Esta dissertação tem por tema a atuação do artista Oscar Pereira da Silva (1867 - 1939) enquanto pintor história no Museu Paulista, entre os anos de 1920 e 1922, durante a gestão de Afonso d\' Escragnolle Taunay (1876 - 1958). Quando do preparo do Museu Paulista, visando às celebrações do Centenário da Independência, em setembro de 1922, o artista foi, entre muitos outros, confiado por Taunay a realizar as pinturas cujo conteúdo remetiam a cenas do passado nacional, e do paulista, em particular. Busca-se compreender os meandros que possibilitaram o recrutamento de tal artista para a nova decoração empreendida dentro do Museu, a partir de sua atuação no meio artístico paulistano, - e as implicações de sua transferência do Rio de Janeiro, em fins do século XIX, - e o quanto das pinturas selecionadas para este estudo estavam inseridas em um debate maior que buscava destacar a importância de São Paulo na história do Brasil. / This dissertation has the theme of the performance artist Oscar Pereira da Silva (1867 - 1939) as history painter in the Paulista Museum, between the years 1920 and 1922 , during Afonso d\' Escragnolle Taunay ( 1876-1958 ) management. When the preparation of the Museum, targeting the Independence Centenary celebrations, in September 1922 , the artist was, among many others, entrusted by Taunay to perform paintings whose content remitted the scenes of the national past, and São Paulo, particularlly. We seek to understand the intricacies that allowed the recruitment of such artist for the new decor undertaken within the Museum, from its operations in São Paulo art world, - and the implications of his move from Rio de Janeiro, in the late nineteenth century, - and how those paintings, selected for this study, were included in a larger debate that sought to highlight the importance of São Paulo in Brazil\'s history .

Made available in DSpace on 2016-04-27T19:31:30Z (GMT). No. of bitstreams: 1 HIS - Rodolfo J Hessel.pdf: 20828599 bytes, checksum: 6934781ae98f359a38beedd3868d1b01 (MD5) Previous issue date: 2006-11-10 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The dissertation has as main proposal, to analyze as the iconography monçoeira was adapted by a political elite and learned inhabitant from São Paulo, a project idealize begun with the objective of executing São Paulo as the largest responsible for the formation of the Brazilian nation, creating for that the idealize pioneer in the end of the century XIX and beginning of the XX. The Monções interfere in that project, because they appear as one of the ideological supports for it implementation, mainly, for being a fluvial road that it was derived of a road used by the pioneers in the century XVIII, until becoming a commercial route that linked Porto Feliz to the gold mines of Cuiabá in a long and difficult trip. The largest implementation of that whole construction iconographic was it then director of the Museum From São Paulo Afonso de Taunay, that was used of a great visual apparatus as pedagogic instrument before the population, his writing and his contusing rhetoric served as support in that process, it was during his administration that several pictures were ordered and formed a room dedicated to the Monções. The image, of this sorts things out, it comes as source of inclusion multidiscipline that dialogues, above all, with a produced textual narrative. This way, it intends to interpret and to analyze the use of the images of the Monções, for an elite from São Paulo, with the support of the public patronage for the construction of a speech nationalism and ideologic. The research emphasizes the importance of a historical moment and it relationship with the history from São Paulo and the national, identifying the point of prominence of that expansionist movement and its connection with an elitist process, that it aimed at to put São Paulo instead of prominence before the remaining of the country / A dissertação tem como proposta principal, analisar como a iconografia monçoeira foi apropriada por uma elite política e letrada paulista, um projeto idealizador encetado com o objetivo de efetivar São Paulo como o maior responsável pela formação da nação brasileira, criando para isso o ideário bandeirante no final do século XIX e início do XX. As Monções inserem-se nesse projeto, pois surgem como um dos suportes ideológicos para sua implementação, principalmente, por ser um caminho fluvial que derivou-se de um caminho utilizado pelos bandeirantes no século XVIII, até se tornar uma rota comercial que ligava Porto Feliz às minas de ouro de Cuiabá em uma longa e difícil viagem. O maior implementador de toda essa construção iconográfica foi o então diretor do Museu Paulista Afonso de Taunay, que utilizou-se de um grande aparato visual como instrumento pedagógico perante a população, sua escrita e sua retórica contundente serviram de apoio nesse processo, foi durante sua gestão que diversos quadros foram encomendados e formada uma sala dedicada às Monções. A imagem, desta maneira, se apresenta como fonte de abrangência multidisciplinar que dialoga, sobretudo, com uma narrativa textual produzida. Deste modo, pretende-se interpretar e analisar a utilização das imagens das Monções, por uma elite paulista, com o apoio do mecenato público para a construção de um discurso ufanista e ideológico. A pesquisa ressalta a importância de um momento histórico e sua relação com a história paulista e a nacional, identificando o papel de destaque desse movimento expansionista e sua ligação com um processo elitista, que objetivava colocar São Paulo em lugar de destaque perante o restante do país

Esta dissertação tem por tema a atuação do artista Oscar Pereira da Silva (1867 - 1939) enquanto pintor história no Museu Paulista, entre os anos de 1920 e 1922, durante a gestão de Afonso d\' Escragnolle Taunay (1876 - 1958). Quando do preparo do Museu Paulista, visando às celebrações do Centenário da Independência, em setembro de 1922, o artista foi, entre muitos outros, confiado por Taunay a realizar as pinturas cujo conteúdo remetiam a cenas do passado nacional, e do paulista, em particular. Busca-se compreender os meandros que possibilitaram o recrutamento de tal artista para a nova decoração empreendida dentro do Museu, a partir de sua atuação no meio artístico paulistano, - e as implicações de sua transferência do Rio de Janeiro, em fins do século XIX, - e o quanto das pinturas selecionadas para este estudo estavam inseridas em um debate maior que buscava destacar a importância de São Paulo na história do Brasil. / This dissertation has the theme of the performance artist Oscar Pereira da Silva (1867 - 1939) as history painter in the Paulista Museum, between the years 1920 and 1922 , during Afonso d\' Escragnolle Taunay ( 1876-1958 ) management. When the preparation of the Museum, targeting the Independence Centenary celebrations, in September 1922 , the artist was, among many others, entrusted by Taunay to perform paintings whose content remitted the scenes of the national past, and São Paulo, particularlly. We seek to understand the intricacies that allowed the recruitment of such artist for the new decor undertaken within the Museum, from its operations in São Paulo art world, - and the implications of his move from Rio de Janeiro, in the late nineteenth century, - and how those paintings, selected for this study, were included in a larger debate that sought to highlight the importance of São Paulo in Brazil\'s history .

Esta dissertação tem por tema a pintura de história de Antônio Parreiras (1860-1937) realizada durante a Primeira República (1889-1930). Busca compreender a atuação do pintor no embrionário mercado das artes do entresséculos XIX-XX, com ênfase nas relações estabelecidas com os poderes públicos. Pretende mostrar como Parreiras foi capaz de estimular a demanda por pinturas decorativas para os espaços públicos que estavam sendo construídos ou reformados a fim de atender as necessidades do novo regime. Discute como, nestas obras, se combinaram ditames do encomendante e vontade do artista, que, para além de cumprir os contratos, imprimiu nos quadros sua visão da história nacional. Propõe uma compreensão das telas históricas de Parreiras analisadas à luz dos debates artísticos, intelectuais e historiográficos da época. Nesse sentido, salientamos o capítulo final da dissertação, dedicado à análise da representação dos indígenas em sua obra. Através desta investigação pretende-se iluminar o papel desempenhado por Antônio Parreiras em um ambiente marcado por disputas simbólicas renhidas. / The subject of this dissertation is the historical painting of Antônio Parreiras (1860-1937) produced during Brazilian\'s First Republic (1889-1930). It seeks to understand the painter\'s role in the embryonic art market between the XIX and XX centuries, emphasizing the establishment of relationships between him and the governments. It aims to show how Parreiras was able to stimulate the demand for decorative paintings for the public spaces that were being built or remodeled to meet the needs of the new regime. Furthermore, it discusses how, in his paintings, the ditames of the ordering party were combined with the will of the artist whom, besides fulfilling the contracts, imprinted on the paintings his vision of the national history. Parreiras\' historical canvases are important elements in the genesis process of our country\'s regional identities, throughout the making of republican ideal. This analysis intends to shed light on the part played by Antônio Parreiras in an artistic and intellectual environment marked by instability and hard fought contested symbolic disputes.

Esta dissertação tem por tema a pintura de história de Antônio Parreiras (1860-1937) realizada durante a Primeira República (1889-1930). Busca compreender a atuação do pintor no embrionário mercado das artes do entresséculos XIX-XX, com ênfase nas relações estabelecidas com os poderes públicos. Pretende mostrar como Parreiras foi capaz de estimular a demanda por pinturas decorativas para os espaços públicos que estavam sendo construídos ou reformados a fim de atender as necessidades do novo regime. Discute como, nestas obras, se combinaram ditames do encomendante e vontade do artista, que, para além de cumprir os contratos, imprimiu nos quadros sua visão da história nacional. Propõe uma compreensão das telas históricas de Parreiras analisadas à luz dos debates artísticos, intelectuais e historiográficos da época. Nesse sentido, salientamos o capítulo final da dissertação, dedicado à análise da representação dos indígenas em sua obra. Através desta investigação pretende-se iluminar o papel desempenhado por Antônio Parreiras em um ambiente marcado por disputas simbólicas renhidas. / The subject of this dissertation is the historical painting of Antônio Parreiras (1860-1937) produced during Brazilian\'s First Republic (1889-1930). It seeks to understand the painter\'s role in the embryonic art market between the XIX and XX centuries, emphasizing the establishment of relationships between him and the governments. It aims to show how Parreiras was able to stimulate the demand for decorative paintings for the public spaces that were being built or remodeled to meet the needs of the new regime. Furthermore, it discusses how, in his paintings, the ditames of the ordering party were combined with the will of the artist whom, besides fulfilling the contracts, imprinted on the paintings his vision of the national history. Parreiras\' historical canvases are important elements in the genesis process of our country\'s regional identities, throughout the making of republican ideal. This analysis intends to shed light on the part played by Antônio Parreiras in an artistic and intellectual environment marked by instability and hard fought contested symbolic disputes.

Submitted by André Luiz Faria Couto (andrecoutobm@gmail.com) on 2016-08-26T20:08:35Z No. of bitstreams: 1 Do Império à República - a vida política no município de Barra Mansa.pdf: 3900297 bytes, checksum: 1345a6212a021abe643dc36d5ab1a67f (MD5) / Approved for entry into archive by Rafael Aguiar (rafael.aguiar@fgv.br) on 2016-09-21T14:17:59Z (GMT) No. of bitstreams: 1 Do Império à República - a vida política no município de Barra Mansa.pdf: 3900297 bytes, checksum: 1345a6212a021abe643dc36d5ab1a67f (MD5) / Approved for entry into archive by Marcia Bacha (marcia.bacha@fgv.br) on 2016-09-22T13:10:39Z (GMT) No. of bitstreams: 1 Do Império à República - a vida política no município de Barra Mansa.pdf: 3900297 bytes, checksum: 1345a6212a021abe643dc36d5ab1a67f (MD5) / Made available in DSpace on 2016-09-22T13:11:24Z (GMT). No. of bitstreams: 1 Do Império à República - a vida política no município de Barra Mansa.pdf: 3900297 bytes, checksum: 1345a6212a021abe643dc36d5ab1a67f (MD5) Previous issue date: 2016-08-23 / The thesis focuses on the political life in the city of Barra Mansa, and in general, in Paraíba‟s Valley, passing from the last two decades of Brazilian Empire trough the end of the First Republic, in 1930. This period is known by the decline of coffee plantations in this region. Theses plantations reached its peak on the third quarter of the XIX century, and for the consequent economic configuration, the livestock development and the first industries showing up. The thesis addresses different aspects of the regional political reality, as: the essential characteristics of the instances of municipal power, the social composition of local political elite, the extension of electoral participation and the meaning of elections, the role of the press and other institutions on political game, the main themes on debate. This work also intends to confront the political reality of the Valley with theory interpretation lines ruling on Brazil‟s First Republic, with special interest in research on the validity of the concept of 'Coronelismo' for that context. It was of particular attention, in this regard, the identification and analysis of the levels of competition intra-oligarchic present there. / A tese focaliza a vida política no município de Barra Mansa (RJ), e de forma mais geral no Médio Vale do Paraíba fluminense, no período que se estende das duas últimas décadas do Império até o final da Primeira República, em 1930; período esse marcado na região pelo declínio da lavora cafeeira, que ali atingira seu auge no terceiro quartel do século 19, e por sua decorrente reconfiguração econômica, com o desenvolvimento da pecuária e o surgimento de suas primeiras unidades industriais de grande porte. O trabalho procurou abordar diferentes aspectos da realidade política regional, tais como: as características essenciais das instâncias de poder municipal, a composição social da elite política local, a extensão da participação eleitoral e o significado das eleições, o papel da imprensa e de outras instituições no jogo político, os principais temas presentes no debate. O trabalho pretendeu também confrontar a realidade política do Vale com as linhas de interpretação teórica dominantes na historiografia brasileira sobre o Império e a Primeira República, com especial interesse na investigação sobre a validade do conceito de coronelismo para aquele contexto. Foi de particular interesse, nesse sentido, a identificação e análise dos níveis de competição intra-oligárquica ali presentes.

In the period of the first Czechoslovak Republic social work was the important part of social politic and it worked as a repressive assistance, nowadays we consider social work as an activated and motivational help for clients. The then social work, which is the synonym for the social care, was provided in collaboration with public and private entities. The health, social and educational elements of provincial and district care were sucessfully united mainly in the Czech. These steps went to the comprehensive conception of social work. The Czechoslovak Republic relied on the work of volunteers and the state also supported them with finances and delegated many tasks on them. The multilateralism and jaggedness of extensive voluntary social work brought many advantanges for the state and many poor people were helped. The lack of authority and the ambivalence of voluntary social workers were the darker side of voluntary entities. The absence of the legal regulations was the main cause of these problems. Social workers in the first Czechoslovakia Republic made very important steps to establish social work as the fully-fledged work profession. These steps made by social workers included creation of a valuable and ethical frame work of social work. They have also created an international collaboration which has become standard of these days.

The thesis Radio Broadcasting for the German Minority in the Czech Countries until the Year 1945, with the Example of the Melnik Broadcast Transmitter describes the radio broadcasting for the German people living in Bohemia and Moravia in the period from its formation until the year 1945. It concentrates on the radio broadcaster in Melnik that was built in 1938 with the purpose of giving a special broadcasting to the German minority living in the Czech countries. The analytical part is divided into three sections: broadcasting for the Germans in the First and Second Republic and Protectorate of Bohemia and Moravia. Another chapter focuses on the broadcasting from The Soviet Union (especially on the broadcaster Sudetendeutscher Freiheitssender) and Great Britain. It focuses on the contrasting access to the radio broadcasting for this group from the side of the Czech political representation and from the side of the German state. In the Czechoslovakia, there was this broadcasting in hands of the private institution Urania. The Sudeten Germans have focused their attention to the German stations, which were offering them more popular program. This study describes the influence of the German propaganda on the Sudeten Germans behaviour and the reaction of the Czechoslovakian Broadcasting Company. It...

Dissertation thesis discusses the consumption of cocoa, coffee, tea and chocolate in the interwar period in the Czechoslovakia. On the basis of statistical data and examination of archival sources comes with the definition of the middle classes of the population, which those commodities consumed. The thesis shows the distribution of consumption of commodities based on the survey in blue-collar and white-collar families. Furthermore provides insight into the lives of families, distribution of their spending and the size of income. It refers to the representation of cocoa, coffee, tea and chocolate in the consumer basket and shows the elasticity of the mentioned commodities. For the central part of the research of the dissertation thesis chose the Czech territory only, because here were without difficulty accessible data sources. The Dissertation thesis clarifies the causes of consuming cocoa, coffee, tea and chocolate and concludes that each was consumed from another purpose, which resulted status of these commodities. Tea consumption has been designed especially for the higher classes of the population, chocolate bought mostly white-collar family, but over twenties speared consumption of chocolate products also among the middle and lower classes into the population. The chocolate products were subject to early 20s of the luxury tax. Cocoa was used in connection with cooking and baking, but families didnt use this product frequently. Coffee drank all layers of the population, but consumption was based on the social status of the consumer. Very frequently families consume rye coffee and chicory coffee. Dissertation thesis also highlights the regional differences between the classes, which were further intensified. Thesis examines in detail the amount of the duties of the commodity, which in the interwar period varied widely, and concludes that the duty to disproportionately increase the price of products and made it impossible for consumers to buy more of cocoa, coffee, tea and chocolate.

The study "Democrat Petr Zenkl (from teaching to the exile)" is a complex political monography of one of the most important Czechoslovak politicians, PhDr. Petr Zenkl. It focuses on his resistance to the rule of Austria-Hungary, his early activities and the beginnings of his political career, his municipal work in Prague, his participation in the governments of the First and Third Czechoslovak republic, his career in the Czechoslovak National Socialist Party and his leading role among anti-comunist exiles in the USA during the Cold War.