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Dialektik im epistemologischen Werk Gaston Bachelards /Yaznasni, Mohamed El. January 2002 (has links)
Diss.--Fachbereich 11 (Philosophie, Pädagogik)--Mainz--Johannes Gutenberg-Universität, 2001. / Bibliogr. p. 233-247.
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Physique du Surrealisme : Surrealism, Modern Physics, and EpistemologyParkinson, Gavin January 2000 (has links)
No description available.
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Gaston Bachelards materialistischer Transzendentalismus /Baumann, Lutz, January 1987 (has links)
Diss.--Mainz--Fachbereich Philosophie-Pädagogik, 1986. / Bibliogr. p. 205-214.
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Feuer und Traum Studien zur Literaturkritik Gaston Bachelards /Robertz, Egon January 1900 (has links)
Texte remanié de : Dissertation : Philosophie : Universität Bonn : 1977. / Bibliogr. p. 293-320. Notes bibliogr.
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Space and Infelicitous Place in the Poetry of Sylvia PlathAhrfeldt, Cecilia January 2011 (has links)
Sylvia Plath’s poetry has received considerable critical attention with respect to a wide range of themes and critical approaches. Variously labeled feminist, political, mythical and suicidal, Plath has been subject to enormous biographical scrutiny but the critical responses available today offer increasingly nuanced understandings of Plath’s work. However, sufficient attention has not been given to the significant prevalence of images of places and spaces in Plath’s poetry. With particular focus on a selection of poems from The Collected Poems, this thesis argues that the personae in the poems confront “infelicitous places” and that the poems resonate with a tension between place (here referring to a space that is delimited by certain values) and space (in the sense of an expansion without the restrictions of place). What I here refer to as infelicitous place can be understood as an inversion of Gaston Bachelard’s conception of “felicitous space” and accounts for the way in which places in Plath’s poetry are marred with anxiety and ambivalence as opposed to Bachelard’s benevolent, protective spaces. The places and spaces in the poems are dealt with in relation to the notion of infelicitous place, as well as the significance of walls and the affinity between place and poetics.
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L'image chez Bachelard.Roy, Jean Pierre January 1971 (has links)
No description available.
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Gaston Bachelard's scientific philosophy : an approach to science and techology studies /Pereira, Maria Teresa Castelão. January 1990 (has links)
Thesis (M.S.)--Virginia Polytechnic Institute and State University, 1990. / Vita. Abstract. Includes bibliographical references (leaves 126-136). Also available via the Internet.
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A home fantasy Gaston Bachelard's space consciousness and Yu Guangzhong's poetry = Jia de xia xiang : Bashenla de kong jian yi shi yu Yu Guangzhong de shi /Yu, So-phann. January 2008 (has links)
Thesis (M.A.)--University of Hong Kong, 2008. / Includes bibliographical references (p. 60-75)
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Scientific phenomenology and science studies : Gaston Bachelard and the concept of phenomenotechnique /Pereira, Maria Teresa Castelao, January 1993 (has links)
Thesis (Ph. D.)--Virginia Polytechnic Institute and State University, 1993. / Vita. Abstract. Bibliographical references included. Also available via the Internet.
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O ser e o silêncio a trajetória poética do ser na obra de Orides FontelaHenrique Novaes Menezes, Afonso January 2002 (has links)
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Previous issue date: 2002 / Este trabalho tem como objetivo fazer uma análise dos poemas de Orides Fontela a fim de
destacar de sua obra a necessária ocultação do sujeito em favor da consciência pura como
mediadora possível dos entes aclarados pela palavra poética para se chegar ao Ser como
essência de tudo o que essa consciência percebe no universo da poesia.Para demonstrar esta
idéia, optei pela leitura de poemas referentes a fases e obras distintas, o que enfatiza o
compromisso da referida poeta em desnudar o Ser em uma obra cujo universo é erguido em
seu favor.Deste modo, desejo mostrar neste trabalho que o Ser se aclara nos poemas de
Orides Fontela em três aspectos: a imagem cristalizada na palavra; o espaço poético como
lugar de morada do Ser; o silêncio como modo de expressão ontológica.Como base teórica
utilizei as idéias de pensadores da literatura, poetas e filósofos, especialmente o
fenomenólogo Gaston Bachelard e Heidegger, uma vez que os poemas analisados possuem
estreita relação com as idéias de ambos.Isto faz com que tal trabalho transite nos terrenos
da filosofia,mas sem perder sua origem literária
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