In the year 589 Reccared, king of the Visigoths, called together leaders of the Catholic Church and the Visigothic nobility to meet at the Third Council of Toledo. That council marked a dramatic change in the Visigothic Kingdom and began a collaboration between the Catholic Church and the Visigothic royal government that would come to define the kingdom, and has forever colored our view of the history of Spain. This dissertation will attempt to place the events that occurred at the Third Council of Toledo into the larger context of the sixth century and will show that the union between the Catholic Church and the Visigothic royal government that occurred at Toledo III was the result of a connection between two longstanding forces in society: the efforts of a small number of provincial bishops to purify society through strict, orthodox Catholicism and the efforts of a few Visigoth monarchs to centralize the kingdom and create a political entity that would be the natural heir to official Roman legitimacy in the west as well as offer a counterbalance to the Eastern Roman Empire. Further, it will draw some connections between the work of the Catholic Church in the Suevic Kingdom, the other Germanic Kingdom that existed on the Iberian Peninsula during the sixth century, and the the Third Council of Toledo. Finally, it will show that in the immediate aftermath of the Third Council of Toledo the bishops were disappointed to find that the introduction of coercive power as a tool of instruction for bishops proved largely unworkable in the short term which led them to abandon some of their new found powers.

Ma thèse a pour objet l’étude des couleurs du mobilier d’apparat en bronze dans le monde gréco-romain, produit entre le IIe s. av. n. è. et le IIe s. de n. è. en Méditerranée. Elle place au cœur de sa démarche historique la caractérisation des couleurs, leur analyse technique et l’étude de leurs valeurs symboliques, associées à des contextes de production et de réception précis. Redonner en effet aux couleurs toute leur place dans l’ameublement de luxe en bronze, en conduire l’étude typologique, iconographique et technique, les replacer dans leur contexte de réception permet de comprendre non seulement l’impact visuel recherché par le maître de maison, mais aussi et surtout leurs valeurs spécifiques dans l’élaboration du discours des élites à destination de leurs semblables et des autres classes de la société. Pour identifier et comprendre cette polychromie, une démarche interdisciplinaire combinant des méthodologies archéologiques, archéométriques et sociologiques a été appliquée. 538 pièces de mobilier en bronze à décors polychromes sont ainsi recensées et réparties dans diverses catégories. Ces multiples données sont réunies et mises en relation grâce à la création et l’utilisation d’une base de données relationnelle nommée « Iris ». La convergence de ces méthodes et de ces angles d’attaque du matériel étudié vise à un seul but : apprécier la valeur des couleurs et des autres traitements de surface de ces objets de luxe d’inspiration grecque dans le processus général d’acculturation des populations et provinces romaines au modèle gréco-romain, un modèle défini par Paul Veyne comme propre à un Empire où « la culture y était hellénique et le pouvoir était romain ». / My thesis aims to study the colours of bronze ceremonial furniture produced by the Greco-Roman world between the 2nd century BCE and the 2nd century CE in the Mediterranean. The main objective is to characterize of colours, their technical properties, and symbolic values associated with specific production and reception contexts.Consequently, by using archaeological contexts, techno-typological and iconographic studies, the objective of this research is to characterize the specificity and originality of the use and visual impact of bronze in the elaboration of the discourse of the Greco-Roman elite, owner of this ostentatious furniture; this discourse is also aimed at this elite as other classes of Roman society.My thesis explores as much the history of techniques as that of arts and mentalities. It combines archaeological, archaeometric, and sociological methodologies for an interdisciplinary approach. 538 pieces of bronze furniture with polychrome decorations are identified and divided into different categories. Furthermore, these multiple data are also collected and linked through the creation and use of a relational database named “Iris”.The convergence of these methods has a single purpose: to appreciate the significance of colours and to investigate other surface treatments on Greek inspired luxury furnishings. The gradual acculturation of “the Greek world” as a result of Roman expansion is evident in a study of this furniture, its colours, and other treatments using the same historical perspective as defined by Paul Veyne as: an Empire where “la culture y était hellénique et le pouvoir était romain”.

Abstract not supplied. Keywords taken from contents page.

<p>This thesis aims to investigate and discuss the possibility for women in the early Christian church to make music, which in the ancient Roman society was something complicated. Afemale musician was looked upon as decadent and dissolute. This idea, in combination with the music ideals of the church influenced by the Neoplatonic movement, and the Pauline statement (1 Cor. 14:34-36), cast women to be completely prohibited in participating even in the psalmody during the service. My purpose is to discuss how this was looked upon in different Christian regions, using the church fathers as the main material source, since this has not previously been well documented or studied.</p>

<p>Already in the second century, the Church Father Irenaeus warned against reading the Gospel of Truth that was used among the so-called Valentinians. For more than one and a half millennium GospTruth was lost until in the 1950s a Coptic text was discovered that could be a translation of that work both loved and hated.</p><p>Since the discovery scholars have tried to determine whether the Coptic text represents the one mentioned by Irenaeus, and whether its author might even be the famous Gnostic teacher Valentinus of Alexandria.</p><p>The text is very complex and the present study the first attempt to use text linguistic tools for analysing GospTruth. A new and sometimes radically different translation is presented, and an hypothesis of date of redaction and authorship is put forward. Previously Gnostic texts have usually been read in light of the reports of the Church Fathers. In this study an attempt is made to detect topics that were interesting for the Valentinians and that have so far been neglected. The analysis presents a new ethical debate among early Christians regarding the Biblical law, and a hypothesis of how the author of GospTruth wanted his or her community to act towards the neighbouring communities is elaborated. In addition my investigation draws attention to an interpretation of the crucifixion that seems to have distinguished Valentinians from others.</p><p>For a long time scholars depicted the Gnostics as evil opponents to the church. During the last decades this view has been criticized, and today many scholars abandon the term Gnostic altogether, and instead only use the term Christian. In my opinion such an approach risks to conceal the unique features of Valentinianism, and the results of the present study will hopefully shed new light on a branch of Christianity which still is relatively unexplored.</p>

Already in the second century, the Church Father Irenaeus warned against reading the Gospel of Truth that was used among the so-called Valentinians. For more than one and a half millennium GospTruth was lost until in the 1950s a Coptic text was discovered that could be a translation of that work both loved and hated. Since the discovery scholars have tried to determine whether the Coptic text represents the one mentioned by Irenaeus, and whether its author might even be the famous Gnostic teacher Valentinus of Alexandria. The text is very complex and the present study the first attempt to use text linguistic tools for analysing GospTruth. A new and sometimes radically different translation is presented, and an hypothesis of date of redaction and authorship is put forward. Previously Gnostic texts have usually been read in light of the reports of the Church Fathers. In this study an attempt is made to detect topics that were interesting for the Valentinians and that have so far been neglected. The analysis presents a new ethical debate among early Christians regarding the Biblical law, and a hypothesis of how the author of GospTruth wanted his or her community to act towards the neighbouring communities is elaborated. In addition my investigation draws attention to an interpretation of the crucifixion that seems to have distinguished Valentinians from others. For a long time scholars depicted the Gnostics as evil opponents to the church. During the last decades this view has been criticized, and today many scholars abandon the term Gnostic altogether, and instead only use the term Christian. In my opinion such an approach risks to conceal the unique features of Valentinianism, and the results of the present study will hopefully shed new light on a branch of Christianity which still is relatively unexplored.

This thesis aims to investigate and discuss the possibility for women in the early Christian church to make music, which in the ancient Roman society was something complicated. Afemale musician was looked upon as decadent and dissolute. This idea, in combination with the music ideals of the church influenced by the Neoplatonic movement, and the Pauline statement (1 Cor. 14:34-36), cast women to be completely prohibited in participating even in the psalmody during the service. My purpose is to discuss how this was looked upon in different Christian regions, using the church fathers as the main material source, since this has not previously been well documented or studied.

Social, political and philosophical dynamics which supposedly played an important role in the formation of the grid-plan in ancient Greek cities are explored in this thesis. In this respect, the thesis aims to expose the socio-political and philosophical matrix of Greek society in which the grid was implemented with an emphasis on the concepts of equality, rationality and geometric harmony. Having formulated a theoretical framework, it concentrates on several cases from different regions and contexts in the Mediterranean in order to confirm this framework. The thesis investigates the nature of the Greek grid-plan within three main parts / first the grid-plans of non-Greek cultures with which ancient Greeks had close contacts / second the relationship between the grid-plan and political power in Greek poleis with special attention to the formation of &amp / #8216 / egalitarian&amp / #8217 / ideals in society / third the physical expressions of the philosophical concepts of perfection, mathematical regularity and geometrical equality in the cosmos on urban pattern.

This thesis investigates 1st-2nd century CE biographer and philosopher, Plutarch's, manipulation and construction of gender ideals in three sets of his Parallel Lives, Coriolanus and Alcibiades, Pelopidas and Marcellus, and Phocion and Cato the Younger in which he presented his particular version of the ideal man and route to manhood. Plutarch discouraged traditional paths to gaining masculine status and simultaneously promoted a type of masculinity that benefited other aspects of his identity, particularly promoting his social and economic position and ethnicity. He asserted throughout that martial men were not in control of their emotions and therefore were incomplete men. Plutarch then promoted the study of Hellenic education, or paideia, and philosophy as the route to ideal manhood. This sub-discourse served as a reaction to Roman rule and the position of Greek men in the Roman Empire. Although Plutarch wrote centuries after the Roman annexation of Greece, he and his contemporaries continued to negotiate and redefine the complex power relations that existed between Greece and Rome. Living and writing at the beginning of the Second Sophistic (60-230 CE), Plutarch's work reflects a wider phenomenon that was occurring within Greece between the 1st and 3rd centuries CE. This study is therefore multi-layered, investigating not only how gender ideology is constructed and redefined but also how it can be manipulated to suit social and political circumstances in order to participate in discourses about identity, authority and power.

This thesis addresses what cultural influences and social circumstances shaped the works of the Hippocratic Corpus and Soranus's Gynecology. This thesis will illustrate how these medical texts are representative of how women were viewed by men in Classical Greece and Early Imperial Rome, respectively. It deals additionally with how these gynecological works in turn impacted the way in which society viewed and treated women. In particular, these medical writers' changing views of the act of conception shed light on the differing attitudes of their cultures. Thus far research on these time periods and works has focused too narrowly on one aspect of society to do them justice, nor has there been an effort to separate Soranus's work from the Hippocratic Corpus as representative of a completely different culture and time period. Scholarship has not before discussed the importance of who controls power over conception, men or women, as the key to understanding why women were treated they way they were by men. Using a feminist approach, this thesis examines the culture, mythology, literature, history, and medicine of these cultures, employing cultural morphology to understand how and why they changed. Greek men feared the women in their lives because they believed that women controlled conception. Roman men did not fear the women in their lives but respected them as mothers, for the important reason that women did not control or contribute to conception. All of the cultural evidence examined inclines one to believe that the way women were treated and viewed by men in the Classical period of Greece and the early Imperial period in Rome, is related directly to who held the power over conception of children, men or women.