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In this thesis I analyze the Dutch frontispiece to Francois Valentijn?s 1726 book Oud en Nieuw Oost Indien and demonstrate that it is a significant artistic statement, original in its rich and imaginative iconography and emblematic program. I describe and explain the image and its iconographic program and emblematic structure. I compare the frontispiece to many other Dutch frontispieces and artworks that likewise feature the four continent allegories and other iconographic elements. I demonstrate the ways in which the frontispiece superbly and comprehensively summarizes and visualizes the text, which is the primary purpose of frontispieces. I also show how the image emulates early eighteenth-century Dutch culture by reflecting the period?s nostalgia for Golden Age styles and subjects. In conclusion I clarify the way in which the image functions emblematically and explain the twofold meaning of the emblem and proving that the image is exceptional and unique within the context of the historiography of Dutch frontispieces.

ASPECTS OF KING MACLAIN IN EUDORA WELTY’S THE GOLDEN APPLES by James Shimkus Under the Direction of Pearl A. McHaney ABSTRACT Much of the scholarship on Eudora Welty’s The Golden Apples focuses on Welty’s use of folklore and myth, particularly as presented in several of W. B. Yeats’s poems. The character King MacLain is most often associated with Zeus, Perseus, and Aengus. A close examination of King MacLain’s development during Welty’s composition and revision of The Golden Apples reveals associations between King and other figures from myth and folklore, including Odin, Loki, Finn MacCool, Brer Rabbit, the King of the Wood from James George Frazer’s The Golden Bough, and several types of Irish fairies. The many layers of allusion revealed by studying King MacLain suggest that close studies of other characters in The Golden Apples will illustrate the complexity and scope of Welty’s story-cycle. INDEX WORDS: Eudora Welty, The Golden Apples, King MacLain, Celtic myth, Finn MacCool, Brer Rabbit, The Golden Bough

Noise pollution can mask or distort bird songs, which inhibits mating success, predator detection, and parental response to begging calls. Road noise can cause lowered density and reproductive success in songbirds. I examined the impact of construction noise on reproductive success and territory selection of golden-cheeked warblers (Dendroica chrysoparia) at 3 sites: adjacent to road construction, adjacent to road-noise only, and a control with no noise or construction activity. I also examined birds' responses to experimental playback of construction noise to determine if warblers alter behavior in the presence of introduced road construction noise, if they have habituated to construction noise, and whether habituation is hindering their reproductive success. I used the Vickery reproductive index to evaluate productivity and automatic recording units to assess the levels of ambient noise in each site. From 2007-2009, productivity was stable in the road-noise only site and showed more annual variation in the construction and control sites; productivity was nearly identical in the latter 2 sites in 2008 and 2009. There was no significant difference in productive territory locations based on distance from road. Ambient noise was similar in the construction and roadnoise only sites but significantly different from the control. To examine habituation and territory placement, I (1) used construction noise playback to individual birds and evaluated occurrence of behavioral response as a function of distance from the roadway, and (2) established broadcast stations that simulate construction noise to determine impacts on territory selection. Of 88 surveys, 6 birds responded to construction noise playback. I conducted 18 control surveys and observed 1 behavioral response. All birds that responded were located greater than or equal to 140 m from the road. I established 3 broadcast stations per season in 2008 and 2009. In each year I placed broadcast units on the edges of randomly chosen territories identified during the previous field season. There was not a significant difference in mean territory shifts for broadcast and non-broadcast unit territories, and territory shifts did not show patterns in directionality or in reproductive success. Results suggest that construction noise does not appear to affect behavior or reproductive success of golden-cheeked warblers.

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ITC/USA 2013 Conference Proceedings / The Forty-Ninth Annual International Telemetering Conference and Technical Exhibition / October 21-24, 2013 / Bally's Hotel & Convention Center, Las Vegas, NV / A position beaconing system for tracking small mammals, such as the Golden Lion Tamarin, was developed and tested. GPS acquires location of the animal. The system utilizes a VHF radio transmitter tuned to 144.390 MHz, which is located in the amateur radio band. APRS was selected as the protocol for position, transmission, and recovery. This allows users to benefit from any existing APRS enabled devices. The beacon was designed by attempting to optimize operational longevity and minimize size. Consequently, the system is implemented on a single board and enclosed for protection. As the system must be comfortable for the mammal, it was manufactured from lightweight components and enclosed in a plastic housing. To attach the case to the mammal, it is connected to a flexible, zig-zag, wearable antenna, which functions as a collar.

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This dissertation investigates two areas rarely treated in Early Modern studies. First, it explores the origins, functions and importance of the entremes as a performance genre historically relegated to what Victor Turner has called the "liminal" spaces of social and scholarly discourse. These marginalized places of ambiguity in between one space and another provide the artist with a less restrictive creative setting in which to explore the otherwise difficult and even unmentionable social themes. Literally placed in between acts of the comedia performance experience, as well as chronologically placed in between the medieval pageant theater and the emerging early modern theater houses, the entremes serves as an entertaining breed of performance monster, building upon a thematic foundation "betwixt and between" acceptable and objectionable forms of theater.Second, the dissertation examines in detail the 12 lesser-known entremeses of Francisco de Quevedo as examples of liminality in the development of early modern theater practices. Specifically, the study analyzes these theater pieces as they subscribe to three categories of cardinal sin: desires of the ego (pride, wrath and sloth); desires of ownership (greed and envy); and desires of the body (lust and gluttony).As a result, this work hopes to demonstrate the aesthetic value of the interlude and the ways in which Quevedo's various manifestations of this liminal genre, based heavily on the construct of sin, both complement and contradict the model of the entremes as established by his predecessors.