[pt] Esta pesquisa discutiu a produção de liderança, nas práticas relacionais de uma organização do movimento estudantil brasileiro, na qual foi realizada uma etnometodologia situada em múltiplas localidades onde a organização atua. Desde o retorno do movimento de pós-graduação à cena pública brasileira, em 2019, nas manifestações que ficaram conhecidas como tsunami da educação, contra os cortes orçamentários das universidades federais, o sistema nacional de pós-graduação brasileiro enfrenta o contingenciamento constante de recursos e cortes orçamentários de programas e projetos, que incidem direta e imediatamente sobre a realidade de seus atores. Nesse contexto, organizações representativas de pós-graduação protagonizam um papel importante na produção de práticas de organização, que oferecem às ações de seus participantes um tipo de direcionalidade favorável ao atendimento de suas demandas: liderança. No entanto, pensar a liderança para além das organizações clássicas comuns aos setores privados da sociedade civil empresarial, de modo a conceber suas práticas em estruturas organizacionais informais e descentralizadas, onde a figura de líderes heroicos e individuais desvanece, ainda é um desafio para o campo de pesquisa do fenômeno. Também é desafiador pensar as práticas de liderança fora do pressuposto de alcance de objetivos instrumentais definidos para o bom funcionamento das organizações. Esses desafios, entretanto, não apontam para inexistência da liderança, mas para existência de práticas não empresariais/gerenciais de organização relacionadas ao fenômeno ainda pouco compreendidas em organizações de resistência e luta social. A análise etnometodológica destaca duas práticas de liderança produzidas nas interações entre os participantes da organização estudada. / [en] This research discussed the leadership production in the relational practices of a Brazilian student movement organization in which an ethnomethodology located in multiple locations where the organization operates was carried out. Since the return of the postgraduate movement to the Brazilian public scene in 2019 during the manifestations known as tsunami da educação, against the federal universities budget cuts, Brazilian national postgraduate system face the constant contingency of resources and budget cuts for programs and projects which direct and immediately affect the reality of their actors. In this scenario, postgraduate representative organizations play an important role in producing organizing practices that offer to the actions of their participants a type of directionality favorable to the resolution of their demands: leadership. However, it is still a challenge for the field to think about leadership beyond the classic organizations usually found in private sectors of business-civil society, so as to conceive their practices in informal and decentralized organizational structures, where the figure of heroic and individual leaders fades. It is also challenging to think about leadership practices outside the assumption of achieving instrumental goals defined for the proper functioning of organizations. These challenges, nonetheless, do not indicate the non-existence of leadership, but the existence of non business/managerial organizing practices related to the phenomenon that are still poorly understood in resistance and social struggle organizations. The ethnomethodological analysis highlights two leadership practices produced in the interactions between the participants of the studied organization.

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This thesis is about Gesar epic in the culture of The Gesar epic in the cultures of Inner Asian ethnic groups, primarily of Mongolian and Tibetan. After the general introduction to the Gesar epic there is a short history of Gesar epic studies and list of different versions of epic in every region it is known. In the central part the thesis deals with a development of religion cult of the main epic hero. A special attention was put on a ritual of smoke offering, known as sang and on texts related to this ritual. Then there is a description of Gesar's reflection in iconographic Buddhist art as well as in modern art. The end of the thesis is dedicated to a structural analysis of one sang text, its transcription and Czech translation are given at the supplement of the thesis with some images of Gesar in art.

"Endymion" è il traît d'union tra i juvenilia di Keats ("Poems", 1817) e i suoi lavori più conosciuti ("Lamia, Isabella ... and other Poems"). Per sua natura, è un'opera di transizione e quindi concede allo studioso un punto di vista privilegiato sullo sviluppo della poetica e della lingua di Keats. Inoltre, l'"Endymion" è l'opera keatsiana più aspramente contestata dalla critica romantica. Gli studiosi moderni hanno analizzato il problema alla luce di considerazioni socio-politiche, il mio lavoro mira invece ad un'analisi più strettamente linguistica. Ricostruisco il contesto linguistico del diciottesimo e diciannovesimo secolo al fine di spiegare il disagio dei recensori nei confronti di "Endymion". Sostengo che il prescrittivismo del Settecento nasce da una profonda ansia relativa alla lingua, causata dalle teorie di Locke. L'atteggiamento prescrittivista influenza la critica romantica e i critici di Keats in particolare, più di quanto potessero fare considerazioni di natura politica. Analizzo le peculiarità linguistiche e strutturali di "Endymion" al fine di provare che Keats elabora una 'poetica dell'incontrollabilità', una serie di strategie stilistiche e testuali, che violano le convenzioni linguistiche e narrative e che vengono quindi percepite come destabilizzanti e stranianti. / "Endymion" is the traît d’union between Keats’s juvenilia ("Poems", 1817)and his better known, and, conventionally, ’mature’ works ("Lamia, Is- abella ... and other Poems", 1820). By its nature, it is a transitional work, and thus gives the scholar special insight into the development of Keats’s poetics and idiom. Moreover, "Endymion" is the Keatsian work which most irritated and provoked contemporary critics; the two pieces of venomous invective it received in the periodical press of the time have become the stuff of scholarly legend. Recent scholarly work has analysed the language of "Endymion" in socio-political terms; my work focuses on more strictly linguistic concerns. I reconstruct the linguistic context of the eighteenth and early nineteenth centuries in order to explain the reviewers’ unease with regard to "Endymion". I maintain that eighteenth-century prescriptivism arose from a deep-seated anxiety regarding language, Lockian in origin, and that the ensuing desire to stabilize and therefore control language informed Romantic criticism in general, and the criticism of Keats’s work in particular, more fundamentally than politics could or did. I analyse the imaginative and linguistic markers of "Endymion" in order to prove that Keats had elaborated a “poetics of uncontrollability”, a series of textual and stylistic strategies, which violated linguistic and narrative standards and were therefore perceived as unsettling.

Handreichung für Lehrer zur Durchführung einer Unterrichtseinheit mit Stundenverlaufsplanung und Materialien. Gegenstand der Unterrichtseinheit ist es, mit den Schülern den Weg zum mittelalterlichen Text über die Rezeption des Textes in Schulbüchern aus der Zeit des Nationalsozialismus und aus der DDR zu vollziehen.

In her doctoral thesis the author would like to present the play Yoshitsune and the Thousand Cherry trees (Yoshitsune senbonzakura) as a unique piece of Japanese drama which has a great complexity and an outstanding place within the corpus of Japanese literature. Even if the play can be compared to Chushingura mono in its importance, Yoshitsune senbonzakura has not been widely translated to western languages. There are two exceptions, however: the English translation (Jones, Jr. 1993) and the German translation (Klopfenstein 1982). While comparing the two translations and using the most full original texts available (as preserved in Takeda Izumo and Namiki Sosuke Joruri Collection and Yuda Yoshio's Bunraku Joruri Collection), the author's goal is to present the play to Czech readers and its interpretation to Czech scholars. As for the flow and structure of the interpretation of Yoshitsune senbonzakura the author begins with the historical background of the legend of Minamoto Yoshitsune, capturing the life of Yoshitsune from the time of Heiji rebellion (1159) when he was born to his death in 1189. Next the author concentrates on the legend itself as it evolved within the course of Japanese literature. With a shift from the court literature of Heian period towards the battlefield stories and...

In her doctoral thesis the author would like to present the play Yoshitsune and the Thousand Cherry trees (Yoshitsune senbonzakura) as a unique piece of Japanese drama which has a great complexity and an outstanding place within the corpus of Japanese literature. Even if the play can be compared to Chushingura mono in its importance, Yoshitsune senbonzakura has not been widely translated to western languages. There are two exceptions, however: the English translation (Jones, Jr. 1993) and the German translation (Klopfenstein 1982). While comparing the two translations and using the most full original texts available (as preserved in Takeda Izumo and Namiki Sosuke Joruri Collection and Yuda Yoshio's Bunraku Joruri Collection), the author's goal is to present the play to Czech readers and its interpretation to Czech scholars. As for the flow and structure of the interpretation of Yoshitsune senbonzakura the author begins with an analysis of the historical background of the legend of Minamoto Yoshitsune, capturing the life of Yoshitsune from the time of Heiji rebellion (1159) when he was born to his death in 1189. Next the author concentrates on the legend itself as it evolved within the course of Japanese literature. With a shift from the court literature of Heian period towards the battlefield...

The design of cultural centre is situated in part Kozia Hôrka( well-known city swimming pool), in its advantage takes natural scenery and calm atmosphere of place. Into action of performance brings a message in form of body of reservoir, function of centre is divided into small parts placed in area Kozia Hôrka. Orientation of objects comes mainly from local natural ispirations. Complex is multifunctional in concept, counts with several sorts of culture - sports events. Whereby the main function of swimming pool is preserved and added for higher comfort of inhabitants. Architecture of objects comes from idea of floating leaf on water level and body of reservoir. Objects stylizely illustrate this idea. The design takes the game of solids of organic and strictly ortogonal shapes. Two mutual opposites, in interaction. Objects smoothy and with respect encroach the environment, which is enough marked by human. Simplicity in used materials ( glass, steel, wood ) give transparency and purity to whole solution.