Not available / text

From the Celtic invasions of the fourth century, B.C., until its union with England in 1800, Ireland developed its own distinctive Celtic culture. Its Christian religion, language and literature, law, social structure and land system were of Celtic origin and different from neighboring England's. Almost twelve hundred years of independence allowed Ireland to establish its unique qualities and become recognized as a nation. Then came three hundred years of English occupation and desultory control followed by two hundred and fifty more years of English conquest, confiscation and disruptive colonization. Finally came almost one hundred years of English economic subjugation and suppressed Irish indignation until nationalist Ireland in revolt was made a part of frightened England in 1800. The years of independence produced a unique cultural tradition which English strength changed but could not extinguish. What remained in 1800, supported by an irrepressible demand for national independence, was Ireland's Celtic tradition.

Unsatisfied with critical responses to Huntington's "Clash of Civilizations?" this dissertation attempts to trace two central elements of his argument. First, "On Barbarians" traces the evolution of the civilized/ barbarian dichotomy from its origins in the nineteenth century to its recent incarnations in International Relations theory. The relevance of Europe's imperial heritage is emphasized, along with certain thematic threads in popular discourse: demography, surveillance, and the distinction between popular and elite culture. The ubiquitous self/other dichotomy, which is central to political identity, has been understood in European imperial discourse to mean European civilization and barbaric others. This rhetoric remains powerful, even in current IR discourse. By reinscribing this civilized/barbarian dichotomy, Huntington in effect uses International Relations theory as a form of identity politics. Second, this dissertation analyzes the presence of culture and identity in the discipline of International Relations theory. Despite specific empirical considerations, Huntington's underlying interest in culture and identity is well-founded, which this dissertation attempts to demonstrate using material from the history of International Relations, post-colonial, and critical theorists. In sum, "On Barbarians" illustrates the critical benefit of studying culture and identity to LR through a critical examination of the civilized/barbarian discourse.

No description available.

Thesis (Ph.D.)--University of Melbourne, Dept. of Philosophy, 2004. / Typescript. Includes bibliographical references (leaves 325-332).

Thesis (M.A.). / Written for the Dept. of Art History and Communication Studies. Title from title page of PDF (viewed 2008/07/24). Includes bibliographical references.

Thesis (doctoral)--Universität Tübingen. / Includes bibliographical references (p. 265-283).

Unsatisfied with critical responses to Huntington's "Clash of Civilizations?" this dissertation attempts to trace two central elements of his argument. First, "On Barbarians" traces the evolution of the civilized/ barbarian dichotomy from its origins in the nineteenth century to its recent incarnations in International Relations theory. The relevance of Europe's imperial heritage is emphasized, along with certain thematic threads in popular discourse: demography, surveillance, and the distinction between popular and elite culture. The ubiquitous self/other dichotomy, which is central to political identity, has been understood in European imperial discourse to mean European civilization and barbaric others. This rhetoric remains powerful, even in current IR discourse. By reinscribing this civilized/barbarian dichotomy, Huntington in effect uses International Relations theory as a form of identity politics. Second, this dissertation analyzes the presence of culture and identity in the discipline of International Relations theory. Despite specific empirical considerations, Huntington's underlying interest in culture and identity is well-founded, which this dissertation attempts to demonstrate using material from the history of International Relations, post-colonial, and critical theorists. In sum, "On Barbarians" illustrates the critical benefit of studying culture and identity to LR through a critical examination of the civilized/barbarian discourse. / Arts, Faculty of / Political Science, Department of / Graduate

No description available.

No description available.