<p>Under åren 1977–89 bedrev arkeologiska institutionen vid Umeå universitet en forskningsundersökning av en boplats från äldre järnålder på Genesmon i Själevad socken, norra Ångermanland. Under åren 1991–99 rekonstruerades delar av gården i Gene fornby, ett hundratal meter därifrån. Denna avhandling behandlar uppbyggnad och inredning av ett av gårdens långhus, hus II, samt den treskeppiga byggnadstypens konstruktion och funktion i en större kontext. Syftet med avhandlingen är att beskriva växelverkan mellan teori och praktik i rekonstruktion, att beskriva rekonstruktionsarbete som en föränderlig förklarings- och förståelseprocess samt att undersöka om rekonstruktion kan bidra till ökad förståelse av arkeologiska huslämningar. Efter nära 5000 års dominans i södra och mellersta Skandinavien upphör långhusen att vara det allmänna byggnadsskicket i slutet av yngre järnålder. Varför detta sker blev en viktig fråga för förståelsen av byggnadstypen.</p><p>En hermeneutisk modell används för att beskriva hur tolkningarna under rekonstruktionsarbetet kom att inverka på varandra i en serie av samverkande eller motverkande förklaringar till den arkeologiska lämningen. Utifrån arkeologiska och skriftliga källor beskrivs därefter indelning och inredning av långhuset i sju rumsfunktioner som kan benämnas bur, önd, skåle, fjös, stall, lada och eldhus. Eldens roll, hedersplatsens placering och byggnadstypens förändring i Island blev viktiga delar för att förstå byggnadens ideologiska betydelse. Genom flera experiment med uppvärmning har lösningar sökts på problem med en rökig bostadsmiljö. Erfarenheterna leder slutligen fram till ett förslag på lösning som också illustrerar hur påtagligt förebilden kom att styra tolkningsarbetet.</p><p>Rekonstruktionsarbetet ledde till resultat av olika karaktär: dels erfarenheter om konstruktion, funktion samt material - och tidsåtgång för uppförande av den specifika huslämningen hus II och dels nya generella frågor och ny kunskap som ökar förståelsen kring den treskeppiga byggnadstypen. Långsträckt form, takbärande stolpar, mitthärd och relation till kult och ideologi föreslås som karaktäristiska element för byggnadstypen över tid och rum och byggnadens relation till ideologi föreslås som en av förklaringarna till varför långhusen försvinner i samband med kristnandet. När övergången till ett nytt byggnadsskick med ramverkshus sker under vikingatidens slutskede diskuteras den politiska och kyrkliga makten som styrande till dessa genomgripande förändringar.</p> / <p>During the years of 1977-89 the Department of Archaeology at Umeå University conducted a scientific investigation of an Early Iron Age settlement at Genesmon in the parish of Själevad, northern Ångermanland. Subsequently, during the years 1991-99 parts of the farm were reconstructed at Gene Fornby, a couple of hundred meters away from the site. This thesis deals with the construction and furnishing of one of the farm’s longhouses (House II), and the wider context of the construction and function of the “three-aisled” building type. The purpose of this thesis is to describe the interaction between theory and practice in reconstruction, to describe the reconstruction process as a constantly changing process of explanation and understanding, and to investigate as to whether reconstructions can contribute to an increased understanding of archaeological house remains. At the end of the Late Iron Age, after nearly 5000 years of dominance in Southern and Central Scandinavia, the longhouse ceases to be the dominant form of construction. Understanding why this happened became an important problem in this work. </p><p>During the reconstruction work, different interpretations influenced one another in a series of positive and negative feedbacks into the explanations of the archaeological remains. A hermeneutic model is used to describe this phenomenon. From archaeological and written sources, division and furnishing of the long-houses can be described in terms of seven room functions. These can be classified as storage bur, porch önd, living room skåle, byre fjös, stable stall, barn lada and rough kitchen eldhus. In order to understand the ideological meaning of the buildings the role of the fire, the placement of the seat of honour and the change in the type of building in Iceland became important parts of this study. Numerous heating experiments have been undertaken in order to try to solve the problem of excessive smoke within the building. The experiments finally led to a possible solution that also serves to illustrate just how the model itself came to influence the process of interpretation.</p><p>The reconstruction work led to results of different character: partly data on construction, function and materials – and the time frame for the construction of House II from its archaeological remains; and partly knowledge and new theories which increase our understanding of the three-aisled building form. The elongated form, roof supporting poles, central hearth and a close association with ritual and ideology are suggested as characteristic elements for this type of construction, throughout its chronological and spatial extent. The relationship between the building and Norse ideologies is suggested as one of the explanations for the longhouse’s dissappearance with the introduction of Christianity. At the end of the Viking Age, there is a transition into a new framework based method of construction, and the political and ecclesiastical authorities are discussed as having governed these widespread changes.</p>

<p>Andersson, J. 2008. <em>Bildstenarna och den muntliga traditionen på Gotland under yngre järnålder</em>. <em>The Picture Stones and the Oral Tradition of Gotland During the Late Iron Age. </em>Högskolan i Kalmar ht 2008.</p><p>This is a study of the picture stones of Gotland and the oral tradition connected to them. This study consists of two main parts; in the main part the discussion focus on the oral tradition and the continuity of the same, where the memory plays a significant role. It also contains a discussion of the physical environment and its influences of the oral tradition. The second part concentrates around the picture stones, the variation of the scenes and the numerous of them. </p><p>Keywords: oral traditions, picture stones, late iron age, Gotland, Nordic mythology.</p><p> </p><p> </p>

<p>This is a story about Lao Pako. Lao Pako is located on a small hill on the southern bank of the river Nam Ngum in central Laos. Four seasons of archaeological fieldwork have yielded considerable amounts of pottery, metallurgical remains, glass beads, stone artefacts, spindle whorls as well as other material and structural information that have created a foundation for interpretation. The archaeological interpretation presents Lao Pako as a place where people came to perform rituals c. 1500 years ago. In these rituals, sophisticated combinations of pottery depositions, infant burials and iron production produced a narrative about what it means to be in the world. Things in and on the ground created, and continue to create, non-verbal sentences about life and death, fertility, decay and worldly reproduction. </p><p>The archaeological interpretation is, however, not the only valid story about Lao Pako. This is a place where spirits are; it is also a tourist resort and a national treasure. These other stories all work to create Lao Pako as a place of interest and are used in this thesis to define the archaeological story, and to visualize the aims and agendas inherent in the production of archaeological knowledge. </p><p>Using the conceptual apparatus of postcolonial and other critical theory, the thesis aims to critically deconstruct the archaeology performed by the author and others. It entails an explicit critique of the deterministic temporal unilinearity that is inherent in the archaeological narrative of the evolution of humankind, as well as against essentialist notions of culture and the dissociation of the past as exotic otherness. Thus, the stories about Lao Pako demonstrate the need to critically revise the role of archaeology in a postcolonial world, and create archaeological stories by which we are touched, moved and disturbed, without resorting to imperialist notions of time and progress.</p>

<p><em> </em></p><p>Excavations of human skeletal remains are sometimes followed by claims for reburial from the local community. This has led to debates between researchers and other elements of society, churches or minorities. This scientific paper sat out to examine the discussions and debates found in Sweden (Scandinavia), with the situation in Vanuatu, (Melanesia). The objective was to elucidate similarities and differences in people’s attitude when it comes to reburial. Religious beliefs, legislations and policies were compared to provide explanations for the different attitudes in the two countries. The study showed that the debates found in the Swedish material such as conflicts between researchers and the church or between the Saami population and Swedish researchers, haven’t got a counterpart in Vanuatu. This was much due to the research policies in Vanuatu and the strong Christian faith.</p> / <p><em> </em></p><p>Fynd av mänskliga kvarlevor i samband med utgrävningar följs ibland av krav på återbegravning från det lokala samhället. Detta har lett till debatter mellan forskare och andra delar av samhället, kyrkan eller minoriteter. Denna C-uppsats har försökt undersöka diskussionerna och debatterna som framkommit i Sverige (Skandinavien) och Vanuatu (Melanesien). Målet var att belysa likheter och skillnader hos människors inställning när det kommer till återbegravning. Religion, lagstiftning och policys jämfördes för att förklara de olika inställningarna i de två länderna. Studien visade att debatterna mellan kyrkan och forskarna eller den Samiska befolkningen och forskarna inte hade en motsvarighet i Vanuatu. Detta var mycket tack vare Vanuatus forskningspolicy och den starka kristna tron i landet.</p>

Under åren 1977–89 bedrev arkeologiska institutionen vid Umeå universitet en forskningsundersökning av en boplats från äldre järnålder på Genesmon i Själevad socken, norra Ångermanland. Under åren 1991–99 rekonstruerades delar av gården i Gene fornby, ett hundratal meter därifrån. Denna avhandling behandlar uppbyggnad och inredning av ett av gårdens långhus, hus II, samt den treskeppiga byggnadstypens konstruktion och funktion i en större kontext. Syftet med avhandlingen är att beskriva växelverkan mellan teori och praktik i rekonstruktion, att beskriva rekonstruktionsarbete som en föränderlig förklarings- och förståelseprocess samt att undersöka om rekonstruktion kan bidra till ökad förståelse av arkeologiska huslämningar. Efter nära 5000 års dominans i södra och mellersta Skandinavien upphör långhusen att vara det allmänna byggnadsskicket i slutet av yngre järnålder. Varför detta sker blev en viktig fråga för förståelsen av byggnadstypen. En hermeneutisk modell används för att beskriva hur tolkningarna under rekonstruktionsarbetet kom att inverka på varandra i en serie av samverkande eller motverkande förklaringar till den arkeologiska lämningen. Utifrån arkeologiska och skriftliga källor beskrivs därefter indelning och inredning av långhuset i sju rumsfunktioner som kan benämnas bur, önd, skåle, fjös, stall, lada och eldhus. Eldens roll, hedersplatsens placering och byggnadstypens förändring i Island blev viktiga delar för att förstå byggnadens ideologiska betydelse. Genom flera experiment med uppvärmning har lösningar sökts på problem med en rökig bostadsmiljö. Erfarenheterna leder slutligen fram till ett förslag på lösning som också illustrerar hur påtagligt förebilden kom att styra tolkningsarbetet. Rekonstruktionsarbetet ledde till resultat av olika karaktär: dels erfarenheter om konstruktion, funktion samt material - och tidsåtgång för uppförande av den specifika huslämningen hus II och dels nya generella frågor och ny kunskap som ökar förståelsen kring den treskeppiga byggnadstypen. Långsträckt form, takbärande stolpar, mitthärd och relation till kult och ideologi föreslås som karaktäristiska element för byggnadstypen över tid och rum och byggnadens relation till ideologi föreslås som en av förklaringarna till varför långhusen försvinner i samband med kristnandet. När övergången till ett nytt byggnadsskick med ramverkshus sker under vikingatidens slutskede diskuteras den politiska och kyrkliga makten som styrande till dessa genomgripande förändringar. / During the years of 1977-89 the Department of Archaeology at Umeå University conducted a scientific investigation of an Early Iron Age settlement at Genesmon in the parish of Själevad, northern Ångermanland. Subsequently, during the years 1991-99 parts of the farm were reconstructed at Gene Fornby, a couple of hundred meters away from the site. This thesis deals with the construction and furnishing of one of the farm’s longhouses (House II), and the wider context of the construction and function of the “three-aisled” building type. The purpose of this thesis is to describe the interaction between theory and practice in reconstruction, to describe the reconstruction process as a constantly changing process of explanation and understanding, and to investigate as to whether reconstructions can contribute to an increased understanding of archaeological house remains. At the end of the Late Iron Age, after nearly 5000 years of dominance in Southern and Central Scandinavia, the longhouse ceases to be the dominant form of construction. Understanding why this happened became an important problem in this work. During the reconstruction work, different interpretations influenced one another in a series of positive and negative feedbacks into the explanations of the archaeological remains. A hermeneutic model is used to describe this phenomenon. From archaeological and written sources, division and furnishing of the long-houses can be described in terms of seven room functions. These can be classified as storage bur, porch önd, living room skåle, byre fjös, stable stall, barn lada and rough kitchen eldhus. In order to understand the ideological meaning of the buildings the role of the fire, the placement of the seat of honour and the change in the type of building in Iceland became important parts of this study. Numerous heating experiments have been undertaken in order to try to solve the problem of excessive smoke within the building. The experiments finally led to a possible solution that also serves to illustrate just how the model itself came to influence the process of interpretation. The reconstruction work led to results of different character: partly data on construction, function and materials – and the time frame for the construction of House II from its archaeological remains; and partly knowledge and new theories which increase our understanding of the three-aisled building form. The elongated form, roof supporting poles, central hearth and a close association with ritual and ideology are suggested as characteristic elements for this type of construction, throughout its chronological and spatial extent. The relationship between the building and Norse ideologies is suggested as one of the explanations for the longhouse’s dissappearance with the introduction of Christianity. At the end of the Viking Age, there is a transition into a new framework based method of construction, and the political and ecclesiastical authorities are discussed as having governed these widespread changes.

This is a story about Lao Pako. Lao Pako is located on a small hill on the southern bank of the river Nam Ngum in central Laos. Four seasons of archaeological fieldwork have yielded considerable amounts of pottery, metallurgical remains, glass beads, stone artefacts, spindle whorls as well as other material and structural information that have created a foundation for interpretation. The archaeological interpretation presents Lao Pako as a place where people came to perform rituals c. 1500 years ago. In these rituals, sophisticated combinations of pottery depositions, infant burials and iron production produced a narrative about what it means to be in the world. Things in and on the ground created, and continue to create, non-verbal sentences about life and death, fertility, decay and worldly reproduction. The archaeological interpretation is, however, not the only valid story about Lao Pako. This is a place where spirits are; it is also a tourist resort and a national treasure. These other stories all work to create Lao Pako as a place of interest and are used in this thesis to define the archaeological story, and to visualize the aims and agendas inherent in the production of archaeological knowledge. Using the conceptual apparatus of postcolonial and other critical theory, the thesis aims to critically deconstruct the archaeology performed by the author and others. It entails an explicit critique of the deterministic temporal unilinearity that is inherent in the archaeological narrative of the evolution of humankind, as well as against essentialist notions of culture and the dissociation of the past as exotic otherness. Thus, the stories about Lao Pako demonstrate the need to critically revise the role of archaeology in a postcolonial world, and create archaeological stories by which we are touched, moved and disturbed, without resorting to imperialist notions of time and progress.

Many questions are still left unanswered regarding the period c. 450-700 AD, when hordes of Anglo-Saxon migrants landed on the British Isles and by doing so made the starting point in the foundation of England. Who were these Germanic tribes? The theories of how the migration proceeded are today many. The two major theories today concerns whether it was a question of a mass migration or a gradual migration proceeded by smaller groups of military elite. Another interesting point, well worth discussing, is the concept of cultural identity, and especially of these Anglo-Saxon migrants. How do you strengthen your identity as a newcomer in foreign country? Is this reflected in the material culture, in the way you build your houses or how you choose to bury your dead? The purpose of this essay is to shed more light on the migrants that were to become the English.

Abstract: Previous research on the Viking Age trade centre of Birka has suggested the parallel use of two harmonising standard weight units, differing in mass by five percent. As an explanation to this phenomenon, this paper puts forward a hypothesis of a trading fee, embedded in the weights. This is corroborated through a hypothetical deductive study; including a reassertion of earlier results by means of a new method for archaeometrological analysis, using a 3D scanner and Computer-Aided Design. Further, the role of silver, as a preferred unit of payment in Birka, is supported through a spatial analysis of the distribution of Islamic coins and Oriental beads in the provinces of Middle Sweden. Plausible manufacturing sites for the cylindrical lead weights, adhering to the Birka mitqal, are discussed as a possible way of falsifying the hypothesis. The results suggest that a trading fee was extracted, using the Birka mitqal for imports and the Islamic mitqal for exports. The metrological analysis was also expanded to weights from Sigtuna, which proved the Birka mitqal, as well the dual metrics system, continued to be in use there until, at least, the first half of the 11th century. Finally, a short study on the origins of the Scandinavian/Islamic weight system suggests that the direct influence for the system primarily can be attributed the Volga-Bulgarians.

This thesis deals with issues relating to the cosmological dimensions of landscapes, the cultural construction of age and the long-term changes in passage rituals and mortuary practices in the Bronze Age societies of Södermanland in East Central Sweden. A gender perspective forms the underlying theoretical framework, while the study as a whole is particularly interested in power relations between generations as an impetus for societal change. Burials from cairns and cemeteries, as well as heaps of fire-cracked stones, rock-carvings and ritual hoards from two Bronze Age Landscapes in Södermanland are used as examples and to illustrate the interpretations presented in this study. It is proposed that perceptions of landscapes and cosmology were created by placing cairns and stone settings at liminal places or boundaries in the landscape, while heaps of fire-cracked stones were situated at focal points. Places where rock-carvings are found, nearby rapids or on islands along river courses, are interpreted as birth-places, and stem from origin myths about the birth of the first humans at these sites. It is proposed that birth, life and death as cosmological principles may be perceived in the landscape and are related to different kinds of waters. In addition, it is suggested that the cultural construction of age is expressed in spatial terms where adults - both men and women - with special abilities and esoteric knowledge related to passage rituals, were buried in cairns. Infants, whose relationship with these adults was special, were instead buried in the heaps of fire-cracked stones. It is also considered that, among other things, the absence of swords in burials implies that the societies of East Central Sweden probably had a social organization that was distinct from the societies of southern Scandinavia. Regarding long-term changes in ritual practices it is suggested that ritual tools used in mortuary practices change from flint daggers in the Late Neolithic, to razors and tweezers during the Bronze Age. Further changes occurred in the Late Bronze Age, when pins were introduced into the ritual practices. Regarding age and gender, osteological estimates show that both adult men and women participated in passage rituals. With the transition to pins we also see changes in who dealt with passage rituals and it is rather young women who were responsible for this sphere in the later period. As children also become visible - both in burials and at rock-carving sites – during the Late Bronze Age, this is interpreted as signalling shifts in power relations between genders and generations in favour of women and younger people.

Andersson, J. 2008. Bildstenarna och den muntliga traditionen på Gotland under yngre järnålder. The Picture Stones and the Oral Tradition of Gotland During the Late Iron Age. Högskolan i Kalmar ht 2008. This is a study of the picture stones of Gotland and the oral tradition connected to them. This study consists of two main parts; in the main part the discussion focus on the oral tradition and the continuity of the same, where the memory plays a significant role. It also contains a discussion of the physical environment and its influences of the oral tradition. The second part concentrates around the picture stones, the variation of the scenes and the numerous of them.  Keywords: oral traditions, picture stones, late iron age, Gotland, Nordic mythology.