Zugl.: Strasbourg, Univ., Diss., 2003

Diss.--Philosophie--Uppsala, 2002. / Résumé en anglais. Sources et bibliogr. p. 377-387. Index.

Zugl.: Lausanne, Univ., Diss., 2007

Hannover, Universiẗat, Diss., 2001.

Univ., Diss--Lausanne, 2007.

In many of his choral works, Swedish composer Sven-David Sandström has sought a connection with the musical masters of the past. The number of Sandström works that bear a strong connection to Bach’s music is quite extensive and includes High Mass (1994), Magnificat (2005), the six motets (2003-2008) which constitute the Bach Motet Project under current discussion, and St. Matthew Passion, which recently premiered in Germany and Sweden in 2014. This study explores the extent to which Sven-David Sandström emulated the motets of J.S. Bach in the composition of his own motets. Further, this paper investigates these motets as a collection and examines two individual works within the collection as case studies for in-depth analysis. Ultimately, through analysis and discussion of the text, the division of text, the scoring of the motets, points of imitation, and specific compositional devices, the discussion explains how Sandström pays homage to Bach in the Motet Project primarily through the use of similar structural elements while maintaining his unique compositional voice to forge his own expressive path.

Zugl.: Passau, Univ., Diss., 2005

Zugl.: Cambridge, Univ., Diss., 2007

München, Univ., Diss., 2008.

Texte remanié de: Habilitationsschrift--Fakultät Geschichts- und Geowissenschaften--Bamberg--Otto-Friedrich-Universität. Titre de soutenance : Sozialasyl und Reichsschatzkammer, das Heilig-Geist-Spital in Nürnberg vom 14.-17. Jahrhundert. / A pour suite : "Stiftungen und Haushaltsführung im Heilig-Geist-Spital in Nürnberg : 14.-17. Jahrhundert" Bibliogr. p. 395-422. Index.