No description available.

Aim of this diploma work YMCA such as a center of young people education in Czechoslovakia 1919 {--} 1951 is to document activity and authority of this christian social-educative organization to the young in Czechoslovakia in the given years. The diploma work started up by virtue of analysis of archive materials stored in the National Archive in Prague, printed sources and study of scientific literature. Activity of the organization is monitored from period of her entry to Czechoslovakia to period of her disestablishment by communistic authoritarianism, during which time particularly educative sphere is accented with a view to activity at summer camps. Next to the chapters describing function of the organization against a background of various periods of historical evolution of Czechoslovak republic is paid a special attention to phenomenon of young people education at summer camps in a final chapter. This activity sphere of the organization is stressed above all, that YMCA effort in organization of the summer recreation was, in context to the others functional organizations (mainly scout movements), one of the most important in Czechoslovakia in that time.

This thesis examines the political speeches of the Greek dictator Georgios Papadopoulos from the time his regime -- the self-titled 'Revolution of the 21st April' -- usurped power in 1967 until he himself was ousted in November 1973. The thesis proposes that the underlying aim of all of Papadopoulos's political speeches is the construction of a cyclical narrative of a past, present and future Greece. According to his political speeches, this construct proposes a 'dangerous', 'corrupt' and 'undemocratic' recent past that necessitated his 'Revolutionary' present; a 'revolutionary' present that strives to create the preconditions for a 'prosperous' future Greece; and a future Greece that shall embody the 'Helleno-Christian' ideals of the distant past, and detach itself from the failings of the recent past. The premise on which the research is founded is that patterns in his political speeches can be quantitatively identified and that, from these patterns, a qualitative interpretation can be developed. Thus, quantitative data were collated concerning the frequency of key terms and concepts, both literal and figurative, in all of Papadopoulos's political speeches and, then, cross-referenced with audience composition and date of delivery. These data were subsequently analysed holistically in the context of the political, social, economic and cultural aspects of Greece's recent history. The thesis developed from the data is divided into three parts. The first part examines the history immediately before and during the 7-year dictatorship. The second and third parts consider specific lexical terms and concepts and medical and biological analogies, respectively, in Papadopoulos's political speeches. Some examples examined in the lexicon component are Revolution, distant past, communism, security. Some examples analysed in the medical and biological component are doctor, infection, cells and the plaster cast. Clear correlation can be discerned between certain lexical and figurative preferences and audience composition and/or time of delivery; however, while clear lexical and figurative transitions and shifts are noted over the 6-year period, his underlying cyclical narrative is consistently present.

This work consists of a combination of approaches to understanding the mythological workings of the death and life of Eva Peron. Using the Foucauldian notions of discursive regularities, the study of materialization and meaning in the 'body that matters' by Judith Butler, along with Baudrillard's definition of simulacra and simulation, this thesis traces the diverse constructions and significations of the 'names' and 'bodies' surrounding Evita's life, the treatment of her death, and the period which followed. Throughout the course of this analysis, her names and bodies are subjected to the conception of 'myth' as defined by Roland Barthes, bringing to light the entwining of factual and fictional narratives that continually supply them. Derrida's notion of differance is used to illustrate the resistance to closure in the histories/stories which emerge from her once single and singular existence and its infinity of derivations.

No description available.

No description available.

This thesis examines the political speeches of the Greek dictator Georgios Papadopoulos from the time his regime -- the self-titled 'Revolution of the 21st April' -- usurped power in 1967 until he himself was ousted in November 1973. The thesis proposes that the underlying aim of all of Papadopoulos's political speeches is the construction of a cyclical narrative of a past, present and future Greece. According to his political speeches, this construct proposes a 'dangerous', 'corrupt' and 'undemocratic' recent past that necessitated his 'Revolutionary' present; a 'revolutionary' present that strives to create the preconditions for a 'prosperous' future Greece; and a future Greece that shall embody the 'Helleno-Christian' ideals of the distant past, and detach itself from the failings of the recent past. The premise on which the research is founded is that patterns in his political speeches can be quantitatively identified and that, from these patterns, a qualitative interpretation can be developed. Thus, quantitative data were collated concerning the frequency of key terms and concepts, both literal and figurative, in all of Papadopoulos's political speeches and, then, cross-referenced with audience composition and date of delivery. These data were subsequently analysed holistically in the context of the political, social, economic and cultural aspects of Greece's recent history. The thesis developed from the data is divided into three parts. The first part examines the history immediately before and during the 7-year dictatorship. The second and third parts consider specific lexical terms and concepts and medical and biological analogies, respectively, in Papadopoulos's political speeches. Some examples examined in the lexicon component are Revolution, distant past, communism, security. Some examples analysed in the medical and biological component are doctor, infection, cells and the plaster cast. Clear correlation can be discerned between certain lexical and figurative preferences and audience composition and/or time of delivery; however, while clear lexical and figurative transitions and shifts are noted over the 6-year period, his underlying cyclical narrative is consistently present.

Thèse--Lettres--Lausanne, 1979. / Bibliogr. p. 341-348.

Texte remanié de: Diss.--Philosophische Fakultät--Freiburg, 1976. / Bibliogr. p. 510-545. Index.

It is the argument of this thesis that Robert Duncan's poetry arises out of a conviction that the poem is a vital process, depending on an active interaction or interplay between the poet and language, his medium. The argument rests on the assumption that Duncan's poetry as a whole, is a testimony of a spiritual process, with each individual poem being in some way a mystery and a revelation and, therefore, an instrument in the process of the spirit. The aesthetics underlying this concept of art are examined in the introductory chapter. In the next four chapters, the elements that contribute to the poetic process - generally defined as the work of the poem and the work of the poet - are analyzed, through an examination of selected poem and prose statements. A division is made of Duncan's work into two periods, in Chapter 2, with the rest of the study being focused on the second (later) period of writing, where Duncan's increased attention to language process is found to be instrumental in creating a poetry that is truly a vital process. The early work is briefly discussed in Chapter 2, as an exploration of the subject of love, that being its distinguishing characteristic, and also as a foundation for the later work. Germs of later developments are noted in Duncan's attention to psychological, magical, and musical processes in the the poem, and are discussed in "Towards an African Elegy," "Medieval Scenes," and "The Venice Poem," respectively. Chapter 3 turns to the later work, Letters, The Opening of the Field and Roots and Branches. Duncan's evolving concept of language as the source and place of revelation, and as the instrument, also, of approaching a transcendent communal reality, is traced through Letters to its full definition in the first poem of The Field, "Often I Am Permitted to Return to a Meadow." Preparatory to discussing the other half of the process - the poet's actual workings in the poem - Chapter 4 considers the poet's place in the poem, and his general function in its process. Duncan's two major poems of the later work, "The Poem Beginning with a Line by Pindar," and "Apprehensions" are discussed here to demonstrate the claim that Duncan assumes no omniscience in the poem; his position is one of limited awareness. It is found that he functions in the poem through an interplay or interaction between the creation of the poem and his consciousness. Finally, the precise nature of his participation, his working of the language toward a possible music through tone leading of vowels and thematic composition, is examined in Chapter 5. The concluding chapter summarizes Duncan's concept of process and then gives a brief sketch of areas not covered in this study. Duncan's major subjects and sources are outlined, with possible approaches to a study of his subject matter being suggested. Finally, it is claimed that however his work is approached, the spiritual centre of Duncan's art emerges as primary. / Arts, Faculty of / English, Department of / Graduate