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Main feature of the cohesion is connection between sentences in the text. It describes the ways in which components of sentences of a text are mutually connected (grammatically and lexically). Cohesion is non-structural text forming relations because cohesion depends not on structure but on semantic relations and it makes the text a semantic unit. / Pagrindinis kohenzijos tikslas yra ryšys tarp sakinių tekste. Ji apibūdina abipusį ryšį kuris jungia sakinius(gramatinį ir leksinį). Kohenzija yra nestruktūrinis teksto formavimo ryšys, ji nepriklauso nuo struktūros, tai semantinis ryšys ir tuo pačiu jis nurodo, kad tekstas yra semantinė dalis.

A couple travels through Spain in order to obtain an abortion for an unwanted pregnancy. The couple, an unnamed American man and a woman known only by the nickname Jig, has a much more complicated relationship than first seems and must navigate through complex emotions and gender roles. This story, and elaboration on Hemingway’s well known “Hills Like White Elephants”, attempts to give the characters introduced by Hemingway more depth and back story than the original short story.

Thesis (Ph.D.)--University of North Carolina at Greensboro, 2007. / Title from PDF t.p. (viewed Feb. 28, 2008). Directed by Scott Romine; submitted to the Dept. of English. Includes bibliographical references (p. 203-214).

With the exception of To Have and Have Not, the novels of Ernest Hemingway are set outside the United States; all, however, contain American characters. These Americans might be divided into three categories: American tourists; Americans who live abroad, but either do not like it or are not completely adjusted to it; the Hemingway heroes, characteristically American expatriates who are completely adjusted to and accepted in their alien environments. Toward the tourists, he maintains an attitude of contempt; toward the middle group, his attitude varies from disgust to sympathy; the heroes are, in various guises, Hemingway the expatriate, himself.

The purpose of this paper is to examine both the women in Hemingway's life and his works, to search for influences exerted by the biographical women, to categorize the fictional women, and to draw whatever conclusions the evidence may justify.

This study challenges the common assumption that Hemingway's early style is indebted to the work of Sherwood Anderson and Gertrude Stein and finds the evidence less than compelling. Unlike previous examinations, this study considers Hemingway's early journalism and correspondence as well as his first published fiction; additionally, it suggests models of influence other than Anderson and Stein, such as Ring Lardner and Stephen Crane. Because the critical tradition most often identifies "repetition" and "colloquialisms" as bases for attributing influence to Anderson and Stein, I discuss those characteristics individually, concluding that Hemingway's debt to Stein's use of repetition and Anderson's use of colloquial style has been overstated. I also assess the individual style of each author and identify the fundamental differences among them. And, finally, I suggest promising avenues which may lead to new associations between Hemingway and the forces which helped to shape his style. / Master of Arts