Thesis (DPhil (Sociology and Social Anthropology))--Stellenbosch University, 2008. / The uncertainty and insecurity generated by social transformation within local and global contexts foregrounds concerns with identity. South African society has a legacy of an entrenched racial order which previously privileged those classified ‘white’. The assumed normality in past practices of such an institutionalised system of racial privileging was challenged by a changing social, economic and political context. This dissertation examines the discourse of white middle-class South Africans on this changing context. The study draws on the discourse of Afrikaansspeaking and English-speaking interviewees living in urban and rural communities. Their discourse reveals the extent to which these changes have affected the ways they talk about themselves and others. There is a literature suggesting the significance of race in shaping people’s identity has diminished within the post-apartheid context. This study considers the extent to which the evasion of race suggested in a literature on whiteness is apparent in the discourse on the transformation of the society. By considering this discourse a number of questions are raised on how interviewees conceive their communities and what implication this holds for future racial integration. What is meant by being South African is a related matter that receives attention. The study draws the conclusion that in spite of heightened racial sensitivity, race remains a key factor in the identities of interviewees.

Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2007. / Thesis received without illustrations at the time of submission to this repository. / This research follows the assumption that the notion of performativity can be applied to the visual construction of identity within art-making discourse in order to explore the contingent and mutable nature of identity in representation. My interest in performativity, defined as the active, repetitive and ritualistic processes responsible for the construction of subjectivities, lies within the process of production. I indicate how this notion, within the context of self-representation, can provide the possibility for performing identity as a process. I investigate the extent to which gender, the gaze, memory and narrative contribute to the performative construction of self-representations and reveal, through the exploration of my practical research, that these concepts are themselves performative. Although agency to construct the self can be regarded as problematic, considering the role of language and discourse in determining subjectivities, this research suggests that it is possible to perform interventions from within language. I suggest that the notion of inscription provides a means through which identity constructions can be performed differently; and that my art-making process of repetitive inscription, erasure and re-inscription of image and text and the layering of paint not only reflect the notion of performativity, but also enable me to expose the multiple and fragmented nature of identities.

Thesis (PhD)--Stellenbosch University, 2000. / ENGLISH ABSTRACT: This thesis contains the results of an investigation into constructions of cultural identity in recent works of short fiction written in Afrikaans. The investigation was conducted within the framework of postcolonial literary theory, with specific reference to the work ofHomi Bhabha, Stuart Hall, Gayatri Spivak, Vijay Mishra and Bob Hodge. The conceptual apparatus concerning postcolonial reconstruction of cultural identities in reaction to the discourse of colonialism were applied to certain Afrikaans short stories to establish to what extent these texts could be considered a '<writing back" to the colonial discourse of Afrikaner nationalism and apartheid. The research focused on texts that had been published after 1994, being the date of the first democratic elections in South Africa, but also investigated their relation to certain literary traditions that preceded this date. From the Afrikaans short stories that were read within a postcolonial framework, it could be concluded that Afrikaans literature after 1994 could still be read in terms of what Mishra and Hodge (1994) called a fused postcolonial, a typification that according to Viljoen (1996) was applicable to the Afrikaans literature of before 1994. The cultural identity that was constructed in these texts showed similarities with the two moments of cultural reconstruction that Hall (1992) mentioned, namely either a strategic essentialism of the colonized subject or a hybridized cultural identity as the result of an ongoing, dynamic process of negotiation in a Third Space as Bhabha (1994) pointed out. A discourse of resistance against new forms of cultural imperialism, arising from a broader disillusion with the perceived dystopia of post-colonial South Africa, could also be inferred from certain Afrikaans short stories that have appeared since 1994. As far as a renewed undermining of imperialising tendencies is concerned, these texts can therefore be considered a continuation of the dissidence that has been characteristic of Afrikaans literature for several decades. / AFRIKAANSE OPSOMMING: Hierdie proefskrif bevat die resultate van 'n ondersoek na konstruksies van kulturele identiteit in onlangse kortverhale in Afrikaans. Die ondersoek is gedoen binne die raamwerk van die postkoloniale literêre teorie, met spesifieke verwysing na die werk van Homi Bhabha, Stuart Hall, Gayatri Spivak, Vijay Mishra en Bob Hodge. Konseptuele apparatuur rakende postkoloniale herkonstruksie van kulturele identiteit in reaksie op diskoerse van kolonialisme, is toegepas op bepaalde Afrikaanse kortverhale om vas te stel in watter mate hierdie tekste beskou kon word as 'n terugskrywing teen die koloniale diskoers van Afrikanernasionalisme en apartheid. Die navorsing het gefokus op tekste wat gepubliseer is na 1994, die datum van die eerste demokratiese verkiesings in Suid- Afrika, maar het ook hul verhouding ondersoek tot sekere literêre tradisies wat hierdie datum voorafgegaan het. Uit die Afrikaanse kortverhale wat gelees is binne 'n postkoloniale raamwerk, is daar tot die gevolgtrekking gekom dat die Afrikaanse letterkunde na 1994 steeds gelees kan word in terme van wat Mishra en Hodge (1994) 'n "saamgestelde postkolonialisme" genoem het, 'n tipering wat volgens Viljoen (1996) toepasbaar was op die Afrikaanse letterkunde van voor 1994. Die kulturele identiteit wat gekonstrueer is in hierdie tekste toon ooreenkomste met die twee momente van kulturele herkonstruksie waarna Hall (1992) verwys, naamlik enersyds 'n strategiese essensialisme van die gekoloniseerde subjek en andersyds 'n gehibridiseerde kulturele identiteit as die gevolg van 'n voortgaande, dinamiese proses van onderhandeling in wat Bhabha (1994) 'n Derde Ruimte genoem het. 'n Diskoers van weerstand teen wat ervaar word as nuwe vorme van kulturele imperialisme, voortspruitend uit 'n breër ontnugtering met wat beskou word as 'n distopiese post-koloniale Suid-Afrika, kon ook afgelei word uit sekere Afrikaanse kortverhale wat sedert 1994 verskyn het. Wat betref 'n hernieude ondermyning van imperialiserende tendense kan hierdie tekste daarom gesien word as 'n voortsetting van die tradisie van weerstand wat die Afrikaanse literatuur dekades lank reeds kenmerk.

published_or_final_version / Education / Master / Master of Science in Information Technology in Education

Student affairs professionals work directly with university students in various programs that provide services to these students. From these experiences, they collect daily valuable insights about how to serve students successfully. Yet, in general, they are not publishing about their work even though dissemination of such knowledge through publication could positively impact programs and services across many institutions. My dissertation explored what happens when mid-level student affairs professionals pursue scholarly writing during a structured program intended to help participants produce manuscripts for publication. In working with five professionals in student services at a large urban institution in the Pacific Northwest region of the United States, I learned about participants' identities as scholars as well as which writing strategies they found effective. I worked with participants using case study and action research methodologies and used writing coaching as an intervention to support the tenets of autonomy, competence, and relatedness as defined by Self-Determination Theory. Participants viewed strategies that created a habit of practice that fostered writing to be the most effective. Participants varied in how they viewed themselves professionally along the scholar-practitioner continuum. Leadership can create environments to foster scholarship among student affairs professionals. I give recommendations not only for senior student affairs officers but also for graduate programs in higher education as well as national student affairs organizations to promote research and writing in the profession. Lastly, I share recommendations for further research.

M.A. / The search for identity is an important developmental task during adolescence. During this period teenagers also evaluate their physical identity against existing external standards. Evaluation of the body is often done in comparison with the Western norms of beauty. These norms are however not universally attainable and can lead to negative evaluations of the body’s attractiveness, resulting in both negative evaluations of the body and body dissatisfaction, which creates concern due to the link that exists between body dissatisfaction and dieting. Diet behaviour has also been established as an etiological factor in the development of certain eating disorders. On the other hand positive evaluations of the body’s appearance and abilities are associated with higher levels of life-satisfaction. It is therefore necessary to develop interventions that could enhance female adolescents’ body evaluations, body-esteem and possibly also life-satisfaction albeit indirectly. Interventions that focused on more realistic evaluations of the self and attempted to enhance teenage girls’ self-esteem have already been implemented in the USA and Australia, but with mixed results. Existing research within the South African context that focus on female adolescents’ body evaluations, body-esteem and life-satisfaction are also limited and no studies could be found that investigated all three facets. The aims of this study were to develop and evaluate a psychosocial training programme (PTP), to enhance female adolescents’ body evaluations, body-esteem and life-satisfaction. A group of adolesscent girls (experimental group)(n = 39) participated in the PTP, while the control group (n = 33) looked at magazine photos and then answered questions about these photos. Both groups completed the following measurement scales before and after the completion of the PTP: Body evaluations (Body-Image Self-evaluation Colouring Lens, BISCL) (Gusella, Clark & van Roosmalen, 2003), body-esteem (Body Esteem Scale for Adolescents and Adults, BES) vi (Mendelson, White & Mendelson, 1996) and life-sattisfaction (Satisfaction with Life Scale,SWLS) (Diener, Emmons, Larson & Griffen, 1985). Firstly the experimental group’s mean averages on all measuring instruments were calculated before and after the completion of the PTP then compared to get an indication of the significance of differences in mean scores within the group. The programme resulted in statistically meaningful changes on al three the measured fascets. After the PTP the body evaluations of participants in the experimental group were less negative towards the form and function of their bodies (BISCL-v (p= .00) and BISCL-f (p= .00). The change in mean scores on the BES full scale (p= .003) and the subscales appearance (p= .01), attribution (p= .03) and weight (p= .00) indicated that evaluation of body- esteem was also more positive. Participants’ life-satisfaction was significantly higher after they participated in the PTP (p= .03). Effects sizes for the significance of difference in mean scores were also calculated, yielding a large effect on effect body evaluation (0.19 tot 0.20), a medium to large effect on body-esteem (0.12 tot 0.20) and medium effect on life satisfaction (0.11). These effect sizes suggest that the results also have practical significance. Secondly the mean scores of the experimental and control groups prior to and after the PTP were compared. No statistically meaningful difference was noted between the mean values of these two groups in terms of body evaluations, body-esteem or life- satisfaction. This is possibly due to the small sample size and variables such as age and ethnicity. In conclusion the psychosocial training programme shows promise as an intervention to enhance female adolescents’ body evaluations, body-esteem and life-satisfaction.

This report is submitted in fulfilment of the requirements for the degree of masters by coursework and research report in the faculty of humanities in the university of Witwatersrand / This thesis explores the different ways that identities are negotiated and renegotiated in different spaces. It intends to unearth the contradictions, tensions and complexities that occur as a result of racialised subjectivities. This study unpacks the socially constructed term "Coconut" and challenges the existing dominant discourses that speak of "Coconuts" as inauthentic Black people who have lost touch with their heritage.What it means to be Black today in South Africa is being contested and there is resistance towards binary and rigid understandings and conceptualizations of blackness. In the intersection of race and class, class is often the silent signifier of distinction and difference post-apartheid but proves to be significant in understanding the different nuanced lived experiences of the Black subject. This thesis is specifically interested in how the inability to comprehend or communicate in an African language further complicates and adds another layer of complexity to not only the lived experiences of Black monolinguals proficient in English only, but also to their personal sense of self. Being a "Coconut" is experienced in conflicted and precarious ways. On the one hand it is experienced with alienation and rejection and in other contexts, it holds significant value and serves as social cultural capital necessary for maneuvering social, political and economic spaces. Key words: Identity, Coconut, Blackness, Class, Cultural capital, Monolinguals, Language, Accent, Racial subjectivity / GR2017

A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Arts (Diversity Studies). March 2014 / Despite the end of apartheid, South Africa remains a grossly unequal society. This has meant that the current social order must again be challenged. One of the tasks faced in post-apartheid South Africa is the philosophical and moral interrogation of white privilege. This research investigates the ways of speaking of Argentine immigrants living in South Africa. Semi-structured interviews were conducted and analysed by making use of Laclau and Mouffe’s discourse theory as well as Melissa Steyn’s characteristics of “white talk”. It was found that Argentine immigrants living in South Africa aligned themselves with the ways of speaking of white South Africans. These are largely informed by and embedded in Eurocentric discourses; in particular liberal ideology. In line with the agenda of Critical Whiteness studies, this positionality was exposed and theoretically interrogated. Keywords: whiteness, immigrants, discourse, Laclau and Mouffe discourse theory, white talk, racism, identity, liberalism

A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of the Witwatersrand December 2016 / Within a narrative paradigm, this research project had two elements. Firstly, the project aimed to enable the researcher to gain an understanding of the construction of adolescent identity from the perspective of a cohort of first-generation, post-Apartheid adolescents as members of an NGO’s after-school support programme. Secondly, a participatory action element aimed to provide the participants with an opportunity to reflect upon their own lives in a positive, empowering way thereby providing an understanding of their past lives, strengthening a realistic power of agency for their future lives, balanced between self-identity and self transcendence in the present (Crites, 1986). Within this research, the self is theorised psychosocially, presented as both a narrated and narrating subject in which identity construction is consolidated through story-telling and the adaption of these stories to different audiences and cultural contexts. 12 volunteer participants were provided with disposable cameras and asked to take photographs of people and objects that were important to them. Using these photographs, the participants then constructed art timelines of their lives in the narrative format of ‘past’, ‘present’, and ‘future’. Each participant was then narratively interviewed twice, four months apart. The two datasets (the art timelines and the interview transcripts) were subject to three levels of analysis. Firstly, the construction of each participant’s descriptive narrative portrait was analysed across the time zones of ‘past life’, ‘present life’, and ‘future life’; secondly, thematic analysis was horizontally conducted across the narrative portraits identifying the similarities and differences between the participants, extending the specific experiences discussed by the participants into generalised themes; and thirdly, the vertical analysis of portraiture was re-invoked in greater depth, examining how the different theoretical dimensions of narrative identity identified, coalesce in one case history. The first level of analysis focused specifically on the imagoes, or personified concepts of the self, identified within the narrative portraits of three participants. It was found that these imagoes had significant effects on the identity construction of these young people, specifically on those whose parents had died. In the second phase of analysis three different dimensions of, or ways of thinking about, narrative identity were distinguished: relationality and the sense of belonging or alienation experienced by the participants in their interaction with others; the consolidation of life stories at adolescence and the participants’ social positioning within the systems of structural identity markers of race, class, gender and sexuality; and lastly the participants’ hopes and dreams, their narrative imaginations and future-orientated lives. In the third level of analysis, one participant’s narrative was selected to illustrate the theoretical concepts that underpin the construction of narrative identity, particularly constructionist intersectionality (Prins, 2006) and cultural creolisation (Glissant, 1989). These young people’s narratives indicate a patent tension between their lives to date, the histories of their families marked by insecurity and feelings of being unsafe as the effects of racism, disease and poverty, and their future imagined lives characterised by the promise of freedom and agency, education, employment and health. Through listening to and analysing these young people’s past, present and future stories, this study gained an insight into the ambivalence that exists in their lives, the contradictions they face between their moments of belonging and their moments of alienation, and how all these experiences inform and contribute to their identity constructions. / MT2017

As a woman of Moroccan descent, I have been brought up surrounded by a rich culture that places great emphasis on the importance of hospitality and family traditions. This exhibit represents an exploration of porcelain ceramics vessels that have been produced over the past year. The work incorporates tagine forms, plates, tea cups and tea pots that are commonly used while entertaining guests in a Moroccan home. Moroccans welcome the opportunity to show their generosity and hospitality by welcoming guests into their homes to visit and share meals. The vessels are ornately painted and decorated so that meals served will feast the eyes as well as the palate. The porcelain is decorated with ornate finials, underglazes and china painting. The subject of the imagery is a combination of visual anthropology in which random images of people from today's society are contrasted with my own interpretation of ancient geometric design details that are found in North African Zillij cut mosaic tiles. This infuses the work with an imagined sense of time and place. The attempt to harmonize seemingly incongruent elements results in vessels that feel both familiar and eccentric. The layers of color areused to symbolize nature, purity, depth of life and spiritual abundance. The colors are placed randomly in contrast to the symmetry of the geometric designs. The work is displayed in a dining room setting where guests are always welcome to enter. My work as an artist enhances the experience I bring to my students in the classroom. / by Anita Schwartz. / Thesis (M.A.)--Florida Atlantic University, 2011. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2011. Mode of access: World Wide Web.