Baigiamajame magistro darbe „Marketingo strategija plėtojant lauko vaizdo reklamos verslą“ išskiriama lauko vaizdo reklamos verslo problema, jos plėtojimo aktualijos. Nagrinėjama marketingo strategijos sąvoka. Išanalizavus ir susiteminus literatūrą marketingo strategijos planavimo, formulavimo ir įgyvendinimo klausimu, pateiktas teorinis marketingo strategijos modelis, tinkantis lauko vaizdo reklamos verslui. Išorinės reklamos rinkoje aplinka nuolat kinta, aštrėja įmonių konkurencinė kova, todėl darbe siekiama išanalizuoti lauko vaizdo reklamos verslo ypatumus, marketingo aplinką ir nustatyti palankias ir negatyvias rinkos tendencijas. Taip pat atliekama tipinės lauko vaizdo reklamos �����monės vidinės aplinkos analizė, įvertinamas marketingo komplekso efektyvumas ir nustatomos įmonės stipriosios ir silpnosios veiklos pusės. Remiantis išorine, įmonės aplinkos analizėmis ir atliktų tyrimų duomenimis, suformuluojama marketingo strategija, skirta lauko vaizdo reklamos verslui, kuri suteiktų pranašumų rinkoje. Darbo pabaigoje pateikiamos baigiamojo magistro darbo išvados. Darbo apimtis – 101 p. teksto be priedų, 33 iliustr., 15 lent., 86 bibliografiniai šaltiniai. Atskirai pridedami darbo priedai. / Master thesis “Marketing Strategy Developing Business of Outdoor Video Screens Advertisement” sets out to examine the specifics of market strategy planning, formulation ant implementation, to display opportunities of publicity. The author of thesis, according to analysis of theory, suggests the theoretical model of marketing strategy suitable for outdoor video advertisement. The rapidly changing environment in advertising business and growth of competition between enterprises in the outdoor advertisement sector is creating new requirements for companies. Therefore, the thesis seeks to assess outdoor video advertisement business market environment and determine its opportunities and threats. Also thesis examines business internal capabilities, assesses marketing mix and determines strengths and weaknesses. Then, using situation analysis results, a marketing strategy is being developed, which would improve the outdoor video advertisement business marketing performance. Marketing strategy is being presented by implementation model. Finally the conclusions are proposed. It is proposed marketing competitive strategy model for an outdoor video advertisement servise development. The volume of thesis is 101 p. of text without appendixes, 33 figures, 15 tables, 86 sources of literature. Appendixes are included separately.

In recent years Content Based Information Retrieval (CBIR) has received a lot of research attention, starting with audio, followed by images and video. Video ngerprinting is a CBIR technique that creates a digital descriptor, also known as a ngerprint, for videos based on its content. These ngerprints are then saved to a database and used to detect unknown videos by comparing the unknown video's ngerprint to the ngerprints in the database to get a match. Many techniques have already been proposed with various levels of success, but most of the existing techniques focus mainly on robustness and neglect the speed of implementation. In this dissertation a novel video ngerprinting technique will be developed with the main focus on detecting advertisements in a television broadcast. Therefore the system must be able to process the incoming video stream in real-time and detect all the advertisements that are present. Even though the algorithm has to be fast, it still has to be robust enough to handle a moderate amount of distortions. These days video ngerprinting still holds many challenges as it involves characterizing videos, made up of sequences of images, e ectively. This means the algorithm must somehow imitate the inherent ability of humans to recognize a video almost instantly. The technique uses the content of the video to derive a ngerprint, thus the features used by the ngerprinting algorithm should be robust to distortions that don't a ect content according to humans. / Thesis (MIng (Computer and Electronic Engineering))--North-West University, Potchefstroom Campus, 2013

In recent years Content Based Information Retrieval (CBIR) has received a lot of research attention, starting with audio, followed by images and video. Video ngerprinting is a CBIR technique that creates a digital descriptor, also known as a ngerprint, for videos based on its content. These ngerprints are then saved to a database and used to detect unknown videos by comparing the unknown video's ngerprint to the ngerprints in the database to get a match. Many techniques have already been proposed with various levels of success, but most of the existing techniques focus mainly on robustness and neglect the speed of implementation. In this dissertation a novel video ngerprinting technique will be developed with the main focus on detecting advertisements in a television broadcast. Therefore the system must be able to process the incoming video stream in real-time and detect all the advertisements that are present. Even though the algorithm has to be fast, it still has to be robust enough to handle a moderate amount of distortions. These days video ngerprinting still holds many challenges as it involves characterizing videos, made up of sequences of images, e ectively. This means the algorithm must somehow imitate the inherent ability of humans to recognize a video almost instantly. The technique uses the content of the video to derive a ngerprint, thus the features used by the ngerprinting algorithm should be robust to distortions that don't a ect content according to humans. / Thesis (MIng (Computer and Electronic Engineering))--North-West University, Potchefstroom Campus, 2013

Reklam kan ibland anses framställa kvinnor och män på ett nedvärderande sätt. I Sverige har alla rätt att anmäla den reklam som anses vara könsdiskriminerande. Anmälan görs till Reklamombudsmannen (RO), bestående av näringslivets självreglerande system, som bedömer reklamen utifrån Internationella Handelskammarens regler för reklam och marknadskommunikation. Detta görs utifrån tre kriterier, vilka säger att reklam inte får: framställa kvinnor eller män som rena sexobjekt som kan anses kränkande (sexistisk reklam); ge en nedvärderande stereotyp bild på könsrollerna (schabloniserande reklam); eller på något annat sätt vara uppenbart könsdiskriminerande. Denna undersökning syftar till att jämföra RO:s syn på sexobjekt, nedvärderande stereotypa könsroller och sexism, med genusteorins syn på samma begrepp, för att därigenom kartlägga och analysera en eventuell skillnad mellan dem. Utgångspunkten i genusteorierna är genusordningen. Undersökningen är kvalitativ och utförs med en semiotisk analys av 16 reklamer, som blivit anmälda hos RO. Resultatet av den semiotiska analysen jämförs sedan med RO:s bedömning av samma reklam. Resultatet av undersökningen visar en skillnad mellan RO och genusteorins syn på könsdiskriminerande reklam. Denna skillnad grundar sig till viss del i hur de olika begreppen tolkas, men framförallt i vad som anses vara nedvärderande och acceptabelt. / The usage of images of women and men in advertisements is subject to regulations regarding their discriminating presentation as sex objects and arrangement as stereotypical gender roles. In Sweden, every person is given the right to file complaints about individual advertisements to Reklamombudsmannen (RO), a self-regulation agency, which analyzes the complaints in accordance to the Consolidated ICC Code and decides whether the reported advertisements infringe the rules laid out by it. These regulations define three categories: 1. advertisements presenting women or men simply as sex objects; 2. advertisements using stereotypical gender roles; and 3. advertisements using obvious gender discriminating imagery. Companies are required to withdraw advertisements that fall under at least one of these three categories as decided by the RO. This thesis aims at comparing the view on the term sex objects, on devaluing stereotypical gender roles and on sexism as exhibited by the RO with the definitions of the same concepts originating from gender theory in order to identify and analyze a possible disparity between them. Starting from the theory of gender systems, this qualitative investigation, in its first step, semiotically analyzes 16 advertisements that have been reported to the RO. The results of these analyses are then compared to the individual verdicts and their reasons as given by the RO. As a result, this comparison shows a discrepancy between the view of the RO and gender theory on discriminating advertisements and imagery. This is due to differing views and definitions of the individual terms discussed in this thesis as well as conflicting opinions as to when this form of presentation of women and men is acceptable, specifically in the area of advertising.

本研究主要為探討討論三種酒類之啤酒(Beer)、烈酒(Liquor)、及紅酒(Wine)的電視廣告中，所呈現的舞蹈及其意義，以質化研究方法之符號學的理論取向，解析舞蹈的符號（舞蹈的建構背景、種類、及特徵）；轉借自舞蹈的符號（服裝、服裝的顏色）；其他廣告因素的符號（舞者、廣告文字）；非語言傳播的符號；及媒介鏡頭語言的相關符號，依據符號具與符號義的概念，及明示義與隱含義的符號分析，便以品牌的角度，討論舞蹈應用於三種酒類的電視廣告，所要傳遞的訊息與意涵，並揣摩酒商設計出其舞蹈呈現在他們的廣告，來代表與宣傳產品的目的。 研究發現，藉由舞蹈、舞者、服裝及其顏色，搭配舞者（代言人）的肢體動作、廣告的文字、及鏡頭的一些符號，呈現於酒類廣告，可獲得企業的核心價值、根基、競爭能力等概念；品牌的形象及目標市場；產品的品味、品質、原產地等訊息。此外，不同酒類廣告，傳遞、強調不同的訊息，因此酒商在其廣告中，也設計出不同的舞蹈性質。啤酒類的廣告中，強調年輕的主題，所以啤酒廣告再現了年輕性質的舞蹈風格；烈酒廣告著重有事業成就且有社會地位的成熟男性，因此烈酒類也呈現了屬於正式、成熟性的舞蹈風格；水果酒類的廣告，多以女性為主，因此酒商所引用的舞蹈，也屬於女性演出的舞蹈性質。 / This research discussed dancing construction and its meaning implied on beer, liquor, and wine, example of three different alcohol drinks which can be seen on TV advertisements. By using qualitative research methodology and semiotic theoretical approach, this research tried to analyze five different elements of dancing representation in alcohol drinks TV commercial. These elements are: the resemblance of dance symbols (such as background, type, and its characteristics), factor that contributes to dancing (such as costumes and its colors), advertising elements (such as dancers/endorsers, and texts), non-verbal communication, and visual (camera) language. This analysis was based on the concepts of signifier/signified and connotation/denotation. Alongside with branding point of view, this study was designed to find out the message and the meaning beyond a particular dance assigned to those advertisements. The research was also tried to identify the reasons why the firms choose to exercise a certain dance in their TV commercial as product representative and moreover to advertise it. The research found that through dance representation, the firms attempt to send the message about company core values, foundation, and its competitiveness, as well as the hint to its brand image and target market. The dancing that represented in the advertisements was also showing the taste, quality, and origin of its particular product. Moreover, as different type of alcohol drinks encompassed various type of messages, therefore the variety of dance generous and style were used also different. For example beer TV commercials were prominences young as a theme, thus the dance style applied within was also appertain youngster dance style. On the other hand, Liquor TV advertisements were more focus on a mature male who has carrier achievements and social statuses hence the dance style used on its advertising was far more formal and mature. Finally, wine TV advertisements were more predominantly for female rank, therefore the dance cited by the wine company was also belong to the nature of female dance performances.

Made available in DSpace on 2015-03-26T13:33:43Z (GMT). No. of bitstreams: 1 texto completo.pdf: 3032329 bytes, checksum: 713b32648fde2a6f619f4e0a47c54a68 (MD5) Previous issue date: 2010-06-28 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This work aims to examine how advertising, produced in printed media, represents rurality, observing their transformation through the 1980s, 1990s and 2000s, by analyzing the ads of the magazine Globo Rural. Through analyzing the ads, discourse and semiotic, it was sought to understand how representations about rurality have evolved. Consequently, there were analyzed all 384 ads corresponding to the magazines of March, June, September and December of the years 1988, 1998 and 2008. Throughout the analysis and comparison of the ads, the heterogeneity of representations of rurality was evident by the mark of temporality. In other words, as the context changes, representations follow and express their modifications. This evidence confirmed the hypothesis of this research that advertising, over time, represents the multiplicity of identities of the new rurality and their social changes. At a starting point, in the '80s, rural world is presented as a space of hard work, which could generate wealth and achievements through technological transformation for the sake of production and productivity. Afterwards, it has evolved in the 2000s, into a representation of thisnew rurality as heterogeneous and with multiple meanings and activities, in line with what the academic discussions argued. We conclude that advertising, rather than being an agent of change as proposed by some authors, is presented here as a reinforcement of the dominant culture. / Esta dissertação visa analisar como a publicidade produzida em meios de comunicação impressos, representa o rural, observando sua transformação nas décadas de 1980, 1990 e 2000, utilizando-se para isso os anúncios da revista Globo Rural. Através da análise da publicidade, análises de discurso e semiótica, pretendeu-se compreender como foram modificando as representações acerca do rural. Para isso foram analisados os 384 anúncios correspondentes às edições dos meses de março, junho, setembro e dezembro, dos anos 1988, 1998 e 2008. Ao longo da análise e comparação dos anúncios, a heterogeneidade das representações sobre o rural ficou evidente pela marca da temporalidade. Ou seja, à medida que o contexto se modificou, as representações sobre o rural acompanharam e manifestaram suas modificações. Essa evidência veio confirmar a hipótese dessa pesquisa de que a publicidade, ao longo do tempo, representa a multiplicidade de identidades da nova ruralidade e as mudanças sociais incorporadas pelo mundo rural. Parte-se de um rural como espaço de trabalho, esforçado, mas que podia ser gerador de fartura e conquistas, através de modelos tecnológicos, em prol da produção e produtividade, nos anos 80, evoluindo para a representação de uma nova ruralidade heterogênea, pluriativa e de múltiplos significados na década de 2000, em consonância com as discussões acadêmicas sobre o rural. Conclui-se que a publicidade, em vez de ser agente de mudança como propõem alguns autores, apresenta-se neste caso como reforçadora de uma cultura dominante.

Purpose: The purpose of this paper was to extend the understanding of content marketing, content characteristics and its effects on attitudes towards the advertisement and advertising value on social networking sites. Methodology: This study had an explanatory research design with a quantitative research approach. The data used in this study was gathered through an online questionnaire. Conclusion: The results of this study shows that there is a difference between different SNS and the effects that arises from different content characteristics in SNS advertisements. Different SNS can not be treated the same, these differences need to be addressed when communicating and creating advertisements and when being present on different SNS. Implications: This study contributed to the field by providing additional information on how advertising value is affected by attitudes towards the advertisement. The results of this study also show what effect the different content characteristics have on affective and cognitive responses, and gives information regarding what type of content marketers should emphasize, depending on which of the two SNS investigated in this study they are currently operating on.

Denna uppsats syfte är att med hjälp av diskursanalys med inriktning på bildanalys och samspelet mellan text och bild, jämföra kampanjerna ”Det där löser sig säkert” med dem på temat ”Vad håller du på med?” för att utröna om deras syfte, innehåll och diskurs förändrats över tiden och i så fall på vilket sätt. Detta syfte tar sig uttryck i följande huvudfrågor: Vilken diskurs använder sig Försvarsmaktens reklamkampanjer av? Hur skiljer sig diskursen i reklamkampanjerna från varandra? När det gäller fråga ett ovan visar uppsatsen att det som de båda kampanjerna diskursmässigt har gemensamt är att den övergripande säkerhetspolitiska diskurs som förmedlas genom bilderna, är den nya säkerhetspolitiska doktrin som gör gällande att det moderna samhällets primära hot inte är det totala kriget utan en komplex hotmiljö bestående av allt ifrån instabila länder i när och fjärran, terrorism och naturkatastrofer. Ingen av kampanjerna förmedlar dock visuellt på ett mer utförligt sätt vad Försvarsmakten egentligen sysslar med. När det gäller fråga två ovan påvisar uppsatsen följande skillnader mellan de båda kampanjerna. Den första kampanjen kronologiskt betraktat, ”Det där löser sig nog”, framställer miljöer som innehåller våld och fara som Försvarsmakten gör anspråk på att vara en konstruktiv aktör i, medan den andra kampanjen, ”Vad håller du på med?”, föreställer unga människor vilka sysselsätter sig med tämligen meningslösa projekt, där försvarsmakten kan erbjuda mer meningsfulla sysselsättningar. Summa summarum, Försvarsmakten anser sig vara en viktig aktör vid extrema, kaotiska situationer i Sverige och världen och kan erbjuda den som så önskar ett meningsfullt arbete inom de ramar den nuvarande säkerhetsdoktrinen sätter. / The aim of this essay has been to analyze two advertising campaigns made by the Swedish Armed Forces (Svenska Försvarsmakten) with the help of discourse analysis, focusing on the pictures involved and the dialectics between pictures and texts. The first one can be called “Someone will solve the problems” and the other one “What are you doing?” Questions involved are What kind of discourse lies behind these campaigns? What are the differences between the two campaigns? The main discourse can be described through the new security doctrine for the Swedish Armed Forces where they no longer focus on total war but a more complex and at the same time more unpredictable threatening global environment, due to unstable countries all over the world, terrorism and nature catastrophes, often dependent on global warming. Thus this is the present task for the Swedish Armed Forces. The two campaigns differ in the way that “Someone will solve it” focuses on the tasks for the modern defense and the other one, “What are you doing?” points out the defense as offering a meaningful future.

The thesis deals to using stratification layers of a national language in advertisement. The theoretical part introduces a history and development of advertising, points out legislative adjustments and describes a marketing comunication. The part devoted on vocabulary focuses on changes and nowadays progress. In next part there are introduced other vocabulary layers and there are showed mistakes on specific advirtisment too. The empirical part introduces a project for elementary school students and a research complied from questionare. Results are subjected to analisys a compared with defined hypothesis in advance. All thesis focuses on perception of individual parts of and national language by adolescents and adult recipients too.

The aim of this thesis is to contrast the verbal and non-verbal persuasive techniques used in display hoardings in the Czech Republic and Germany. The mode and frequency of the features employed to attract consumers in both countries are compared. The specific goal of the thesis is to find out whether such advertisements can possibly mirror the values and norms of the society. The thesis is divided into three chapters. The first discusses the merits and demerits of the billboard as an advertising mechanism. In this section, the relevant laws of the Czech Republic and Germany are surveyed. In addition, the current situation in both countries with regard to this type of open-air promotion is examined. The second chapter summarises what is known about persuasion in general and the manipulative techniques employed to influence people. In this context, linguistic devices in Czech and German to achieve this end are evaluated. The final chapter provides an analysis of the material gathered for the thesis. The database consists of posters from 30 Czech and 30 German billboards which were photographed in the regions of South Bohemia and Lower Bavaria. The objective was to create a representative sample of contemporary outdoor advertisements in both countries. From the outset, close attention is paid to verbal features. These are divided into phonetic, word-forming, syntactic, and lexical devices. In terms of non-verbal features, typography, colour, and visual style are scrutinized. Since an advertisement is a complex means of communication, the interaction between the visual format and the text is also discussed.