<p>Abstract</p><p>Title: When book becomes film... – a comparative analysis of the book and film Catch me if you can (När bok blir till film…En jämförande analys av boken och filmen Catch me if you can)</p><p>Number of pages: 46</p><p>Author: Majlinda Juniku</p><p>Tutor: Amelie Hössjer</p><p>Course: Media and Communication Studies C</p><p>Period: Autumn term 2007</p><p>University: Division of Media and Communication, Department of Information Science, Uppsala University.</p><p>Purpose/Aim: To study what model of dramaturgy belongs to the film Catch me if you can and to see what has been crossed out, altered and added from the book so the narrative will fit this model.</p><p>Material/Method: The film Catch me if you can and the book with the same name has been used to analyze the differences between them. I have divided the differences into three categories: Crossed out, Altered and Added. In the analysis section these have been presented in each section of the film.</p><p>Main results: Catch me if you can is definetly a film made with the design of the Anglosaxon model, mostly because of its timestructure and that it portrays an action and not just a condition which is normal in the epic-lyric model. Big parts of the story have been crossed out, altered and added to make the film more acceptabel to the audience. Most of the changeshad been done to make the story shorter to fit the timeframe of a film. Events had been joinedtogether to save time but not miss anything. A character, Hanratty, has been reinforced to create a cat-and-mouse story and add excitement to the film. Other changes have been made to make the main character seem more likeable to the audience.</p><p>Keywords: book, film, dramaturgy, Catch me if you can, anglo-saxon, epic-lyric</p>

This thesis seeks to understand the changing place of angels in the religious culture of Anglo-Saxon England between AD 700 and 1000. From images carved in stone to reports of prophetic apparitions, angels are a remarkably ubiquitous presence in the art, literature and theology of early medieval England. That very ubiquity has, however, meant that their significance in Anglo-Saxon thought has largely been overlooked, dismissed as a commonplace of fanciful monkish imaginations. But angels were always bound up with constantly evolving ideas about human nature, devotional practice and the workings of the world. By examining the changing ways that Anglo-Saxon Christians thought about the unseen beings which shared their world, it is possible to detect broader changes in religious thought and expression in one part of the early medieval West. The six chapters of this thesis each investigate a different strand from this complex of ideas. Chapters One and Two begin with Anglo-Saxon beliefs at their most theological and speculative, exploring ideas about the early history of the angels and the nature of their society – ideas which were used to express and promote changing ideals about religious practice in early England. Chapters Three and Four turn to the ways that angels were believed to interact more directly in earthly affairs, as guardians of the living and escorts of the dead, showing how even apparently traditional beliefs reveal changing ideas about intercession, moral achievement and the supernatural. Lastly, Chapters Five and Six investigate the complicated ways that these ideas informed two central aspects of Anglo-Saxon religion: the cult of saints, and devotional prayer. A final Conclusion considers the cumulative trajectory of these otherwise distinct aspects of Anglo-Saxon thought, and asks how we might best explain the changing importance of angels in early medieval England.

Between the 1890s and the 1960s, sport had a distinctive and varied impact on the social, cultural, political and economic life of the British Jewish community. During this period, Anglo-Jewry developed a clear sporting tradition, in both a direct and indirect sense, and their participation in the world of British sport had a significant impact on processes and discourses surrounding integration, ethnicity and anti-Semitism. Through a broad analysis of archival materials, newspaper sources and oral history, this thesis seeks to examine the influence that sport exerted on the Jewish community – paying particular attention to the ways in which physical recreation affected the internal dynamics of the community and influenced Jewish relations and interactions with the wider non-Jewish population. As will be shown, whilst sport is a useful lens through which to view socio-cultural development within Anglo-Jewish history, evidence suggests that physical recreation also had a notable and noticeable direct impact on Jewish life within Britain. Although Jewish sport history is an expanding field in an international context, it has been largely ignored within British academic research. Within the historiography of Anglo-Jewry, little attention has been paid to the socio-cultural impact of sporting participation. Similarly, within research concerning British sport history, race and immigration are themes that have been generally overlooked. As well as redressing important historiographical gaps, this thesis will also help expand our knowledge of the process behind minority integration and will further demonstrate the wider social importance, and the extensive and varied applications, of the historical study of sport. This thesis demonstrates that sport has been a key area for the creation, maintenance and erosion of Anglo-Jewish identity and has been an arena for the development, reinforcement and undermining of Jewish stereotypes. Sport, effectively, assumed a central role in Jewish life throughout this time period and was a pivotal factor in many social, cultural and political changes affecting the Jewish community of Britain.

This dissertation discusses the complicated relationship (known as the comitatus) of kings and followers as presented in the heroic poetry of the Anglo-Saxons. The anonymous poets of the age celebrated the ideals of their culture but consistently portrayed the real behavior of the characters within their works. Other studies have examined the ideals of the comitatus in general terms while referring to the poetry as a body of work, or they have discussed them in particular terms while referring to one or two poems in detail. This study is both broader and deeper in scope than are the earlier works. In a number of poems I have identified the heroic ideals and examined the poetic treatment of those ideals. In order to establish the necessary background, Chapter I reviews the historical sources, such as Tacitus, Bede, the Anglo-Saxon Chronicle, and the work of modern historians. Chapter II discusses such attributes of the king as wisdom, courage, and generosity. Chapter III examines the role of aristocratic women within the society. Chapter IV describes the proper behavior of followers, primarily their loyalty in return for treasures earlier bestowed. Chapter V discusses perversions and failures of the ideal. The dissertation concludes that, contrary to the view that Anglo-Saxon literature idealized the culture, the poets presented a reasonably realistic picture of their age. Anglo-Saxon heroic poetry celebrates ideals of behavior which, even when they can be attained, are not successful in the real world of political life.

Master's thesis analyzes critical reviews of Anglo-American comic books which were published in Czech Republic. The purpose is to describe contemporary Czech critique scene and to search for tendencies of the reviewers. To do so four comic books were chosen: TOP 10, Sin City 1: The Hard Goodbye, The Adventures of Luther Arkwright and the Czech edition of Batman: The Killing Joke. In the next phase critical reviews were looked up in web pages: Fantasy Planet, Komiksárium, Comics-blog, Neviditelný pes, Daemon and XB-1 magazine. Magazine Host and Lidové noviny newspapers with it's Saturday supplement Orientace represent printed media. There are also two examples of foreign critical reviews from web pages Comics Authority and Artbomb.net. Historical development of comics in Czechoslovakia and in the USA and Great Britain is described between years 1945 and 1989. The purpose is to find moments of mutual influence.

The complementarity regime created by the Rome Statute of the International Criminal Court (ICC) marked a radical departure for international criminal justice. It represented a significant break with the Westphalian state system of national sovereignty and a step towards a regime of global governance based on the rule of law. The ICC is rooted in a Kantian notion of cosmopolitan justice where there is a need for a response to state failures to eliminate gross human rights violations. However, it has also been seen as a post-colonial court representing the hegemony of western justice and western authority over local traditions, particularly in the Islamic world. The operation of the operation of the complementarity regime does not reflect all types of juridical traditions and is therefore viewed with suspicion by nations with different criminal justice ideologies and policies. This thesis examines the practical and moral legitimacy of the complementarity regime of the ICC from two possible perspectives, both of which in their different ways support the idea of universal jurisdiction. Kant's moral philosophy represents the western justification for the regime, whereas the tradition of Islamic Shari'a epitomises the potential resistance from the developing world. Through an analysis of the exercise of prosecutorial discretion under the complementarity regime in relation to the Ituri region of the Democratic Republic of Congo (DRC) and the Darfur situation in Sudan, the thesis examines both the logistics of the decision-making in these cases, as well as the moral justifications for intervention. The fieldwork included a six month programme of participant observation and interviewing in the Office of the ICC Prosecutor in The Hague. The ICC is an independent court with a global jurisdiction which grants the Prosecutor a broad discretion to apply the complementarity regime to meet the expectations of the entire international community, regardless of the status, national origin or state citizenship of the accused. This thesis argues that a careful consideration of the moral case for the exercise of authority under the complementarity regime is important and depends upon an understanding of the inherent differences between the Rome Statute and national justice systems. The research highlights the fact that moral obligations do not end at national borders. It asserts that a credible complementarity mechanism requires the effective prosecution of international crimes in a manner which is legitimate in terms of local culture and traditions. Otherwise, as the research demonstrates, the Court will enjoy little support, particularly as enforcement has so far focused only on Islamic or less developed countries.

Submitted by Leda Lopes (ledacplopes@hotmail.com) on 2017-04-10T13:58:36Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Ubirajara Buddin Cruz.pdf: 22723909 bytes, checksum: 6a7f47b45ad2606fe7bce98e845fa4e0 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2017-04-24T19:04:40Z (GMT) No. of bitstreams: 2 Ubirajara Buddin Cruz.pdf: 22723909 bytes, checksum: 6a7f47b45ad2606fe7bce98e845fa4e0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2017-04-24T19:04:40Z (GMT). No. of bitstreams: 2 Ubirajara Buddin Cruz.pdf: 22723909 bytes, checksum: 6a7f47b45ad2606fe7bce98e845fa4e0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-07-14 / Sem bolsa / O estudo desenvolve reflexão sobre os limites e possibilidades de um processo de constituição de suporte para a memória e sobre a memória das extintas câmaras frias do Frigorífico Anglo de Pelotas. Utilizou-se de revisão bibliográfica, análise de acervos fotográficos atuais e históricos e depoimentos de ex-trabalhadores para compreender como essas unidades fabris apresentaram trajetórias de patrimonialização tão diversas. As fábricas de Pelotas (Brasil) e Fray Bentos (Uruguay), foram implantadas pelo grupo inglês de beneficiamento de alimentos de origem animal, Vestey Brothers. O estudo parte de considerações sobre o desenvolvimento da indústria frigorífica na Argentina, Uruguai e Brasil, mais especificamente no Rio Grande do Sul, para compreender a relação entre os valores que determinaram o nível de proteção das plantas fabris remanescentes nesses lugares. Especificamente no caso brasileiro, observa-se como a ocupação do antigo Frigorífico Anglo pela Universidade Federal de Pelotas, provocou uma série de obras para adaptar a antiga indústria em um campus universitário provocando a descaracterização do conjunto. O foco do levantamento de dados e da análise centrou-se nas câmaras frias, sobre as quais se estabeleceu a observação comparativa entre os dois lugares. Apresentam-se as câmaras frias como o local mais identificador dessa fábrica e discute-se como a sua eliminação indica o abandono da proteção do patrimônio industrial em foco. O Arquivo Fotográfico e outros acervos existentes no Uruguai sobre o extinto, Frigorífico Anglo del Uruguay, localizado em Fray Bentos, declarado como Patrimônio Cultural da Humanidade em 2015 foi a base dessa consideração, contrapondo-se a ela a documentação gerada na derradeira intervenção que inabilitou o local das câmaras frias na extinta unidade pelotense. Fotografia, patrimônio industrial e a construção da memória são as bases do tripé conceitual desta investigação, cuja meta é aportar conhecimento ao conjunto remanescente do Frigorífico Anglo de Pelotas. / The study develops a reflection about the limits and possibilities of a process of constitution of support for the memory and about the memory of the freezer buildings of Frigorífico Anglo de Pelotas. It was used a literature review, analysis of current and two historical photographic collections and testimonies of former workers to understand how these plants showed patrimonialization paths as diverse. The industrial plants of Pelotas (Brazil) and Fray Bentos (Uruguay), were implemented by the English group of animal food processing, Vestey Brothers. The study starts of considerations about of the development of the meatpacking industry in Argentina, Uruguay and Brazil, more specifically the Rio Grande do Sul state to understand the relationship in between the values have determined the level of protection of remaining manufacturing plants in these places. In the Brazilian case, it is observed as the occupation of meatpacking industry Anglo for the Universidade Federal de Pelotas, caused a series of works to adapt the old industry at a university campus leading to mischaracterization of the assembly. The focus of the data collecting and analysis focused in the freezer buildings over which has established the comparative observation between the two places. Are shown the freezer buildings as the most identifier place of this factory and discusses how their elimination indicates the abandonment of the protection of industrial heritage in focus. The Photographic Archive and other existing collections in Uruguay about the extinct, Frigorífico Anglo del Uruguay, located in Fray Bentos, declared as World Cultural Heritage in 2015 was the basis of this consideration, in opposition to it the documentation generated in the last intervention that unfitted to the place of freezer buildings in the former Pelotas unit. Photography, industrial heritage and building of the memory is the basis of the conceptual tripod of this investigation, whose aim is to provide its expertise to the remaining set of the Frigorífico Anglo de Pelotas. / El estudio desarrolla una reflexión acerca de los límites y las posibilidades de un proceso de formación de soporte para la memoria y acerca de la memoria de las extintas cámaras frías del Frigorífico Anglo de Pelotas. Se utilizó la revisión de la literatura, el análisis de colecciones fotográficas actual y dos colecciones históricas y testimonios de ex trabajadores para entender cómo estas plantas mostraron caminos de patrimonialización tan diversos. Las fábricas de Pelotas (Brasil) y Fray Bentos (Uruguay), se llevaron a cabo por el grupo de Inglés de elaboración de alimentos de origen animal, Vestey Brothers. El estudio parte de las consideraciones acerca del desarrollo de la industria frigorífica en Argentina, Uruguay e Brasil, específicamente Rio Grande do Sul. para comprender la relación entre los valores que determinaron el nivel de protección de las instalaciones fabriles restantes en estos lugares. En el caso de Brasil, se observa como la ocupación del antiguo Frigorífico Anglo por la Universidad Federal de Pelotas, he causado una serie de obras de adaptación de la industria en un campus universitario empezó a desfigurar el aspecto original del conjunto. El foco del levantamiento de datos y el análisis se ha centrado en las cámaras de frío, sobre el que se estableció la observación comparativa de las dos ubicaciones. Presentan las cámaras frías como el área más identificador de esta fábrica y discute cómo su eliminación indica el abandono de la protección del patrimonio industrial en el foco. El Archivo Fotográfico y otras colecciones existentes en Uruguay acerca del extinto, Frigorífico Anglo del Uruguay, ubicado en Fray Bentos, declarado Patrimonio Cultural de la Humanidad en 2015 fue la base de esta consideración, oponiéndose a ella la documentación generada en la última intervención que incapacitó el local de las cámaras de frío en la antigua unidad de Pelotas. Fotografía, patrimonio industrial y la construcción de la memoria es la base del trípode conceptual de esta investigación, cuyo objetivo es ofrecer conocimiento al conjunto restante del Frigorífico Anglo de Pelotas.

This thesis is an ethnography of Anglo-Indians in Calcutta. All ethnographies are accounts arising out of the experience of a particular kind of encounter between the people being written about and the person doing the writing. This thesis, amongst other things, reflects my changing views of how that experience should be recounted. I begin by outlining briefly who Anglo-Indians are, a topic which in itself alerts one to complexities of trying to get an ethnographic grip on a shifting subject. I then look at some crucial elements that are necessary for an “understanding” of Anglo-Indians in Calcutta: the work that has already been done in relation to Anglo-Indians, the urban context of the lives of my research participants and I discuss the methodological issues that I had to deal with in constructing this account. In the second part of my thesis I explore some crucial elements of the lives of Anglo-Indians in Calcutta: the place of Christianity in their lives, education not just as an aspect of socialisation but as part of their very being and, finally, the public rituals that now give them another way of giving expression to new forms of Anglo-Indian becoming. In all of my work I was driven by a desire to keep close to the experience of the people themselves and I have tried to write a “peopled” ethnography. This ambition is most fully realised in the final part of my thesis where I recount the lives of three key participants.

This thesis examines the life and thought of the influential Melbourne organist, teacher and music critic, Arthur Ernest Howard Nickson (1876-1964). Born in Melbourne, Nickson studied in England on the Clarke Scholarship at the Royal College of Music (1895-1899). During his studies in England, Nickson experienced the Catholic revival in the Church of England at its height. On his return to Australia in 1901 Nickson’s activities as a church musician, and later, as a teacher provided the platform for him to articulate views that were formed as a result of these influences. Beginning in 1904, Nickson’s 56-year career as a lecturer at the University Of Melbourne Conservatorium Of Music is important, as every student had to pass through his lectures at some point in their course. As music critic at the Age from 1927, Nickson played a decisive role in shaping public taste at the time of the establishment of the Melbourne Symphony Orchestra under Bernard Heinze, who was also Ormond Professor of Music at the University of Melbourne (1926-57). Nickson’s essays form a distinct group of writings that are probably unique in Australia. The main published essays cover a forty-year period beginning in 1905, and show the development of Nickson’s thinking about the moral basis and spiritual nature of music, his views on the nature of the Church, and his worldview, based on Neoplatonic philosophy, which shaped his thinking about the process of creation. While Nickson’s view of the created order was shaped by Neoplatonic influences, his view of the redemptive function of art was expressed in terms of sacramental theology, and was related very closely to his Anglo-Catholicism. In his essays and lectures Nickson frequently worked with an abstracted concept of ‘Art’, rather than specific art objects. While reference was made to art objects, it is not clear how Nickson defined the term ‘artist’. Nickson’s attention in his discussions of ‘Art’ tended to focus on the artist, rather than the object. This was a result of his world view, which saw art objects as an emanation from the personality of the artist; this necessitated the cultivation of a disposition of mind, which was enabled by the acquisition of mystical intuition. While his description of the fine arts as consisting of architecture, sculpture, painting, poetry and music was in line with older views of art, his views on the artist are difficult to discern, which raises the question of whether Nickson saw himself as an artist. Clearly his vocation was not as a composer, as the discussion of his mass settings in Chapter 3 will demonstrate, while as an organ teacher he was more interested in interpretation than in the mechanics of playing the instrument. This thesis falls into two broad sections. The first three chapters seek to provide an adequate biography of Nickson, which has never previously been done. The fourth chapter examines Nickson’s worldview and the implications this had for his thinking about music, and falls into two parts. The first part follows Nickson’s worldview as it was expressed in his essays, and focuses attention on the concept of art as a process of sign making. The manner in which this sign making is understood is essential to its function, and in Nickson’s writings three understandings emerge: symbol, metaphor and sacrament. The second part of the discussion examines Nickson’s articulation of his worldview in relation to music, which he considered to be the most divine of the arts, drawing on lecture notes, student reminiscences and Nickson’s own. Nickson’s central claim was that art is a sacrament. This can be seen in relation to his faith, where the regular use of the Church’s sacraments was central. This claim is challenged by statements Nickson made about the faith of composers such as Beethoven and Bach. This raises questions about sacramental efficacy when applied to art, and some limitations implicit in viewing art as a sacrament. It will be argued that Nickson conceived of artistic creation as fundamentally a process of sign making. The sign may be regarded as a symbol, metaphor or sacrament, and the process of creating the sign reflects God’s own creative activity in human creative acts. Nickson conceived of human creative action as having a redemptive character, bringing the artist into closer unity with the godhead. This union was the ultimate aim of art, being the act of redemption that paralleled the union brought about by such sacraments as the Eucharist. This term also points to some tensions in Nickson’s worldview, where he expressed a view of the creation of the material world as being both a dynamic, continuing activity of emanation from God, and a single action of the will of God, such as the creation account of Genesis.

Doctor of Philosophy (PhD) / In Australian Aboriginal affairs, the acculturative strand of assimilation developed in large part from Elkin’s religious and Idealist commitment, for which in the years 1928 to 1933 he won social-scientific authority. In competition with both an eliminationist politics of race and a segregationist politics of territory, Elkin drew upon religious experience, apologetics, sociology, and networks to establish a ‘positive policy’ as an enduring ideal in Aboriginal affairs. His leadership of the 1930s reform movement began within the Anglican Church, became national through civic-religious organs of publicity, and gained scientific authority as Elkin made religious themes a central concern in Australian anthropology. But from the 1960s until recently, most scholars have lost sight of the centrality of Idealism and religion in our protagonist’s seminal project of acculturative assimilation. This thesis aims to show how Elkin dealt with problems fundamental to twentieth century Aboriginal affairs and indeed to Australian modernity more generally – problems of faith and science, morality and expediency – in developing his positive policy towards Aborigines.