Texte remanié de: Diss.--Halle, 2001. / Exemples musicaux. Bibliogr. et sources p. 526-547. Index.

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Memoria para optar al título de Geógrafo / El interés de estudiar los fenómenos electorales en Chile es un tema de discusión permanente en las Ciencias Sociales. Sin embargo, pocas veces se ha pensado en el alcance territorial que poseen estos procesos electorales. Y ahí radica la importancia de la Geografía como elemento que ayude a un mejor análisis y comprensión sobre este tema. El fundamento de analizar las elecciones municipales reside en que esta escala de análisis es en la que el votante tiene mayor injerencia en la toma de decisiones. La selección de la Región Metropolitana de Santiago como área de estudio se explica debido a que es la región que posee la mayor población del país, por lo que es fundamental comprender la dinámica electoral de ese importante volumen de población. La elección del período de análisis se justifica porque en 1992 se realizaron las primeras elecciones municipales después del retorno a la democracia y en el 2012 porque son las últimas elecciones que han efectuado hasta el momento. El objetivo de la presente investigación es el análisis de la composición electoral comunal de la Región Metropolitana de Santiago entre 1992 y 2012, especificando su distribución y evolución geográfica en dicho período de tiempo. En esta investigación se establece, como hipótesis general, ya que la distribución espacial de los cargos electos en las elecciones municipales en la Región Metropolitana de Santiago entre 1992 y 2012 no es homogénea y presenta múltiples variaciones en su composición tanto espacial como temporal. El trabajo fue organizado en dos etapas, con métodos de investigación cualitativos y cuantitativos. La primera etapa está centrada en la recopilación de antecedentes bibliográficos sobre la temática y su aplicación en el área de estudio, compilándose, además los resultados de las elecciones municipales del período antes señalado. En la segunda etapa, en base a la información previamente seleccionada, se procedió a analizar cada elección con criterios geográficos, lo cual, posteriormente permitió generar una clasificación de 5 tipos de las comunas en la región y explicar las razones de dicha distribución.

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This thesis presents a socio-military history of the 26th Regiment North Carolina Troops, C. S. A. The narrative traces the regiment from the creation of the companies that formed the unit through the surrender at Appomattox Courthouse. It focuses on the backgrounds of the men and their experiences in camp, on the march, and in battle. The ten companies in the regiment were raised by men from eight counties across the piedmont and mountain areas of the state. After training in Raleigh during the late summer, the unit served as part of the coastal defenses near Morehead City. In March, 1862, it participated in the unsuccessful defense of New Bern. The regiment temporarily joined the Army of Northern Virginia, serving in the Seven Days campaign and the defense of Petersburg. In the spring of 1863, it returned to North Carolina. There the unit participated in the campaign, led by Gen. D. H. Hill, to retake New Bern. The 26th North Carolina permanently joined the Army of Northern Virginia in May, 1863. After that point, it fought in all the major battles of the army. The regiment’s high, and low, point came at the battle of Gettysburg. During the fighting on the first and third days, it suffered 734 casualties. This was the highest loss by any regiment during the Civil War. The unit rebounded from the losses at Gettysburg, only to lose heavily again at Bristoe Station. The strong efforts of the officers prevented the regiment from being consolidated with another. By May, 1864, its numbers had risen to 760 men. The unit remained with the army during the bloody Overland Campaign, suffering badly at the Wilderness. Once the army reached Petersburg, the 26th North Carolina served in the trenches and with Hill’s corps as a counter to Federal advances. It surrendered with the Army of Northern Virginia in April, 1865, at Appomattox Court House. / Master of Arts

With the increasing performance demands placed on aircraft, the nozzle is becoming a much more versatile component. This versatility is increasing the afterbody complexity and the difficulty in afterbody drag prediction. This thesis documents a computationally inexpensive method for estimating the afterbody drag of aircraft during the conceptual design stage. The design and creation of a new hybrid approach to afterbody drag prediction is discussed. This hybrid approach uses the Integral Mean Slope Truncated Method in place of an equivalent body of revolution pressure drag. Corrections or drag deltas are then applied to the Integral Mean Slope Truncated afterbody drag estimate. These drag deltas account for various geometric effects and three-dimensional effects. The resulting prediction method is applicable to both axisymmetric and 2-D nozzles. The hybrid approach has been incorporated into ACSYNT Version 2.0.0 (AirCraft SYNThesis), a conceptual aircraft design tool developed at NASA Ames Research Center and Virginia Polytechnic Institute and State University. Comparison of the predictions of the new hybrid approach with those of a more complex and much more computationally expensive method show generally good agreement. / Master of Science

Light is, just as space is. Neither can be created. Both are omnipresent Light and space need not be the heart of an architecture, but they are its soul. Space exists, light exists. Light exists to penetrate space. Light sails through space effortlessly, indifferently illuminating its course and leaving generational light in its wake. Space offers no resistance, only to be discovered. Space cannot be illuminated. A wedge of light traverses the concavity of darkness. The carnet, ice and stone hurled through space; inorganic but alive in its syphilitic journey. This is the extreme contrast: light and dark, matter and void, existence and nonexistence. It is the sun's mass that gives the ice and stone its orbital existence, but it is the sun 's rays that make this ice and stone a carnet. The sun's rays reveal the carnet's spirit, a spirit to which we have given cultural relevance rich in history, religion and art. Construction can be likened to the orbiting ice and stone, architecture to the carnet. When the metamorphic powers of light are consciously inherent in architectural design, the ordinary becomes the extraordinary, the temporal becomes the sublime, the brick of dirt becomes the brick of gold. Left to its own devices, light may transfigure or it may not, but a significant design opportunity has been left to chance. And it is likely that architecture empty of designed light will be more cerebral and less soulful; architecture that exists because of light not through light. We perceive that which exists because of the sensory dependency of sight on light Beyond physiology, space and materiality become architectural tools through light Looking should be elevated to seeing, and seeing elevated to understanding. " ... We were born to light. The seasons are felt through light. We only know the world as it is evoked by light, and from this comes the thought that material is spent light. .. " Louis Kahn Light is as much a building material as are wood, stone and mortar. It is a free but discriminating material: available to all, elusive to many, controlled by few. And light is not captured, but impeded. Through its penetrating, permeating and perpetual nature, light reveals the relationships between form and space. / Master of Architecture

Orientador: Luciano Galvão Coutinho / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Economia / Made available in DSpace on 2018-07-19T14:24:48Z (GMT). No. of bitstreams: 1 Ruiz_RicardoMachado_M.pdf: 5467465 bytes, checksum: 8708ea16cd31099f6a50e146a8256076 (MD5) Previous issue date: 1994 / Resumo: Não informado / Abstract: Not informed. / Mestrado / Mestre em Economia

La investigación pretende responde las siguientes preguntas: ¿Cómo y por qué la propuesta del Partido Comunista del Perú Sendero Luminoso (PCP-SL) se convierte en una opción de adhesión para hombres y mujeres jóvenes sobre todo en el contexto de finales de los ochenta y comienzos de los noventa? y ¿qué diferencias o similitudes existieron entre las motivaciones, entendidas como las explicaciones justificadoras, que tuvieron los miembros del PCP-SL en el periodo 1989-1992 de aquellos que lo hicieron antes de este periodo de tiempo? / Tesis

Au, Sau-woon Rebecca. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (leaves 100-104). / Abstracts in English and Chinese. / Chapter A --- Abstract --- p.iii / Chapter B --- List of Examples --- p.v / Chapter C --- List of Tables --- p.vii / Chapter Chapter 1 --- Introduction --- p.1 / Chapter 1.1. --- Messiaen's Tristan Trilogy --- p.2 / Chapter 1.2. --- The two treatises --- p.3 / Chapter 1.3. --- Rhythmic characters / techniques --- p.4 / Chapter 1.4. --- Objectives and scope --- p.4 / Chapter 1.5. --- Other related studies --- p.5 / Chapter Chapter 2 --- Issues on Rhythmic Analysis in Messiaen's Music --- p.7 / Chapter 2.1. --- Duration pattern vs time-point patterns --- p.7 / Chapter 2.2. --- Polyrhythm --- p.13 / Chapter 2.3. --- Treatment of silences (rests) --- p.16 / Chapter 2.4. --- Other dimension of rhythm --- p.18 / Chapter Chapter 3 --- Rhythmic Characters --- p.21 / Chapter 3.1. --- Messiaen's definition --- p.22 / Chapter 3.1.1. --- Conversation with Claude Samuel --- p.22 / Chapter 3.1.2. --- Notes on recordings --- p.24 / Chapter 3.1.3. --- "Traite de rythme, volume I" --- p.25 / Chapter 3.1.4. --- "Traite de rythme, volume II" --- p.27 / Chapter 3.2. --- Alternative reading to Messiaen's interpretation of rhythmic characters --- p.29 / Chapter 3.3. --- "Controversy in Messiaen's analysis of ""Sacrificial Dance""" --- p.31 / Chapter 3.4. --- Relationship between rhythmic characters and Messiaen's other rhythmic techniques --- p.40 / Chapter 3.4.1. --- "Added values, augmentation (active) and diminution (passive)" --- p.40 / Chapter 3.4.2. --- Non-retrogradable rhythm --- p.42 / Chapter 3.4.3. --- Rhythmic canons --- p.43 / Chapter Chapter 4 --- Turangalila symphonie --- p.45 / Chapter 4.1. --- "Third Movement, ""Turangalila I""" --- p.45 / Chapter 4.2. --- "Seventh Movement, Turangalila II" --- p.51 / Chapter 4.3. --- "Fifth movement, Joie du sang des etoiles" --- p.58 / Chapter Chapter 5 --- Harawi and Cinq Rechants --- p.67 / Chapter 5.1. --- Harawi --- p.67 / Chapter 5.1.1. --- "Eighth song, ""Syllabes""" --- p.67 / Chapter 5.1.2. --- "Third song, ""Montagnes""" --- p.71 / Chapter 5.1.3. --- "Twelfth song, ""Dans le noir""" --- p.74 / Chapter 5.1.4. --- "Seventh song, ""Adieu""" --- p.77 / Chapter 5.2. --- Cinq rechants --- p.78 / Chapter 5.2.1. --- First rechant --- p.79 / Chapter 5.2.2. --- Second rechant --- p.83 / Chapter 5.2.3. --- Third rechant --- p.84 / Chapter 5.2.4. --- Fourth rechant --- p.88 / Chapter 5.2.5. --- Fifth rechant --- p.89 / Chapter Chapter 6 --- Summary and Conclusion --- p.91 / Table of Content of Technique de mon langage musical --- p.94 / "Table of Content of Traite de rythme, de couleur, et d'ornithologie" --- p.95 / English Translation of Messian's Discussion of Rhythmic Characters in Traite --- p.96 / Discography --- p.98 / Bibliography --- p.100