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The Wits Contemporary Performance Ensemble: a critical ethnographyMullins, Angela Catherine 30 June 2010 (has links)
MMus, Wits School of Arts, Faculty of Humanities, University of the Witwatersrand, 2009 / This research report explores the compositional identity South African composers, mostly
born after 1976, are constructing. I conduct a critical ethnographic micro study of the
Wits Contemporary Performance Ensemble (WCPE), a group of young composers and
performers dedicated to workshopping and performing new compositions. South African
compositional identity is explored and problematised in Chapter 1, along with the
identification of two schools or types of composition within South Africa. The history
and formation of the WCPE is discussed in Chapter 2, while the third chapter draws on
interview data to present and problematise the field in which young composers work,
discussing a series of perceived ‘lacks’ that affect their ability to produce new music. The
fourth chapter critiques and evaluates the progress the WCPE made, using Timothy
Rice’s model of the Subject-Centered Musical Ethnography (2003), to interpret what the
music of these young composers is saying about the time and place in which they live.
The conclusion considers the impact the WCPE has had on young South African
composers and the necessity of a group like this in the formation of a new South African
compositional voice.
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A critical study of Guillaume Dufay's Missa "Ecce ancilla domini" and Missa "Ave regina caelorum"Pohlmann, Kathryn Ann January 2010 (has links)
Typescript (photocopy). / Digitized by Kansas Correctional Industries
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The harmonic idiom in the works of 'les six'Bobbitt, Richard January 1963 (has links)
Thesis (Ph.D.)--Boston University / This study presents a descriptive outline of the principal harmonic devices employed by Darius Millhard, Arthur Honegger, Francis Poulenc, Georges Auric, Germaine, Tailleferre, and Louis Durey. The emphasis is upon the particular techniques peculiar to each composer. In addition, all the characteristic mechanisms pertaining to the composer's harmonic idiom, per se, are isolated - i.e. technical analyses include those pertinent factors surrounding the usage of harmony as well as elements intrinsically peculiar to harmonic structure alone. The attempt is then made to relate the devices of the harmonic idiom to the significant movements in music at the time Les Six were producing most prolifically as a group. The role played by polyharmony, for example, in the trend towards privitism and divionism; or the relation of polymodalit to the general movement towards superposition, which was characteristic of the arts in the first quarter of the twentieth century. [TRUNCATED]
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Selected intermediate piano pieces by seven women of the twentieth century : Marion Bauer, Germaine Tailleferre, Ruth Crawford Seeger, Sofia Gubaidulina, Emma Lou Diemer, Chen Yi, and Karen Tanaka /Billock, Rebecca. January 2003 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2003. / Vita. Includes bibliographical references (p. 92-100).
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Donald Lee Gannon and his Symphony no. 1 for wind ensemble a biography and formal analysis /Martin, Mark Gregory. January 2002 (has links)
Treatise (D.M.A.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references. Available also from UMI Company.
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The church music of Davide Perez and Niccolo Jommelli, with especial emphasis on their funeral musicDottori, Mauricio January 1997 (has links)
No description available.
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The operas of N. A. Rimsky-Korsakov from 1897 to 1904Muir, Stephen Phillip Katongo January 2000 (has links)
No description available.
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Die letterkundige werke van die Suid-Afrikaanse komponis Stefans Grové en die verband daarvan met sy musiekDe Winnaar, Jiendra. January 2006 (has links)
Thesis (M.Mus. (Music Science))-University of Pretoria, 2006. / Abstract in Afrikaans and English. Includes bibliographical references. Available on the Internet via the World Wide Web.
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Cohesion of composer and singer the female singers of Poulenc /Musselman, Susan Joanne, January 2007 (has links)
Thesis (Ph. D.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 95-96).
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Die Orgelwerke Maurice Duruflés : Analyse und biografische Hintergründe /Abbing, Jörg. January 2008 (has links)
Zugl.: Saarbrücken, Univ., Diss., 2008. / Includes bibliographical references.
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