Thesis (Ph. D.)--University of Hawaii at Manoa, 2004. / Includes bibliographical references (leaves 363-383). / Also available by subscription via World Wide Web / viii, 383 leaves, bound ill., music 29 cm

Thesis (Ph. D.)--University of Hawaii at Manoa, 2004. / Includes bibliographical references (leaves 363-383).

Thesis (Ph. D.)--University of Pennsylvania, 1923. / "The works of Louis Bertrand": p. 105-106.

Abstract British composer Tarik Hamilton O’Regan is a significant choral composer of the early twenty-first century. O’Regan’s Magnificat and Nunc Dimittis and The Ecstasies Above exhibit two notable compositional techniques: minimalism influenced by Steve Reich and exoticism representing Balinese gamelan and Andalusian music. Additionally, Reich joins the technique of minimalism with the Renaissance practice of alternatim. The examination of these works will demonstrate the application of these two compositional techniques and how he integrates them into a textural context to evoke specific historical and cultural practices. Furthermore, this study will provide guidelines for researching and performing O’Regan’s choral works by explaining O’Regan’s stylistic characteristics.

No description available.

Thesis (Ph. D.)--Columbia University, 1989. / eContent provider-neutral record in process. Description based on print version record.

Thesis (Ph. D.)--Columbia University, 1989.

Thesis (Ph. D.)--Columbia University, 1926. / Vita. Published also without thesis note. Bibliography: p. 278-295.

Thesis--München. / Vita. Includes bibliographical references (p. 55-56).

Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2003. / Includes bibliographical references (leaves 72-81). Also available in electronic version. Access restricted to campus users.