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This project analyzes the role of religion, both institutional and private, in Virginia's dealings with witchcraft during the seventeenth century. The witch trials of New England and Europe during the 1600s have tended to overshadow those that simultaneously took place in Virginia, leaving historians to prematurely regard Virginia as an anomaly of rationality in an otherwise superstitious period of witches and demons. Virginia's failure to prosecute those accused of witchcraft was not due to a lack of allegations, my thesis will argue, but can instead be partly attributed to the nature of the colony's religious experience and the theology and practices of Virginia's Anglican Church. While Virginia's seventeenth-century inhabitants migrated to the New World with firmly entrenched English religious values, their relationship with God and their response to the supernatural world were profoundly influenced by New World experiences and peoples. To protect the social fragility of their colony, Virginia's political and religious leaders consciously chose to prosecute offenses that they felt threatened the social cohesion of the colony, such as fornication, gossip, and slander, and dismissed those, such as witchcraft, that threatened to tear it apart. / Master of Arts

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John Blow (1649-1708) was among the first group of boys pressed into the service of King Charles II, following the decade of Puritan rule. Blow would make compositional efforts as early as 1664 and, at the age of nineteen, began to assume professional positions within the London musical establishment, ultimately becoming, along with his pupil and colleague, Henry Purcell, London's foremost musician. Restoration sacred music is generally thought of in connection with the stile nuovo which, for the first time, came to be a fully accepted practice among English musicians for the church. But the English sacred polyphonic art, little threatened by England's largely political Reformation, embodied sufficient flexibility as to allow it to absorb new ideas, thereby remaining vital well into the seventeenth century. Preserved from decisive Italian influences by the Interregnum, the English sacred polyphonic tradition awoke at the Restoration full of potential for continuing creative activity. In addition to studying Blow's polyphonic compositions, including the transcription of several not available in modern edition, this paper seeks to address the unique nature of the English polyphonic tradition which allowed it to retain its vitality throughout the seventeenth century, while other polyphonic traditions were succumbing to the ossifying influences of the stile antico concept. Identification of the Continental stile antico through pertinent treatises and scores revealed a marked distinction between its application and the English polyphonic art as seen in the work of John Blow. In the end, the peculiar nature of Restoration polyphony is seen to be derived from a number of factors, among them, the continuation of liturgical ceremonial within the independent English church, the flexibility of the English polyphonic medium with regard to new musical developments, and the interruption of England's cathedral music tradition just as Italian influence was beginning to be felt in liturgical music. The sacred polyphony of John Blow represents the last great flowering of the English polyphonic tradition, with all of its idiosyncracies, in a lively, as yet unfettered style.

In much of the historiography surrounding print culture and the book trade, the worldliness of print remains a point of common emphasis. Indeed, many influential studies either assume or actively present the history of print as part of a broader ‘secularization thesis’. Recently, however, historians have challenged these narratives, recognizing the central role of religious print as a driver of growth within the book trade and discussion within the nascent ‘public sphere’. Yet the scholarship into ‘religion and the book’ remains fragmentary, focused on individual genres or persons, with no unified monograph or standard reference work yet to emerge. This dissertation addresses some of the barriers to synopsis by investigating the long-term print output of the largest social and professional group engaged in evangelizing Christianity to the public: the clergy of the Church of England. By focusing on the clergy, this dissertation evades the usual narrow focus on genre. In the past, book-historical and bibliographic studies have relied heavily on a priori classification schemes to study the market for print. While sufficient in the context of relatively well-defined genre categories, such as printed sermons, the validity of these classification schemes breaks down at the wider level, for example, under the conceptual burden of defining the highly fluid and wide-ranging category of ‘religious works’. This dissertation begins to remedy such problems by modelling the print output of a large population of authors who had the strongest stake in evangelizing Christianity to the public through print. It utilizes the latest techniques in the field of digital humanities and bibliometrics to create a representative sample of the print output of the Anglican clergy over the ‘long’ eighteenth-century (here 1660-1800). Based on statistical trends, the thesis identifies a crucial period in the history of clerical print culture, the first four decades of the Hanoverian regime. The period is explored in detail through three subsequent case studies. By combining both traditional and digital methods, therefore, the dissertation explores clerical publishing as a phenomenon subject to evolution and change at both the macro and micro level. The first chapter provides an overarching statistical study of clerical publishing between 1660 and 1800. By combining data from two bibliographical datasets, The English Short-Title Catalogue (ESTC), and the prosopographical resource, The Clergy of the Church of England Database (CCED), I extract and analyse a dataset of clerical works consisting of almost 35,000 bibliographic records. The remaining chapters approach the thesis topic through primary research-based case studies using both print and manuscript sources. The case studies were selected from the period identified in the preceding statistical analysis as a crucial transitional moment in the history of clerical publishing culture, c.1714 to 1750. These case studies form chapters 2, 3, and 4, each of which explore a different aspect of a network of authors who worked under the direction of the bishop of London, Edmund Gibson (1723-1748), during the era of Whig hegemony under Sir Robert Walpole. Finally, an appendix outlines the methodology used in chapter 1 to extract the sample of clerical printed works from the ESTC. Overall, the thesis demonstrates the profound influence of the clergy on the development of English print in the hand-press period. It thus forms both a historiographic intervention against the secularization thesis still implicit in discussions of print culture and the book trade, as well as providing a cautionary critique of the revisionism which has shaped recent investigations into the Church of England.

Denna uppsats består av en jämförande studie av två ärkebiskopar – KG Hammar (Svenska kyrkan) och Rowan Williams (Church of England) - ur ett postmodernt teologiskt perspektiv. Syftet var att söka finna postmoderna influenser hos de båda ärkebiskoparna i såväl teori som praktik och undersöka konsekvenserna av ett postmodernt teologiskt agerande.  Undersökningen visade att båda ärkebiskoparna influerades av postmodern teologi i teorin. Hammar förde också som ärkebiskop fram sina personliga postmoderna insikter, medan Williams av olika anledningar generellt valde att endast föra fram kyrkans åsikt. Båda handlingsalternativen medförde såväl kritik som uppskattning. Båda ärkebiskoparna tog fasta på den postmoderna teologins framhållande av dialog som metod: Dialog kännetecknade allt deras handlande, såväl inomkyrkligt som mot andra religiösa och samhälleliga grupper. Trots dialogen kunde dock inte vissa splittringar undvikas. Samhällsengagemanget visade sig däremot till största delen framgångsrikt och visade en postmodern insikt om kyrkans roll i en sekulär värld. Trots att ett postmodernt förhållningssätt inte helt accepterades, medverkade ärkebiskoparnas agerande till att skapa intresse för framför allt religiös dialog bland många olika grupper. / This essay is a comparative study of two archbishops - KG Hammar (Church of Sweden) and Rowan Williams (Church of England) - from a postmodern theological perspective. The aim was to discover postmodern influences for the archbishops in theory and practice, and to investigate the consequences of acting from a postmodern theological perspective. The study revealed postmodern influences in both archbishops' theory. Hammar chose to act according to his personal postmodern convictions also as archbishop whereas, for various reasons, Williams generally chose to speak only for the whole church. Both strategies were criticized as well as appreciated. Both archbishops were committed to dialogue as described by postmodern theology. This influenced all their actions, within the church as well as with other religious denominations and various groups in society. However, even with dialogue certain schisms proved to be unavoidable. The engagement in society proved more successful and showed a postmodern understanding of the church in a secular world. Even though a postmodern course of action was not totally accepted, the archbishops managed to promote a wide interest especially for religious dialogue.

The impact of religious conversion on cultural identity is a study of conversion story of South African Indian Anglican Christians rooted in the oppressive history of casteism in India and Racism in South Africa. This study has used multi discipline approach using various schools of human sciences and broader theological framework in dealing with moral and ethical issues. This study defends the religious conversions and highlights the impact it has made on cultural identity of converts from social, economic, psychological and spiritual perspectives. While highlighting the positive impact of religious conversion on cultural identity this study has also pointed out some ambiguities attached to this process. This study looks into the possibilities of Native and Indian Christians working together to create a healing culture in South Africa. An attempt is made to point out the interrelatedness of the experiences of suffering of Native Christians and Indian Christians from indentured backgrounds in South Africa. This study does not cover disparity issues between native Africans and the Indian Community in South Africa. However, an attempt is made to encourage Indian Christians in South Africa to connect with the pain and pathos of poor communities in South Africa. This study encourages the Indian Christians hi South Africa to read Dalit theology and get involved with Black theologians in formulating appropriate mission praxis for their mission and ministry in post apartheid South Africa. This study concludes on a positive note and hope based on my eight years of ministry in Lenasia. During my ministry I had experienced that South African Anglican Indian Christians and native Christians have the developing ability and capacity to become a spiritual resource in building a transformed and transforming society in South Africa. I could see in them a reconciled 'wounded healers' and for me this is a powerful impact of religious conversion on their cultural identity, "Victims' now have the capacity to act as 'Wounded Healers'. / Religious Studies & Arabic / D.Th. (Religious Studies)

This study considered indigenisation to involve a process of making the local people `feel at home' in their Church. The ministry of early catechists such as Bernard Mizeki and Frank Ziqubu was crucial in showing the fact that the Anglican Church was not necessarily a church for Europeans only, but for the indigenous people as well. After this first generation of catechists there were numerous indigenous catechists who also ministered in the Diocese of Mashonaland by way of preparing people for the different sacraments found in the Anglican Church. On the other hand the training of the indigenous people for the ordained ministry was also another significant step in the process of indigenisation in the Diocese of Mashonaland. In this regard theological institutions such as St Augustine's Seminary in Penhalonga Manicaland, St Peter's Seminary Rossettenville in Johannesburg and St John's Seminary in Lusaka provided the much needed training. This study also revealed that although the Diocese of Mashonaland had an indigenous person at its helm in 1981, it remained European in several facets of its life. Although translations as a form of indigenisation started from the beginning of the Diocese of Mashonaland and continued right up to 1981, it seems it actually crippled the local indigenous peoples' innovativeness and ingenuity. In addition indigenous musical instruments also took sometime before they could be accepted in divine worship. On the other hand local art and décor as well as local architectural expressions took time to be incorporated into the Diocese of Mashonaland. However few early European missionaries such as Arthur Shirley Cripps and Edgar Lloyd tried to implement local architecture and décor in their churches in Daramombe and Rusape respectively. This study has also established that although the Anglican Diocese of Mashonaland got indigenous leadership by 1981, its liturgy, theology as well as its Acts and Canons remained European. / Christian Spirituality, Church History and Missiology / D. Div. (Church History)