Thesis--Florida State University. / Vol. 2 contains scores of Concerto in B flat, op. 1, by Joseph Beer, and Fourth concerto in B flat, by J.X. Lefevre, transcribed and edited for clarinet and piano by G.J. Pound. "Catalog of solo concerto literature for clarinet composed before 1850": v. 1, leaves 36-91. Includes bibliographical references.

No description available.

Treatise (D.M.A.) Florida State University, 2006. / Advisor: Carolyn Bridger, Florida State University, College of Music. Title and description from dissertation home page (viewed 6-26-07). Document formatted into pages; contains 60 pages. Includes biographical sketch. Includes bibliographical references.

No description available.

Thesis (Ph. D.--Music)--University of California, San Diego, 1998. / Vita.

Thesis--Brigham Young University. / Vol. 2 contains the scores of Concerto in B flat, no. 6, by J.X. Lefèvre, Concerto in E flat, no. 2, by Francesco Rosetti, and Concerto in B flat, no. 10, by Michel Yost. Includes bibliographical references. Also issued in print.

Thesis (D.M.A.)--University of North Carolina at Greensboro, 2005. / Title from PDF title page screen. Includes bibliographical references (p. 245-259)

Thesis--Brigham Young University. / Vol. 2 contains the scores of Concerto in B flat, no. 6, by J.X. Lefèvre, Concerto in E flat, no. 2, by Francesco Rosetti, and Concerto in B flat, no. 10, by Michel Yost. Includes bibliographical references.

Thesis (Ph.D.)--Ohio State University, 2005. / Title from first page of PDF file. Document formatted into pages; contains xiv, 146 p.; also includes musical examples. Includes bibliographical references (p. 142-146). Available online via OhioLINK's ETD Center

Concertino for Jazz Clarinet. Electric viola and Symphonic Orchestra is a composition of approximately fifteen minutes' duration, and is scored for two flutes (second doubling piccolo), two oboes, two Bb clarinets, two bassoons, four F- horns, two Bb trumpets, three trombones (third bass), two percussionists, solo Bb clarinet, solo electric viola and strings. The piece is divided into two movements; Andante and Canon. Concepts derived from jazz music are employed in, for example, harmony and improvisation in the solo parts, whereas the orchestration is mainly traditional. The piece is written for two great Swedish instrumentalists; Putte Wickman, clarinet, and Henrik Frendin, viola. Stylistically this work is difficult in the orchestral parts, since it uses concepts from two different musical styles, jazz and classical. Influences originate from such wide-ranging composers as Mozart, Stravinsky, Shostakovich and Chick Corea.