This final thesis deals with innovations in the management of informal education. The main objective is to highlight the importance of innovations in informal and leisure education, and bring inspiration to the managers of informal and leisure education in the form of examples of good practice. In the theoretical part informal and interest education is incorporated into the overall educational system of the Czech Republic and its development is illustrated on the laws and decrees from 1948 to present. The research in the form of structured interview with respondents revealed their view on innovations in leisure education and showed their experience with the introduction of innovations in their own organizations. The process and the conclusions of structured interviews clearly highlighted the need for innovation in informal and leisure education for the competitiveness of informal education organizations. The executives of school facilities for leisure education as well as organizations of informal education can hereby find inspiration for each specific innovation in the examples of good practice.

Este trabalho investiga uma ação educativa em arte em espaços não formais de educação originária de uma política pública da Secretaria do Menor do Estado de São Paulo (gestão 1987 a 1994). Levantou a hipótese de que esta experiência com ensino de arte concorreu para a formação de seus profissionais e trouxe contribuições para as práticas que exercem nas instituições escolares às quais estão vinculados hoje. Configurou-se como pesquisa qualitativa e a metodologia empregada ressaltou o levantamento de dados secundários, como as publicações oficiais da época, mas também dados primários a partir de entrevistas semiestruturadas com profissionais que tiveram papel fundamental na criação, implantação e prática nos Programas de Complementação Escolar. Concluiu que esses professores realizaram uma experiência de ensinar e aprender de maneira significativa e que a concepção Arte como pesquisa, no espaço educativo indicou orientações didáticas para o trabalho em arte que enfatiza um espaço/tempo privilegiado para os menores desenvolverem ação criadora e trabalhos nas linguagens artísticas e, às equipes profissionais, a práxis educativa. A concepção Arte como pesquisa, no espaço educativo apresenta um modo de ver a arte na educação, com um projeto pedagógico em arte comprometido com a experimentação, descoberta, invenção e processos criadores das crianças, adolescentes e jovens, como também dos professores. / This paper investigates an art-centric educative action in informal venues of education, originating from a public policy created by the Secretariat of Minors of the State of São Paulo (management of 1987 to 1994). It hypothesizes that the experience with art education concurred with the development of its professionals and brought contributions to the practices of the educational institutions to which they were bound presently. It was configured as qualitative research, and the methodology applied highlighted the survey of secondary data, such as official publications of the time, but also primary data in the form of semi-structured interviews with professionals who had fundamental part in the creation, establishment and practice of the after-school Programs. The conclusion was that these professors held a teaching and learning experience in a significant way and that the concept of Art as research in the educative environment implied didactic orientations for the work in art that emphasizes a privileged space/time for minors to develop creativeness and action in artistic languages and, to the professional teams, the educative praxis. The concept of Art as research in the educative environment presents one manner in which to see art in education, like one pedagogic project in art committed with experimentation, discovery, invention and creative processes in children, adolescents and the youth, as well as with professors.

This case study was unique in its focus on an environmental education curriculum for older adults. It followed from previous studies in exploring the instructional and research potential of metaphor and environmental orientation. Environmental orientations towards water were examined among a group of retirees before, during and after a workshop which incorporated instructional metaphor as a teaching strategy. The study demonstrated that, at least for some participants, the use of metaphor from a variety of orientations has the potential to increase participants’ appreciation of alternative ways of relating to the environment. Overall, the use of metaphor appears to have contributed positively to most participants’ understanding of water issues. As an educational tool instructional metaphor was useful in group discussion as a catalyst for conversation about how participants view, understand and relate to water. As a research technique metaphoric interviewing was useful to help draw out the accumulated knowledge and experiences of older adults.

Text in Afrikaans / Sekere bevindings oor die positiewe en negatiewe invloed van musiek en die funksies wat dit met betrekking tot menswees vervul, is as 'n verwysingsraamwerk gebruik om historiese gegewens oar die konstruktiewe en destruktiewe aanwending van musiek in hoofsaaklik Duitsland en die V.S.A. te analiseer. Dit het aan die lig gekom dat musiek konstruktief aangewend is met betrekking tot: Intellektuele vorming: Intellektuele vaardighede en kennisverwerwing is deur musiek bevorder. Die leergebeure is veraangenaam en meer effektief gemaak. Estetiese vorming: Deur musiek is 'n estetiese waardesisteem en 'n goeie kunssmaak ontwikkel en die wording van volwaardige, gebalanseerde individue bevorder. Religieuse vorming: Musiek is aangewend om religieuse denke en gewaarwordinge uit te druk en om kennisoordrag, evangelisasie, sending en die belewing van 'n innige geloofsgemeenskap te bevorder. Etiese vorming: Etiese waarhede is met behulp van musiek herhaal en ingeoefen. 'n "Morele atmosfeer" en die vaslegging van 'n waardesisteem is daardeur bevorder. Politieke vorming: Politieke gevoelens en menings is deur musiek uitgedruk om mense te be1nvloed om bepaalde standpunte, partye, regerings of politieke stelsels te ondersteun. Nasionale vorming: Musiek is gebruik om patriotisme te verwoord, die kulture van volkere te weerspieel, volksfeeste op te luister en nasionale eenheid te bevorder. Sosiale vorming: Musiek is aangewend as 'n bran van vermaak en ontspanning en as 'n kommunikasiemiddel. Dit het gehelp om 'n groepsidentiteit te vestig, 'n gemeenskapsgevoel en sosialisering te bevorder en mense se gedragspatrone te be1nvloed. Affektiewe vorming: Deur middel van musiek is gepoog om die gevoelslewe te orden en te veredel en om positiewe veranderinge ten opsigte van affektiewe toestande teweeg te bring. Fisieke vorming: Verskeie liggaamsaktiwiteite en fisieke vaardighede, ontspanning en verfrissing is deur musiek bevorder en dit is as 'n terapie aangewend. Musiek is oak destruktief aangewend deurdat die Christelike kerk ondermyn, religieuse aanbidding benadeel, die jeug se emosionele beheer, selfstandigwording en etiese waardestelsels negatief be!nvloed, aggressiewe en opstandige gedrag, militarisme, politieke venyn en rassehaat bevorder, beswyming ge!nduseer, gehoorsintuie beskadig en regerings omvergewerp is. 'n Aantal aanbevelings en waarskuwings met betrekking tot die aanwending van musiek in formele, nieformele en informele onderwys- en opvoedingsituasies het uit die analise voortgevloei. / Certain findings concerning the positive and negative influences of music and the functions fulfilled by it in the life-world of man were used as a reference framework in order to analyse historical data on the constructive and destructive applications of music in mainly Germany and the U.S.A. It came to light that music was constructively applied with regard to: Intellectual shaping: Music was employed to enhance various intellectual skills, to improve the acquisition of knowledge and to render the learning process more pleasant and effective. Aesthetic shaping: An aesthetic value system and a good artistic taste were developed and the shaping of complete, balanced individuals was promoted through music. Religious shaping: Music was employed to express religious thoughts and perceptions and to promote close community of faith, knowledge transfer, evangelization and missionary effort. Ethical shaping: Ethical truths were reiterated and "practised" and a "moral atmosphere" and a value system established through music. Political shaping: Political feelings and opinions were expressed through music and people were influenced to support specific viewpoints, parties, governments or political systems. National shaping: Music was employed to express patriotism, to reflect the cultures of nations, to add lustre to national gatherings and to promote national unity. Social shaping: Music was a source of entertainment and recreation and a means of communication. Through music the establishment of a group identity, socialization and a communal sense were promoted and behavioural patterns affected. Affective shaping: Music was a means of ordering and ennobling inner life and of facilitating positive changes in affective conditions. Physical shaping: Relaxation, recreation, physical skills and activities were promoted through music which was utilized as a therapy. Music was also destructively employed by undermining the Christian church and harming religious worship, by negatively influencing youth's emotional selfcontrol, ethical value systems and the actualization of independence, by furthering aggressive and rebellious behaviour, inducing trances, causing physical damage to hearing organs and promoting militarism, political viciousness, racial hatred and the overthrow of governments. A number of recommendations and warnings concerning the employment of music in formal, non-formal and informal educational situations resulted from the analysis. / Art History, Visual Arts and Musicology / D. Ed. (Historiese Opvoedkunde)

Made available in DSpace on 2016-12-08T16:35:11Z (GMT). No. of bitstreams: 1 viviani.pdf: 6781866 bytes, checksum: 508a9554a2d2b3685b4185de01049db4 (MD5) Previous issue date: 2010-02-26 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The present research deals with the scholar trajectory of homeless people who in the moment are being sheltered by Vida Nueva Association, located in Palhoça town (SC). The association is a religious community which protects men who live in situation of risk. Besides a place to live, those men receive medical and psychological treatment as well as religious orientation. The meaning of schooling in the life of those men and also the main facts and events that they have experienced on the streets were investigated. Places for socialization as well as the violence they have suffered while living on the streets were identified in order to systematize their scholar trajectory and to know the meaning of the learning process for them. This is an ethnographic research. As a psychologist, I could follow those men s case, since the second semester of 2007 and during 2008, in therapeutic activities such as workshops and meetings as ways for reintegration in society. The group was composed of three men between 30 and 50 years old. They were born in the fifties and sixties in the twenty century. In this scenery, I have tried to state those men s process of schooling and also their trajectory. The preference for homeless trajectory was because their lives were marked by displacements and passages in institutions and also because the streets were a possibility for living and housing. Considering these situations of violence, school is seeing as a place were those people are not welcome. The streets have a favorable dynamics for freedom, offering many possibilities for conviviality and learning / Este trabalho trata da trajetória de escolarização de pessoas em contextos de rua que no período da pesquisa encontravam-se abrigados na Associação Vida Nueva, localizada no Município de Palhoça (SC). Essa Associação é uma comunidade religiosa que acolhe homens em situação de risco. Além de moradia, esses homens recebem tratamento médico, psicológico e orientação religiosa. Investiguei a significação dada à escola na vida desses homens e os principais marcos que configuram os contextos de rua desses sujeitos. Tratei de identificar os espaços de socialização vivenciados por eles e as violências experimentadas nos contextos de rua com a pretensão de sistematizar suas trajetórias de escolarização e conhecer os sentidos e significados atribuídos ao processo de aprendizagem, entrelaçando experiências do tempo de rua. A pesquisa configura-se como etnográfica, pois na condição de psicóloga acompanhei essas pessoas a partir do segundo semestre de 2007 e durante o ano de 2008 em atividades terapêuticas como oficinas e conversas como dispositivos para sua reinserção na sociedade. O grupo pesquisado compõese de três homens adultos com idades entre 30 e 50 anos, nascidos entre as décadas de 50 e 60 do século XX. Nesse cenário, procurei compreender o percurso escolar dessas pessoas. No decorrer do trabalho busquei apontar o trajeto percorrido por esses homens. Faço referência a sujeitos em contextos de rua, pois suas trajetórias são marcadas por deslocamentos e passagens por instituições e a rua aparece como uma possibilidade de moradia. Transito pelas experiências de violências, e a escola é apresentada como um lugar que não acolhe a todos em sua legitimidade. A rua, por sua vez, apresenta uma dinâmica que favorece a liberdade, proporcionando múltiplas possibilidades de convívio e aprendizagem

Presented work deals with analysis and description of the pastoral approaches of youth workers in the Salesian youth centres. The common characteristics of the Salesian youth centres are presented in the introductory part of the work. At first this theoretic part deals with the common conception of the Salesian youth pastoral ministry, afterwards deals with the official Czech conception. Second part of the work is applied. It is focused on the qualitative research realised in autumn 2007. It involved 18 respondents from the Salesian youth centres. This applied part starts with description of the research preparation and continues with description of the research process. Finally it deals with the data synthesis. There is a list of the results at the end of this part. There is a large supplement of the data attached at the end of the work.

Este trabalho investiga uma ação educativa em arte em espaços não formais de educação originária de uma política pública da Secretaria do Menor do Estado de São Paulo (gestão 1987 a 1994). Levantou a hipótese de que esta experiência com ensino de arte concorreu para a formação de seus profissionais e trouxe contribuições para as práticas que exercem nas instituições escolares às quais estão vinculados hoje. Configurou-se como pesquisa qualitativa e a metodologia empregada ressaltou o levantamento de dados secundários, como as publicações oficiais da época, mas também dados primários a partir de entrevistas semiestruturadas com profissionais que tiveram papel fundamental na criação, implantação e prática nos Programas de Complementação Escolar. Concluiu que esses professores realizaram uma experiência de ensinar e aprender de maneira significativa e que a concepção Arte como pesquisa, no espaço educativo indicou orientações didáticas para o trabalho em arte que enfatiza um espaço/tempo privilegiado para os menores desenvolverem ação criadora e trabalhos nas linguagens artísticas e, às equipes profissionais, a práxis educativa. A concepção Arte como pesquisa, no espaço educativo apresenta um modo de ver a arte na educação, com um projeto pedagógico em arte comprometido com a experimentação, descoberta, invenção e processos criadores das crianças, adolescentes e jovens, como também dos professores. / This paper investigates an art-centric educative action in informal venues of education, originating from a public policy created by the Secretariat of Minors of the State of São Paulo (management of 1987 to 1994). It hypothesizes that the experience with art education concurred with the development of its professionals and brought contributions to the practices of the educational institutions to which they were bound presently. It was configured as qualitative research, and the methodology applied highlighted the survey of secondary data, such as official publications of the time, but also primary data in the form of semi-structured interviews with professionals who had fundamental part in the creation, establishment and practice of the after-school Programs. The conclusion was that these professors held a teaching and learning experience in a significant way and that the concept of Art as research in the educative environment implied didactic orientations for the work in art that emphasizes a privileged space/time for minors to develop creativeness and action in artistic languages and, to the professional teams, the educative praxis. The concept of Art as research in the educative environment presents one manner in which to see art in education, like one pedagogic project in art committed with experimentation, discovery, invention and creative processes in children, adolescents and the youth, as well as with professors.

The thesis deals with a reflection on European Student Forum 2018 and ascertains selected delegates'viewpoints concerning pre-graduate teacher education. The thesis compares resulting ideas with attitudes of selected Czech candidates studying at different faculties of education. The theoretical part describes music education factors such as teachers and students. It further models the notion of music education and its historical development in European context. The third part provides readers with some insights into music organizations, their goals and mission. The EAS organization and its Student forums have been emphasized. The practical part constitutes of the result analysis based on future music teacher's ideas (Student Forum delegates as well as Czech students). The second part further establishes student's experience regarding their pre-graduate and informal teacher education. KEYWORDS music education, informal education, music organizations, European Association for Music in Schools, pre-graduate teacher education

Univerzita Karlova v Praze Pedagogická fakulta ABSTRACT KEY COMPETENCIES FOR SUSTAINABLE ACTION IN EARLY EDUCATION CURRICULUM PhDr. Tereza Vošahlíková Vedoucí práce Doc. RNDr. Vasilis Teodoridis, Ph.D. Katedra biologie a environmentálních studií Pedf UK Doktorský studijní program pedagogika Externí konzultantka Prof. dr. Ute Stoltenberg Institut für integrative Studien, Leuphana Universität Lüneburg Praha 2012 The thesis introduces environmentally oriented concepts in early education curriculum with one leading point of view: key competences for sustainable action. Key competences represent new, open ended form of educational goals. Early education curriculum defined broadly as all educational content (planned, realized and hidden) presents a field of study of this thesis. In this field, a new concept, education for sustainable development, should be implemented worldwide. The question is, how far and how successfully can this concept be introduced in the early education curriculum on the level of educational goals. There are many general strategies and models of curriculum revision. In order to structure the empirical study, a hierarchical model of macro-, meso- and micro level of curriculum was established. This model allows examination of two ways of education for sustainable development implementation,...

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