Tandis que le progrès scientifique offre des perspectives insoupçonnables, les contraintes de l'industrialisation, de l'urbanisation et des technologies modernes, ne cessent de faire reculer le domaine de l'immatériel et du spirituel. Longtemps épargnée, l'Océanie reste encore un espace privilégié où l'imprégnation des traditions ancestrales et de la nature est restée vivace et signifiante. « L'Imaginaire dans les mythes canaques » constitue le sujet de notre recherche, l'ouverture d'un champ exploratoire inédit qui nous conduit à la révélation du « réel caché » fonde cette démarche. L'apport des études et recherches des premiers missionnaires, linguistes et ethnologues a fourni un ensemble de données et de mythes qui décrivent et interprètent l'organisation de la société canaque, ses moeurs et ses traditions. Les investigations de l'ethnologie traditionnelle sont restées distantes des théories et découvertes de l'Imaginaire dont Freud, Bachelard et Jung furent les précurseurs. Nous convoquerons les méthodes d'analyse et d'investigation de l'inconscient collectif et de la psychologie des profondeurs, pour les adapter au domaine de la mythologie canaque. La réalisation d'un corpus de mythes collectés aux débuts de la colonisation explicite la composition structurelle de chaque récit, élabore leur fiche d'identification génétique, et imagine une méthode nouvelle d'exploration de l'univers des mythes. La mise en œuvre de la mythocritique de Gilbert Durand, adaptée et complétée par la mythanalyse, réalise une mythodologie exploratoire de l'Imaginaire du « sermo mythicus ». Constellations d'images, symboles et archétypes décryptés dans ces anciens récits mythiques, en révèlent la sémantique profonde, ainsi que des archétypes qui rejoignent l'universel. Notre propos est de mettre en évidence la pertinence des théories précédentes qui ont révolutionné des domaines tels que la psychologie, la philosophie et jusqu'à la littérature, ouvrant de nouveaux horizons à l'interprétation de ces traditions orales majeures, qui sont parmi les plus anciennes d'Océanie, et confirmant par là-même la richesse de leur symbolique et de leur apport à la connaissance d'Anthropos que Leenhard avait annoncée. / While scientific progress offers unimaginable opportunities, constraints of industrialization, urbanization and modern technology never cease to reverse the field of the intangible and spiritual. Long spared Oceania remains a privileged space where the impregnation of traditions and nature remained alive and meaningful. “Imagination in Kanak myths” is the subject of our research, the opening of a novel exploratory field which leads to the revelation of the “Real hidden” bases this approach. The contribution of the study and research of the first missionaries, linguists and anthropologists has provided a set of data and myths that describe and interpret the organization of the Kanak society, its customs and traditions. Investigations of ethnology remained away from traditional theories and discoveries of the Imaginary Freud, Jung and Bachelard were precursors. We will call the methods of analysis and investigation of the collective unconscious and depth psychology, to fit the field of mythology Kanak. The implementation of a corpus of myths collected at the beginning of colonization, explains the structural composition of each story, which develops their “genetic identification card”, and imagine a new method of exploring the world of myths. Implementation of “mythocritic” Gilbert Durand adapted and supplemented by mythanalysis, performs an exploratory mythodologie of the imaginary of " sermo mythicus". Constellations of images, symbols and archetypes decrypted in these ancient myths, then reveal the deep semantic as well as joining the universal archetypes. Our aim is to highlight the relevance of previous theories that have revolutionized such fields as psychology, philosophy, and literature up and opening new horizons for the interpretation of oral traditions which are major among the most old Oceania, and to confirm their rich symbolism and their contribution to the knowledge of Anthropos that Leenhard had emphasized.

Submitted by Alison Vanceto (alison-vanceto@hotmail.com) on 2017-09-27T14:02:49Z No. of bitstreams: 1 DissFC.pdf: 4030722 bytes, checksum: a2539cbf1a291b112cbba383a2fcd43d (MD5) / Approved for entry into archive by Ronildo Prado (bco.producao.intelectual@gmail.com) on 2018-01-31T16:59:55Z (GMT) No. of bitstreams: 1 DissFC.pdf: 4030722 bytes, checksum: a2539cbf1a291b112cbba383a2fcd43d (MD5) / Approved for entry into archive by Ronildo Prado (bco.producao.intelectual@gmail.com) on 2018-01-31T17:00:05Z (GMT) No. of bitstreams: 1 DissFC.pdf: 4030722 bytes, checksum: a2539cbf1a291b112cbba383a2fcd43d (MD5) / Made available in DSpace on 2018-01-31T17:05:55Z (GMT). No. of bitstreams: 1 DissFC.pdf: 4030722 bytes, checksum: a2539cbf1a291b112cbba383a2fcd43d (MD5) Previous issue date: 2017-05-05 / Não recebi financiamento / Doctor Who, a British series created and produced by the BBC since 1963 has been devoted as one of the oldest and most successful series of fiction for television. The series has set its course and achieved cult status, becoming the success it is today with an extensive amount of episodes and seasons and a large expansion of its narrative universe to other media such as movies, comics, literature, digital and analog games. The expansion of a work brings a series of obstacles, a vast narrative maintained for so long and in so many media, undergoes several changes with the passage of time, the fans can also change or have different expectations. Nevertheless some series like Doctor Who, manage to remain firm and coherent over time. These series can find and construct a solid identity that is interesting and acceptable to its fans, this identity is related to the archetypes of the fictional universe of the series and is what often guides the narrative direction and the migration of this narrative to other media, this study aimed to analyze and punctuate the elements that define this identity of Doctor Who and how this can contribute to the production and study of vast transmedia narratives. / A série britânica, Doctor Who, criada e produzida pela BBC desde 1963 se consagrou como uma das mais antigas e bem-sucedidas séries de ficção para a televisão. Doctor Who trilhou seu caminho e atingiu o status cult se tornando o sucesso que é hoje, com uma extensa quantidade de episódios e temporadas, e uma grande expansão de seu universo narrativo para outras mídias como o cinema, os quadrinhos, a literatura, os jogos digitais e analógicos. A expansão de uma obra traz uma série de obstáculos, já que uma vasta narrativa mantida por tanto tempo e em tantas mídias sofre várias mudanças de modo que seus fãs também podem mudar ou passar a ter expectativas diferentes das iniciais. Apesar disso, algumas séries como Doctor Who, conseguem, ao longo do tempo, se manter firmes e coerentes de modo a encontrar e construir uma identidade sólida, o que é interessante e aceitável para seus fãs. Além disso, essa identidade tem relação com os arquétipos do universo ficcional da série, sendo, muitas vezes, o que norteia o direcionamento narrativo e a migração dessa narrativa para outras mídias. Este estudo teve como objetivo analisar e elencar quais são os arquétipos centrais que definem essa identidade, no caso, da série Doctor Who, e como isso pode contribuir para a produção e o estudo de vastas narrativas transmídia, ajudando na compreensão dos arquétipos centrais de universos ficcionais tendo como foco a construção e expansão dessas narrativas.

Made available in DSpace on 2015-05-14T12:39:45Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1030851 bytes, checksum: 027d3526f86165996df4dda79fe6af63 (MD5) Previous issue date: 2009-10-28 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This work proposes a study of the sebastianist legend as mythical matter in Romance d A pedra do Reino (RPR). We assume, supported by Northrop Frye, Carl Jung, Mircea Eliade, Joseph Campbell and Gilbert Durand the perspective in which the myth remains but restore itself infinitely by images and archetypical symbolism. First, we reach to rebuild the conforming cultural essence of the fictional s sebastianist legends of Portugal and Brasil identifying its archetypical components. Thus, we look for sebastianist messianic references, for its thesis and discourse, in the plurilinguistic design of RPR, considering its relevance in the mythical discourse s configuration of the narrative. We notice a forceful tension between apocalyptical and demoniac images, resulting from narrator-protagonist idealistic view and his involvement in realistic world incongruence, pointing myth s dislocations and ironic manner predominance in the narrative. Besides the external and unconcluded character s contest, connected to the judicial process and to the production of his Obra de Gênio da Raça (Genius Lineage/Race Work), foundation stone to his sebastianist messianic kingdom of the Fifth Empire, we distinguish some inner demand linked to his way to maturity which doesn t consolidate effectively. The character s project and their temporary dismissal state plus his expectation of its accomplishment in a not far future constitutes the most important sebastianist messianic bias in the production, strengthened by other thematic recurrences in the Pedra Bonita s sebastianist legend, and make possible still the establishment of a more fertile analogy to the Portuguese manifestation. These different fronts of myth s restoration grant universality and absence of temporality to RPR. / Este trabalho propõe um estudo da lenda sebastianista como matéria mítica no Romance d A Pedra do Reino (RPR), de Ariano Suassuna. Assumimos, com o auxílio das teorizações de Northrop Frye, subsidiadas por Carl Jung, Mircea Eliade, Joseph Campbell, e Gilbert Durand, a perspectiva de que o mito permanece e se atualiza infinitamente por meio de imagens e simbolismos arquetípicos. Buscamos inicialmente reconstruir os veios culturais conformadores do imaginário das lendas sebastianistas de Portugal e do Brasil e identificar seus componentes arquetípicos. Em seguida buscamos as recorrências do messianismo sebástico no tecido plurilinguista do RPR, temática e discursivamente, considerando sua relevância na configuração do discurso mítico na obra. Verificamos a existência de uma forte tensão entre imagens apocalípticas e demoníacas, decorrente da incongruência entre a visão idealista do narrador-protagonista e o mundo realista em que se encontra envolvido, evidenciando os deslocamentos do mito na obra e o predomínio das convenções do modo irônico. Ao lado da demanda exterior e não concluída do personagem, ligada ao processo judicial e à criação de sua Obra de Gênio da Raça , pedra fundamental para a instalação de seu reino messiânico-sebastianista do Quinto Império, distinguimos uma demanda interior ligada a seu percurso rumo à maturidade, o qual não se consolidada efetivamente. O estado de suspensão nos projetos do personagem e a expectativa de sua concretização num futuro próximo constituem o viés messiânico-sebastianista mais importante na obra, fortalecido pelas demais recorrências temáticas da lenda sebastianista de Pedra Bonita, e possibilitam ainda o estabelecimento de uma analogia mais fértil com a manifestação sebastianista portuguesa. Essas diferentes frentes de atualização do do mito na narrativa conferem ao RPR sua universalidade e a intemporalidade.

Esta tese tem por objetivo primordial trazer ao âmbito da Academia um saber popular, anônimo e folclórico, representado pelas cantigas de Ternos de Reis, pesquisadas em Florianópolis, Santa Catarina, Brasil, cuja origem remonta aos Açores, Portugal. Buscamos realizar neste trabalho uma exegese de tais cantigas a partir das noções de folclore (Cascudo), cultura popular (Burke), performance (Schechner, Zumthor), mitos (Kerényi, Campbell), arquétipos (Jung), festas religiosas (Bakhtin, Perez), poesia (Spina, Trevisan) e, por fim, a relação de tais instâncias com a voz dos subalternos e as epistemologias do Sul (Santos). Dessa maneira, tentamos abordar as cantigas de Ternos de Reis sob diversos aspectos e mostrar ao leitor atento a riqueza da cultura popular. / This thesis aims to bring to the Academic world, a new and popular knowledge which main characteristics are the anonymous aspects of its feature and also its folkloric way of existence. This new knowledge is represented by the Christmas Chants brought to Brazil by the Azoreans (Portugal) and which remains in the Brazilian tradition and folklore, especially in the city of Florianópolis, Santa Catarina State, Brazil. The author tried to do an exegesis of such Christmas Chants, through the following theories and notions: folklore (Cascudo), Popular Culture (Burke), performance (Schechner, Zumthor), myths (Kerényi, Campbell), archetypes (Jung), religious feasts (Bakhtin, Perez), poetry (Spina, Trevisan) and at last what such theories have in common with the voice of subalterns and the epistemologies of the South (Santos). As so far, the author tried to show in this research and posterior analysis, the richness found in Popular Culture and Folkloric Christmas Chants.

Considerando que, além dos professores e da equipe gestora, atuam nas escolas os profissionais do quadro de apoio e que pouco foi investigado nos meios acadêmicos sobre quem são, suas influências nas relações intersubjetivas que se estabelecem no grupo-escola (funcionários, alunos, docentes e equipes gestoras), delineou-se o objetivo dessa pesquisa, que é o de melhor apreender quem são esses sujeitos, como pensam, sentem e agem no cotidiano das escolas, bem como suas histórias, experiências, práticas, percurso ou o que se denominou jornadas arquetípicas, as quais favorecem a busca de um maior conhecimento acerca deles mesmos, seus avanços, limites e possibilidades. Para este fim, uma abordagem fenomenológicacompreensiva foi definida como metodologia, visando a investigar, por exemplo, as questões que mobilizaram o pessoal do quadro e influenciaram seus modos de ser, pensar, agir e sentir, a partir da participação, durante cinco anos, no Projeto Inter- Escolas de Formação dos Educadores. Análise para a qual foram imprescindíveis as contribuições de Gilbert Durand, Cornelius Castoriadis, Edgar Morin, Michel Mafesolli, Joseph Campbell, Paula Carvalho e Carol Pearson, entre outros. Esse trabalho foi organizado em três capítulos, sendo o primeiro dedicado à introdução, ao referencial teórico e à metodologia; o segundo, ao desenvolvimento do Projeto Inter-Escolas de Formação dos Educadores e no qual os agentes escolares, vigias e auxiliares técnicos de educação participaram; e o terceiro, que conta com relatos e histórias de alguns desses profissionais e suas respectivas jornadas. Temos, finalmente, algumas considerações acerca de quem são esses sujeitos, suas histórias e os caminhos percorridos na direção de si mesmos. / Considering that apart from the teachers and the board team, the support staff works in schools and that there is few academic research about who they are, how they influence the intersubjective relations which occur in schools among employers, students, teachers and board team, delineates this research target which is to try to understand who those actors are, how they think, feel and act every day in schools, also understand their stories, experiences, practices and ways during their lives or, in other words, what was nominated archetypical journeys, which favor the search for a bigger knowledge about themselves, their advances, limits and possibilities. In oder to do that a methodological phenomenological-understanding approach was adopted, intending to investigate the questions which mobilized the support staff and influenced their way of being, thinking, acting and feeling, observing how they participate in the Educators Education Inter-Schools Project for five years. The theoretical support of this research was the indispensable contributions from Gilbert Durand, Cornelius Castoriadis, Edgar Morin, Michel Mafesolli, Joseph Campbell, Paula Carvalho and Carol Pearson, among others. This work has three chapters: the first one is dedicated to the introduction, theoretical references and methodology; the second, to the Educators Education Inter-Schools Project development, in which the support staff participated; and the third, where the reports and stories from some those professionals and their own journeys are told. In the end, there are some considerations about who those actors are and their journeys toward themselves.

Esta tese tem por objetivo primordial trazer ao âmbito da Academia um saber popular, anônimo e folclórico, representado pelas cantigas de Ternos de Reis, pesquisadas em Florianópolis, Santa Catarina, Brasil, cuja origem remonta aos Açores, Portugal. Buscamos realizar neste trabalho uma exegese de tais cantigas a partir das noções de folclore (Cascudo), cultura popular (Burke), performance (Schechner, Zumthor), mitos (Kerényi, Campbell), arquétipos (Jung), festas religiosas (Bakhtin, Perez), poesia (Spina, Trevisan) e, por fim, a relação de tais instâncias com a voz dos subalternos e as epistemologias do Sul (Santos). Dessa maneira, tentamos abordar as cantigas de Ternos de Reis sob diversos aspectos e mostrar ao leitor atento a riqueza da cultura popular. / This thesis aims to bring to the Academic world, a new and popular knowledge which main characteristics are the anonymous aspects of its feature and also its folkloric way of existence. This new knowledge is represented by the Christmas Chants brought to Brazil by the Azoreans (Portugal) and which remains in the Brazilian tradition and folklore, especially in the city of Florianópolis, Santa Catarina State, Brazil. The author tried to do an exegesis of such Christmas Chants, through the following theories and notions: folklore (Cascudo), Popular Culture (Burke), performance (Schechner, Zumthor), myths (Kerényi, Campbell), archetypes (Jung), religious feasts (Bakhtin, Perez), poetry (Spina, Trevisan) and at last what such theories have in common with the voice of subalterns and the epistemologies of the South (Santos). As so far, the author tried to show in this research and posterior analysis, the richness found in Popular Culture and Folkloric Christmas Chants.

Stereotypes and myths are created by media to simplify and mystify reality. The two are used to form negative stereotypical images that are used as tools of social oppression in today’s white patriarchy. This essay will focus on how Toni Morrison’s The Bluest Eye depicts black womanhood and motherhood and resists the reductive images of black women through the narrative technique. In the text we find the stereotypical images of the Mammy and the Matriarch in the character Pauline "Polly" Breedlove, both simplifying and mystifying black motherhood but also condescending towards African-American family constellations. The text resists these images by making readers inhabit Polly who at first fits in to the two archetypes, only to then give us additional information and use an engaging narrative technique that invites the reader to decide if Polly really is the Mammy and the Matriarch.

The female hero has been marginalized through history, to the extent that theorists, from Plato and Aristotle to those of the nineteenth and twentieth centuries, state that a female hero is impossible. This thesis argues that she is not impossible. Concentrating on the work of Carl Jung and Joseph Campbell, a heroic standard is proposed against which to measure both male and female heroes. This heroic standard suggests that a hero must be human, must act, must champion a heroic ethic and must undertake a quest. Should a person, male or female, comply with these criteria, that person can be considered a hero. This thesis refutes the patriarchal argument against female heroism, proposing that the argument is faulty because it has at its base a constricting male-constructed myth of femininity. This myth suggests that women are naturally docile and passive, not given to aggression and heroism, but rather to motherhood and adaptation to adverse circumstances, it does not reflect the reality of women’s natural abilities or capacity for action. Indeed, with the rise of contemporary feminist discourse the patriarchal myth of femininity is being demystified and, without the myth of femininity to constrain her, the female hero is now re-emerging in certain areas of cultural expression. The examples of female heroes discussed in this study are taken from speculative fiction, encompassing the genres of both science fiction and fantasy. Speculative fiction, which has a propensity for challenging the status quo and questioning common societal assumptions, provides the perfect platform for women writers to confront feminist issues and launch the female hero. The female hero challenges the patriarchal claim that all heroes must be masculine, she defies patriarchal power structures and she demands a re-evaluation of women’s capabilities. The female hero gives women an example of heroic activity to emulate, in place of the ‘angel in the house’ that women have had to bow to for so long. The works discussed in this thesis cover a range of authors, from those of outspoken contemporary feminist, Joanna Russ, to early speculative works like those of C.L. Moore. Lesser-known authors such as Vonda McIntyre and Tanith Lee are also discussed. / Dissertation (MA (English))--University of Pretoria, 2005. / Modern European Languages / unrestricted

This diploma thesis describes the design of an efficient optimization of the selected process. The thesis contains description of methods supporting creative and systematic approach to the problem, with an accent on discipline system dynamics and its instruments for system analysis. It thus offers a tool through which you can capture, analyze and model the selected process in a new way, to discover the causes of problems and predict their behavior. Creative application of methods and systems approach is chosen optimum alternative solution of the problem, which is then constructed to compare model simulations in order to determine whether the selected process improvements effectively.

The main goal of the master's thesis is to find reasons for and assess the results of recent repositioning of the brand Frisco conducted in 2013. In the theoretical part, main brand theories are analyzed together with a recent theory of so-called "Brand Archetypes". In the practical part, based on own consumer survey, market trends, brand history and company research, a brand SWOT analyses is conducted. As a result of this analysis, further recommendations for the brand heading are proposed.