This classroom ethnography documents the developing critical literacy pedagogy of an English for Academic Purposes (EAP) instructor over the course of several terms. My research, which involved extensive collaboration with the EAP instructor, explores how specific classroom practices and discourses are enacted and mediated through dialogic intertextualities, material objects, and social actions that frame representations about language, literacy, and what Lefebvre (1988) called “le quotidien” – the everyday, and how these affect the students’ meaning-making potential in specific ways. It also traces the contours (and detours) of the instructor’s classroom practices after the researcher’s mediation in the form of collaborative inquiries on functional grammar and critical literacy, and the effects of these classroom practices on making meaning in her EAP classes. I consider several issues from an integrated theory and practice perspective. Because of an urgent need to understand the students’ practices and epistemologies as they engage in ever newer forms of multimodal text productions, I contend that EAP classroom practices must be reshaped to facilitate more (inter)active engagements of the multimodal texts that saturate students’ lives, both inside the class and outside. Related to this, I highlight in my classroom data what actually counts as the ‘critical’ or the ‘uncritical’ in this EAP classroom and argue why these distinctions matter. Lastly, I suggest ways in which the role of a critical multiliteracies education in EAP can meet the pragmatic needs of both students and teachers. My research contributes to a much-needed dialogue between critically oriented researchers and practitioners in the field of TESOL/Applied Linguistics by bridging the gap between theory and practice. The lessons learned from this collaborative classroom praxis point to concrete ways to help EAP teachers and students utilize their meaning-making potential. This involves equipping them with an expanded social semiotic tool-kit that can enable them to not only meet their immediate academic needs, but also help create a more active and possibly transformative role in the social constructions of discourse, language, and society. This doctoral dissertation has implications for those who are involved in EAP teaching and research, curriculum planning, teacher training, and student needs assessment.

This classroom ethnography documents the developing critical literacy pedagogy of an English for Academic Purposes (EAP) instructor over the course of several terms. My research, which involved extensive collaboration with the EAP instructor, explores how specific classroom practices and discourses are enacted and mediated through dialogic intertextualities, material objects, and social actions that frame representations about language, literacy, and what Lefebvre (1988) called “le quotidien” – the everyday, and how these affect the students’ meaning-making potential in specific ways. It also traces the contours (and detours) of the instructor’s classroom practices after the researcher’s mediation in the form of collaborative inquiries on functional grammar and critical literacy, and the effects of these classroom practices on making meaning in her EAP classes. I consider several issues from an integrated theory and practice perspective. Because of an urgent need to understand the students’ practices and epistemologies as they engage in ever newer forms of multimodal text productions, I contend that EAP classroom practices must be reshaped to facilitate more (inter)active engagements of the multimodal texts that saturate students’ lives, both inside the class and outside. Related to this, I highlight in my classroom data what actually counts as the ‘critical’ or the ‘uncritical’ in this EAP classroom and argue why these distinctions matter. Lastly, I suggest ways in which the role of a critical multiliteracies education in EAP can meet the pragmatic needs of both students and teachers. My research contributes to a much-needed dialogue between critically oriented researchers and practitioners in the field of TESOL/Applied Linguistics by bridging the gap between theory and practice. The lessons learned from this collaborative classroom praxis point to concrete ways to help EAP teachers and students utilize their meaning-making potential. This involves equipping them with an expanded social semiotic tool-kit that can enable them to not only meet their immediate academic needs, but also help create a more active and possibly transformative role in the social constructions of discourse, language, and society. This doctoral dissertation has implications for those who are involved in EAP teaching and research, curriculum planning, teacher training, and student needs assessment.

In 2020, the year the Covid-19 pandemic struck, the Swedish Covid-19 response differed radically from the general policy of total lockdown and strict enforcement of Covid-measures and regulations recommended by the WHO. Instead, Sweden strove early on to achieve herd immunity, with no mandatory measures to limit numbers in shopping malls, buses, and other public events, nor mask requirements. Hence, during the height of the pandemic, Swedish Covid-19 policy was a highly debated issue in the international media, within academia and the World Health Organization. The aim of this study is to examine the international media discourse on the Swedish Covid-19 strategy in the international print media. The focus has been on newspapers from the Netherlands, the United Kingdom, and the United States. The research has been done by investigating how Sweden’s Covid-19 strategy is discursively constructed, through major themes and sub-themes that have emerged. Additionally, the differences in discourse between Dutch, English and American media have been explored. As well as the use of language, ideologies, and linguistic devices within the international discourse have been investigated. A total of 178 articles, published between the period of 1 January 2020 until 6 February 2022, have been collected and analyzed. This study uses Qualitative Content Analysis (QCA) as main method and has been inspired by Critical Discourse Analysis (CDA). A coding frame has inductively been created, by having used a sample of 20 newspaper articles in a pilot study. The software of NVivo has been used for the coding process. The major themes that emerged from my analyses of media discourses are: Anders Tegnell, Strategy, Trust and Image of Sweden and Swedes. My study found that media discourses on the Swedish Covid-19 policy are not positive. Rather these tend to be negative or at best neutral. Images of Sweden tend to vary in tandem with increase or decreases of Covid-19 infections and/or deaths. As the Swedish strategy became more or less aligned with the ‘norm’ of the WHO, the coverage of Sweden in media declined and lost its newsworthiness.

Although a number of researchers have attempted to identify measures to account for the core elements of effective intercultural/multicultural teams of community of practice (CoP) in open and distance learning (ODL) formal institutions, there is no consensus on those measures. Previous studies also suggest important differences in teamwork across cultures but they do not adequately address the complexity of issues affecting culturally diverse teams and do not identify the specific factors that contribute to these differences (Earley & Gibson 2002). The purpose of the study was to collect views and experiences of multicultural lecturers from the six Unisa colleges and the Directorate for Curriculum and Learning Development (DCLD) personnel on the operationalization of Unisa Framework for the implementation of a team approach to curriculum and learning development. Soon after South Africa’s independence in 1994, Unisa had to respond to a new paradigm shift by re-aligning their curricula to meet the new national and global economic demands and social justice. The process relates to major revisions of programmes and modules, as well as new programmes and modules. The study adopts a qualitative research approach and uses Van Dijk (2009) critical discourse analysis (CDA) as a methodology and data analysis strategy. Sociocognitive Approach (SCA) theory as espoused by Van Dijk (2009) is underpinned by a narrative research design. A purposive sampling method was employed to collect data and critically analysed views and experiences of interracial/multicultural academic lecturers, a Director and DCLD education consultants engaged in collective partnerships in the craft of ODL curriculum and learning development at Unisa in South Africa. I used the Unisa Framework for a team approach to curriculum and learning development at Unisa as a model. Previous discourse studies in this area suggest that differences in communication practices may be attributed to power differentials or language competence. In particular it surfaces key tensions within subject expertise autonomy, such as those between commitments to reform and efficiency that may have a significant impact on the outcomes of subsequent policy compliance. In my analysis of the research participants’ discourses, it emerged that a culture of dichotomy; “us and them” inhibits the operationalization of the Unisa Framework for the implementation of team approach to curriculum and learning development which may be attributed to the failure to manage multicultural identity issues. / Educational Leadership and Management / D. Ed. (Education Management)

Although a number of researchers have attempted to identify measures to account for the core elements of effective intercultural/multicultural teams of community of practice (CoP) in open and distance learning (ODL) formal institutions, there is no consensus on those measures. Previous studies also suggest important differences in teamwork across cultures but they do not adequately address the complexity of issues affecting culturally diverse teams and do not identify the specific factors that contribute to these differences (Earley & Gibson 2002). The purpose of the study was to collect views and experiences of multicultural lecturers from the six Unisa colleges and the Directorate for Curriculum and Learning Development (DCLD) personnel on the operationalization of Unisa Framework for the implementation of a team approach to curriculum and learning development. Soon after South Africa’s independence in 1994, Unisa had to respond to a new paradigm shift by re-aligning their curricula to meet the new national and global economic demands and social justice. The process relates to major revisions of programmes and modules, as well as new programmes and modules. The study adopts a qualitative research approach and uses Van Dijk (2009) critical discourse analysis (CDA) as a methodology and data analysis strategy. Sociocognitive Approach (SCA) theory as espoused by Van Dijk (2009) is underpinned by a narrative research design. A purposive sampling method was employed to collect data and critically analysed views and experiences of interracial/multicultural academic lecturers, a Director and DCLD education consultants engaged in collective partnerships in the craft of ODL curriculum and learning development at Unisa in South Africa. I used the Unisa Framework for a team approach to curriculum and learning development at Unisa as a model. Previous discourse studies in this area suggest that differences in communication practices may be attributed to power differentials or language competence. In particular it surfaces key tensions within subject expertise autonomy, such as those between commitments to reform and efficiency that may have a significant impact on the outcomes of subsequent policy compliance. In my analysis of the research participants’ discourses, it emerged that a culture of dichotomy; “us and them” inhibits the operationalization of the Unisa Framework for the implementation of team approach to curriculum and learning development which may be attributed to the failure to manage multicultural identity issues. / Educational Leadership and Management / D. Ed. (Education Management)

<p>  </p> <p>Many viewers—especially those from the continental United States—have praised Disney for such recent actions as casting Pacific Islanders in the animated feature film <em>Moana</em> (2016) and assembling a group of cultural advisors (named the Oceanic Story Trust) to guide the filmmakers’ creative decisions. However, my project contends that Disney continues to play a significant role in the maintenance of settler colonialism in Hawai‘i, despite these seemingly progressive attempts at challenging Hollywood’s whitewashing. In this project, I argue that Disney creates and replicates the structures of settler colonialism in Hawai‘i through a mechanism that I term <em>imagineered imperial tourism</em>. In my formulation, imagineered imperial tourism involves commodifying historical narratives of colonization to serve the Disney brand by “innocently” repackaging them for the purpose of settler tourist consumption. To signal a Disney-specific branding and reproduction of settler colonial tropes and ideologies, I use the term “imagineered”—a play on Disney’s trademarked term <em>Imagineering</em>, which names the work of the creative team tasked with engineering the company’s most innovative devices, built environments, and technologies.</p> <p>Through a sustained study of Disney’s relevant productions—from the feature films <em>Lilo & Stitch</em> (2002) and <em>Moana</em> to its built environments at the Walt Disney World Resort in Orlando, FL, and Aulani, A Disney Resort & Spa in Ko Olina, Hawai‘i—I suggest that over time, Disney has normalized a version of Native Hawaiian people and history in US popular culture that reproduces common settler colonial discourses which have structured popular perceptions of Hawai‘i. The company’s almost century-long history of media production has cemented these discourses into a set of public pedagogies that have been reproduced across generations. Disney’s Pacific Island-themed productions and attractions are rife with tropes of native primitivism and imperialist nostalgia. They also reveal the primacy of the discursive framework of hegemonic multiculturalism vis-à-vis the commodified “spirit of aloha,” a sentiment which is superficially rooted in Native Hawaiian epistemologies and branded as a key selling point by the tourism industry. Furthermore, Disney has actively colonized Hawaiian lands since 2007, capitalizing on the Islands’ exploitative tourist industry while also obscuring longstanding battles over land ownership and denying Native Hawaiians sovereignty over their stolen lands. Ultimately, I suggest that Disney’s ostensibly “innocent” repackaging contributes to the violent erasure of Native Hawaiian history in popular culture. </p>

[ES] Esta tesis investiga la representación de los refugiados iraquíes en The Guardian y Deutsche Welle, empleando el Análisis Crítico del Discurso (ACD), el Análisis del Encuadre y el Análisis Multimodal. La investigación incluye el análisis lingüístico de titulares de noticias y el análisis multimodal de representaciones visuales. El primer análisis revela que The Guardian utiliza a menudo un discurso empático y político, especialmente hacia minorías étnicas como yazidíes y cristianos, mientras que la representación de Deutsche Welle está influida por los acontecimientos políticos en Alemania. Ambos medios enmarcan la crisis de los refugiados iraquíes como un problema social de Oriente Medio, destacando los desplazamientos forzosos y los ataques del ISIS. El análisis multimodal identifica cuatro temas en las representaciones visuales: individualización y distancia, que humanizan a los refugiados, y alteridad y objetivización, que los deshumanizan. El texto y las imágenes a veces se refuerzan mutuamente, pero también pueden presentar mensajes inconexos. Las imágenes visuales evocan respuestas emocionales más fuertes y proporcionan un contexto adicional más allá del análisis textual. La tesis concluye que la integración de los análisis de texto e imagen ofrece una comprensión más completa de las representaciones mediáticas, haciendo hincapié en la dimensión cohesiva de los textos multimodales a la hora de configurar el contexto y el significado. / [CA] Aquesta tesi investiga la representació dels refugiats iraquians en The Guardian i Deutsche Welle, emprant l'Anàlisi Crítica del Discurs (CDA), l'Anàlisi de l'Emmarcament i l'Anàlisi Multimodal. La recerca inclou una anàlisi lingüística dels titulars de notícies i una anàlisi multimodal de les representacions visuals. La primera anàlisi revela que The Guardian sovint utilitza un discurs empàtic i polític, especialment cap a les minories ètniques com els yazidites i cristians, mentre que la representació de Deutsche Welle està influenciada pels esdeveniments polítics a Alemanya. Ambdós mitjans emmarquen la crisi dels refugiats iraquians com un problema social de l'Orient Mitjà, destacant el desplaçament forçat i els atacs d'ISIS. L'anàlisi multimodal identifica quatre temes en les representacions visuals: individualització i distància, que humanitzen els refugiats, i alteritat i objectivació, que els deshumanitzen. Text i imatges a vegades es reforcen mútuament però també poden presentar missatges disjuntius. Les imatges visuals evoquen respostes emocionals més fortes i proporcionen context addicional més enllà de l'anàlisi textual. La tesi conclou que integrar l'anàlisi de text i imatge ofereix una comprensió més completa de les representacions mediàtiques, destacant la dimensió cohesionada dels textos multimodals en la configuració del context i significat. / [EN] This thesis investigates the depiction of Iraqi refugees in The Guardian and Deutsche Welle, employing Critical Discourse Analysis (CDA), Framing Analysis, and Multimodal Analysis. The research includes linguistic analysis of news headlines and multimodal analysis of visual representations. The first analysis reveals that The Guardian often uses empathetic and political discourse, especially towards ethnic minorities like Yazidis and Christians, while Deutsche Welle's portrayal is influenced by political events in Germany. Both outlets frame the Iraqi refugee crisis as a Middle Eastern social problem, highlighting forced displacement and attacks by ISIS. The multimodal analysis identifies four themes in visual portrayals: individualization and distance, which humanize refugees, and otherness and objectivization, which dehumanize them. Text and images sometimes reinforce each other but can also present disjointed messages. Visual images evoke stronger emotional responses and provide additional context beyond textual analysis. The thesis concludes that integrating text and image analyses offers a more comprehensive understanding of media representations, emphasizing the cohesive dimension of multimodal texts in shaping context and meaning. / Abed, AN. (2024). Framing Iraqi Refugees in The Guardian and Deutsche Welle: A Critical Discourse and Multimodal Analysis Study [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/207879