The purpose of this study was to present an analysis of the belief systems of the worldviews behind the religions of Christianity and African Traditional Religion with a view toward aiding the Christian church in African help its converts from African Traditional Religion to hold a biblical worldview in the areas where the biblical and traditional African worldviews conflict. The two worldviews were analyzed, and compared using the philosophical elements of a worldview and the religious dimensions of how a worldview is lived out in culture. Genesis 1-11 of the Christian Bible was used as the basis for the biblical or Christian worldview. The Christian believes that the Bible is God's inspired word to mankind and that what is recorded in Genesis 1-11 gives God's answers to the basic philosophical questions that make up a worldview. Therefore, Christian philosophy and the Christian worldview are postulated on God's special revelation as recorded in the Bible. The African worldview is based upon the sayings and traditions of the elders as received from the ancestors. The traditional African believes in the trustworthiness of the ancestors as strongly as the Christian believes in the trustworthiness of the Bible. When an African converts from African Traditional Religion to Christianity he encounters a conflict of beliefs in certain philosophical elements of his worldview. Upon the conviction that beliefs determine practice, unless the African convert to Christianity changes his beliefs he will not change his practice, and syncretism will be the result. After analyzing the two worldviews, the areas of conflict in beliefs were presented with recommendations for bringing the African Christian's worldview beliefs into conformity with the Christian worldview. / Religious Studies and Arabic / D.Litt. et Phil. (Religious Studies)

No description available.

Text in English / The rise of the biotechnical and genomic revolution has motivated contemporary artists to explore the use of scientific methods as a medium for art-making. The application of these ground-breaking methods within the realm of contemporary art allows for the distortion that exists between life sciences and the imagination to become a reality. This practice is known as transgenic art. With biotechnology as the new playing-field for art comes a myriad of dangerous implications, ethical issues, questions of authorship and responsibilities. The transgenic artworks of Eduardo Kac entitled GFP Bunny (2000) and Genesis (1999) form the basis of the research. The main question posed in this research explores the purpose of transgenic art and the unavoidable impact thereof on society. Social awareness of ethical issues surrounding this type of art-making is addressed. The poignancy of the study lies in debates deliberately introduced by the artist, but also unintended controversial issues that surface from the creation of living artworks. / Art History, Visual Arts and Musicology / M.A. (Visual Arts)

This thesis analyses ice-rich mountain permafrost with regard to its genesis, distribution, deformation and interaction with other environmental factors. The processes influencing ground ice formation in ice-rich and ice-poor mountain permafrost are highlighted. Factors influencing the presence of ice-rich permafrost are identified and their individual or combined effect on frozen ground is determined. Based on these findings, a new permafrost distribution map of Switzerland was created, which specifies permafrost temperature and ice contents and considers rock glacier creep paths. The deformation of rock glaciers is investigated with newly developed monitoring systems and concepts. This enables a better understanding of the processes leading to rock glacier acceleration at different time scales.

Relier le premier livre de la Bible au dernier, la Genèse à l’Apocalypse, c’est suivre toutes les étapes du dessein divin, de ce qu’on appelle en mythocritique biblique un ur-mythos (création, chute, rédemption), la Bible, cet immense réservoir d’images, de récits et de mythes, ayant nourri, selon Northrop Frye, l’imagination de l’Occident comme une unité. Dans un premier temps, nous examinerons, au niveau structural, l’articulation de la Genèse et de l’Apocalypse en nous intéressant aux convergences et aux divergences des textes génésiaque et johannique afin d’interroger leur sens, leur contenu et leur nature, la Genèse annonçant l’Apocalypse et l’Apocalypse réécrivant la Genèse. Lors des lectures transversales des deux livres bibliques, nous verrons comment s’opère l’interaction entre le texte biblique et le texte poétique dans le but de mettre en évidence les conditions des différentes réécritures poétiques.Dans un deuxième temps, nous étudierons la rémanence de ces deux livres bibliques dans l’oeuvre poétique de trois poètes majeurs du XXe siècle et dont les affinités sont nombreuses : Pierre Jean Jouve, Pierre Emmanuel et Odysséas Elytis (Prix Nobel de littérature en 1979). Révéler les éléments significatifs, les mythes, les épisodes et les images de la Genèse et de l’Apocalypse dans leur poésie et amorcer une réflexion sur la manière dont ces poètes s’approprient et réactivent l’union étroite du début à la fin, de la création et du péché à la fin des temps et à la rédemption, c’est l’enjeu de ce travail. Comment et pour quelles raisons les poètes s’inspirent-t-ils de ces livres bibliques ? Comment et par quels moyens les poètes évoquent-ils l’expérience poétique ou même l’histoire à travers ces deux mythes d’origine biblique ? En guise de réponse, Mallarmé disait à René Ghil qu’« on ne peut se passer d’Éden ». En effet, nous ne saurons nous passer de notre Éden... ni de notre Apocalypse. / Connecting the Bible from Genesis to Revelation, is to follow the steps of the divine purposem so-called ur-mythos (creation, fall, redemption) in biblical mythocriticism, the Bible, this huge reservoir of images, stories and myths, having influenced, according to Northrop Frye, the Western imagination as a unity. As part of this work, we examine at a structural level, the linking of Genesis and Revelation by evaluating the convergences and divergences in the text to explore their meaning, content and nature. Genesis announces the coming of the Apocalypse and Revelation re-writes Genesis. Traverse reading of the Bible shows how the interaction takes place between the biblical text and the poetic text, thus highlight the different conditions of poetic rewritings.We will emphasize the convincing presence of these two biblical books, in the poetic works of Pierre Jean Jouve, Pierre Emmanuel and Odysseus Elytis (Nobel Prize in Literature in 1979), major poets of the twenthieth century whose affinities are many, by revealing the significant biblical elements, myths, images and episodes from Genesis and Revelation in their poetry, then investigate how theses poets appropriated and galvanize this unity from the beginning of the creation to the end of time, from the original sin to the redemption. The question is how and why are these poets inspired from these two books of the Bible? How and by what methods do these poets evoke the poetic experience or even the history through these two biblical myths? Mallarmé said to René Ghil that ’’one cannot get beyond Eden’’. After all, we cannot go beyond our Eden... and our Apocalypse.

My primary argument in this thesis is that creation theologies significantly influenced early developments in the doctrine of the Trinity, especially in Augustine of Hippo’s theology. Thus this is a work of historical theology, but I conclude with proposals for how Augustine’s theologies of creation and the Trinity can be read fruitfully with modern theology. I critically analyse developments in trinitarian theologies in light of ideas that were held about creation. These include the doctrine of creation ‘out of nothing’ and ideas about other creative acts (e.g., forming or fashioning things). Irenaeus and other early theologians posited roles for God (the Father), the Word / Son, the Spirit, or Wisdom in creative acts without working out formal views on economic trinitarian acts. During the fourth century trinitarian controversies, creation ‘out of nothing’ and ideas about ‘modes of origin’ influenced thinking on consubstantiality and relations within the Trinity. Basil of Caesarea and others also presented ideas about trinitarian acts of creation and the Trinity in hexaemeral works. I will argue that in Augustine’s views of trinitarian acts of creation, he attributes roles to God (the Father), the Word / Son, and the Spirit. In his mature theology, he attributes the giving of formless existence, differentiated existence, and perfected existence to the three Persons respectively, while depicting shared roles. He also attributes to the Spirit the giving of the capability of ‘dynamic abiding’ to creatures, which gives them agency in continuing their existence. Augustine’s theologies of creation and the Trinity were significantly influenced by his exegesis of Gen. 1, John 1. 1-3, Wisdom, and other scriptures, and his ideas resonate with the hexaemeral works of Basil and Philo of Alexandria. I argue that scholars should examine these sources and Augustine’s own hexaemeral commentaries to gain a deeper understanding of his trinitarian theology.

White (1967:1203-1207) places the blame for the current raping of our environment on the Christians’ interpretation of Genesis 1:28 (“God blessed them and said to them: ‘Be fruitful and increase in number; fill the earth and subdue it. Rule over the fish of the sea and the birds of the air and over every living creature that moves on the ground”). White believes that the Christian interpretation of this verse teaches man to be arrogant toward nature and that God gives man the green light to exploit nature as man pleases. White has leveled serious accusations against the early Christians. This study interprets the Old Testament, New Testament and ancient theologians’ attitude towards creation and God. It deals with the accusations in accordance with the relevant Biblical and post-Biblical writers, to find the basis for the environmental crisis not in Christianity, but in animism. It is true that the ancient Christian writers were indeed more concerned about the hereafter than about the world as it is now. Yet, when one scrutinizes ancient writings, one soon realizes that in ancient biblical- and post-biblical time, earth stewardship has a profundity undreamed of by even the most speculative ecological philosophers. / Dissertation (MA (Greek))--University of Pretoria, 2005. / Ancient Languages / unrestricted

Submitted by Biblioteca Central (biblioteca@unicap.br) on 2017-10-09T17:44:47Z No. of bitstreams: 1 dissertacao_antonio_ivemar.pdf: 1096527 bytes, checksum: 04caca28bec8ca4eec2bb92ac535426f (MD5) / Made available in DSpace on 2017-10-09T17:44:47Z (GMT). No. of bitstreams: 1 dissertacao_antonio_ivemar.pdf: 1096527 bytes, checksum: 04caca28bec8ca4eec2bb92ac535426f (MD5) Previous issue date: 2010-07-26 / Among the various fields of interest of the Religion Sciences, the sacred and its impact over the cultures of different peoples and ages, has been studied by many who go through that vast field. Through bibliographic studies, this project, under the lights of the Religion Sciences, intends to make an hermeneutics comparative analysis about the relationship between the Babylonian poem of Creation, Enuma Elish, and the biblical account of creation in Genesis 1. This study, which is based on Comparative Theology, seeks to analyze the influence that a culture has when interacting with others. It aims to identify some similarities and differences between these two texts from different cultures and times. It also seeks to help the reader to understand how the myth can be understood and how it can be employed in the scientific field. After analyzing the survey data, we realize that there are some elements in common between the two poems. Among them we highlight: the creation of the universe, the firmament, the stars and man. We see, therefore, that in fact, when people interact with another culture than theirs, it comes to happen a mutual influence of one people over the other. / Dentre os vários campos de interesse das Ciências da Religião, o sagrado e seu impacto nas culturas dos diversos povos e épocas, tem sido objeto de estudo para muitos que enveredam nesse campo tão vasto. Através de pesquisa bibliográfica, o presente trabalho, à luz das Ciências da Religião, se presta a fazer uma análise hermenêutica comparativa sobre a relação entre o poema babilônico da criação, Enuma Elish, e o relato bíblico da criação em Gênesis 1,1—2,4a. Esse estudo, que tem como base a Teologia Comparada, busca fazer uma análise sobre a influência que uma cultura exerce quando interage com outra. Pretende sinalizar algumas semelhanças e diferenças entre esses dois textos de culturas e épocas diferentes. Procura ainda ajudar o leitor a perceber de que maneira o mito pode ser entendido e de que forma ele pode ser empregado no campo científico. Após a análise do levantamento de dados, percebemos que há alguns elementos em comum entre os dois poemas. Dentre eles destacamos: a criação do universo, do firmamento, dos astros e do homem. Percebemos, portanto, que de fato, quando um povo interage com outro de cultura diferente da sua, acaba havendo uma influência mútua de um povo em relação ao outro.

The colonists living in the new United States after the American War for Independence were faced with the problem of forming new identities once they could no longer recognize themselves, collectively or individually, as subjects of Great Britain. After the French Revolution American politicians began to weed out the more radical political elements of the newly formed United States, particularly by painting one of the revolution’s biggest defenders, Thomas Paine, as unworthy of the attention he received during the American War for Independence, and fear ran throughout the states that an anarchic revolution like the French Revolution could bring the downfall of the nation. State, local, and regional organizations sprang up to fight Jacobinism, the legendary secret group of murderers and anarchists that fought against the French government. This distressing situation gave rise to new literature that sought to describe the “real” origins and background of Jacobinism in the War in Heaven and in Eden, and a new movement against Jacobinism was established. Fears about the organization of secret societies did not wane in the decades after the French Revolution, but worsened in the last half of the 1820s when a Freemason, William Morgan, disappeared under mysterious circumstances in connection to an exposé of Masonry he had written. Most Americans assumed that Freemasons had abducted and murdered Morgan in order to keep their oaths and rites secret. One influential early American who was influenced by this socio-historical was Joseph Smith, Jr., the founding prophet of Mormonism. Smith interpreted the Eden narrative in light of the movement against secret societies, and literary motifs common to anti-Jacobin literature during the period provided language and interpretive strategies for understanding the Eden narrative that would influence how Smith produced his new scripture. Only a few months after the publication of the Book of Mormon Smith edited the version of Eden found there into the text of the Bible itself and made the biblical narrative conform to the version found in the Book of Mormon through his own revisions and additions.

Univerzita Karlova v Praze Fakulta humanitních studií Název oboru Filozofie Disertační práce (obor Aplikovaná etika) Uplatňování etického principu při tvorbě zdravotnického systému The Application of Ethical Principles in the Development of the Health System Mgr. Monika Válková Vedoucí práce: Doc. prim. MUDr. Iva Holmerová, Ph.D. Praha 2013 2 Anotace Disertační práce na téma Uplatňování etického principu při tvorbě zdravotnického systému je zaměřena na etické principy, které se promítaly ve vývoji zdravotnického systému v České republice. Solidarita, spravedlnost , rovnost a právo na zdraví jsou základní etické principy uplatňované ve zdravotnických systémech Z historického hlediska je solidarita nejstarším etickým principem , která měla vliv na utváření jednotlivých typů sociálních států v Evropě. Solidarita je zkoumána z pohledu vývoje sociálního zabezpečení v době nemoci a chudoby. Zdravotnický systém v České republice je hodnocen z hlediska uplatňování etických principů v různých etapách společenského uspořádání země od Rakouska Uherska a ž do současnosti. V praktické části disertační práce byly srovnávány s Českou republikou zdravotnické systémy Švédska a Francie dle etických principů solidarita, spravedlnost, rovnost a právo na zdraví Hlavním cílem disertační práce bylo prokázat na základě vybraných...