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SWATMaze, Rex Allan, II 18 March 2011 (has links)
No description available.
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Examining François Rossé's Japanese-Influenced Chamber Music with Saxophone: Hybridity, Orality, and Primitivism as a Conceptual FrameworkEven, Noa 18 November 2014 (has links)
No description available.
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The Liminal VoicesMacNeil, Mavis O. 26 April 2017 (has links)
No description available.
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Short Opera for Five VoicesSauer, Vincent Philip 12 April 2017 (has links)
No description available.
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THE CHORAL MUSIC OF NORMAN DELLO JOIOMedley, Susan Annette January 2000 (has links)
No description available.
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STRUCTURAL ISSUES IN LUTOSLAWSKI'S <i>SYMPHONY NO. 4</i>Nies, Carol 11 October 2001 (has links)
No description available.
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Pedagogical Approaches to Conducting Gesture in Contemporary MusicKilburn, Katherine Margaret, Kilburn 29 July 2016 (has links)
No description available.
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Through nature to eternity: a work for wind ensemble and a quantitative study of chromaticism: changes observed in historical eras and individual composersPerttu, Daniel Erkki Hiram 17 May 2007 (has links)
No description available.
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Three-dimensionality in Musical Form : Parameters for Musical Form Based on the Ancient Structures of MythAhovaara, Arttu January 2024 (has links)
This thesis explores musical form and examines the possible relationship between structures of mythology and musical form, especially with modern musical parameters in mind, all based on the ancient structures of myth. One method for working with musical form is also presented, which attempts to show how musical material can be transformed in the confines of this form template. The approach taken to study musical form and to understand and manipulate it in composition work in this thesis attempts to find patterns for musical form outside of established musical concepts. This thesis explores the structure of ancient mythology collected by the American writer Joseph Campbell and draws conclusions between that and musical form, which attempts to showcase the relations between traditional musical forms and ancient structures of myth, and also presents methods of working with these premises in contemporary music.
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“I am the wife of Mao Tse-tung” : Study of Opera Role Based on the Real PersonOhki, Hitomi January 2022 (has links)
“I am the wife of Mao Tse-tung” is an aria from the opera “Nixon in China”, written by American composer John Adams in 1987. My interest in contemporary music is driven by the opportunity to engage directly with living composers and the modern relevance of the themes. While searching for a new audition aria, I discovered the role of Chiang Ch’ing, which suits my coloratura soprano voice. This prompted an in-depth study of her historical background, reversing my usual method of learning an aria. This approach allowed for quicker and deeper internalization of the role, demonstrating that understanding a character's context can enhance performance, even without personal empathy. This method improved my connection with the audience and enriched my overall performance. I plan to apply this approach to future roles, whether they are based on historical figures or fictional characters.
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