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Patrim?nio cultural, mem?ria e identidade : um estudo etnogr?fico sobre processos de intera??o de atores humanos com monumentos c?vicosOliveira, Lenora Azevedo de 10 January 2018 (has links)
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Previous issue date: 2018-01-10 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This work is a study of human interaction with civic monuments examining the constellation of cultural heritage, memory and identity. Civic monuments are built with the purpose of establishing and maintaining values considered central to a social group, usually linked to identity and memory, serving as material support for existing traditions or for the construction of new traditions. The ethnographic method?s objective is to understand contemporary cultural practices and to determine to what extent these practices have changed since
the construction of the monument, with or without the establishment of other and different practices. Three monuments were chosen for this analysis: the Julio de Castilhos Monument in Porto Alegre, Brazil, the war memorial monument at North Bondi and the Anzac Memorial Hyde Park, both in the city of Sydney, Australia. Research has shown that social interactions with monuments can contribute to a feeling of belonging to a social group and the
interaction with cultural heritage could build and maintain memory and identity.
Research on social practices with the monuments indicates that this may or may not contribute to the feeling of belonging to a social group. Cultural heritage, tangible (monuments) and intangible (rituals), are examined specifically in the way memory and identity are created and maintained. The act of remembering is directly tied to social practices and the more emotions experienced in the social practice the greater the capacity of the individual to remember. Monuments can be as powerful a ?memory support? (NORA, 1993) as they can be a ?historical support?. They are memory support when associated with living memory. If there is no kind of memory associated with them, monuments can be redefined and social practices will be disconnected from the monument?s original function. / Este trabalho dedica-se ao estudo dos processos de intera??o com os monumentos c?vicos na perspectiva da ?constela??o identit?ria? formada pelas categorias patrim?nio cultural, mem?ria e identidade. Os monumentos c?vicos s?o constru?dos com objetivo de consagrar valores considerados caros a um grupo social, normalmente ligados ? identidade e ? mem?ria, servindo como suporte material para as tradi??es existentes ou para a constru??o de novas tradi??es. Para realizar este estudo adota-se o m?todo etnogr?fico, cujo
objetivo ? a compreens?o das pr?ticas culturais da contemporaneidade e em que medida essas pr?ticas se modificam desde a constru??o do monumento, com a realiza??o ou n?o de outras e diferentes pr?ticas. Tr?s monumentos s?o escolhidos para esta an?lise: o Monumento a J?lio de Castilhos, em Porto Alegre, o North Bondi War Memorial e o Anzac Memorial Hyde Park ? ambos na cidade de Sydney, na Austr?lia. O estudo te?rico e a pesquisa emp?rica mostram que as pr?ticas sociais decorrentes das artes de fazer (DE CERTEAU, 2014) que se desenvolvem com estes monumentos podem ou n?o contribuir para o sentimento de pertencimento a um grupo social, pois s?o as duas dimens?es do patrim?nio cultural, a material [monumentos] e a imaterial [rituais e comemora??es], que revelam de que maneira se constr?i e se mant?m a mem?ria e a identidade. Por isto, o ato de lembrar est? diretamente vinculado ?s pr?ticas sociais que, quanto mais emo??es incluem em seus processos, maior ? a capacidade de lembrar. Neste sentido, os monumentos
podem ser ?suporte de mem?ria? (NORA, 1993), ?suporte de hist?ria? ou objetos comuns. Ser?o ?suporte de mem?ria? quando a eles estiver associada a mem?ria viva; ser?o ?suporte de hist?ria? quando a eles estiver associada a mem?ria hist?rica; e ser?o objetos comuns quando n?o existir mem?ria sobre eles. Neste ?ltimo caso, os monumentos podem ser ressignificados e as pr?ticas sociais estar?o desvinculadas das suas fun??es originais.
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