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The mature style of Gustav HolstBorgen, Nathaniel John, January 1971 (has links)
Thesis (M.M.)--University of Wisconsin--Madison, 1971. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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The waning of Victorian imperialismBroughton, Joseph Earl. January 2005 (has links)
Thesis (M.M.)--University of North Texas, 2005. / System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 58-62).
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Singing in the sunlight : a study in selected early works by Gustav Holst /Block, Tomas. January 2000 (has links)
Akademisk Avhandling--Philosophie--Göteborg, 2000. / Analyse des oeuvres suivantes : Symphony in F, "the Cotswolds", Indra, Beni Mora, a Somerset Rhapsody, Savitri, Suite in F, "Phantastes" Bibliogr. et discogr. p. 249-253.
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Singing in the sunlight a study in selected early works by Gustav Holst /Block, Tomas. January 1900 (has links)
Thesis (Ph. D.)--University of Göteborg, 2000. / Thesis statement and abstract ([2] p.) tipped in. Includes bibliographical references (p. [249]-253).
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Music of the spheres and beyond : the interstellar orchestra /Buckland, Jennifer A. January 2005 (has links)
Thesis (M.A.)--York University, 2005. Graduate Programme in / Typescript. Includes bibliographical references (leaves117-119). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url%5Fver=Z39.88-2004&res%5Fdat=xri:pqdiss &rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR11759
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Modal structures in European art music, 1870-1939Isted, Lisa. January 1993 (has links)
Thesis (doctoral)--University of Bristol, 1993. / BLDSC reference no.: DX181689.
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Violin and voice as partners in three early twentieth century English works for voice and violinRutland, John Paul. January 2005 (has links)
Thesis (D.M.A.)--University of North Texas, 2005. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 26, 1999, Apr. 17, 2000, Apr. 18, 2002, and Oct. 25, 2005. Includes bibliographical references (p. 95-96).
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Gustav Holst as a Choral Composer: His Life, Factors Influencing His Compositions, His Place in English Music, and a Consideration of the Principal Stylistic Elements of His Choral MusicDaugherty, Leonard Valson 06 1900 (has links)
"An amiable personality, not himself an unusually passionate man, HoIst has excited more violent passions than any other contemporary English composer. How difficult he is to assess as a creative artist is perhaps indicated by the extraordinary fluctuations in his reputation." For a number of years he was completely unknown and ignored, living a quiet and unhurried life as an obscure teacher. Then with a momentary flash, after outstanding works such as "The Planets," and the "Ode to Death," he was caught up in a wave of public approval that made him, for a time, the recipient of national and even international honors. He was awarded the gold medal by the Royal Philharmonic Society, was made a Fellow of the Royal Col.ege of Music, and was offered honorary degrees by American universities.
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An analysis of the first suite in E flat by Gustav HolstStith, Kenneth R. January 2010 (has links)
Digitized by Kansas Correctional Industries
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The Waning of Victorian Imperialism: Stylistic Dualism in Gustav Holst's One-Act Opera Sāvitri (1908-9)Broughton, Joseph Earl 05 1900 (has links)
Gustav Holst's one-act opera Sāvitri (1908-9) represents a turning point in his compositional style, which came at a significant time in British history. Holst combines a simpler style informed by his work with English folksong with the Wagnerian style that permeated his earlier compositions. Although influenced by a British imperialist view of the world, Sāvitri renders Hindu-Indian culture in positive terms without relying on the purely exotic, offers a perspective on gender relationships that does not depend solely on convention, and presents the commoner as the British ideal rather than romanticizing the aristocracy. The result is an opera subtle in its complexity, approaching the profound themes of love, death, and spirituality with emotional restraint and self-control.
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