Thesis (Ph.D.)--York University, 2004. Graduate Programme in / Typescript. Includes bibliographical references (leaves 272-313). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99186

Thesis (Ph.D.)--York University, 2005. Graduate Programme in Sociology. / Typescript. Includes bibliographical references (leaves400-440). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNR11642

This research examines representations of wilderness, Canadian nationalism and the production of responsible and respectable subjects in commonplace outdoor recreation texts from Mountain Equipment Co-op, the Bruce Trail Conservancy and the Bruce Peninsula National Park. Drawing theoretical insights from Foucault’s genealogy and technologies of the self, post-structural feminism and anti-racist scholarship on whiteness, I pose three broad questions: How is nature understood? How is Canada imagined? How are certain subjects produced through outdoor recreation? In this research, I outline five ways in which wilderness is represented. First, I consider how wilderness is produced as a place that is above all else empty (of human inhabitants and human presence). I then examine four ways in which the empty wilderness is represented: first, as dangerous and inhospitable, second, as threatened, third, as sublime and fourth, as the Canadian nation. I link the meanings invested into wilderness with a set of practices or desired forms of conduct in order to articulate how a specific subject is produced. These subjects draw on the meanings attributed to wilderness. The dangerous wilderness can only be navigated by a Calculating Adventurer. The threatened wilderness desperately needs the assistance of the Conscientious Consumer. The sublime wilderness provides respite for the Transformed Traveler. The Canadian or national wilderness is best suited to and belongs to the Wilderness Citizen. The four subjects I examine in this thesis each draw from particular wilderness representations and specific practices in order to be produced as desirable in the context of outdoor recreation. By examining the relationship between wilderness discourse, subjects and practices in everyday texts, I illustrate how masculine and white respectability operate in outdoor recreation. Pointing to subtle shifts in the meanings and values attributed to masculinity, Canadianness and whiteness, I articulate how outdoor recreation texts produce subject positions which are richly embedded in race and gender privilege and assertions about national belonging. In addition to examining whiteness, nationalism and masculinity, this research examines how individualized practices, such as consumer activism, become understood as the conduct of responsible neoliberal citizens concerned with national and environmental interests.

This research examines representations of wilderness, Canadian nationalism and the production of responsible and respectable subjects in commonplace outdoor recreation texts from Mountain Equipment Co-op, the Bruce Trail Conservancy and the Bruce Peninsula National Park. Drawing theoretical insights from Foucault’s genealogy and technologies of the self, post-structural feminism and anti-racist scholarship on whiteness, I pose three broad questions: How is nature understood? How is Canada imagined? How are certain subjects produced through outdoor recreation? In this research, I outline five ways in which wilderness is represented. First, I consider how wilderness is produced as a place that is above all else empty (of human inhabitants and human presence). I then examine four ways in which the empty wilderness is represented: first, as dangerous and inhospitable, second, as threatened, third, as sublime and fourth, as the Canadian nation. I link the meanings invested into wilderness with a set of practices or desired forms of conduct in order to articulate how a specific subject is produced. These subjects draw on the meanings attributed to wilderness. The dangerous wilderness can only be navigated by a Calculating Adventurer. The threatened wilderness desperately needs the assistance of the Conscientious Consumer. The sublime wilderness provides respite for the Transformed Traveler. The Canadian or national wilderness is best suited to and belongs to the Wilderness Citizen. The four subjects I examine in this thesis each draw from particular wilderness representations and specific practices in order to be produced as desirable in the context of outdoor recreation. By examining the relationship between wilderness discourse, subjects and practices in everyday texts, I illustrate how masculine and white respectability operate in outdoor recreation. Pointing to subtle shifts in the meanings and values attributed to masculinity, Canadianness and whiteness, I articulate how outdoor recreation texts produce subject positions which are richly embedded in race and gender privilege and assertions about national belonging. In addition to examining whiteness, nationalism and masculinity, this research examines how individualized practices, such as consumer activism, become understood as the conduct of responsible neoliberal citizens concerned with national and environmental interests.

Historical work on British war brides has been limited to the creation and collection of nostalgic interview anthologies; often by the women themselves or their children. These anthologies focus on the meeting of Canadian servicemen and British women and the women’s journey to and reunion with their husbands in Canada. Discussions of life in Canada and negative experiences are only briefly mentioned. This dissertation argues that this nostalgic view of war brides in the historical literature hides the immigration, settlement, and citizenship challenges faced by these women in Canada during and after the Second World War. Reception of war brides by the Canadian government and public was not as positive as the current scholarship has suggested. While some war brides flourished in Canada, others experienced adaptational problems, including differences in language and religion, navigating Canada’s housing crisis, and hostile in-laws. A few women also experienced problems related to abandonment, abuse, or husbands with undiagnosed post traumatic stress disorder. Since divorce was difficult to get at the time, these women tended to suffer in silence. Some war brides and their children even experienced problems with their citizenship, due to sexist provisions in the Canadian Citizenship Act in 1946, and changes to the Act in 1976, which made proof of citizenship necessary for all Canadians; something that many war brides were unaware of. This dissertation examines the creation and evolution of Canadian citizenship from a perspective that highlights its initial racism and sexism, as well as the consistent bureaucratic bungling regarding the application of its provisions since 1947. While these cases were fixed by amendments to the Citizenship Act in 2008 and 2014 by the Harper government, the citizenship conundrums that this community faced raise interesting questions about what citizenship means and who gets to be a Canadian citizen. / Thesis / Candidate in Philosophy / Most historical work about British war brides has been overly nostalgic and focussed on the collection and creation of interview anthologies; often created by these women and their children. Discussions of life in Canada and negative experiences are only briefly mentioned. This dissertation argues that this nostalgic view of war brides in the historical literature hides the immigration, settlement, and citizenship challenges faced by these women in Canada during and after the Second World War. The different experiences of these women reveal biases towards their background and gender, relationships damaged by the trauma of war, bureaucratic incompetence in the immigration and citizenship process, and raises important questions about national belonging and the nature of Canadian citizenship, from the post-war period to the present.

<p>I examine the central influence of anti-Catholicism upon the construction of English Canadian nationalism during the first half of the twentieth century. Anti-Catholicism provided an existing rhetorical and ideological tradition and framework within which public figures and other Canadians communicated their diverse visions of an ideal Canada. The study of anti-Catholicism problematizes the rigid separation that many scholars have posited between a conservative ethnic nationalism and a progressive civic nationalism. Often times these very civic values were inextricable from a context of Britishness. Hostility to Catholicism was not limited only to the staunchly Anglophile Conservative party; indeed the importance of anti-Catholicism as a component of Canadian nationalism lies in its presence across the political and intellectual spectrum. Catholicism was perceived to inculcate values antithetical to British traditions. It was a medieval faith that stunted the “natural” development of its adherents, preventing them from becoming responsible citizens in a modern democracy. The concentration of Catholicism in Quebec further inflamed many in Canada who saw French Canadian Catholics as anachronistic barriers to a united, democratic and modern Canada.</p> / Doctor of Philosophy (PhD)

This thesis applies a sociological framework to the North American celebrity career of Canadian pianist and broadcaster Glenn Gould (1932-1982) to account for Gould's iconic status as an artist in modern musical culture. Despite the persistent cultural fascination with Gould, as evidenced in the seemingly endless supply of biographies, films, novels, and fan texts which narrate and celebrate his life and work, modern Gould scholarship has consistently neglected issues relating to his artistic reception. This thesis proposes that the modern Gould phenomenon is productively analysed in terms of the contexts of its historical production in North America, where it first originated. Focusing on the circumstances of Gould's career during his lifetime, it identifies three areas of overlapping conceptual interest that provide the basis for an explanatory account of his modern mythology: i) Gould's relationship to the culture of his time, particularly in Canada; ii) Gould's relationship to the mass media; iii) Gould's relationship to his own artistic identity. This approach is refined through the application of Stuart Hall's 'Circuit of Culture' model, which yields an understanding of Gould's celebrity in terms of the processes of its representation, production, regulation, and consumption. Against this theoretical backdrop, and consistent with the premise of my thesis, I ask some key questions: what was Gould's relationship to Canadian cultural nationalism and, specifically, a nationalist discourse of public broadcasting? How did media institutions brand his image, and for what commercial purposes? How did Gould mobilise understandings of his genius and Canadian identity through his artistic discourse and experimental media self-representations as a 'Northerner' and a technologist? Based on this analysis, the thesis concludes that Gould continues to fascinate because of the unique ideological work performed by his cultural identities, and because of the highly mediated nature of his celebrity. The ubiquity of his image on video-sharing websites and social media platforms is a vindication of his radical belief in the validity of a musical career pursued primarily through the electronic media.

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