This work deals with the possibilities of modeling electrical circuits and methods of solving these models. It focuses on the analysis of today's systems, so that their features can be used in our graphic editor design.

This work describes important periods of making application on editing 3D scene. It concerns a program which makes possible visualization of objects and simulation graphic scene. The introduction of this document is dedicated to theorical analysis, which is oriented on objects presentation in computer graphic with detailed orientation on Boundary Representation. The following chapter is about transformations and manipulators. Design part introduces basic problems and apprises with exercise solutions on general level. In the part of the implementation, we find detailed description of actual solution for particular phase of proposal. It states description of advanced camera system and transformation of objects by the help of graphic manipulators. The next chapter discuss implement effects, modifications and solution for graphical user interface.

This thesis is dealing with integration of available lexical analyzer generator tools and presents concept of parallel syntax analysis based on block-oriented syntax analysis. Results will be used during development of syntax-directed editor under Eclipse platform latter.

The diploma thesis describes the design of your own web application within the long-term collaborative project co.llaborate.online. In a small team, we reflect on our own workflow and designer work. Currently, the common goal is the design and development of MVP for processing text, images and other graphic material into any graphic output - graphic editor co.design. As part of the project, we have also focused for a long time on the concept of compatible MVPs for text editing or data management and user research. The starting point of co.llaborate.online is the principle of DRY (Don't repeat yourself) and the principles of web technologies. We test how certain workflows can be automated and facilitate the collaboration of designers, text authors, editors, proofreaders, etc., or emancipate users from unnecessary activities.

The topic of the thesis is the comparison of photographs in year-books of magazine Týden and year-books of Lidové noviny newspaper from the point of view of the News values, as set by Johan Galtung and Mari Ruge and their successors, and also with respect to other qualities and values which are crucial in the process of selection of news photographs. The year-books of chosen media are the summaries of their production of given year, they are the selection of events which are considered the most important of that year. From the visual point of view, the year-books have much more space devoted to photography than their standard issues. The number of photographs and their size are therefore much higher. The thesis compares two pairs of year-books with a nine-year interval between them. This makes us compare the shifts and changes of their qualities in time, using a quantitative analysis research. The important part of the thesis is devoted to the routines of editorial staff, who are responsible for the selection of photographs. To explain this part, we used interviews with photo-editors or image editors. In these interviews we put emphasis on the very fundaments of editors work, the factors and circumstances which limit and affect his work and we also identified the values or qualities of photographs which are...

Com a proposta de analisar as principais características de narradores contemporâneos, esta dissertação parte de um corpus de seis originais recusados para publicação pela Companhia das Letras em 2014. O processo analítico se dá por meio das escolhas sintáticas, da voz narrativa, dos jargões e muletas narrativas (palavras, expressões, metáforas desgastadas), da originalidade, ritmo, verossimilhança, metáforas, diálogos e precisão. As características foram coletadas e classificadas entre 2009 e 2015, a partir da leitura de originais submetidos para publicação pela editora. Ao longo do processo de leitura e avaliação, cinco tipos narrativos apareceram com mais frequência, que deu origem a uma tipologia de narradores sistematizados em suas peculiaridades. Esses narradores, nomeados como Saudosista, Comedido, Poético, Esnobe e Autobiográfico são examinados do ponto de vista do editor, da estilística, da complexidade do romance, da crítica textual e da análise do discurso de Bakhtin. Com a leitura crítica de ensaios de Erich Auerbach, Bakhtin, Tchekhov, H. S. Becker, Steven Pinker, Francine Prose, Stephen King David Lodge, Schopenhauer e José Luiz Fiorin, esse trabalho tenta responder por que tantos autores estreantes se amparam em recursos narrativos de pouca força expressiva e em falsas premissas sobre o que seria a \"boa literatura\". Os resultados apontam para narradores que desconhecem a diferença entre estar apto para se comunicar em uma língua ou usá-Ia como instrumento estilístico. Somado a isso, há a complexidade do romance, um gênero que contempla inúmeras possibilidades e por isso dificulta as decisões assertivas; os resultados mostram ainda que os narradores se amparam na crítica literária antiga e em sua definição sobre o que vem a ser a boa literatura - dogmática, absoluta, inacessível e produzida por um grupo restrito de autores; por último, apoiando-se na teoria de Bakhtin, que defende que todo discurso é político, e por isso moldado pelas relações de poder, os narradores usam a narrativa obscura e palavrosa para camuflar inseguranças ou se proteger de possíveis críticas. / From a corpus of six manuscripts which had been turned down for publication by Companhia das Letras in 2014, this paper analyzes the main characteristics of contemporary narrators based on their syntactic choices, narrative voice, jargon and crutches, originality, rhythm, verisimilitude, metaphors, dialogues and precision. The classification was achieved from the reading of manuscripts submitted for publication at Companhia das Letras by their authors from 2009 to 2015. While sorting these texts, five narrative types appeared more frequently and, therefore, a typology of narrators was created to systematize these narrative voices and their peculiarities. The narrators, named as Nostalgic, Moderate, Poetic, Snobbish, and Autobiographical are examined from the point of view of the editor, and through stylistics, for the complexity of the novel, textual criticism, and using Bakhtin\'s discourse analysis. With the help of the essays by Erich Auerbach, Bakhtin, Chekhov, H. S. Becker, Steven Pinker, Francine Prose, Stephen King, David Lodge, Schopenhauer and José Luiz Fiorin, this paper attempts to answer why so many authors rely on fragile stylistic resources of little expressive force and on false premises about good literature and the art of narration. The results point to narrators who do not know the difference between being able to communicate in a given language and using it as a stylistic instrumento Added to this, there is the complexity of the novel, a genre that contemplates endless possibilities and therefore turn assertive decisions more difficult. The study yet shows that narrators rely on an old idea of what good literature is - dogmatic, incomprehensible, complex, inaccessible and produced by a small group of writers. Lastly, also according to Bakhtin\'s theory, which states that every discourse is political and therefore molded by the power relations, the narrators use obscure and wordy narratives to disguise insecurities or feel protected from possible criticism.

Com a proposta de analisar as principais características de narradores contemporâneos, esta dissertação parte de um corpus de seis originais recusados para publicação pela Companhia das Letras em 2014. O processo analítico se dá por meio das escolhas sintáticas, da voz narrativa, dos jargões e muletas narrativas (palavras, expressões, metáforas desgastadas), da originalidade, ritmo, verossimilhança, metáforas, diálogos e precisão. As características foram coletadas e classificadas entre 2009 e 2015, a partir da leitura de originais submetidos para publicação pela editora. Ao longo do processo de leitura e avaliação, cinco tipos narrativos apareceram com mais frequência, que deu origem a uma tipologia de narradores sistematizados em suas peculiaridades. Esses narradores, nomeados como Saudosista, Comedido, Poético, Esnobe e Autobiográfico são examinados do ponto de vista do editor, da estilística, da complexidade do romance, da crítica textual e da análise do discurso de Bakhtin. Com a leitura crítica de ensaios de Erich Auerbach, Bakhtin, Tchekhov, H. S. Becker, Steven Pinker, Francine Prose, Stephen King David Lodge, Schopenhauer e José Luiz Fiorin, esse trabalho tenta responder por que tantos autores estreantes se amparam em recursos narrativos de pouca força expressiva e em falsas premissas sobre o que seria a \"boa literatura\". Os resultados apontam para narradores que desconhecem a diferença entre estar apto para se comunicar em uma língua ou usá-Ia como instrumento estilístico. Somado a isso, há a complexidade do romance, um gênero que contempla inúmeras possibilidades e por isso dificulta as decisões assertivas; os resultados mostram ainda que os narradores se amparam na crítica literária antiga e em sua definição sobre o que vem a ser a boa literatura - dogmática, absoluta, inacessível e produzida por um grupo restrito de autores; por último, apoiando-se na teoria de Bakhtin, que defende que todo discurso é político, e por isso moldado pelas relações de poder, os narradores usam a narrativa obscura e palavrosa para camuflar inseguranças ou se proteger de possíveis críticas. / From a corpus of six manuscripts which had been turned down for publication by Companhia das Letras in 2014, this paper analyzes the main characteristics of contemporary narrators based on their syntactic choices, narrative voice, jargon and crutches, originality, rhythm, verisimilitude, metaphors, dialogues and precision. The classification was achieved from the reading of manuscripts submitted for publication at Companhia das Letras by their authors from 2009 to 2015. While sorting these texts, five narrative types appeared more frequently and, therefore, a typology of narrators was created to systematize these narrative voices and their peculiarities. The narrators, named as Nostalgic, Moderate, Poetic, Snobbish, and Autobiographical are examined from the point of view of the editor, and through stylistics, for the complexity of the novel, textual criticism, and using Bakhtin\'s discourse analysis. With the help of the essays by Erich Auerbach, Bakhtin, Chekhov, H. S. Becker, Steven Pinker, Francine Prose, Stephen King, David Lodge, Schopenhauer and José Luiz Fiorin, this paper attempts to answer why so many authors rely on fragile stylistic resources of little expressive force and on false premises about good literature and the art of narration. The results point to narrators who do not know the difference between being able to communicate in a given language and using it as a stylistic instrumento Added to this, there is the complexity of the novel, a genre that contemplates endless possibilities and therefore turn assertive decisions more difficult. The study yet shows that narrators rely on an old idea of what good literature is - dogmatic, incomprehensible, complex, inaccessible and produced by a small group of writers. Lastly, also according to Bakhtin\'s theory, which states that every discourse is political and therefore molded by the power relations, the narrators use obscure and wordy narratives to disguise insecurities or feel protected from possible criticism.

為讀者提供一份現代化的報紙，是各報身處多元化媒體競爭下，必須不斷創新改進的途徑。自報禁解除迄今，不少報紙陸續採取改版策略，尤其身為報社編輯，如何運用現代化科技，將讀者想看的重要新聞，以凸顯的形式設計成美觀、易讀的版面，發揮報紙好看、好讀、好找的特性，期使在新科技與新興媒體衝擊下，仍可在市場占有一席之地，正是本研究的最大目的。 　　研究方法是採深度訪談，針對七家報社十個大台北新聞版編輯為研究對象。研究問題可歸納為： 　　（一）在新科技與新興媒體衝擊下，不同報社之大台北新聞版編輯所設計版面之相同處與相異處；同時規劃未來報業所認定的理想版面雛型。 　　（二）探討不同報社之大台北新聞版編輯選擇新聞所考量因素之相同點與相異點；以及相同報社之大台北新聞版編輯選擇新聞所考量因素之差異情形。 　　研究步驟除了先了解受訪者個人背景資料外，在作版面分析時，則是針對欄位、標題、照片、圖象、色彩等變項分別探討。結果發現從事新聞工作時間愈長者，薪資所得愈高；但受限於報社制度不同，大多數編輯工作仍無法享有充分的自主權。 　　在版面編排部分，編輯是依版面設計、新聞重要性與新聞字數多寡決定欄位和字數，且都採塊狀拼版，每欄字數不宜一致化；標題字數最好不超過十字，至於應用何種字體，多半取決於主管規定，且會使用筆記式標題的情況並不多；理想的新聞照片數是三張，但受限於來源，版面可能出現毫無作用的照片，彩色版則是不可能呈現無照片；圖象在版面中的確有其重要性，但多數受訪者對報紙版面應否走向圖象化則持保留態度；對彩色版的處理，都是由美術編輯負責，雖然新聞版尚無全面彩色化，但卻是未來必然趨勢，文字編輯有必要加強這方面專業技能。 　　在選擇新聞部分，小版比大版編輯對新聞的取捨較無選擇權利；受訪者也會有移情作用，會依個人好惡、對事件的認知，以主觀意識決定重要新聞；當然也會考慮讀者所好，且只要不與政策牴觸，編報時是不會特別考慮報社利益的。 　　由於各報社實施電腦化情形不盡相同，也直接影響編輯作業。對於已完全電腦化的報社編輯認為作業比過去便利，也縮短流程，正朝版面精緻化目標邁進。這也是平面媒體在多元媒體競爭下，必須更善用新科技，以求不斷創新突破。 　　也就是說，新聞有深入淺出的內容，版面一目了然，最好全部彩色，有圖有表，並朝高度系統化編排，以索引、提示之形式方便讀者閱讀，同時以新科技解決中文編報的技術問題，這些都將是編輯工作努力的指標。

Rapporten är en reflekterande text som behandlar arbetsprocessen och omkringliggande mål för ett examensarbete inom medier som bedrivits mot Högskolan Skövde. Syftet med examensarbetet har varit att analysera huruvida en iterativ arbetsform inger fler fördelar än nackdelar vid level design till Unreal Tournament 3. Rapporten tar i diskussionsform upp delar ur hela produktionen för att redovisa utmaningar, framsteg och lösningar författaren bemött. En inblick ges för hur en iterativ level design-produktion kan utföras och för- respektive nackdelar gällande olika delar av denna specifika process. Slutsatsen som dras hävdar att det för med sig många fördelar att lägga upp arbetet iterativt. Detta diskuteras med vissa restriktioner då inget annat jämförbart arbete med annan arbetsprocess bedrivits av författaren som denne kan jämföra med.

Although companies and organisations worldwide publish in-house journals, there is no comprehensive theory (including technical and normative dimensions) available on this important public relations instrument. In particular, no research is available on what the characteristics of excellent South African in-house journals are or ought to be. In this study a number of dimensions are thus introduced in order to help create a comprehensive framework for analysing in-house journals, in particular South Africa’s leading in-house journals. Firstly, James Grunig’s excellence in public relations theory (published in 1992), which incorporates the concept of two-way symmetrical communication (which in turn is informed by a “symmetric” world view), is put forward as basic point of departure. Secondly, a set of technical criteria for excellent in-house journals gleaned from a wide range of sources, is compiled. Furthermore, the internal and external environments in which South African in-house journals function are identified. The role of other new media (such as e-mail, intranet, television and radio) is also taken into account. Five leading South African in-house journals are then analysed and the views of editors reflected. It was found that Abacus (Absa Bank), Harmonise (Harmony Gold Mining Company), Hello the future (MTN), Pick ’n Patter (Pick ’n Pay) and Sandaba (Sanlam) all measured up well against the theoretical statements flowing from the said theoretical points of departure. However, the analysis did also bring to the fore deviations from the said statements which give new insight into what is required to publish an excellent in-house journal. In conclusion, the criteria are evaluated against some of the more detailed findings of the analysis and adapted to create a set of theoretically based guidelines that can be used by South African companies, focusing inter alia on how the unique character and environment of a company influence its internal communication, to create excellent in-house journals. In final analysis, it is argued that all factors, starting with the philosophical points of departure informing communication strategies, management’s attitude toward internal communication, organisation culture, the socio-political environment in which in-house journals function as well as the technical aspects of these publications, need to be considered when formulating criteria for “excellent” in-house journalism. This study thus endeavours to contribute to the professional integrity of public relations in a sea of asymmetric, marketing-driven internal communication. / Thesis (Ph.D. (Communication Studies))--North-West University, Potchefstroom Campus, 2006.