Chiu Chau-ming. / Thesis (M.Mus.)--Chinese University of Hong Kong, 2003. / Includes bibliographical references (leaves 113-124). / Abstracts in English and Chinese. / Content --- p.i / Chapter A --- Abstract --- p.iii / Chapter B --- List of Examples --- p.v / Chapter C --- List of Tables --- p.vii / Chapter D --- Typographic Conventions --- p.ix / Chapter Chapter 1 --- Introduction --- p.1 / Chapter Chapter 2 --- Theoretical Concepts --- p.4 / Chapter 2.1. --- All-combinatorial hexachords --- p.4 / Chapter 2.2. --- Array and lyne --- p.6 / Chapter 2.3. --- "All-partition array, super-array" --- p.9 / Chapter 2.4. --- M Operation / Transformation --- p.11 / Chapter 2.5. --- Time-point --- p.12 / Chapter Chapter 3 --- Structural Anatomy --- p.15 / Chapter 3.1. --- Properties of the Twelve-tone Row --- p.19 / Chapter 3.2. --- Properties of the Array --- p.25 / Chapter 3.3. --- Array Transformations --- p.30 / Chapter 3.4. --- Projection of Array in Pitch and Temporal Domains --- p.33 / Chapter 3.5. --- Super-arrays --- p.37 / Chapter Chapter 4 --- Surface Details --- p.41 / Chapter 4.1. --- Statements of complete row-form --- p.42 / Chapter 4.2. --- Array element repetition and aggregate size --- p.47 / Chapter 4.3. --- Locations of D-Hexachords --- p.57 / Chapter 4.3.1. --- Two-guitar duet --- p.59 / Chapter 4.3.2. --- Flute-guitar duet --- p.64 / Chapter 4.3.3. --- Violin-viola duet --- p.69 / Chapter 4.4. --- Realization of even-partitioned aggregates 62 and 26 --- p.74 / Chapter 4.5. --- Time-point realization --- p.81 / Chapter Chapter 5 --- Summary and Conclusion --- p.88 / Chapter Appendix 1 --- Partition Types of 58 Aggregates --- p.91 / Chapter A1.1 --- By lynes --- p.91 / Chapter A1.2 --- By lyne pairs --- p.91 / Chapter Appendix 2 --- Array Details --- p.92 / Chapter A2.1 --- Array of Soli e Duettini for two guitars --- p.92 / First Guitar --- p.92 / Second Guitar --- p.94 / Chapter A2.2 --- Array of Soli e Duettini for flute and guitar --- p.96 / Flute --- p.96 / Guitar --- p.98 / Chapter A2.3 --- Array of Soli e Duettini for violin and viola --- p.100 / Violin --- p.100 / Viola --- p.102 / Chapter Appendix 3 --- Pitch-Class Aggregate Size --- p.104 / Chapter A3.1 --- Two-guitar duet --- p.104 / Chapter A3.2 --- Flute-guitar duet --- p.105 / Chapter A3.3 --- Violin-viola duet --- p.106 / Chapter Appendix 4 --- Simultaneity --- p.107 / Chapter A4.1 --- Two-guitar duet --- p.107 / Chapter A4.2 --- Flute-guitar duet --- p.108 / Chapter A4.3 --- Violin-viola duet --- p.108 / List of Compositions by Milton Babbitt --- p.109 / Unpublished Works --- p.109 / Published Works --- p.109 / Bibliography --- p.113 / Writings of Milton Babbitt --- p.113 / Interviews --- p.117 / Writings by others --- p.117

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Akademisk avhandling : Litteraturvetenskap : Göteborg : 1979. / Résumé en allemand. Bibliogr. p. 155-160. Index.

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vi, 462 leaves ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, Dept. of English, 1977

Habilitationsschrift--Fachbereich Neuere fremdsprachliche Philologien--Berlin, Freie Universität, s.d. / Bibliogr. des œuvres de P. Emmanuel p. 244-246. Bibliogr. p. 247-251.

Typescript. Thesis (Ph.D.)--Boston University, Graduate School, 1928. Includes bibliographical references (leaves 235-243). Vita.

The purpose of this thesis is to study Henry James's use of art objects and art imagery in the delineation of character. I have first endeavoured to briefly outline the basic concepts of art which James embraced and applied in his tales and novels, and have traced, in his literary and art criticism, his developing views of the "real," the "romantic," and the "ideal." James's change in attitude toward the "real" and the "romantic" has been noted in his own work published between 1876 and 1894, and the principal techniques of the painter which he employs have been set forth. In an analysis of three tales: "The Madonna of the Future," "The Liar," and "The Real Thing" I have attempted to illustrate James's view of the nature and function of art and the artist and the problems involved in achieving a satisfactory balance between the real and the ideal. The conclusions reached have been applied to two of James's major novels of his later phase: The Wings of the Dove and The Golden Bowl in an attempt to demonstrate that, using the objet d'art and art imagery (as in the stories examined), James achieves reality of characterization and the complete realization of the ideal in the real. / Arts, Faculty of / English, Department of / Graduate