published_or_final_version / abstract / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese Language and Literature / Master / Master of Arts

published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

The thesis was an in-depth study of the poetics and poetry of Jing School京派in modern Chinese literature. Jing School was a loosely formed but comprehensive and influential literary school emerged in Beijing in the early 1930s. It was an all-round literary school, which produced almost all kinds of literary works, including literary critic, fiction, prose, drama and poetry. However, only few studies focused on its achievements in the field of poetry. This study was undertaken to provide some insights into the poetic nature of Jing School and its contributions to the development of modern Chinese poetry. Unlike the Leftist and Right-wing writers in the same period, poets of Jing School persisted in composing pure poetry, which was advocated by the French symbolists. However, it was also the main aesthetic feature of traditional Chinese poetry, especially the poetry in the late Tang period. In this way, poets of Jing School successfully integrated the modern techniques and ideas employed in the western symbolist poetry, such as symbols, metaphors and synaesthesia, with those traditional artistic conceptions used in classical Chinese poetry. As a result, their works stayed away from political topics and emphasized on literary techniques. Together with poetry of other literary schools, they thereby created the golden age of modern Chinese poetry in the mid-1930s. To fully explicate the poetic nature of Jing School, the first chapter of the thesis reconstructed the background, the memberships as well as the literary pursuits of Jing School by analysing their publications on journals and supplements of newspapers that edited by Jing School members. The literary salons held by inspiring leaders of Jing School, Zhu Guangqian 朱光潛 and Lin Huiyin 林徽因 had also been re-examined. The following two chapters looked into the characteristics and significances of poetry and poetics of Jing School respectively. Poems of Feiming 廢名 and Bian Zhilin 卞之琳, poetics of Zhu Guangqian, Liang Zongdai 梁宗岱, Feiming and Lin Gen 林庚 have been taken as examples for further exploration of the aesthetic pursuits of Jing School. The last chapter proceeded to examine the fate of Jing School during and after the Anti-Japanese War (1937-1945). During the war time, some poets of Jing School shifted their lyrical writing style to realistic and political writing style. Among them, He Qifang 何其芳 was the most prominent figure and his case has been studied thoroughly in this chapter. Besides, the decline of the aesthetic pursuits of Jing School has also been reflected in the failure of resuming the publication of Wenxue Zazhi 文學雜誌, the most important journal of Jing School, after the victory. In short, the most distinguished feature of the poetics and poetry of Jing School was the flawless integration of the essence of western modernity and that of Chinese tradition. The significance of the integration and the controversial issues aroused by this aesthetic pursuit have been scrutinized and summarized in the concluding chapter. / published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

Women's poetic writing in modern China, its context and position in literary history as well as its ideological and social constitution are at the root of this thesis' subject. Having stated my intellectual and personal limitations regarding its writing as an introduction, examples of contemporary women's poetic text will serve to broaden its conclusion. My analysis begins with a reflection on its own terminology in philosophical debate, followed by a study of the modernist background that from 1977 leads to what is termed as neo-modernity in literature. A paradox in the women's avant-garde of antipatriarchal antagonism against the literary institution will be illustrated by examples of critical text on women's poetic production. My point is to address this paradox with the identification of false values placed from the very beginnings of poetic modernity on women's poetry within the avant-garde.

No description available.

趙麗霞. / "2003年8月". / 論文(哲學碩士)--香港中文大學, 2003. / 參考文獻(leaves 175-195). / 附中英文摘要. / "2003 nian 8 yue". / Zhao Lixia. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2003. / Can kao wen xian (leaves 175-195). / Fu Zhong Ying wen zhai yao. / Chapter 第一章： --- 導論 --- p.5 / Chapter 第一節： --- 硏究動機 --- p.5 / Chapter 第二節： --- 《今天》詩歌硏究現狀 --- p.10 / Chapter 第三節： --- 本文硏究範圍 --- p.11 / Chapter 第四節： --- 材料來源 --- p.14 / Chapter 第二章： --- 《今天》與地下文學 --- p.16 / Chapter 第一節： --- 地下詩歌沙龍的發展階段 --- p.17 / Chapter 第二節： --- 「白洋淀詩群」 --- p.23 / Chapter 第三節： --- 北京各階段地下文學沙龍的關係 --- p.28 / Chapter 第四節： --- 小結 --- p.29 / Chapter 第三章 --- 《今天》簡介 --- p.31 / Chapter 第一節： --- 《今天》創刊的政治背景 --- p.31 / Chapter 第二節： --- 《今天》發展歷程 --- p.34 / Chapter 第三節： --- 《今天》的組織系統 --- p.39 / Chapter 第四節： --- 《今天》各期情況簡介 --- p.43 / Chapter 第五節： --- 《今天》與其他民刊的關係 --- p.47 / Chapter 第六節： --- 《今天》與官方文學刊物的關係 --- p.50 / Chapter 第七節： --- 《今天》的宗旨 --- p.51 / Chapter 第八節： --- 小結 --- p.57 / Chapter 第四章： --- 《今天》詩人群 --- p.58 / Chapter 第一節： --- 食指´ؤ´ؤ《今天》詩人的啓蒙者 --- p.59 / Chapter 第二節： --- 北島´ؤ´ؤ從浪漫抒情到冷酷寫作 --- p.70 / Chapter 第三節： --- 芒克´ؤ´ؤ「自然詩人」 --- p.80 / Chapter 第四節： --- 舒婷´ؤ´ؤ愛的歌者 --- p.85 / Chapter 第五節： --- 顧城´ؤ´ؤ「童話詩人」 --- p.89 / Chapter 第六節： --- 江河、楊煉´ؤ´ؤ現代史詩探索的代表 --- p.97 / Chapter 第七節： --- 《今天》其他詩人 --- p.102 / Chapter 第八節： --- 《今天》佚名詩人 --- p.106 / Chapter 第九節： --- 小結 --- p.109 / Chapter 第五章： --- 《今天》詩歌：一代人的文革經驗 --- p.110 / Chapter 第一節： --- 「文革一代人」 --- p.110 / Chapter 第二節： --- 《今天》詩人的「廢墟文學」意識 --- p.112 / Chapter 第三節： --- 《今天》詩歌中展現的文革經驗 --- p.114 / Chapter 第四節： --- 小結 --- p.131 / Chapter 第六章： --- 《今天》詩歌的價値 --- p.132 / Chapter 第一節： --- 中國大陸新詩發展狀況回顧 --- p.132 / Chapter 第二節： --- 《今天》詩歌整體的藝術成就 --- p.137 / Chapter 第三節： --- 反叛的聲音和懷疑的精神 --- p.153 / Chapter 第四節： --- 《今天》詩歌展現的精神特徵 --- p.157 / Chapter 第五節： --- 《今天》詩歌與「朦朧詩」的關係 --- p.162 / Chapter 第六節： --- 結論 --- p.172 / 參考書目 --- p.175 / 附錄 --- p.196