This dissertation explores the importance of the panorama for American Renaissance writers' participation in ideological formations in the antebellum period. I analyze how Ralph Waldo Emerson, Henry David Thoreau, Nathaniel Hawthorne, William Wells Brown, Henry Box Brown, and Harriet Beecher Stowe use the panorama as a metaphorical site to contest their different positions on epistemological and sociopolitical agendas such as transcendentalism, masculinist expansionism, and radical abolitionism. Emerson uses the panorama as a key metaphor to underpin his transcendental idealism and situate it in contemporary debates on vision, gender, and race. Connecting the panorama with optical theories on light and color, Emerson appropriates them to theorize his transcendental optics and makes a hierarchical distinction between light/transparency/panorama as metaphors for spirit, masculinity, and race-neutral man versus color/opacity/myopic vision for body, femininity, and racial-colored skin. In his paean to the moving panorama, Thoreau expresses his desire for Emersonian correspondence between nature and the spirit through transcendental panoramic vision. However, Thoreau's esteem for nature's materiality causes his panoramic vision to be corporeal and empirical in its deviation from the decorporealized vision in Emerson?s notion of transparent eyeball. Hawthorne repudiates the Transcendentalists' and social reformers' totalizing and absolutist idealism through his critique of the panorama and the emphasis on opacity and ambiguity of the human mind and vision. Hawthorne reveals how the panorama satisfies the desire for visual and physical control over the rapidly expanding world and the fantasy of access to truth. Countering the dominant convention of the Mississippi panorama that objectifies slaves as a spectacle for romantic tourism, Box Brown and Wells Brown open up a new American subgenre of the moving panorama, the anti-slavery panorama. They reconstruct black masculinity by verbally and visually representing real-life stories of some male fugitive slaves and idealizing them as masculine heroes of the anti-slavery movement. In Uncle Tom's Cabin, Stowe criticizes how the favorable representation of slavery and the objectification of slaves in the Mississippi panorama and the picturesque help to construct her northern readers' uncompassionate and hard-hearted attitudes toward the cruel realities of slavery and presents Tom's sympathetic and humanized "eyes" as an alternative vision.

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A presente tese carrega o ônus de afirmar a relevância dos textos de Henry David Thoreau para a filosofia moral. Duas estratégias paralelas foram utilizadas para cumprir a tarefa. A primeira consiste na discussão pormenorizada de um conjunto de autores que apresentaram para Thoreau diferentes visões sobre a moralidade e o papel da filosofia na tecitura de uma vida digna de ser vivida: o Unitarismo de William Ellery Channing, as doutrinas do Scottish Common Sense de Dugald Stewart e Thomas Reid, o utilitarismo teológico de William Paley, o intuicionismo racional dos Platonistas de Cambridge (representados aqui por Ralph Cudworth), Orestes Brownson e Ralph Waldo Emerson – dois dos principais nomes do Transcendentalismo da Nova Inglaterra e Samuel Taylor Coleridge, Victor Cousin e Thomas Carlyle – primeiros intérpretes do Idealismo Alemão para o mundo de língua inglesa. A segunda estratégia articula a reação de Thoreau a essas diferentes posições sobre a moralidade, mostrando como, a partir dessa reação, ele foi capaz de formular um exercício de pensamento moral, cristalizado, emblematicamente, na escritura de Walden. O conceito de “identidade ficcional” foi pensado para capturar as diferentes técnicas utilizadas nesse exercício. / The present thesis carries the burden of asserting the relevance of Henry David Thoreau´s texts for moral philosophy. Two parallel strategies have been used to complete the task. The first is a thorough discussion of a group of authors who presented to Thoreau different views on morality and the role of philosophy in the weaving of a life worthy of being lived: William Ellery Channing´s Unitarianism, the doctrines of the Scottish Common Sense - Dugald Stewart and Thomas Reid, William Paley´s theological utilitarianism, rational intuitionism of Cambridge Platonists (represented here by Ralph Cudworth), Orestes Brownson and Ralph Waldo Emerson - two of the leading names of New England Transcendentalism and Samuel Taylor Coleridge, Victor Cousin and Thomas Carlyle - first interpreters of German Idealism to the English-speaking world. The second strategy articulates Thoreau´s reaction to these different positions on morality, showing how, from this reaction, he was able to formulate an exercise in moral thinking, crystallized, emblematically, in the writing of Walden. The concept of "fictional identity" was designed to capture different techniques used in this exercise.

A presente tese carrega o ônus de afirmar a relevância dos textos de Henry David Thoreau para a filosofia moral. Duas estratégias paralelas foram utilizadas para cumprir a tarefa. A primeira consiste na discussão pormenorizada de um conjunto de autores que apresentaram para Thoreau diferentes visões sobre a moralidade e o papel da filosofia na tecitura de uma vida digna de ser vivida: o Unitarismo de William Ellery Channing, as doutrinas do Scottish Common Sense de Dugald Stewart e Thomas Reid, o utilitarismo teológico de William Paley, o intuicionismo racional dos Platonistas de Cambridge (representados aqui por Ralph Cudworth), Orestes Brownson e Ralph Waldo Emerson – dois dos principais nomes do Transcendentalismo da Nova Inglaterra e Samuel Taylor Coleridge, Victor Cousin e Thomas Carlyle – primeiros intérpretes do Idealismo Alemão para o mundo de língua inglesa. A segunda estratégia articula a reação de Thoreau a essas diferentes posições sobre a moralidade, mostrando como, a partir dessa reação, ele foi capaz de formular um exercício de pensamento moral, cristalizado, emblematicamente, na escritura de Walden. O conceito de “identidade ficcional” foi pensado para capturar as diferentes técnicas utilizadas nesse exercício. / The present thesis carries the burden of asserting the relevance of Henry David Thoreau´s texts for moral philosophy. Two parallel strategies have been used to complete the task. The first is a thorough discussion of a group of authors who presented to Thoreau different views on morality and the role of philosophy in the weaving of a life worthy of being lived: William Ellery Channing´s Unitarianism, the doctrines of the Scottish Common Sense - Dugald Stewart and Thomas Reid, William Paley´s theological utilitarianism, rational intuitionism of Cambridge Platonists (represented here by Ralph Cudworth), Orestes Brownson and Ralph Waldo Emerson - two of the leading names of New England Transcendentalism and Samuel Taylor Coleridge, Victor Cousin and Thomas Carlyle - first interpreters of German Idealism to the English-speaking world. The second strategy articulates Thoreau´s reaction to these different positions on morality, showing how, from this reaction, he was able to formulate an exercise in moral thinking, crystallized, emblematically, in the writing of Walden. The concept of "fictional identity" was designed to capture different techniques used in this exercise.

A presente tese carrega o ônus de afirmar a relevância dos textos de Henry David Thoreau para a filosofia moral. Duas estratégias paralelas foram utilizadas para cumprir a tarefa. A primeira consiste na discussão pormenorizada de um conjunto de autores que apresentaram para Thoreau diferentes visões sobre a moralidade e o papel da filosofia na tecitura de uma vida digna de ser vivida: o Unitarismo de William Ellery Channing, as doutrinas do Scottish Common Sense de Dugald Stewart e Thomas Reid, o utilitarismo teológico de William Paley, o intuicionismo racional dos Platonistas de Cambridge (representados aqui por Ralph Cudworth), Orestes Brownson e Ralph Waldo Emerson – dois dos principais nomes do Transcendentalismo da Nova Inglaterra e Samuel Taylor Coleridge, Victor Cousin e Thomas Carlyle – primeiros intérpretes do Idealismo Alemão para o mundo de língua inglesa. A segunda estratégia articula a reação de Thoreau a essas diferentes posições sobre a moralidade, mostrando como, a partir dessa reação, ele foi capaz de formular um exercício de pensamento moral, cristalizado, emblematicamente, na escritura de Walden. O conceito de “identidade ficcional” foi pensado para capturar as diferentes técnicas utilizadas nesse exercício. / The present thesis carries the burden of asserting the relevance of Henry David Thoreau´s texts for moral philosophy. Two parallel strategies have been used to complete the task. The first is a thorough discussion of a group of authors who presented to Thoreau different views on morality and the role of philosophy in the weaving of a life worthy of being lived: William Ellery Channing´s Unitarianism, the doctrines of the Scottish Common Sense - Dugald Stewart and Thomas Reid, William Paley´s theological utilitarianism, rational intuitionism of Cambridge Platonists (represented here by Ralph Cudworth), Orestes Brownson and Ralph Waldo Emerson - two of the leading names of New England Transcendentalism and Samuel Taylor Coleridge, Victor Cousin and Thomas Carlyle - first interpreters of German Idealism to the English-speaking world. The second strategy articulates Thoreau´s reaction to these different positions on morality, showing how, from this reaction, he was able to formulate an exercise in moral thinking, crystallized, emblematically, in the writing of Walden. The concept of "fictional identity" was designed to capture different techniques used in this exercise.