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La presente tesis se encuadra dentro del debate sobre el papel de las universidades en el desarrollo socioeconómico de las regiones. En la primera parte de la tesis se presenta una revisión de la literatura sobre economía regional, centrada en cómo tres conceptos principales ¿distrito industrial, cluster y sistema local de innovación-- han tratado desde sus respectivos enfoques teóricos, el papel de las instituciones de educación superior. En la segunda parte de la tesis se presentan los aspectos metodológicos de cómo abordar el análisis de un fenómeno tan complejo como es el de la evolución del papel de una universidad, atendiendo a la selección del caso estudio, los diferentes niveles de análisis, así como las técnicas de investigación y de recolección y posterior análisis de datos. En la tercera parte de la tesis se muestran los resultados empíricos traducidos en la presentación, tanto del contexto en donde se inserta la universidad objeto de estudio, como de las tres etapas identificadas en la historia de la institución que, si bien presentan características propias de una región de baja tecnología, han sufrido cambios institucionales que conviene tener en cuenta no sólo desde el punto de vista de las políticas universitarias, sino también desde el punto de vista de la gestión de las instituciones de educación superior. Definitivamente, en la cuarta y última parte de la tesis se presentan las principales conclusiones que se desprenden del estudio realizado a lo largo de esta tesis. / This thesis is framed within the debate on the role of universities in the socioeconomic development of regions. It has three distinct parts. The first part of the thesis presents a review of the literature on regional economy, focusing on how three main concepts - industrial district, cluster and local innovation system - have addressed from their respective theoretical approaches, the role of Higher Education Institutions. The second part of the thesis presents the methodological aspects of how to approach the analysis of a phenomenon as complex as is the changing role of a university, based on the selection of the case study, different levels of analysis and research techniques and collection and subsequent data analysis. The third part of the PhD dissertation presents the empirical results of the thesis translated into the presentation of the context in which to insert the university under study, and the three stages identified in the history of the institution, although their characteristics specific to a region of low-tech, have been institutional changes should take into account not only from the viewpoint of university policies, but also from the standpoint of managing Higher Education Institutions. Definitely, the fourth and final part of the thesis presents the main findings from the study along this thesis. / Ortega Colomer, FJ. (2013). The evolution of a higher education institution's local role in a peripheral low-tech region [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/34789

Uppsatsen diskuterar fem historielärares erfarenhet av att arbeta med skönlitteratur ihistorieundervisningen samt deras syn på dess användbarhet och roll i historieämnet.Studien har använt en kvalitativ metod och det empiriska materialet har bestått av femintervjuer med fem olika historielärare. Materialet har transkriberats och genomgått bådesortering samt reducering med hjälp av kodning där erfarenheter av att använda skönlitteratur ihistorieundervisningen på gymnasiet, hur skönlitteratur använts samt vilka möjligheter ochsvårigheter som finns med att arbeta med skönlitteratur i historieundervisningen var det somsöktes. Resultatet analyserades med hjälp av tidigare forskning samt tre begrepp, historisksignifikans, historiskt perspektiv samt evidens, från Seixas och Mortons teori kring historiskttänkande.Resultatet visar hur de fem lärarna arbetat med skönlitteratur i historieundervisningen ochde många fördelar som finns med skönlitteratur i historieundervisningen. Framför alltskönlitteraturens möjligheter att skapa ett intresse för ämnet hos eleverna, möjligheter att arbetamed källkritik och historiebruk samt för att hjälpa elever att utveckla sitt historiskaperspektivtagande sågs som positivt. Den stora svårighet som nämndes var den tidsbrist somfinns i historieämnet på gymnasienivå vilket har lett till att skönlitteraturen inte används i denutsträckning som hade önskats av lärarna. / This paper discusses five history teachers experience working with fiction in history teachingas well as their views on its usefulness and role in the subject of history.The study has used a qualitative method and the empirical material has consisted of fiveinterviews with five different history teachers. The material has been transcribed and then beensorted and reduced with the help of coding, where experiences of using fiction in historyteaching at upper secondary school, how fiction has been used and what opportunities anddifficulties there are in working with fiction in history teaching were what was sought. Theresult was analyzed using previous research and three concepts, historical significance,historical perspective, and evidence, from Seixas and Morton’s theory of historical thinking.The result shows how the five teachers worked with fiction in history teaching and themany advantages of using fiction in history teaching. Above all, fiction’s opportunities to createan interest in the subject among the students, opportunities to work with source criticism andthe use of history and to help the students develop their historical perspective-taking were seenas positive. The major difficulty that was mentioned was the lack of time in the history subjectat upper secondary school level, which led to fiction not being used to the extent that mighthave been desired by the teachers.

"Liszt's music, unlike that of Mozart, projects the man. With rare immediacy, it gives away the character of the composer. ... " (Brendel 1986, 3) The purpose of this study is to examine Liszt's song genre from an historical and stylistic standpoint as a reflection of Liszt's ongoing personality and style development. this end the following will be presented: - an overview of Liszt's life circumstances which reflect his personality development - a chronological classification ofLiszt's song genre - the songs viewed historically as a reflection of the man - characteristics in the revisions of the songs which reveal Liszt's ongoing developing style - a study of the development ofLiszt's harmonic and tonal language as agents of colour and textual imagery. Liszt's song oeuvre will be studied in relation to the man himself in order to revtal his motives, his values, the experiences that moved him, and the ways in which he reproduced them in music. / Department of Musicology / M.Mus.

Nesta pesquisa buscamos investigar o movimento de significação de problemas na Abordagem Didática do Ensino por Investigação a partir das contribuições da perspectiva histórico-cultural. Metodologicamente, o trabalho foi organizado em duas etapas: a primeira compreende as discussões teóricas vygotskyanas sobre a noção de problema pautada na humanização, com foco no processo de significação na dimensão pedagógica. Nessa perspectiva, identificamos e discutimos alguns elementos que podem ajudar a potencializar o processo de significação de problemas mediadores de segunda ordem, isto é, problemas conceituais, cujo critério de seleção pauta-se em temas ou conteúdos de ciências. Esses elementos foram denominados de elementos significadores, quais sejam: necessidades, contradições, colaborações e imaginações. A partir dessas discussões, buscamos analisar a noção de problema no ensino por investigação, bem como seu papel e função nas Sequências de Ensino Investigativas (SEI). Constatamos duas noções de problemas nesta abordagem de ensino, as quais estão situadas na perspectiva da Alfabetização Científica, quais sejam: os problemas didáticos que são elaborados previamente pelo professor para serem trabalhados em sala de aula, cujo critério de seleção é conceitual e os novos problemas que surgem no decorrer da implementação da atividade, isto é, emergem das interações entre aluno-aluno e aluno-professor. A segunda etapa da pesquisa foi compreendida pela análise qualitativa de uma aula investigativa de ciências, integrada a uma Sequência de Ensino Investigativa, denominada Navegação e Meio Ambiente, realizada com alunos do 3º ano do ensino fundamental de uma escola municipal de São Paulo-SP. Dentre os resultados empíricos, destacamos que o movimento de significação do problema didático ocorreu em três grandes momentos: o primeiro foi marcado pela transformação da função mediadora do PD em objeto de conhecimento, tornando-se o motivo da atividade. O segundo momento foi marcado pelas tensões vivenciadas pelos estudantes e pela professora ao enfrentar o problema didático. Neste momento, diferentes sentidos sobre o PD foram atribuídos pelos alunos, assim como diferentes PPS emergiram da relação de enfrentamento ao problema didático, mediando e potencializando o processo de significação do PD. O terceiro e último momento de significação do PD foi marcado pela sua resolução a partir da estratégia de simulação do PD utilizada pela professora. Com base nos resultados teórico-empíricos, defendemos a tese de que os problemas didáticos comumente abordados em propostas norteadas pelos princípios do ensino por investigação podem apresentar aspectos que envolvem a humanização do ponto de vista de Vygotsky, a partir da relação estabelecida com os elementos significadores: necessidades, contradições, colaborações e imaginações, manifestadas nos PPS. Os problemas didáticos, portanto, podem ser qualificados como problemas conceituais significativos, próximos de uma prática social significativa para os alunos investigarem, desde que diferentes PPS emerjam das tensões vivenciadas em sala de aula, provocadas pelos diferentes sentidos atribuídos pelos sujeitos ao problema em estudo. / In this research, we aimed to investigate the movement of problem significations in the Didactic Approach of Research Teaching from the contributions of the cultural-historical perspective. Methodologically, our work was organized in two stages: the first one comprises the Vygotskian theoretical discussions about the notion of problem based on humanization, focusing on the process of signification in the pedagogical dimension. From this perspective, we identified and discussed some elements that may help potentializing the signification process of second order mediating problems, that is, conceptual problems, whose selection criterion is related to sciences themes or contents. These elements have been denominated signifying elements, namely: needs, contradictions, collaborations and imaginations. From these discussions, we seek to analyze the notion of problem in teaching by investigation, as well as its role and function in the Sequences of Investigative Teaching. We found two notions of problems in this teaching approach, situated in the perspective of Scientific Literacy, which are: the didactic problems, that are elaborated previously by the teacher to be implemented in the classroom, whose selection criterion is conceptual and the new problems, that arise during the activitys implementation, that is, emerge from the interactions student-student and student-teacher. The second stage of the research consisted in the qualitative analysis of a sciences research class, integrated to an Investigative Teaching Sequence, called Navigation and Environment, carried out with 3rd year elementary school students of a municipal school of São Paulo, Brazil. Among the empirical results, we highlight that the movement of signification of the didactic problem occurred in three great moments: the first was marked by the transformation of the mediating function of the DP into object of knowledge, becoming the motive of the activity. The second moment was marked by the tensions experienced by the students and the teacher in facing the didactic problem. At this point, different senses of the DP were attributed by the students, just as different PSP emerged from the relation in coping with the didactic problem, mediating and potentializing the DPs signification process. The third and last moment of signification of the DP was marked by its resolution based on the DPs simulation strategy used by the teacher. Based on the theoretical-empirical results, we defend the thesis that the Didactic Problems commonly addressed in proposals guided by the principles of research teaching can present aspects that involve humanization from Vygotsky s point of view, from the relation established with the signifying elements: needs, contradictions, collaborations and imaginations, manifested in the PSP. The Didactic Problems, therefore, can be qualified as signifying conceptual problems, close to a significant social practice for the students to investigate, since different PSP emerge from the tensions experienced in the classroom, provoked by the different senses attributed by the subjects to the problem under study.

O presente trabalho pretende investigar a evolução do setor agroindustrial canavieiro paulista a partir de 1933, com a criação do Instituto do Açúcar e do Álcool (IAA), até o ano de 2010. Procura dimensionar a expansão da agroindústria canavieira em São Paulo, relacionando-a com o contexto nacional. Também busca identificar as mudanças e/ou manutenção de suas características estruturais, tendo em vista que, historicamente, o setor é marcado pela integração entre as atividades agrícola e industrial, um fenômeno que está presente em nível regional e nacional. Utilizou-se uma revisão bibliográfica referenciada que contemplou autores como Szmrecsányi (1976), Ramos (1999), Vian (2003), Baccarin (2005), Meira (2007) entre outros. Com isso realizou-se uma análise com perspectiva histórica para chegar à exposição das bases que condicionaram a dinâmica agroindustrial canavieira e identificar como ela se encontrou estruturada até final da década de 2000. Contudo, constatou-se que no decorrer do período estudado o setor paulista apresentou algumas importantes modificações, porém, manteve a secular característica estrutural, qual seja, a integração produtiva entre a unidade industrial e o cultivo da cana. / The present work intends to investigate the evolution of the São Paulo sugarcane agroindustrial sector from 1933, with the creation of the Sugar and Alcohol Institute (IAA), until 2010. It seeks to scale the expansion of sugar cane agroindustry in São Paulo, with the national context. It also seeks to identify the changes and / or maintenance of its structural characteristics, given that, historically, the sector is marked by the integration between agricultural and industrial activities, a phenomenon that is present at the regional and national levels. We used a bibliographical review that included authors such as Szmrecsányi (1976), Ramos (1999), Vian (2003), Baccarin (2005), Meira (2007) and others. With this, an analysis with a historical perspective was carried out to arrive at the exposition of the bases that conditioned the agro-industrial dynamics of sugarcane and to identify how it was structured until the end of the decade of 2000. However, it was verified that during the studied period the São Paulo sector presented some important changes, but it maintained the secular structural characteristic, that is, the productive integration between the industrial unit and the cane cultivation.

Made available in DSpace on 2016-12-23T14:01:43Z (GMT). No. of bitstreams: 1 Camila Reis dos Santos.pdf: 2639614 bytes, checksum: af6913e32fb2a5c4824eb18dc465518f (MD5) Previous issue date: 2013-03-04 / O presente trabalho trata da trajetória de vida de profissionais com deficiência do Magistério, atuantes na Rede Municipal de Ensino de Vitória. Para tal, recorreu-se à opção metodológica de história de vida, caracterizada pela preocupação com o vínculo entre pesquisador e entrevistado. Entendemos que o pesquisador que trabalha com este tipo de metodologia, ao fazer com que as pessoas confiem nas lembranças e interpretações particulares do passado, em sua capacidade de colaborar para escrever a história, possibilita que os entrevistados com deficiência, com frequência ignorados e economicamente fragilizados, adquiram dignidade e sentido de finalidade ao rememorar a própria vida e fornecer informações valiosas. Partindo do princípio de que a abordagem metodológica de história de vida permite compreender a dinâmica das relações que o indivíduo estabelece ao longo de sua história, o método é igualmente compatível ao perfil dessa investigação. A pesquisa é de caráter qualitativo e a coleta de dados foi realizada por meio de entrevistas biográficas semi-estruturadas. Foram localizados treze profissionais com deficiência, porém quatro deles se constituíram sujeitos desta pesquisa. Destes quatro, dois possuem deficiência física e dois são cegos. Buscamos por meio das narrativas, permear questões relacionadas à vida pessoal e profissional dos sujeitos e suas relações com a deficiência, sendo nossa análise embasada numa perspectiva sócio-histórica predominantemente vigotskiana. Acreditamos que a análise histórica de como se edificou a constituição do sujeito com deficiência, seja no plano pessoal ou profissional, consistiu em ferramentas valiosas na compreensão das rotulações de incapacidade em torno da deficiência, heranças históricas do contexto educacional brasileiro e internacional. Ainda que a formação e constituição destes sujeitos tenha se dado numa atmosfera de baixa inclusão, a certeza que temos é a de que os professores com deficiência aqui investigados, nadaram contra uma corrente segregadora e provaram suas potencialidades numa vasta rede de possibilidades que lhe foram abertas / This paper is about the life story of professionals without a teaching practice, who work at the municipal educational system at Vitoria, ES. For that, it was turned to the methodological option of story of life, characterized by the worry with the link between the researcher and the interviewed. It is understood that the researcher who works with this kind of methodology, trying to make sure people trust on their memories and personal interpretations from the past, in their capacity of helping to write the story, makes it possible for the handicap interviewed, who are usually ignored and economically weakened, acquire dignity and purpose/ s meaning when remembering their own life and give valuable information. Starting by the fact that the methodological approach of life story allows to comprehend the relationships dynamic the person establishes during one/ s life, the method is equally compatible to this study profile. The study is of a qualitative character and the data capture was realized by the use of semi-structure biographical interviews. Thirteen deficient professionals were located, but only four of them were subjects of this study. From those four, two are handicapped and the other two are blind. By the narratives, we tried to permeate questions related to personal and professional life of these people and their relations with their deficiency, being our analyses cemented in a social-historical perspective basically vigotskiana . We believe the historical analyses of how the handicapped person constitution was built, either on personal or professional plan, constituted in valuable tools for the comprehension of incapacities label around deficiency, historical heritage on the Brazilian and international educational context. Even if the majoring and constitution of these people were obtained on a low inclusion atmosphere , it is certain that these deficient teachers here investigated, fought against a segregation line and proved their potentialities on a vast net of possibilities that were opened for them

Šio tyrimo tikslas – atskleisti dramos aktorių scenos judesio ugdymo ypatumus, aptariant dramos aktorių ugdymo istorinius aspektus, apžvelgiant Europos ir Lietuvos dramos aktorių ugdymo raidą, žymiausių teatro pedagogų dramos aktorių ugdymo metodus bei dramos aktorių scenos judesio ugdymo programas. Tam atlikta teatro istorijos ir žymiausių teatro pedagogų literatūros analizė. Empiriniu tyrimu siekta atskleisti Lietuvos muzikos ir teatro akademijos, kaip seniausios ir giliausias tradicijas turinčios dramos aktorių ugdymo aukštosios mokyklos, scenos judesio dėstymo ypatumus, pasitelkiant 4 scenos judesio dėstytojų interviu ir paskaitų stebėjimo duomenų analizę. Teoriniame tyrime išryškėjo du pagrindiniai aspektai. Pirma, kad judesinės aktoriaus raiškos ir aktorių ugdymo poreikio atsiradimas buvo pagrindinis profesionalaus teatro atsiradimo XX a. pr. veiksnys. Antra, kad profesionalus Lietuvos teatras ir vaidybos ugdymo mokyklos formavosi rusų teatro kultūros įtakoje, todėl aktorių ugdyme iki šių dienų remiamasi rusų mokyklos aktorių ugdymo tradicija. Rusų ir lietuvių aktorių rengimo panašumą atskleidė ir Lietuvos ir Rusijos scenos judesio ugdymo programų palyginimas. Tiriant Lietuvos muzikos ir teatro akademijos scenos judesio dėstymo ypatumus, taip pat išryškėjo rusų mokyklos bruožai, vyraujantys ir aktorių ugdymo praktikoje. Pabrėžtas scenos judesio programų... [toliau žr. visą tekstą] / The purpose of the paper is to reveal the features of stage movement education for actors. Considering the importance of the theatre education development in the historical perspective, the paper reveals and analyses the specific features of the stage movement education for actors, by providing comprehensive historical-based analysis of the literature of theatre history, particularly focusing on the theatre education development in Lithuania and Europe, treating the methods for educating actors that the worldwide theatre educationalists apply and considering different syllabuses of stage movement education. The paper also treats the empirical research by interviewing four lecturers of the subject of stage movement and analyzing the data collected during the observation of the actual lectures. It reveals the specific features of stage movement education in the Lithuanian Academy of Music and Theatre having the name of the theatrical school with the oldest and deepest traditions in education of actors in Lithuania. Two main aspects were revealed in the theorical research. Firstly, the need for education of actor’s movement expression was the major factor for the professional theatre to arise in the beginning of XX century. Secondly, the professional theatre in Lithuania and schools of theatrical education were developed under the influence of Russian theatre... [to full text]

The aim of the study is to show how children and adults are described in three picture books, examining how children and adults are portrayed in text-and-picture narrative and how this has changed over time. We have analysed how the characters in the books are presented and how the representation of children and adults has changed in our own times. The material for the study consists of three picture books from different periods, with the focus on how children and adults are described as the common point of departure. The analysed picture books are: Tomtebobarnen (Beskow 1919), Aja baja, Alfons Åberg! (Bergström 1972) and Snäll (Dahle 2008). We have arrived at the conclusion that a text-and-picture narrative is in very large measure a reflection of the outlook on children, childhood and child rearing at the time when the book was published. The result shows that the greatest change that has happened is that parents’ and adults’ dominance in the books has declined over the years, and that children have been given a more prominent role. The children’s own feelings and opinions are more in the centre, both in reality and in picture books. We hope that teachers in school will find that this study can contribute to further reflection on the picture books that are used in teaching

"Liszt's music, unlike that of Mozart, projects the man. With rare immediacy, it gives away the character of the composer. ... " (Brendel 1986, 3) The purpose of this study is to examine Liszt's song genre from an historical and stylistic standpoint as a reflection of Liszt's ongoing personality and style development. this end the following will be presented: - an overview of Liszt's life circumstances which reflect his personality development - a chronological classification ofLiszt's song genre - the songs viewed historically as a reflection of the man - characteristics in the revisions of the songs which reveal Liszt's ongoing developing style - a study of the development ofLiszt's harmonic and tonal language as agents of colour and textual imagery. Liszt's song oeuvre will be studied in relation to the man himself in order to revtal his motives, his values, the experiences that moved him, and the ways in which he reproduced them in music. / Department of Musicology / M.Mus.