This thesis presents a case study of letters written by black South Africans to the Aborigines' Protection Society (APS) between 1879-1888. Recognizing that previous histories of the APS have been based primarily on British correspondence, this thesis contends that including these marginalized black letters is crucial if historians are to develop a nuanced understanding of the APS in particular, and of British imperialism in general. By placing these letters within a framework of imperial knowledge networks, this thesis traces how the messages and voices of black South African correspondents traveled in letter form to England and then were disseminated in published form by the APS. This thesis demonstrates how correspondents used writing to the APS as a tool of anti-colonial resistance, as well as how the APS used their positionality to censor and control the voices of its correspondents. Emphasizing the entanglement of correspondents' resistance and adaptation with the APS's imperialist mission, this thesis presents its case study as a window into the negotiated and unstable natures of British imperialism. / Graduate / 2021-04-06

Most current studies on 'African' and/or 'Black' literature in South Africa appear to ignore the contradictions underlying the valuative concepts 'African' and 'Black'. This (Jamesonian) unconsciousness has led, primarily, to a situation where writers and critics assume generally that the concepts 'African' and 'Black' are synonymous and interchangeable. This study argues that such an attitude either unconsciously represses an awareness of the distinctive aspects of the worldview connotations of these concepts or deliberately suppresses them. The theoretical and pragmatic approach which this study adopts to explore the distinctive aspects of the worldview connotations of these concepts takes the form, initially, of a critique of such assumptions and their connotations. It is argued that any misconceptions about the relations between the concepts 'African' and 'Black' can only be elucidated through a rigorous and distinct definition of each of these concepts and the respective world views embodied in them. Each of the variables of these definitions is also examined thoroughly through an application of, inter alia, Frederick Jameson's 'dialectical' theory of textual criticism, Pierre Macherey's 'theory of literary production' and also through the post-colonial notions of 'hybridity' and 'syncreticity' propounded by Bill Ashcroft et.al (eds). In this way the study examines the dialectical interplay between, for instance, such oppositional notions as 'African' and 'Western' (place-conscious), 'Black' and 'White' (race-conscious), and other forms of ideological 'dominance' and 'marginality' reflected in the 'African' and/or 'Black' writers' motivations for the acquisition, appropriation and uses of the language of the 'other' (i.e. English) and its literary discourse in South Africa, Africa and elsewhere in the world. A close textual reading of the stories in Mothobi Mutloatse's (ed) Forced Landing, Mbulelo Mzamane's (ed) Hungry Flames underlies an examination of the processes of anthologisation and their implications of aesthetic collectivism, reconstruction and world view monolithicism which repress the distinctive world outlooks of the stories in these anthologies. The notions of aesthetic monolithicism implicit in each of these anthologies are interrogated via the editors' truistic assumptions about the organic nature of the relations between the concepts 'African' and 'Black'. The notion of a monolithic 'African' and 'Black' aesthetic is further decentred through a close textual reading of the uses of the 'African' and 'Black' valuative concepts in the short story collections The Living and the Dead and In Corner B by Es'kia (formerly Ezekiel) Mphahlele. The humanistic pronouncements in Mphahlele' s critical and short story texts suggest various ways of resolving the racial demarcations in both the 'Black' and 'White' South African literary formations. According to Mphahlele, a predominant racial consciousness inherent in the racial capitalist mode of economic production has deprived South African literature and culture an opportunity of creating a national humanistic and 'Afrocentric' form of aesthetic consciousness. The logical consequence of such a deprivation has been that the racial impediments toward the formation of a single national literature will have to be dismantled before the vision of a humanistic and 'Afrocentric' aesthetic can be realised in South Africa. The dismantling of both the 'Black' and 'White' monolithic forms of consciousness may pave the way toward the attainment of a synthetic and place-centred humanistic aesthetic. Such a dismantling of racial monolithicism will, hopefully, stimulate a debate on the question of an equally humanistic economic mode of production.

Between 1990 and 2005, the state of affairs in parts of Sub-Saharan Africa, including Liberia, remained fragile due to continuous civil unrest and war. Although peace initiatives were initiated, progress toward peace has remained minimal. Ghana, one of the nations in Sub-Saharan Africa, has continued to demonstrate significant stability and progress in the midst of civil and political conflicts in the sub-region. Currently, little research exists on how Ghanaians managed to remain stable, while countries in the sub-region continued to experience civil unrests and wars. Using Eisenstadt's theory of sociological modernization as the theoretical foundation, the purpose of this holistic case study sought to understand factors that have driven stability in Ghana. Data were collected from multiple sources including 15 research participants of diverse professions and perspectives, numerous pertinent documents, and field notes. All data were inductively coded and then subjected to a thematic analysis procedure. Social change lessons extracted from the study linked to core findings include (a) Ghanaians demonstrate an understanding of the importance of both African and Western cultural experiences and integrating the experiences from both cultural sectors for national harmony, and (b) Ghanaians are pursuing a national development agenda through economic reforms, participatory democracy, and some level of equal distribution of the national wealth. The effectiveness of Ghana's national development agenda is demonstrated by capacity building and the strengthening of social service programs not just in the urban sector, but also in the rural sector of Ghanaian society. These two core social change lessons could remain useful for countries in Sub-Saharan Africa.

This thesis will examine the significance of the defense system that was a result of the Libyan wars against the Romans, Byzantines, and the Vandals. For economic and strategic reasons these nations were involved in long and bitter wars which lasted over six centuries. The policy of the long distance military expeditions, which was the main instrument of the Romans in subduing the natives in the early Empire, had failed to achieve its goals. Thus, the alternative was to erect a network of roads and forts in strategic spots such as water points, commanding hills, along the caravan routes and on the edges of fertile wadis. In fact, neither the roads, which were very well fortified, nor the massive front forts had solved the frontier problems, thus the Romans had no choice other than to leave the frontiers to be guarded by the natives themselves. To this end several civilian settlements (fortified farms) were established on the fertile wadis. "While a mixture of people coexisted in these fortified farms, the archaeological remains show that the prevailing culture belonged to the Libyan natives.

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Recent scholarship on the renewed Sonderweg theory does not approach the debate with a comparative analysis. This thesis therefore presents a new argument looking at the influence of British and Afrikaner tensions in South Africa, culminating in the South African War of 1899-1902, and how their treatment of the various African peoples in their own colony influenced German South-West African colonial native policy and the larger social hierarchy within the settler colony. In analyzing the language of scholarly journals, magazine articles, and other publications of the period, one can see the direct influence of the Afrikaners, including South African Boers, on German South-West African settlers, and their eugenically infused discussion of Herero, Nama, and Bastards, within their new home. Furthermore, the relations between the German settlers and the British settlers and colonial officials in the neighboring colony serve as a case-study of the larger rivalry between Berlin and London that would later culminate in World War I. In looking at how this British colony influenced German South-West Africa in socially, politically, economically, and scientifically, one can place this new research within the context of the renewed Sonderweg debated amongst scholars like Isabel Hull and George Steinmetz, extending the critique that Steinmetz argued in The Devil’s Handwriting: Precoloniality and the German State in Qingdao, Samoa, and South-West Africa

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