The effort here, compiled over a nearly three-year period, is simply to encourage reporters of the mass media, those recorders of instant history on a daily basis, to take the time to put down in print somewhere the memories of old-timers everywhere. While centered in Corinne, Utah, the last rabble-rousing boomtown along the first transcontinental railroad to span the United States, this work is a collection of feature articles, laced with anecdotes and perhaps tall tales, of the type old-timers are eager to tell. It is a renegade mixture of oral and written histories and probably breaks most of the rules of structures research, but it attempts to add a little color, a little life, between the cold letters chiseled into cemetery headstones. If these stories are not put down for generations yet to come to read, to ponder and possibly to enjoy, they will be buried -- quite literally -- forever. Whether these stories are true or have been "blossomed" by retelling over the years is not the question here. Such stories add a perspective, and may haps a better understanding, to the dusty and often dry dates recited by children in elementary school. In this regard, these children will grow up, wed and work, and they will have their stories to tell, hopefully before they, too, die.

Thesis (Ph. D.)--Bob Jones University, 1994. / Includes bibliographical references (leaves 234-248).

Zugl.: Freiburg (Breisgau), Univ., Diss., 2009

Project (D. Min.)--Iliff School of Theology, 2005. / Includes abstract. Includes bibliographical references (leaves [146-150]).

Project (D. Min.)--Iliff School of Theology, 2005. / Includes abstract. Includes bibliographical references (leaves [146-150]).

Thesis (Ph. D.)--University of Wisconsin--Madison, 1972. / Typescript. Vita. Description based on print version record. Includes bibliographical references (leaves 433-445).

The central theme in Delphine and Corinne, two novels by Madame de Stael, is that of the tragic and suffering heroine. The heroines die for ideals: those of freedom and the right to live their lives according to moral principles of the highest order. For Madame de Stael, the Parisian society she lives in, allows women no real freedom and therefore, there is no sense of morals where they are concerned. In Delphine, she draws a series of portraits of unhappy and psychologically scarred women, and she shows how prejudice and social convention brought this about. In Corinne, Madame de Stael's imagination explodes into her vision of the performing heroine who dazzles not only her fellow fiction characters but contemporary literary women. In both novels, the hero abandons the heroine and she dies. The theme of the tragic hero inspires early romantic literature. Madame de Stael introduces the essential characteristics of romanticism to the French in From Germany. The heroine's drama is her own. This thesis studies the guiding influences, the sources and the inspiration of Madame de Stael's ideas which led her to state that moral principles did not exist for women in the society of her day.

No description available.

This thesis analyses the effect of the personal history of Arthur and Corinne Cantrill, two Australian independent filmmakers, on their style of filmmaking. It analyses their representation of film-form experimentation within national Australian art in a range of independent film works. It reflects on their cultural relation to the general history of independent filmmaking in Australia, America and Europe. It studies the circumstances tat resulted in the appearance of the Cantrills' experimental film and their relation to international art theories and film experimentation. This thesis will examine how the Cantrills' film works, which were often critical of conventional filmmaking styles, and their critical writing, statements and promotion of their independent and experimental film work contributed significantly to theoretical discussion and argument about the physical nature of film within Australia. This examination is explored through asking and answering the central question: The work of Aurtheur and Corinne Cantrell is theoretically drawn from a tradition of European arts and visually drawn from Australian landscape and urban culture; can their work be identified and undertood as Australian art?

The aim of this work is the qualitative analysis of the new wave of female gaze photographers with a comparison of the female gaze pioneers. For this purpose, there were used photographs by Arvida Bystr​öm​, Petra Collins, Harley Weir, and Cindy Sherman, Nan Goldin, Corinne Day, which were published in fashion magazines such as ​Vogue, Harper's Bazaar, i-D, Dazed, and ​Vice​. The theoretical part examined how female identity has been shaped by western culture and dominant ideology, and how patriarchy paradigm has influenced the visual representation of women in art, pop culture, and advertisement. It is shown through key feminist concepts including Simone De Beauvoir, Betty Friedan, Judith Butler, John Berger, Laura Mulvey, theory of young girl, gagafeminism, and xenofeminism. The second part of the thesis is dedicated to social semiotics analysis of each photograph and the results of this research, which show changes of topics in the female gaze content and the shift to social media-related topics and the virtual representation of women. The work could enrich further research in the field of feminist aesthetics, fashion journalism, photography, advertisement, and social media.