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戰火陰霾下的掙扎與求索: 論梅娘四十年代小說創作. / 論梅娘四十年代小說創作 / Zhan huo yin mai xia de zheng zha yu qiu suo: lun Mei Niang 40 nian dai xiao shuo chuang zuo. / Lun Mei Niang 40 nian dai xiao shuo chuang zuoJanuary 2012 (has links)
楊帆. / "2011年11月". / "2011 nian 11 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 74-80). / Abstract in Chinese and English. / Yang Fan. / Chapter 第一章 --- 引言 / Chapter 第一節 --- 梅娘與淪陷區文學 / Chapter 第二節 --- 「言」與「不言」:淪陷區特殊的文學語境 / Chapter 第三節 --- 梅娘創作的兩難處境 / Chapter 第二章 --- 硏究目的及方法 / Chapter 第一節 --- 淪陷時期梅娘創作槪況 / Chapter 第二節 --- 淪陷時期梅娘硏究槪況 / Chapter 第三節 --- 新時期以來梅娘硏究情況 / Chapter 第四節 --- 本文硏究目的及方法 / Chapter 第三章 --- 梅娘小說中的戰火陰霾 / Chapter 第一節 --- 小引 / Chapter 第二節 --- 戰火陰霾的多重呈現方式 / Chapter 第三節 --- 戰火陰霾下的民族意識 / Chapter 第四節 --- 小結 / Chapter 第四章 --- 梅娘小說版本改編隱藏的政治態度和反戰意識 / Chapter 第一節 --- 小引 / Chapter 第二節 --- 〈蟹〉版本比較分析 / Chapter 第三節 --- 〈僑民〉版本比較分析 / Chapter 第四節 --- 小結 / Chapter 第五章 --- 梅娘小說對「五四」女性文學的回歸與創新 / Chapter 第一節 --- 小引 / Chapter 第二節 --- 從「出走」到「無路可走」 / Chapter 第三節 --- 敘事模式與身體慾望 / Chapter 第四節 --- 從「兩性婚戀」到「社會現實」 / Chapter 第五節 --- 小結 / Chapter 第六章 --- 總結 / 參考書目 / Chapter 附錄一: --- 九十年代以來梅娘作品集中〈蟹〉的版本 / Chapter 附錄二: --- 梅娘淪陷時期的創作經歷 / Chapter 附錄三: --- 梅娘創作資料整理 / Chapter 附錄四: --- 梅娘小說〈蟹〉1941年期刊版與1944年單行本版對比 / Chapter 附錄五: --- 梅娘小說〈蟹〉1944年單行本版與1997年修改版對比 / Chapter 附錄六: --- 梅娘小說〈僑民〉1941年期刊版與1998年修改版對比 / Chapter 附錄七: --- 梅娘小說各版本收入情況
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Terminus intractable and the literary subject : deconstructing the endgame in Chinese avant-garde fictionPayne, Christopher Neil January 2002 (has links)
The following paper will deal with the actantial place of memory and history in the works of Ge Fei, a so-called avant-garde writer in China. Analyzing his three major novels published in the nineteen-nineties, as well as an earlier short story, the paper will discuss how Ge Fei renegotiates the status and place of the literary subject as configured through the act of writing, and its close relationship with the medium of memory and history. Contrary to the prevailing opinion, the avant-garde experiment in Ge Fei's works does not intimate the dissipation of the subject, but rather assists in reconfiguring it in an entirely new and dynamic conceptualization. Instead of a figural e/End and vulgarization of literature in the nineties, Ge Fei's experimentation with the acts of writing and reading, as well as his play with language, open up new possibilities for the writing of new literatures in contemporary China.
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Terminus intractable and the literary subject : deconstructing the endgame in Chinese avant-garde fictionPayne, Christopher Neil January 2002 (has links)
No description available.
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The Chinese short story of 1917-1927: patterns of influence.January 1988 (has links)
by Lee Zhengwei. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1988. / Bibliography : leaves 109-116.
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論香港五十年代至六十年代的小說實驗. / 論香港50年代至60年代的小說實驗 / Experiment of novel writing of Hong Kong in the 1950s and 1960s / Lun Xianggang 50 nian dai zhi 60 nian dai de xiao shuo shi yan. / Lun Xianggang 50 nian dai zhi 60 nian dai de xiao shuo shi yanJanuary 2008 (has links)
楊彩杰. / "2008年9月". / "2008 nian 9 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 98-102). / Abstracts in Chinese and English. / Yang Caijie. / Chapter 第一章 --- 緒論 / Chapter 第一節 --- 硏究目的 --- p.1 / Chapter 第二節 --- 硏究方法 --- p.3 / Chapter 第三節 --- 前人硏究槪況 --- p.10 / Chapter 第二章 --- 「小說實驗」釋義´ؤ´ؤ香港五、六十年代小說實驗的參照 / Chapter 第一節 --- 文學雜誌對時代的詮釋 --- p.16 / Chapter 第二節 --- _「政治」´ؤ´ؤ香港五、六十年代「政治介入文學」的文學景觀 --- p.21 / Chapter 第三節 --- 「五四」´ؤ´ؤ早期香港文學接受「五四」小說的範式 --- p.26 / Chapter 第四節 --- 「大眾文化」´ؤ´ؤ香港五、六十年代的通俗小說 --- p.29 / Chapter 第五節 --- 小結 --- p.32 / Chapter 第三章 --- 香港五、六十年代小說實驗的敘述形式 / Chapter 第一節 --- 香港五、六十年代文學雜誌所載文章表現的敘述觀念 --- p.34 / Chapter 第二節 --- 時間意識的改變 --- p.40 / Chapter 2.1 --- 時間中的空間 / Chapter 2.2 --- 意識流技巧 / Chapter 第三節 --- 共時性的敘述結構 --- p.54 / Chapter 3.1 --- 「一天之內」的共時性結構 / Chapter 3.2 --- 多角度敘述的共時性結構 / Chapter 第四節 --- 小說敘述與現實經驗的關係 --- p.58 / Chapter 4.1 --- 人物與場景的邏輯關係 / Chapter 4.2 --- 後設敘述 / Chapter 第五節 --- 小結 / Chapter 5.1 --- 「敘述權威」 --- p.65 / Chapter 5.2 --- 「現代主義思潮」的再思 --- p.67 / Chapter 第四章 --- 另一個硏究面向´ؤ´ؤ香港五、六十年代小說的內容實驗 / Chapter 第一節 --- 香港五、六十年代文學雜誌所載作品表現的政治意識形態 --- p.69 / Chapter 1.1 --- 右翼文學 / Chapter 1.2 --- 左翼文學 / Chapter 第二節 --- 拆解政治論述的合法性 --- p.75 / Chapter 2.1 --- 政治寓言 / Chapter 2.2 --- 內心獨白的宣言 / Chapter 2.3 --- 「對革命的革命」 / Chapter 第三節 --- 淡化政治色彩 --- p.82 / Chapter 3.1 --- 大時代下的小人物 / Chapter 3.2 --- 私人領域的政治 / Chapter 3.3 --- 紅白以外的本土關懷 / Chapter 第四節 --- 女體與戰爭 --- p.86 / Chapter 4.1 --- 女體與屍體 / Chapter 4.2 --- 女體´ؤ´ؤ另一個自我的投射 / Chapter 第五節 --- 小結 --- p.90 / Chapter 第五章 --- 總結´ؤ´ؤ港五、六十年代小說實驗的意義探析 / Chapter 第一節 --- 從「五四傳統」到「現代實驗性」 --- p.92 / Chapter 第二節 --- 在地視野 --- p.95 / 參考書目 --- p.98 / 附錄:文學雜誌作品簡表 --- p.103
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台灣鄉土文學的變異: 袁哲生、童偉格、甘耀明小說研究 = Variation of Taiwanese nativist literature : a study of Yuan Zhesheng's, Tong Weiger's, Gan Yaoming's novels. / Variation of Taiwanese nativist literature: a study of Yuan Zhesheng's, Tong Weiger's, Gan Yaoming's novels / 袁哲生童偉格甘耀明小說研究 / Taiwan xiang tu wen xue de bian yi: Yuan Zhesheng, Tong Weige, Gan Yaoming xiao shuo yan jiu = Variation of Taiwanese nativist literature : a study of Yuan Zhesheng's, Tong Weiger's, Gan Yaoming's novels. / Yuan Zhesheng Tong Weige Gan Yaoming xiao shuo yan jiuJanuary 2014 (has links)
鄉土文學是台灣文學的重要文學傳統,其發展始於1930年代,於1960、70年代走進巔峰時期,並在1980年代一度趨於沉寂。直至近年台灣文壇出現一批以鄉土為創作為重心的新世代作家,鄉土書寫漸漸重新成為一股潮流,論者更相繼提出「新鄉土」或「後鄉土」等的概念,用以概括上世紀九十年代以後台灣鄉土文學發展的整體現象,鄉土文學遂再次成為一個重要的研究課題。本文嘗試以回溯台灣鄉土文學發展史的方式切入上述研究課題,並透過深入考察三個新世代代表作家──袁哲生、童偉格、甘耀明──的鄉土寫作,藉以探究台灣鄉土文學從「鄉土」過度「新/後鄉土」的變異情況。 / 本文共分五章。第一章緒論,說明本文的研究動機、範圍、方法和前人研究綜述,並概述台灣鄉土文學的發展狀況,勾勒重要概念,作為後文討論「新/後鄉土」的參照。第二章探討袁哲生如何結合抒情傳統,背離台灣鄉土文學的批判與憂患傳統。第三章探討童偉格如何打破城鄉二元對立格局,揭露台灣當代的城鄉處境;第四章配合甘耀明的「新尋根」理念,探討作家如何在鄉土書寫中重現台灣的歷史記憶與本土文化。第五章結語,總結新世代作家運用當代意識,反思並超越台灣鄉土文學傳統,藉以回應文學潮流的更替以及社會的變遷,為台灣鄉土文學開拓新的發展方向。 / Nativist literature has been an important literary tradition in Taiwan. It gained momentum since the 1930s and reached its pinnacle in the 1960s and 1970s, but fell into decline in the 1980s. However, the trend of nativist literature has revived since the 1990s as a number of young writers chose to focus their creative writing on nativism. Since then the concept of "new nativist literature" and "post nativist literature" appeared in academic discourse to describe this literary phenomenon. This thesis attempts to examine this phenomenon and to explore how "nativist" literature has morphed into "new/post nativist literature" by observing works of fiction by Yuan Zhesheng, Tong Weiger and Gan Yaoming. / This thesis is divided into five chapters. The first chapter introduces the goal, scope and methodology of this thesis and gives a succinct account of the significance of the previous researches; it also summarizes the development of Taiwan Nativist literature and outlines the important concepts to serve as the reference for the later discussion about "new nativist" or "post nativist" literature. Chapter two examines how Yuan Zhesheng re-evaluated the tradition of Taiwanese nativist literature and established a new point of view towards nativist writing with the aid of lyricism. Chapter three investigates how Tong Weiger re-examined the dichotomy of rural and urban Taiwan and how he exposed aspects of contemporary urban and rural Taiwan. Chapter four explores how Gan Yaoming represented Taiwan history in the Japanese colonial period and the Hakka and aboriginal culture in his writing. Chapter five gives a conclusion on how the new generation of contemporary Taiwan novelists added new dimensions to the tradition of Taiwanese Nativist Literature as they re-examine and surpassed it. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 黃納禧. / "2013年12月"--Title page. / "2013 nian12 yue"--Title page. / Parallel title from added title page. / Thesis (M.Phil.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 111-118). / Abstracts also in Chinese. / Huang Naxi.
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書寫瘋狂: 後解嚴時期台灣小說的歷史想像. / 後解嚴時期台灣小說的歷史想像 / Writing madness: the historical imagination of Taiwan fiction in the post-martial law era / CUHK electronic theses & dissertations collection / Shu xie feng kuang: hou jie yan shi qi Taiwan xiao shuo de li shi xiang xiang. / Hou jie yan shi qi Taiwan xiao shuo de li shi xiang xiangJanuary 2012 (has links)
瘋狂是人類文明的產物,一直被視為另類、邊緣,與理性對立,因而受到排斥。然而,文學上的「瘋狂」卻有其寶貴的價值,往往是反思與批判固有價值與主流意見的工具,據此發出異議聲音。本文關注這種書寫策略在當代台灣文學場域中的出現方式、文學價值與文化意義,因此以分析小說作品與文學脈絡來說明「瘋狂」的文學脈絡,闡釋當代台灣文學的現象與特色。 / 解嚴(1987 年)是台灣近三十年來的重大事件,亦是近年來台灣文化與本土論述的焦點所在。其影響不獨改變了政治與社會生態,亦為台灣的藝術文化帶來巨大衝擊。戒嚴成為台灣民眾不能磨滅的歷史記憶,各種異議的思想與言論遭受壓抑,直至解嚴才出現新局面,自九十年代開展多元文化思潮。當時,不少作家藉著「瘋狂」書寫另闢膜徑,重新構想歷史,揭藥文化霸權下的種種不安。台灣文學己藉由不同形式搖動一元論述的霸權,加上西方後現代、後殖民思潮的引入,學院的主動引介和翻譯,民間白發的社會運動等,皆為解嚴後的文化現象埋下種種伏線。從文學史脈絡而言,台灣的文學生產的確迅速回應了政治解禁,並以獨特的方式透露社會文化上的騷動。 / 為了掌握上述的歷史脈絡,本文以解嚴為時間標竿閱讀當代台灣小說,藉此分析解嚴與文學現象的互動關係,指出文學如何展示解嚴前後的歷史想像。因此,本文以「瘋狂」為切入點,分析以瘋狂為題材的書寫如何與解嚴前後己解放的議題對話,包括性別認同、身分與族群認同,挑戰政治霸權以及後工業經濟環境下的都市文化等,目的在於驗證「瘋狂」對後解嚴文學所起的作用和價值。 / 本文共分為七章。首章為緒論交代研究動機及方法;第二章為文獻回顧與述評,點出當前的研究成果;第三章旨在交代後解嚴時期小說場域狀況的概述,並界定「瘋狂」的文學意義,藉此論證台灣當代文學與文化的互動關係。第四章題為「國族瘋言與都市病」,借助張大春、李渝與黃凡的作品,切入認同政治與都市化問題對文學書寫的影響。第五章為「虛幻實景與不存在之存在」,旨在察看兩位小說家賀景演與紀大偉,如何藉書寫科幻來展示對未來世界與歷史景觀的想像,以展望當下發展中的文化議題。第六章為「神聖瘋狂與不可能之可能」, 旨在檢視兩位將「瘋狂」書寫演繹得淋漓盡致的作家駱以軍與舞鶴,如何在作品中借助敘述肉體與心靈的瘋狂,探討在多元文化認同觀的氣氛下重思自我主體的問題。末章結論,以總結全文與展望將來的研究方向。 / 本文認為,後解嚴時期小說每以「瘋狂」的視角重新認知變動的世惰。這些作品透過創造各種怪誕場景與行為,呈現個體與權力之間的角力,反省語言與書寫策略的局限,以及批判自我主體的意識,因而為台灣當代文學場域帶來豐富的收獲。 / Madness has its own history among civilizations. From time to time, madness is not only simply a kind of pathological disorder, but also takes a significant cultural role to represent the voiceless, the minorities. As in contemporary Taiwan literature,madness gradually becomes a medium to express different opinions to the society. It inquires from margin to centre which is empowered by the political establishment. It is not only a common topic to be discussed, but also an important writing strategy forwriters to proclaim their historical imagination about the past, present and future. / In 1987, a significant political issue, the Martial Law, was put to an end in Taiwan. After that, due to the liberation of freedom of speech, a booming trend of multiculturalism appeared and brought out great influences to all parts of the society, especially the field ofliterature. Many writers started to change their narration style and inclined their focus on minorities. In order to have a good grasp of this forming trend, hence, this study aims to trace back to the development of Taiwan literature after 1987, and examine how novel writers make use of the narratives of madness to state their own opinion on several topics, including the relationship between the subjectivity of one-self and the identity of the communities. / There are seven chapters in this paper. The introduction states the framework and methodology of the study. In chapter two, a literature review gives an insight into the direction in current research and discussion on the post-Martial Law era, in addition to the narrative of madness. Chapter three investigates the field of Taiwan literature after 1987 in order to discuss the interaction of culture and literature. In the fourth chapter, it studies on the fictions written by Li Yu (李渝, 1941- ), Chang Ta-chuen (張大春, 1957- ) and Huang Fan (黃凡, 1950- ), related to the issue on national identity and their ironic practices. In chapter five, it discusses the science fiction by He Jing-bing (賀景濱, 1958- ) and Chi Ta-wei (紀大偉, 1972-), to find out the projection about future based on the up coming and shifting cultural trend. The sixth chapter focuses on how the writers such as Wu He (舞雀, 1951- ) and Luo Yi-jun (路以軍, 1967- ) contributes to sanctification and internalization of madness, as well as enhance its value for a reflexive purpose. The last chapter concludes the overall findings and projects further research directions of the relevant topics. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 鄺梓桓. / Sumitted date: 2011年11月. / Sumitted date: 2011 nian 11 yue. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 203-222) / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Kuang Zihuan. / Chapter 第一章 --- 緒論 --- p.1 / Chapter 第一節 --- 研究動機與目的 --- p.1 / Chapter 第二節 --- 研究範團與方法 --- p.6 / Chapter 第三節 --- 篇章概述 --- p.15 / Chapter 第二章 --- 文獻回顧及評述 --- p.18 / Chapter 第一節 --- 前行研究述評 --- p.18 / Chapter 第二節 --- 相關文獻述評 --- p.25 / Chapter 第三章 --- 世紀末的瘋狂-解嚴後台灣小說場域的狀況 --- p.37 / Chapter 第一節 --- 何謂瘋狂 --- p.37 / Chapter 第二節 --- 解嚴後台灣小說場城的狀況 --- p.42 / Chapter 第四章 --- 國族瘋言與都市病 --- p.48 / Chapter 第一節 --- 張大春論:國族瘋言與譜妄 --- p.50 / Chapter 第二節 --- 李渝論:都市病 --- p.71 / Chapter 第三節 --- 黃凡論:政治躁鬱症 --- p.87 / Chapter 第四節 --- 小結 --- p.93 / Chapter 第五章 --- 虛幻實景與不存在之存在 --- p.94 / Chapter 第一節 --- 後解嚴時期的科幻小說 --- p.94 / Chapter 第二節 --- <李伯夢三部曲>的敘事實驗 --- p.101 / Chapter 第三節 --- <膜> 的性別與生命辯證 --- p.116 / Chapter 第四節 --- <去年在阿魯吧>的虛擬實境 --- p.128 / Chapter 第五節 --- 小結 --- p.138 / Chapter 第六章 --- 神聖瘋狂與不可能之可能 --- p.141 / Chapter 第一節 --- 駱以軍論:回歸自我之不可能 --- p.141 / Chapter 第二節 --- 舞鶴論:走在不可能的邊緣之上 --- p.167 / Chapter 第三節 --- 小結 --- p.196 / Chapter 第七章 --- 結論 --- p.197 / Chapter 第一節 --- 總結:讓瘋狂說話 --- p.197 / Chapter 第二節 --- 研究反思與前瞻 --- p.199 / 參考書目 --- p.203
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從史傳、筆記到傳奇 :古典小說之醞釀生發 = Historical biography, literary sketch and legendary novel : the gestation and germination of Chinese classical novel / Historical biography, literary sketch and legendary novel : the gestation and germination of Chinese classical novel劉飛桐 January 2018 (has links)
University of Macau / Faculty of Arts and Humanities. / Department of Chinese
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邊緣與中心: 論香港左翼小說中的「香港(1950-1967). / 論香港左翼小說中的香港(1950-1967) / Margins and centers: the construction of "Hong Kong" in Hong Kong left-wing fiction, 1950-67 / Construction of "Hong Kong" in Hong Kong left-wing fiction, 1950-67 / CUHK electronic theses & dissertations collection / Bian yuan yu zhong xin: lun Xianggang zuo yi xiao shuo zhong de "Xianggang" (1950-1967). / Lun Xianggang zuo yi xiao shuo zhong de Xianggang (1950-1967)January 2001 (has links)
張詠梅. / 論文(哲學博士)--香港中文大學, 2001. / 參考文獻 (p. 235-273). / 中英文摘要. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Zhang Yongmei. / Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (p. 235-273). / Zhong Ying wen zhai yao.
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晚清「新小說」的都市想像. / Urban imaginary of late Qing "new fiction" / 晚清新小說的都市想像 / CUHK electronic theses & dissertations collection / Wan Qing 'xin xiao shuo' de du shi xiang xiang. / Wan Qing xin xiao shuo de du shi xiang xiangJanuary 2013 (has links)
陳芃欣. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 126-133). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract in Chinese and English. / Chen Pengxin.
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