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Landscape and nature in American prints : transformations in form and meaning in the work of contemporary women artists /Haertel, Nilza Belita Grau, January 2006 (has links)
Thesis (Ph. D.)--Indiana University, Dept. of Fine Arts- History of Art, 2006.
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Landscape and nature in American prints transformations in form and meaning in the work of contemporary women artists /Haertel, Nilza Belita Grau, January 2006 (has links)
Thesis (Ph.D.)--Indiana University, Dept. of Fine Arts- History of Art, 2006. / Title from PDF t.p. (viewed Nov. 3, 2008). Source: Dissertation Abstracts International, Volume: 67-11, Section: A, page: 4015. Adviser: Sarah Leah Burns.
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The Visual Creation of the State Apparatus, Nineteenth Century American Landscape PaintingsHacker, Jonathan Joseph 21 May 2019 (has links)
No description available.
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Beautiful Day. Pleasant Walk: Walking and Landscape in the Works of Eswick Evans, John D. Godman, Elizabeth Fries Ellet, and Bradford TorreyHoneycutt, Scott R 05 May 2012 (has links)
Throughout the nineteenth century, walking for leisure and for spiritual endeavor in America correlated with the rise of literary romanticism. This burgeoning fashion of pedestrian travel, coupled with an impulse to experience the ever expanding nation, spawned a new and enduring subgenre in American letters – the walking text. Many scholars consider Henry David Thoreau and John Muir to be the century’s greatest literary amblers and naturalists; while their catalogs of walking literature are foundational, they are not exclusive. “Beautiful Day. Pleasant Walk: Walking and Landscape in Works of Estwick Evans, John D. Godman, Elizabeth Fries Ellet, and Bradford Torrey” aims to establish the importance of several underappreciated nineteenth century American pedestrians and landscapes. In addition to analyzing the development and importance of walking texts throughout the century, this dissertation also considers the geographies over which the authors traveled. The northern grounds of Ohio’s forgotten Great Black Swamp (Evans) and Philadelphia’s bucolic Wissahickon Creek (Godman), team with the southern worlds of rural Antebellum landscapes (Ellet) and Civil War battlefields (Torrey) to create a compelling map of nineteenth century America. Finally, through first-hand, authorial accounts this study discusses each terrain’s historical contexts as well as their current conditions.
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