Pela abordagem da história cultural, analisamos visões e políticas em torno dos costumes indígenas com psicoativos (bebidas alcoólicas, estimulantes e alucinógenos), por meio da leitura de tratados produzidos entre meados do século XVI e XVII no mundo hispanoamericano. São histórias sobre os antigos mexicanos e peruanos, bem como sobre seus descendentes, nos vice-reinos da Nova Espanha e Peru. Os costumes com substâncias foram retidos como elementos essenciais da idolatria (a falsa religião dos índios); além de usadas em cerimônias e feitiçarias, algumas plantas e poções seriam inclusive adoradas como divindades. Dividimos os capítulos por contextos e grupos de obras/autores: (i) para o contexto geral de consolidação do império espanhol na América, analisamos o dominicano Bartolomé de las Casas e o jesuíta José de Acosta; (ii) para os tempos dos missionários mendicantes na Nova Espanha do séc. XVI, o franciscano Bernardino de Sahagún e o dominicano Diego Durán; (iii) para a época de auge da extirpação da idolatria no séc. XVII, os curas Hernando Ruiz de Alarcón e Jacinto de la Serna na Nova Espanha, e o jesuíta Pablo Joseph de Arriaga no Peru; (iv) analisamos o cronista indígena peruano Felipe Guaman Poma de Ayala na virada dos sécs. XVI-XVII. Outras fontes foram utilizadas, destacando-se os tratados sobre as medicinas dos índios escritos pelos doutores espanhóis Nicolas Monardes, Francisco Hernández e Juan de Cárdenas, assim como de um médico indígena mexicano, Martín de la Cruz. Os principais assuntos discutidos: os juízos de proveito das medicinas que embriagam; os sentidos do vício por meio das substâncias, entre hábito contranatural e veículo para os pecados; a noção de perda do juízo como efeito natural da embriaguez, mas que abre espaço para a intervenção demoníaca; representações dos usos nos sacrifícios, comunhões, feitiçarias, e a idolatria de plantas e poções. Esses assuntos são analisados tendo em vista que a idolatria não informa apenas o estereótipo e o caminho da interdição dos costumes, pois, de outro lado, nomeia os saberes e poderes locais e sua vitalidade, num ambiente de choques, negociações e acomodações político-culturais. / From a cultural history point of view, we analyze perceptions and policies over indigenous relation to psycho-actives (alcoholic beverages, stimulants and hallucinogens), based on treatises written from the middle of the 16th century to the middle of the 17th century at the Spanish-American world. They are histories about the anciant Mexicans and Peruvians, as well as about their descendents from the vice royalties of New Spain and Peru. In such works, the habits related to psycho-actives were believed to be essential elements of the idolatry (the indigenous false religion); besides being used in ceremonies and sorcery, some plants and potions were also worshipped as divinities. We organize the chapters according to the contexts and groups of document sources/authors: (i) for the general context of the Spanish empire consolidation in America, we analyze the Dominican Bartolomé de las Casas and the Jesuit Joseph de Acosta; (ii) for the New Spain mendicant missionaries times in the 16th century, the Franciscan Bernardino de Sahagún and the Dominican Diego Durán; (iii) from the extirpation of idolatry strongest period in the 17th century, the vicars Hernando Ruiz de Alarcón and Jacinto de la Serna; and (iv) from the turning of the 16th to the 17th century, the Peruvian Indian chronicler Felipe Guaman Poma de Ayala. Other document sources were also consulted, in particular treatises covering indigenous medicines, like those written by the Spanish physicians Nicolas Monardes, Francisco Hernández and Juan de Cárdenas, and also by an Indian doctor from Mexico, Martín de la Cruz. The main subjects we discuss in the work are: the views of benefits from the medicines that inebriate; the meanings of vice associated to substances, from a non-natural habit to a passport for sins; the notion of going out of mind as a natural consequence of inebriation, but which opens the possibility of demonic intrusion; usage representations in sacrifices, communions, witchcraft, and the idolatry of plants and potions. All those issues are analyzed bearing in mind that idolatry tell us not only about the stereotype and the pathways of habits forbiddance, but also distinguishes the local knowledge and powers, and its vitality, all taking place in an environment of political and cultural clashes, negotiations and accommodations.

During the first half of this century, a wealth of anthem literature was published and performed in the United States that, as a result of the deluge of new publications since those years, has been either forgotten or is unknown to modern church musicians. The purpose of this study is to make the best of this music known, for much of it is still both suitable and desirable for contemporary worship. The research is grouped into six chapters that are entitled: The Quartet Anthem, "Anthems in the Anglican Tradition," "Prominent Choral Ensembles and the Dissemination of the Anthem," "Anthems by Prominent Music Educators," "Anthems in the Russian Style," and "The Negro Spiritual."

No description available.

O presente estudo tem como objetivo analisar a produção de imaginários políticos e culturais orientados pela Teologia da Libertação durante o governo sandinista na Nicarágua (1979 1990) procurando mostrar a mescla que aí se deu entre religião e revolução. Pretendemos investigar como se constituíram esses imaginários expressos em discursos de políticos e religiosos, jornais, livros, cartilhas, músicas, poemas, fontes visuais produzidas por membros das Comunidades Eclesiais de Base (CEBs) atuantes na Nicarágua, com a meta de ampliar a adesão de setores populares à Revolução Sandinista. Procuramos averiguar em que medida uma comunidade de fé atuou, através da cultura, da educação e das ações políticas, no sentido de colaborar com o projeto revolucionário da Frente Sandinista de Libertação Nacional (FSLN). Uma questão que aqui se coloca é a da identificação entre os ideais revolucionários no poder que se orientavam por concepções marxistas e os dos cristãos que, a partir do Concílio Vaticano II e das Conferências de Medellín e Puebla fizeram a opção preferencial pelos pobres, inserindo-se nas lutas sociais da América Latina. Pretendemos discutir as possibilidades e limites de uma proposta socialista cristã que se constrói a partir de pressupostos teóricos conflitantes como é o caso do materialismo marxista e a doutrina católica que o recusa. A relação entre imaginários sociais e práticas políticas constitui o eixo central desta análise que se propõe verificar como os imaginários se constituem a partir de conflitos diversos e se transformam em armas de luta que orientam as práticas dos agentes envolvidos nesse processo. / The present study has the objective to analyse the production of political and cultural imaginariness oriented by the Theology of Liberation during the sandinist government in Nicaragua (1979-1990) trying to demonstrate the mixture of religion and revolution. Our intention is to investigate how were constituted the imaginariness expressed on political and religious speeches, newspapers, books, spelling books, music, poems and visual materials produced by members of the Base Communities (CEBs) acting in Nicaragua, with the goal to increase the adherence of popular sectors to the Sandinist Revolution. We attempt inquiring in what extension a community of faith acted through the culture, the education and political actions, with the objective to collaborate with the revolucionary project of the Sandinist National Liberation Front (FSLN). One question here presented is the one of the identification between the revolucionay ideals in power that were oriented by marxist conceptions and the christian ones that, with the Vatican II Council and the Conferences of Medellin and Puebla, made a preferred option for the poor, inserting themselves in the social fights in Latin America. We intent to discuss the possibilities and limits of a christian socialist proposal built based on conflicting teorical purposes which is the case of the marxist materialism and the catolic doutrine that refuses it. The relationship between social imaginariness and political practices constitutes the main point of this analysis which has the purpose to verify how the imaginariness constitutes itself from different conflicts transforming itself in weapons of fight which orients the practices of the agents involved in this process.

The vast corpus of testimonial literature that has been produced in Latin America since the 1960s, reaches a peak in the 1970s and continues to the present day. The dissertation investigates this phenomenon in Chile, Argentina and Uruguay, through the examination of a group of literary works that range from personal testimonies to documentary novels. This genre is defined by a pact of truth established with the reader in relation to the experience that is being narrated. The first chapter describes testimony as a collective discourse that responds to a counter-hegemonic cultural project which opposes the doctrine of “National Security” that prevailed in the region during that period. Chapter II presents the guidelines that will frame the dissertation, preparing a synthesis of several existing models based upon diverse criteria: social, semantic, syntactic and functional. In establishing the relationship between narration, history and testimony, the thesis emphasizes that narrative techniques are needed in order to tell any story, even those which were not developed with a literary purpose. Testimony is not an exception, because it transforms experience into stories, applying to remembrances the structure of a plot. The texts are organized accordingly, taking into account the types of narrativization employed, and this taxonomy is connected with the reception theory and the contributions of the social criticism, in order to provide a comprehensive understanding of the genre. Chapters III, IV and V examine various works from the three countries mentioned above, establishing a connection between the historic-social situation, the collective symbols, the artistic production of that period, and testimonies. The conclusion suggests that the return of Latin American literature to its hybrid origins implies transformations such as the democratization of writing and the disappearance of the author as the centre of the literary production. It also claims that this corpus provokes a change in the direction of contemporary writing in those countries, generating a necessary catharsis and a new elaboration of a fragmented collective identity.

Orientador: Leandro Karnal / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-19T03:44:45Z (GMT). No. of bitstreams: 1 Cappi_OliviaBarretodeOliveira_M.pdf: 1280776 bytes, checksum: f5fdc26e5ef8f1f3b5bf544ceeda59c8 (MD5) Previous issue date: 2011 / Resumo: Os santos são figuras presentes no universo católico com funções muito específicas: são personagens de religiosidade exemplar, que devem servir de norte para as práticas religiosas dos fiéis e trabalhar como intercessores entre eles e Deus. Eles estão presentes desde os primórdios da Igreja, já no século IV, e sobrevivem a todas as mudanças dogmáticas, doutrinais e teológicas configuradas pela instituição. No entanto, a permanência do santo não subentende a permanência dos discursos de santidade: este é orgânico e adapta-se às necessidades das comunidades em que estavam presentes, assim como aos momentos distintos vividos pela instituição. Suas histórias, constituídas pelos discursos de santidade, são relatadas em textos que são configurativos de um gênero literário próprio, chamado hagiografia. No monumento hagiográfico, a trajetória de vida sagrada de um personagem considerado exemplo de virtude é narrada com três objetivos principais: servir de distração e diversão para os fiéis, como guias de vida católica virtuosa e como textos definidores da moral que deveria permear a piedade e as práticas sociais de uma comunidade em dado período - ou seja, servir de instrumento de manutenção de uma dada ordem social. A hagiografia de Rosa de Santa Maria, primeira santa a ser canonizada na América no século XVII, atendia a esses objetivos, e ia além: o modelo de santidade ao qual ela pertencia seria utilizado como instrumento de conversão e manutenção da religiosidade católica que estava sendo transplantada para as novas colônias espanholas. A figura de Rosa, posteriormente, seria utilizada como baluarte do movimento identitário criollista e se tornaria um guia de espiritualidade para as Américas. O objetivo desta dissertação é analisar com profundidade a obra hagiográfica de Rosa, escrita pelo dominicano Leonard Hansen na década de 1660 para o processo de canonização da santa americana, nascida em Lima, no vice-reino do Peru. Busca-se compreender quais são os discursos de santidade presentes na construção da personagem santificada, assim como os modelos de espiritualidade que ela representa e o pioneirismo do texto como fundador de um novo modelo de piedade específico para a realidade americana dos séculos XVI-XVII. Nossa conclusão final é que a narrativa da vida da santa limenha apresenta todas as características da hagiografia europeia medieval e os elementos simbólicos definidores da figura santoral representativa do modelo tridentino. Portanto, apesar de sua personagem ter sido incorporada como bandeira de movimentos identitários criollistas e como fundadora de uma espiritualidade americana, não há pistas em sua hagiografia que apontem para a conformação de um novo modelo hagiográfico que respondesse às necessidades do novo território / Abstract: The saints are characters present in the catholic realm with very specific duties: they are characters of exemplary religiosity that ought to be considered as guides for religious practices and serve as mediators between the Christians and God. They have been present from the consolidation of the Catholic Church, in the 4th century, and have outlived every single change in the dogmas, doctrines and theology that the institution has faced. However, the permanence of the saintly figure does not imply the permanence of the discourses of sanctity: these are organic and adaptative to the necessities of the communities in which they dwell, as well as to the distinctive moments lived by the institution. Their life stories, constituted by the discourses of sanctity, are told in texts that are configurative of a literary genre on its own, called hagiography. At the hagiographical monument, the sacred life trajectory of a character who is regarded as an example of virtue is narrated for three main purposes: serve as entertainment for the Christians, as a handbook of righteous catholic life and as texts that define the moral that should permeate pity and the social practices of a community within a period - that is to say, serve as an instrument for the maintenance of social order. The hagiography of Rosa de Santa Maria, the first saint to be canonized in America in the 17th century, fulfilled those purposes. It even went beyond: the model of sanctity to which she belonged was to be used as an instrument of conversion and maintenance of the catholic religiosity that was being transplanted to the new Spanish colonies. The figure of Rosa was latter going to be used as the bastion of the identitary criollista movement and would become a spiritual guide for the Americas. The objective of this dissertation is to analyze in depth the hagiographic monument written about Rosa by the Dominican Leonard Hansen in the 1660s for the process of canonization of the saint that was born in Lima, the capital of the viceroyalty of Peru. It was sought to understand which were the discourses of sanctity that were present in the construction of the saintly character, as well as the models of spirituality that she represented and the forwardness of the text as the founder of a new model of pity that was specific for the American reality in the 16th and 17th centuries. The final conclusion was that the narrative of the saint?s life bears all the characteristics of the European medieval hagiographies and the symbolic elements which defined the sanctoral figures of the Tridentine period. Therefore, although the character was incorporated as the bastion of criollista movement and as the founder of a specific American spirituality, there are no signs in her hagiography that point towards the conformation of a new hagiographical model which responded to the necessities of the new territory / Mestrado / Historia Cultural / Mestre em História

The vast corpus of testimonial literature that has been produced in Latin America since the 1960s, reaches a peak in the 1970s and continues to the present day. The dissertation investigates this phenomenon in Chile, Argentina and Uruguay, through the examination of a group of literary works that range from personal testimonies to documentary novels. This genre is defined by a pact of truth established with the reader in relation to the experience that is being narrated. The first chapter describes testimony as a collective discourse that responds to a counter-hegemonic cultural project which opposes the doctrine of “National Security” that prevailed in the region during that period. Chapter II presents the guidelines that will frame the dissertation, preparing a synthesis of several existing models based upon diverse criteria: social, semantic, syntactic and functional. In establishing the relationship between narration, history and testimony, the thesis emphasizes that narrative techniques are needed in order to tell any story, even those which were not developed with a literary purpose. Testimony is not an exception, because it transforms experience into stories, applying to remembrances the structure of a plot. The texts are organized accordingly, taking into account the types of narrativization employed, and this taxonomy is connected with the reception theory and the contributions of the social criticism, in order to provide a comprehensive understanding of the genre. Chapters III, IV and V examine various works from the three countries mentioned above, establishing a connection between the historic-social situation, the collective symbols, the artistic production of that period, and testimonies. The conclusion suggests that the return of Latin American literature to its hybrid origins implies transformations such as the democratization of writing and the disappearance of the author as the centre of the literary production. It also claims that this corpus provokes a change in the direction of contemporary writing in those countries, generating a necessary catharsis and a new elaboration of a fragmented collective identity. / Arts, Faculty of / French, Hispanic, and Italian Studies, Department of / Graduate

O presente estudo tem como objetivo analisar a produção de imaginários políticos e culturais orientados pela Teologia da Libertação durante o governo sandinista na Nicarágua (1979 1990) procurando mostrar a mescla que aí se deu entre religião e revolução. Pretendemos investigar como se constituíram esses imaginários expressos em discursos de políticos e religiosos, jornais, livros, cartilhas, músicas, poemas, fontes visuais produzidas por membros das Comunidades Eclesiais de Base (CEBs) atuantes na Nicarágua, com a meta de ampliar a adesão de setores populares à Revolução Sandinista. Procuramos averiguar em que medida uma comunidade de fé atuou, através da cultura, da educação e das ações políticas, no sentido de colaborar com o projeto revolucionário da Frente Sandinista de Libertação Nacional (FSLN). Uma questão que aqui se coloca é a da identificação entre os ideais revolucionários no poder que se orientavam por concepções marxistas e os dos cristãos que, a partir do Concílio Vaticano II e das Conferências de Medellín e Puebla fizeram a opção preferencial pelos pobres, inserindo-se nas lutas sociais da América Latina. Pretendemos discutir as possibilidades e limites de uma proposta socialista cristã que se constrói a partir de pressupostos teóricos conflitantes como é o caso do materialismo marxista e a doutrina católica que o recusa. A relação entre imaginários sociais e práticas políticas constitui o eixo central desta análise que se propõe verificar como os imaginários se constituem a partir de conflitos diversos e se transformam em armas de luta que orientam as práticas dos agentes envolvidos nesse processo. / The present study has the objective to analyse the production of political and cultural imaginariness oriented by the Theology of Liberation during the sandinist government in Nicaragua (1979-1990) trying to demonstrate the mixture of religion and revolution. Our intention is to investigate how were constituted the imaginariness expressed on political and religious speeches, newspapers, books, spelling books, music, poems and visual materials produced by members of the Base Communities (CEBs) acting in Nicaragua, with the goal to increase the adherence of popular sectors to the Sandinist Revolution. We attempt inquiring in what extension a community of faith acted through the culture, the education and political actions, with the objective to collaborate with the revolucionary project of the Sandinist National Liberation Front (FSLN). One question here presented is the one of the identification between the revolucionay ideals in power that were oriented by marxist conceptions and the christian ones that, with the Vatican II Council and the Conferences of Medellin and Puebla, made a preferred option for the poor, inserting themselves in the social fights in Latin America. We intent to discuss the possibilities and limits of a christian socialist proposal built based on conflicting teorical purposes which is the case of the marxist materialism and the catolic doutrine that refuses it. The relationship between social imaginariness and political practices constitutes the main point of this analysis which has the purpose to verify how the imaginariness constitutes itself from different conflicts transforming itself in weapons of fight which orients the practices of the agents involved in this process.

Considerada como um dos maiores marcos da história norte-americana, a Guerra Civil (1861- 1865) marcou as transformações das relações sociais, trabalhistas e raciais nos Estados Unidos e circunscreve-se no âmbito das mudanças do século XIX, especialmente nos eventos que concorreram para o fim do tráfico de escravos africanos e da abolição do cativeiro nas Américas. As questões da guerra ultrapassaram as fronteiras norte-americanas e influenciaram as mudanças nas formas de trabalho responsáveis pela economia no Brasil. Através de fontes parlamentares, diplomáticas e da imprensa, entre outras, investigamos entre 1861, ano que se inicia o conflito americano, e 1888, data que marca oficialmente o fim da escravidão no Brasil, como as informações sobre a Guerra Civil e seus desdobramentos influenciaram os debates políticos sobre o destino da escravidão. Por meio de uma perspectiva transnacional e articulando o debate sobre o processo de emancipação nas Américas, este trabalho procura enfatizar as ideias de abolicionistas e políticos, seus pensamentos sobre as mudanças do trabalho servil para o livre, o destino da população escravizada, as questões raciais e a produção econômica no Brasil. Consequentemente, este estudo tem como objetivo compreender como a Guerra Civil americana foi interpretada no Brasil e como isso influenciou os discursos políticos, projetos de emancipação, bem como os escritos de abolicionistas entre as décadas de 1860 e 1880. / Considered one of the biggest moments in the history of North America, the Civil War (1861- 1865) marked transformations in social, worker and race relations in the United States given the broader changes in the nineteenth century, especially related to the end of the African slave trade and the abolition of captives in the Americas. The war passed North-American boundaries and influenced changes in the forms of laborin the Brazilian economy. Through parliamentary, diplomatic and journalistic sources, among others, this thesis investigates how the information about the Civil War and its repercussions influenced political debates on the destiny of slavery between 1861, the year that the American conflict began, and 1888, the date that marks the official end of slavery in Brazil. Through a transnational perspective and articulating with the debates on the emancipation process in the Americas, this work aims to emphasis the ideas of abolitionists and politicians, their thoughts on the changes from servile to free labor, the destiny of the enslaved population, racial questions and economic production in Brazil. Consequently, this study has the objective of understanding how the American Civil War was interpreted in Brazil and how it influenced political discourses, emancipatory projects, as well as the writings of abolitionists between 1860 and 1880.

New Caledonia (1698-1700) was Scotland’s largest independent colonial venture. The scheme’s collapse crippled the country financially and was an important factor in the Anglo-Scottish Union of 1707. This project explores the identity of Scottish settlers who attempted to colonize the Darien region of modern Panama. Colonial identity is assessed by reconstructing the Scottish dialogue about the natural world, the aboriginal population, and the commonwealth. I contend that the ideology of improvement that shaped Scottish perceptions of utility and fertility in the Darien became a powerful moral discourse used to critique the colonists. This paper also chronicles Scottish aspirations to found an empire of trade and civility, uncovering the fundamental problems created by the idealization of the Tule as eager subjects of this new empire. Finally, I argue that Caledonia’s food shortages not only threatened the colonial government’s legitimacy, they also exposed divergent ideals of the commonwealth among the settlers.