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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 11 to 20 of 20 (0.033 seconds)Spelling suggestions: "subject:"charles aves"" "subject:"charles yves""
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Computational Analysis of Quarter-Tone Compositions by Charles Ives and Ivan WyschnegradskyBlake, Andrew M. 24 June 2020 (has links)
No description available.
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| 12 |
Charles Ives' Piano Sonata No. 2, "Concord, Mass., 1840-1860": Comparing the 1947 and the 2012 EditionsDo, Ye In 27 September 2021 (has links)
No description available.
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| 13 |
A Study of the Solo Songs of Charles IvesBounds, Charles Evans 01 1900 (has links)
The purpose of this thesis is to give the prospective performer an insight into the content of the vocal solos of Charles Ives and to give the student and musicians in general an understanding of the musical devices employed by Ives and of his position as a song writer.
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| 14 |
Defining Musical Americanism: A Reductive Style Study of the Piano Sonatas of Samuel Barber, Elliott Carter, Aaron Copland, and Charles IvesJacklin, Brendan January 2017 (has links)
No description available.
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| 15 |
The use of quotation in 20th-century works by Ron Averill, Charles Dodge, and Charles Ives /Averill, Ron, Averill, Ron, Averill, Ron, January 1995 (has links)
Thesis (D. Mus. Arts)--University of Washington, 1995. / Score of Gdod kreasi baru : for trombone and computer-realized sound / by Ron Averill, in pocket. Compact disc contains: Painting legs on the snake / by Ron Averill. Vita. Includes bibliographical references (leaves [104]-108).
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| 16 |
Charles Ives: The Men that Made the MusicFesti, Elizabeth 15 May 2020 (has links)
No description available.
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| 17 |
In Pursuit of "The Walden State-of-Mind": Henry David Thoreau in Charles Ives's MusicFuller, Rachael. Anora 13 May 2015 (has links)
No description available.
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Transcendentalism and Intertextuality in Charles Ives's War Songs of 1917Brandt, R. Lynne (Rebecca Lynne) 12 1900 (has links)
This thesis examines a collection of three songs, "In Flanders Fields," "He Is There!," and "Tom Sails Away," written by Charles Ives in 1917, from primarily a literary perspective involving Transcendentalism and intertextuality. Ives's aesthetic builds upon the principles of Transcendentalism. I examine these songs using the principles outlined by the nineteenth-century Transcendentalists, and Ives's interpretations of these beliefs. Another characteristic of Ives's music is quotation. "Intertextuality" describes an interdependence of literary texts through quotation. I also examine these songs using the principles of intertextuality and Ives's uses of intertextual elements. Familiarity with the primary sources Ives quotes and the texts they suggest adds new meaning to his works. Transcendentalism and intertextuality create a greater understanding of Ives's conflicting views of the morality of war.
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| 19 |
Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi, --Campbell, Andrew (Andrew S.) 08 1900 (has links)
This thesis explores collage music's formal elements in an attempt to better understand its various themes and apply them in a workable format. I explore the work of John Zorn; how time is perceived in acoustic collage music and the concept of "super tempo"; musical quotation and appropriation in acoustic collage music; the definition of acoustic collage music in relation to other acoustic collage works; and musical montages addressing the works of Charles Ives, Lucciano Berio, George Rochberg, and DJ Orange. The last part of this paper discusses the compositional process used in the works Tempered Confetti and Venni, Viddi, – and how all issues of composing acoustic collage music are addressed therein.
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| 20 |
An Instrumental Song without Words about Hope: A Melodic Motivic Analysis of the Third Violin Sonata by Charles Ives (1874–1954)Kim, GaLeoung 05 1900 (has links)
The American composer Charles Ives is well known for musical quotation/borrowing: composing music with or from pre-existing musical sources, such as folk tunes, hymns, chants, or other composers' works. His Third Violin Sonata is one of few works that used his unique technique of cumulative setting with only hymn tunes. For analysis of his instrumental music, the text of the hymn tunes is generally disregarded, as the compositions are for instruments. Ives' Third Violin Sonata is challenging to understand in comparison with other violin sonatas, because it lacks information such as titles and subtitles. Even though Ives never mentioned the piece's meanings or extramusical meanings, almost all the elements of the piece indicate hope as a common theme. This dissertation examines which hymn tunes were quoted in the piece, gives the meanings of the hymn tunes, and discusses how Ives uses these tunes as themes with textual meanings. The study includes a brief life of Ives and his historical circumstances and presents a brief musical analysis. The research should give a better understanding of the piece to performers and others curious about it.
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