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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 51 to 60 of 216 (0.021 seconds)Spelling suggestions: "subject:"emile"" "subject:"smile""
| 51 |
Les commerçants dans Au bonheur des dames.Marcoux, André January 1972 (has links)
No description available.
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| 52 |
Les Femmes dans La Bête humaine d'Emile ZolaWijns, Joseph January 1973 (has links)
No description available.
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| 53 |
Die Ästhetik des unschuldigen Auges Merkmale impressionistischer Wahrnehmung in den Kunstkritiken von Émile Zola, Joris-Karl Huysmans und Félix FénélonLamer, Annika January 2007 (has links)
Zugl.: Berlin, Freie Univ., Diss., 2007
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| 54 |
Spracheigentümlichkeiten des modernsten französisch erwiesen an Erckmann-ChatrianWimmer, Karl, January 1900 (has links)
Inaug.-diss.--Heidelberg. / Vita. Bibliography: p. i-v.
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| 55 |
Les pestilences du naturalisme : Zola descripteur des odeursSicotte, Geneviève January 1992 (has links)
The description of odour, frequent in Zola's work, has been little studied, most researchers having focused only on the visual description of this novelist. This dissertation, taking as its corpus Les Rougon-Macquart, explores this issue. The working hypothesis is that Zola reveals his impressionist tendencies in this type of description. The first chapter presents a brief history of the status of olfaction and description of odour in its philosophical, social as well as in literary context. The following chapter, after having defined a few concepts (notions from Hamon and Adam), presents the status of the description of odour in Zola's work. Four recurrent devices emerge: redundancy, multi-sensorial description, clausulae and turning points. The third chapter begins the study of the internal working of the description by examining the lexicon of odour. The lexicon of odour as used by Zola resorts mostly to the emotional and poetical functions of language. The final chapter continues the examination of modes of structuration, using Adam's notion of plan of text. The text concludes by maintaining that Zola's uniqueness is based on his marriage of impressionism and realism-naturalism. (Abstract shortened by UMI.)
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| 56 |
Les commerçants dans Au bonheur des dames.Marcoux, André January 1972 (has links)
No description available.
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| 57 |
Les Femmes dans La Bête humaine d'Emile ZolaWijns, Joseph January 1973 (has links)
No description available.
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| 58 |
A unity of vision: the ideas of Dalcroze, Kodaly and Orff and their historical developmentGiddens, Micheal John January 1993 (has links) (PDF)
Ultimately, the unity of vision discernable in the philosophies and teachings of Dalcroze, Kodály and Orff may stimulate contemporary music educators to unify their search for newer and ever more meaningful ways to ignite the spark of musical curiosity in the young, to assist in the development of musicians, and to generally help people discover and appreciate the joy of music.
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| 59 |
Medizin im Roman Untersuchungen zu "Les Rougon-Macquart" von Émile ZolaKüster, Sabine January 2006 (has links)
Zugl.: Frankfurt (Main), Univ., Diss., 2006
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| 60 |
Kampf der Paradigmen : die Literatur zwischen Geschichte, Biologie und Medizin : Flaubert, Zola, Fontane /Bender, Niklas. January 2009 (has links)
Freie Universität Berlin, Diss., 2007.
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