] - 216.

Zugl.: Bochum, Univ., Diss., 2004

The eighteenth century witnessed the proliferation of voluntary associations throughout the British-Atlantic world. These voluntary associations consisted of groups of men with common interests, backgrounds, or beliefs that were willing to pool their resources in order to achieve a common goal. Enlightenment Scotland was home to large numbers of clubs ranging from small social clubs to large national institutions. The records of these societies suggest that most, if not all, of the men who formed them believed that defining and performing Scottish identity was important to preserving the social and cultural traditions of Scottishness in the absence of state institutions. These patriotic associations followed Scots across the Atlantic and provided the model for similar clubs in the American colonies. This thesis examines the construction and performance of Scottish identity by Scottish clubs in Scotland and America from c.1750-1832. It, in contrast to the existing historiography of Scottish identity, asserts that associations were vehicles through which Scottish identity was constructed, expressed, and performed on both sides of the Atlantic. It demonstrates that clubs provided Scots with the tools to manufacture identities that were malleable enough to adapt within a wide variety of political and cultural environments. This was particularly important in a period that witnessed major political disruption in the shape of the American and French Revolutions. By directly comparing Scottish societies in both Scotland and America, the thesis also reassesses and revises common attitudes about the relationship between Scottish identities at home and in the wider diaspora. Often seen as distinct entities, this thesis emphasises the similarities in the construction of Scottish identity, even in divergent national contexts. Drawing on a variety of sources ranging from rulebooks, minute books, and published transactions to memoirs, newspaper articles, letters, and even material goods, this thesis reveals that the Scottish identity constructed and performed by associations in America was no less ‘Scottish’ than that formulated in Scotland, indeed it paralleled and built upon the practices and attitudes developed in the home country. It rested on the same foundation, yet followed a different political trajectory as a result of the differing environment in which it was expressed and the different communities of Scots that expressed it. Indeed, the comparison between Scottish clubs in Scotland and America demonstrates that modern Scottish identity is the creation of a diasporic, transnational Scottish experience.

La piraterie est un phénomène international depuis l'Antiquité. Sa répression a fait l'objet de différentes mesures de la part des États. Mais c'est du XVe au XVIIIe siècle que cette infraction a été reconnue comme crime international. La découverte du Nouveau Monde, le commerce et les profits qu'il a engendrés ont poussé les nations à prendre fait et cause contre « l'ennemi du genre humain ».Ainsi, les nations sont parvenues à mettre en place une définition commune puis à mettre en œuvre des instruments juridiques parachevant la compétence universelle. Ainsi définie, cette dernière permet à n'importe quel État de poursuivre et d'arrêter les pirates sans considération de naturalité et les autorise à les ramener dans leur pays pour qu'ils soient jugés selon leur droit interne. Cette répression particulière tient aux différents éléments constitutifs de l'infraction ainsi qu'au besoin d'efficacité de la répression.L'étude de la répression de la piraterie aux Caraïbes entre les XVe au XVIIIe siècles permet de comprendre la création de ce mécanisme particulier, d'en saisir les enjeux et les contours et d'appréhender plus facilement un mécanisme international encore exploité aujourd'hui. / Piracy is an international phenomenon since Antiquity. Its repression was the subject of different measures that states have taken. But, it's from the 15th century to the 18th century that its internationalization has been dedicated. The discovery of the New World, commerce and profits which it spawned have pushed nations to take up the case against “the enemy of the human kind”.Nations have thereby succeeded in establishing a common definition then to implement legal instruments allowing the application of the universal jurisdiction. Thus defined, this last allows any State to pursue and arrest pirates without consideration of naturality and to bring them in his country to been prosecuted according his internal law. This particular repression considers of his various components of the infraction as well as the need for an effective repression.Studying the repression of piracy in Caribbean between the 15th and the 18th centuries allows to get a better understanding of the creation of the particular mechanism of universal jurisdiction, to grasp its stakes and contours and to apprehend more easily an international mechanism still exploited today.

This thesis offers a reconsideration of Amelia Opie’s career as a novelist in the light of her developing religious allegiances over the period 1814-1825 in particular. In twentieth-century scholarship, Opie (1769-1853) was often treated primarily as the author of Adeline Mowbray (1805) and discussed in terms of that novel’s relationship with the ideas of Wollstonecraft and Godwin. Recent scholarship (Clive Jones, Roxanne Eberle, Shelley King and John B. Pierce) has begun a fuller assessment of her significance, but there is still a need for a thorough discussion of the relationship between her long journey towards the Quakers and her commitment to the novel as a moral and entertaining medium. Many scholars (Gary Kelly, Patricia Michaelson, Anne McWhir and others), following Opie’s first biographer Cecilia Lucy Brightwell (1854), have represented Opie as giving up her glittering literary career and relinquishing fiction-writing completely: this relinquishment has been linked to Quaker prohibitions of fiction as lying. My thesis shows that Quaker attitudes to fiction were more complicated, and that the relationship between Opie’s religious and literary life is, in turn, more complex than has been thought. This project brings evidence from a number of sources which have been overlooked or under-utilised, including a large, under-examined archive of Opie correspondence at the Huntington Library, Opie’s last novel Much to Blame (1824), given critical analysis here for the first time, and the republications which Opie undertook in the 1840s. These sources show that Opie never abandoned her commitment to fiction; that her move to the Quakers was a long and fraught process, but that she retained a place in the fashionable world in spite of her conversion. My Introduction gives a nuanced understanding of Quaker attitudes to fiction, and the first chapter exposes the ‘white lies’ of Opie’s first biographer, Brightwell, and their legacy. I then move on to examine Opie’s early works – Dangers of Coquetry (1790), “The Nun” (1795) and The Father and Daughter (1801) – as she flirts with radicalism in the 1790s, and Adeline Mowbray is explored through a Quaker lens in chapter 3. I juxtapose Opie’s correspondence with her Quaker mentor Joseph John Gurney and the celebrated writer William Hayley with her developing use of the moral-evangelical novel – Temper (1812), Valentine’s Eve (1816) and Madeline (1822) – as Opie was increasingly attracted to the Quakers. Chapter 5 analyses Opie’s anonymous novels – The Only Child (1821) and Much to Blame (1824) – alongside her Quaker works (especially Detraction Displayed (1828)) around the time of her official acceptance to the Quakers (1825). The final chapter investigates how Opie balanced her Quaker belonging with her ongoing commitment to fiction, exemplified in her 1840s republications, which I present in the context of her correspondence with publisher friends Josiah Fletcher and Simon Wilkin, and with Gurney. Opie’s ‘white lies’ of social negotiation reveal her difficulties in maintaining a literary career from the 1790s to the 1840s, but her concerted effort to do so in spite of such struggles provides a highly significant insight into the changing religious and literary climates of this long period.

In this dissertation, I explore issues of cultural exchange and identity among 18th-century Spaniards and Spanish Americans via archaeological remains and documentary evidence. These were years of intense cultural refashioning, on both sides of the Atlantic. In Spain, the advent of the French-based Bourbon dynasty resulted in the spread of French fashions which infiltrated and altered notions of Spanish social identity. Spanish Floridians, already confronting an evolving American identity, had to amalgamate the changes occurring in the homeland. New ceramic forms, technology, and aesthetics reflect how people throughout the Spanish Atlantic remade their lifestyles, partially in each other's image. I examine ceramics from three 18th-century domestic sites: La Calle Corredera in Jerez de la Frontera, Spain, and the Francisco Ponce de León and Juan de Salas households in St. Augustine, Florida. To enable direct comparison between Spain and Florida, I developed a new classification system that encompassed forms found in both places, linked to references in contemporary dictionaries, probate inventories, and cookbooks. This approach revealed almost simultaneous change on both sides of the Atlantic, demonstrating rapid exchange and shared tastes and behaviors. At all three sites, people adopted new culinary styles and table settings to match. The rising popularity of French cuisine led people to use fewer bowls and more flat plates, suggesting a diminished role for traditional stews. In Spain, new cup and saucer forms emerged to accommodate American chocolate. On both sides of the Spanish Atlantic, French- and English-inspired matching sets of dishes and visually distinctive Mexican ceramics reflected changing aesthetics. At the same time, Spaniards and Spanish Americans continued using older vessel forms for cooking as well as personal hygiene, suggesting a degree of cultural continuity in some areas of life. In the 18th century, the Spanish Atlantic was a zone of busy cultural exchange. St. Augustinians followed Spanish fashions to declare their heritage while their Spanish counterparts emphasized their trans-Atlantic reach by incorporating American goods into their own lives. In this dynamic place and time, native Spaniards and Spanish Americans built a common cultural identity by simultaneously maintaining traditions and embracing change. / 2017-05-31T00:00:00Z

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The Rev. Edmund Jones (1702-1793), the 'Old Prophet' of the Transh, Pontypool, is a fascinating character for many reasons, not least of which is his writing on apparitions, spirits, fairies, and magic in his Geographical, Historical, and Religious Account of the Parish of Aberystruth (1779) and Relation of Apparitions of Spirits in the Principality of Wales (1780). These works were not merely written for an antiquarian purpose, but rather present a defence of Jones's deep-seated belief in these spirits' existence. On the surface, such a belief, professed so late in the eighteenth century, may seem 'unenlightened' or atavistic, but far from it, Jones's belief was consistent with his overarching cultural worldview which was set within and influenced by the environment in which he lived. This study examines that environment in an attempt to understand the contexts and formation of Jones beliefs and writings. It begins by examining the socio-economic changes occurring in eighteenth-century north-western Monmouthshire, focusing on changes in transport and communication, industry and social composition, literacy and the availability of printed word, the medical industry, and systems of charity and welfare; and the impact of these different social elements on the way in which the supernatural was conceptualized in local culture. The second section focuses on Jones's role as a religious figure involved in the eighteenth-century religious Revival and the state of religion in the area before turning to Jones's theology and how this impacted on his conceptualization of spirits and their interaction with the mundane realm. The study then turns to the intellectual environment in which Jones wrote and how his works fit with contemporary intellectual trends. Finally, the thesis examines the folkloric content of Jones's works and the ways in which all of the disparate environmental elements discussed throughout demonstrate themselves in his writings.