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Richard Florida's Creative Class Theory made a significant mark on economic geography. Upon initial publication in 2002, reviewers lacked sufficient data to test this theory in the contemporary economy. However, 20 years have elapsed. Statistical analysis of an operationalized creative class theory in relationship to growth in real per capita GDP does not show a statistically-significant, positive relationship. In fact, depending on the variable, most analysis shows either no statistically- significant relationship or a statistically-significant and negative correlation. Instead, in keeping with endogenous growth theory and the arguments of Glaeser, presence of non-manufacturing high-technology economic activity, overall levels of higher education, and immigration bear a substantial, positive, and statistically-significant relationship to growth in real per capita GDP. While Florida's theories consider these variables, Creative Class Theory depicts them as part of a broader construct with significant cultural components. The present analysis does not find evidence to support this theory in all of its details. However, the broader construct of "talent, technology, and tolerance" contributing to economic development remains valid. However, its components vary significantly from Florida's model. Findings suggest policy focus on generating creativity through culture may create less benefit than policies focused on increasing education supply, attracting and retaining educated workers, attracting and growing technology firms, and encouraging immigration. Additional research is needed to identify specific policies. / Master of Urban and Regional Planning / Why do some cities grow and others do not? Regional leaders have long sought to identify levers to help strengthen their economies. In the 21st century United States, most economies do not revolve around farming or manufacturing. Instead, technology and professional services represent some of the most significant sectors. A disagreement exists in the scholarly literature as to how to accelerate these industries development in different places. Scholars agree education, innovation, and diversity represent important drivers. Views differ as to how to define these ideas. In the early 2000s, an urbanist named Richard Florida advanced his "Three T's" model: talent, technology, and tolerance. He focused on a group called the "Creative Class". These creative thinkers were supposed to attract technology firms to a city. Those creative thinkers were thought to like places with specific cultural characteristics. This study examines 20-years of economic data to evaluate his theory. It confirmed talent, technology, and tolerance do matter for economic outcomes. However, it finds a different way to define these ideas. Rather than "creativity", education levels represent the most important talent factor. In terms of technology, it confirmed the importance of economic output in information, professional services, and scientific services. Regarding tolerance, the most important correlation to economic growth comes from immigration from outside the United States. It did not find support for focus on a bohemian cultural milieu (among other factors). Future research should focus on what factors (such as quality of life, infrastructure, access to capital, and federal regulation) can help enhance these effects.

This study examines 2000 and 2010 Census data to determine the resettlement patterns of urban and suburban residents in 23 American metropolitan statistical areas (MSAs). Previous research discusses the development of an affluent suburbia, leaving postindustrial cities in decline. However, recent literature suggests the reurbanization of postindustrial cities by the creative class, a Return to the City movement fueled by middle class entrepreneurs, artists, and technocrats. Alongside reurbanization are increases in poverty, and racial and ethnic enclaves in suburbia. The literature shows these trends as two separate, independent processes. This study investigates the relationship between these processes within MSAs. Consistent with existing literature, this study finds that from 2000 to 2010, there are increases in poverty and racial and ethnic diversity in the suburbs, and increases in middle and upper class white populations within central cities. This study reveals quantitative data concerning the future of American urban and suburban demography.

NBC?s situation comedy The Office reflects on the nature of workplace management in the 21st century. The show critiques a corporation that values conformity over individuality, while implying that promoting ?creative? employees to upper management is not credible alternative. The Office does this by focusing on Michael Scott (played by Steve Carell), a character whose unique creative working style makes him a great salesman but a poor manager. Michael?s character stands in contrast to Ryan Howard (played by B.J. Novak), who differs from Michael both in his approach to business and his success at it. The Office implies that creativity is a valuable asset for non-managerial workers, but creative management can be problematic. As workplaces continue to evolve, it is imperative to explore how creativity and bureaucracy co-exist. It may be unrealistic to expect creativity to saturate all aspects of professional life, but striking a balance between creativity and organization might be paramount in assuring job satisfaction and productivity for future generations of employees.

This licentiate thesis examines why Åre, the premium skiresort of Sweden, is so successful inproducing new small and medium sized firms. Since the 1980s, Åre has been among the highestranked Swedish municipalities when it comes to new firm formation, and their survial rateis better than in the rest of the country. Åre is situated in the interior north of Sweden, and isthe only comparable municipality in that part of the country that has increased its popultion inrecent years. Other similar municipalities are facing a heavy decline in population. Åre has along history in the tourist industry and most newly started firms are connected to this industry.Some 450 000 visitors come annually, mainly in the wintertime, to experience Åre, which hasthereby developed into a local market with demand on a broad range of products and services.The aim with the licentiate thesis is to analyse what is causing the entrepreneurial processthat is taking place in Åre. The theoretical point of departure is found in theories of contemporaryeconomic geography with concepts like social capital, cluster and ”creative class” formingthe framework for the analysis. Path-dependence theory is also in focus when it comes tounderstanding the importance of local history and its footprint of today.The main data used in the thesis come from 34 semi-structured interviews with companyowners/managers representing private firms in Åre. Only individuals that have started theirbusiness or taken over the firm from a family member have been of interest in the study. Thepurpose is to get close to the persons behind the business and reveal why they became entrepreneursin the local context. The mainly qualitative analysis of the interview material is supplementedby a statistical analysis where a) Åre is compared with other similar municipalitiesin Sweden concerning for example the development of new business or unemployment rates.And b) where all individuals who have lived in Åre during the period of 1990-2008 are analyzedusing different variables concerning socio-economic background and occupation.The thesis shows the importance of the attraction to the local environment where newfirms are formed as a result of a strong local market and an positive entrepreneurial atmospherethat exists in Åre. Entrepreneurs in Åre have a diverse background, but with the passionfor skiing or outdoor activities as common denominators. Another important factor is thegathering of local actors in the destination around a future oriented vision that unites them.

This thesis examines the relationship between place and creative people and industries. The shift from industrial economies to knowledge-driven economies has ushered in what some scholars refer to as the Creative Economy. At the heart of this new economy are the Creative Industries, which consist of people, creativity, skill and talent. These industries, which are creating more jobs and adding increased value to products and services, represent one of the largest and fastest growing sectors. In Sweden, the Creative Industries are increasingly being recognized as an important asset for global competitiveness and research reveals that 35% of Sweden’s employed are considered part of the so-called ‘Creative Class’: artists, researchers, managers and other related professionals. The research also reveals, however, that there is an uneven distribution of this talent pool throughout the country. As regional growth is of continual concern in Sweden, there has been an increased focus on the potential of the Creative Industries to stimulate development on the local and regional level. The municipality of Kalmar recognizes that its strong cultural institutions are among its greatest assets and they are working to integrate culture and cultural values into the city planning process in order to create an attractive environment. In addition, their recent establishment as a university town is considered to be of the utmost significance in their struggle to attract creative people and industries, and Linnaeus University is recognized as an important motor for regional development as well as a seedbed for innovation, research and new companies. / Uppsatsen undersöker relationen mellan plats och kreativa människor och industrier. Övergången från industriella ekonomier till kunskapsdrivna ekonomier har inlett vad vissa forskare hänvisar till som den kreativa ekonomin. I hjärtat av denna nya kreativa ekonomi finns de kreativa näringarna som består av människor, kreativitet, skicklighet och talang. Dessa industrier, som skapar fler arbetstillfällen och lägger ökat värde till produkter och tjänster, utgör en av de största och snabbast växande branscherna. I Sverige ses de kreativa näringarna mer och mer som en viktig tillgång för den globala konkurrenskraften, och forskning visar att 35% av Sveriges anställda anses vara en del av den så kallade "kreativa klassen": konstnärer, forskare, företagsledare och andra relaterade yrkesgrupper. Forskningen visar dock att det finns en ojämn fördelning av denna talangpool. Eftersom den regionala tillväxten fortsätter att vara ett orosmoln i Sverige, har det skett en ökad fokusering på de möjligheter som de kreativa branscherna har för att stimulera utvecklingen på lokal och regional nivå. Kommunen Kalmar erkänner att dess starka kulturella institutioner är bland dess viktigaste tillgångar och arbetar för att integrera kultur och kulturella värden i stadens planering för att skapa en attraktiv miljö. Dessutom anses dess etablering som universitetsstad vara av största betydelse i kampen för att locka kreativa människor och industrier, och Linnéuniversitetet är erkänt som en viktig motor för regional utveckling samt en grogrund för innovation, forskning och nya företag.

Industrial remains can be found in many regions that experienced industrialization. However, they are, in general, at risk of loss through destruction and abandonment. Promoting tourism can be a helpful tool for regional restructuring and economic development. The creative economy is also emerging as a powerful tool for reinvigorating economic growth, employment and social cohesion of those areas, which may affect the development of touristic activities and industries. However, little research has been done to link creative economy theory and industrial heritage tourism. This paper elaborates on and clarifies the link between industrial heritage tourism and creative economy, and illustrates the impact of creativity and the driving role of the creative class in industrial heritage tourism through a case study. The study site, 798 art zone, is a newly emerged tourism destination in China which developed based on an abandoned soviet-style factory. Through analyzing the initiation status of tourism development in the factory, the interests of visitors, the influences of tourism, and the role of artists, the research reveals the dramatic change under the impact of tourism and more recently added development boom that has taken place at the 798 art zone. The findings identify the characteristics of 798 art zone in different periods and the contributions of the artist community to the art zone. Unlike most industrial heritage tourism sites, the development of 798 art zone was bottom up owing to the creativity of artists. With their creative eyes, artists identified the special features of the abandoned factory (high ceilings, historic design, open spaces, and abundant natural light), and used their creativity to add artistic feelings to this area. When the factory was facing the fate of being razed, they pulled together. With their efforts, the factory was preserved and 798 art zone was acknowledged by the government. The results are in accord with the creative economy theory that creativity is the driving force of economic development and improve the understanding of how creativity and tourism interact. The development pattern of 798 art zone might not apply precisely to any other places in the world, but it provides an effective alternative model for revitalization of old industrial sites as well as other tourism sites. Some management related suggestions and concerns about 798 art zone and tourists profile are proposed. Both practical implications and academic insights are presented based on the major findings of this study.

Post-industrial economic restructuring in developed countries has downgraded the role of blue-collar labour in regional growth, giving way, conversely, to occupations that demand high concentrations of human capital. Human capital has been documented to positively affect regional growth and income, signifying an urban planning shift towards amenities provision, as a human capital attraction tool. An emerging, highly-valued amenity in the post-industrial society is nightlife. Following Florida’s reasoning on the rising salience of the creative class, this paper investigates the hypothesis that nightlife attracts high human capital or skilled individuals. It focuses on the paradigm of Greece, using data acquired by the Greek statistics agency and, to a lesser extent, the Greek yellow pages. It employs two measures, the human capital one –calculated as the percentage of the population holding a bachelor degree and above- and an approximation of Florida’s creative class measure –occupational categorization according to job complexity. Bivariate correlations are applied to account for human capital attracting factors and structural equation modelling to assess nightlife’s impact on the two measures and respectively, on regional growth.

Industrial remains can be found in many regions that experienced industrialization. However, they are, in general, at risk of loss through destruction and abandonment. Promoting tourism can be a helpful tool for regional restructuring and economic development. The creative economy is also emerging as a powerful tool for reinvigorating economic growth, employment and social cohesion of those areas, which may affect the development of touristic activities and industries. However, little research has been done to link creative economy theory and industrial heritage tourism. This paper elaborates on and clarifies the link between industrial heritage tourism and creative economy, and illustrates the impact of creativity and the driving role of the creative class in industrial heritage tourism through a case study. The study site, 798 art zone, is a newly emerged tourism destination in China which developed based on an abandoned soviet-style factory. Through analyzing the initiation status of tourism development in the factory, the interests of visitors, the influences of tourism, and the role of artists, the research reveals the dramatic change under the impact of tourism and more recently added development boom that has taken place at the 798 art zone. The findings identify the characteristics of 798 art zone in different periods and the contributions of the artist community to the art zone. Unlike most industrial heritage tourism sites, the development of 798 art zone was bottom up owing to the creativity of artists. With their creative eyes, artists identified the special features of the abandoned factory (high ceilings, historic design, open spaces, and abundant natural light), and used their creativity to add artistic feelings to this area. When the factory was facing the fate of being razed, they pulled together. With their efforts, the factory was preserved and 798 art zone was acknowledged by the government. The results are in accord with the creative economy theory that creativity is the driving force of economic development and improve the understanding of how creativity and tourism interact. The development pattern of 798 art zone might not apply precisely to any other places in the world, but it provides an effective alternative model for revitalization of old industrial sites as well as other tourism sites. Some management related suggestions and concerns about 798 art zone and tourists profile are proposed. Both practical implications and academic insights are presented based on the major findings of this study.

The issue of downtown revitalization has been much studied over the past several decades. However, much of the existing knowledge base pertains to our largest urban centres. This leaves a significant information gap with regards to mid-size cities. As a result, past renewal attempts in these cities have often been scaled down versions of what has worked in larger cities. In most cases, this has resulted in detrimental rather than reviving effects. The current trend in cities of all sizes is the implementation of Creative City Theory. This thesis seeks to study this trend and its specific relevance to the mid-size city. The scope of research will then build on the current theory by exploring the effects of well-designed public spaces and their ability to not only unleash the creative spirit but to revitalize the post-industrial mid-size city downtown. This information will then be applied to a design study for Hamilton, Ontario where failed renewal attempts have crippled the city’s downtown. The design will concentrate on Jackson Square (formerly known as Civic Square), a superblock within the very centre of downtown Hamilton. Through a redesign of Jackson Square, the thesis proposes to create a place that not only fosters creativity, but is once again meaningful and significant to Hamilton citizens. While the application of research to Hamilton is specific, the goal is to produce a body of work with principles that can be applied to any number of mid-size cities across the post-industrial world.